African Arts

Article	Citations
Listening as a Radical Act Conversations on Decoloniality and Fashion	6
The Cloth That Eats Money: Ṣeghoṣen as a Symbol of Prestige	2
(In)visibility and African Fashion in UK Museums	2
Doran Ross: The Scholar of Akan Art	2
Beyond Listening: Systemic Transformation in Fashion Studies and Fashion Collections	1
“No caminho das Estrelas”: How Socialism Created a Framework for the Emergence of Postindependence Modern Art in Angola	1
Power and Play	1
Talking, Stuttering, Speaking Whilst Listening Intently for a Promise of Egalitarian Regeneration: A Five-Way Conversation	1
Restitution: Paths Toward a Clearing	1
Doran H. Ross	1
Remembering the Herero-Nama Genocide in Namibia	1
Reflection on Benin Repatriation Conversation	1
Nkwọ Onunu Cultural Heritage in Nsukka Igbo, Nigeria	1
Exposing Something to Someone While Exposing Someone to Something: blaxTARLINES Exhibition Cultures There-Then-And-Hereafter	1
Dancing Altars	1
The “Negress” of Alexandria: African Womanhood in Modern Egyptian Art	1
“If a Woman Knows Cult Secret, She Must Never Tell”: Ritual Consecration, Secrecy, and Female Power in Egungun Pageantry Among the Yoruba	1
Arts of Global Africa: A Curatorial [Re]Vision of a Museum's Legacy	1
Personal Reflections on Technologies and the Study of African Art	1
Transforming Art from Commodity to Gift: kąrî’kạchä seid'ou's Silent Revolution in the Kumasi College of Art	1
Urban Taxi Slogans: The People's Arts	1
Breathing Room: Working Principles of Independent Art Spaces in African Cities	0
Second Careers: Two Tributaries in African Art	0
Ìgwèbúiké: Exhibition of Sculpture in Honour of El Anatsui at 75 Years	0
Editing in the Time of COVID	0

“Where Shall We Place Our Hope?”: COVID-19 and the Imperiled National Body in South Africa's “Lockdown Collection”	0
Déborder la Négritude: Arts, politique et société à Dakar	0
Writing with Others	0
So, What Do We Do Now?	0
African Masking Systems: An Archive Of Social Commentary	0
El Anatsui: The Reinvention of Sculpture by Okwui Enwezor and Chika Okeke-Agulu	0
Afterlives of the Black Atlantic	0
PLAN B, a Gathering of Strangers (or) This Is Not Working by Goldendean	0
Carnival and the Theme of Migration	0
Smoke, Dust, and Blood	0
Crowning Achievements: African Arts of Dressing the Head	0
Iklan Aesthetics in Niger: Identity and Adornment from Servility to Self-agency	0
Calabar Carnival	0
Doran Ross, Our Mentor and Friend	0
Present Pasts of Colonial Modernity: Embroideries by Lucie Kamuswekera	0
Khatt Islāmi: Sacred Scripts from Islamic Africa	0
Michael Armitage	0
The Way She Looks: A History of Female Gazes in African Portraiture—Photographs from the Walther Collection	0
Lumumba in the Arts	0
Decolonizing Heritage: Time to Repair in Senegal by Ferdinand de Jong	0
New Masks, New Meanings: Covid Perspectives on African Art History: Part 2: Coups, Pandemics, and Careers in African Art History	0
TEXTURES: The History and Art of Black Hair	0
Imperatives of Restitution: Standards and Funding	0
Freddy Tsimba, Mabele Eleki Lola! The Earth, Brighter than Paradise	0
The Long View: Leadership at a Critical Juncture for “African Art” in America	0
L'engagement Financier des Pays Depositaires: Un Element Cle de la Reparation	0
Doran—The Elephant-in-Chief	0
Practical Work: Sapeuses (Women Sapeurs) in Kinshasa, Democratic Republic of the Congo	0
Touria El Glaoui	0
Picasso's Demoiselles: The Untold Origins of a Modern Masterpiece	0
Bámigbóyè: A Master Sculptor of the Yorùbá Tradition curated by James Green and Bámigbóyè: A Master Sculptor of the Yorùbá Tradition by James Green with contributions by Olúṣẹ̀yẹ Adéṣọlá, Anne Turner	0
Remembering a Great Man: A Conversation with Kwame Akoto of Almighty God Art Works	0
Power Objects	0
African Vernacular Symbols of Black Intersex Children in Sinethemba Ngubane's Installations (2007-2016)	0
African Textiles, Fashionable Textiles: An Introduction	0
Afropolitanist Return and Circulation	0
Supporting New Futures in the Arts: From the Prince Claus Fund and Back	0
On the Origins of the Récades of the Kings of Dahomey	0
The Language of Beauty in African Art curated by Constantine Petridis	0
Continental Collaboration: Consulting, Institution Building, and Mentoring Across Africa	0
Peju Alatise	0
One Who Dreams Is Called A Prophet by Sultan Somjee	0
A Reconsideration of the History and Iconology of Yorùbá Equestrian Figure through Two Ifá Verses and the Ojúde-Ọ ba Festival	0
The Lower Niger Bronzes: Beyond Igbo Ukwu, Ife, and Benin by Philip M. Peek	0
Exchanging Symbols: Monuments and Memorials in Post-Apartheid South Africa	0
The House Was Too Small: Yorùbá Sacred Arts from Africa and Beyond	0
Rethinking America's Past: Voices from the Kinsey African American Art and History Collection	0
We Write to You About Africa curated by Laura De Becker and Ozi Uduma; Wish You Were Here: African Art and Restitution curated by Laura De Becker, Bridget Grier, Timnet Gedar, and Ozi Uduma	0
Changes Everywhere You Look	0
L'Art de cour d'Abomey, le sens des objets by Gaëlle Beaujean	0

Afro-Catholic Festivals in the Americas: Performance, Representation, and the Making of Black Atlantic Tradition	0
Mapping the Earth's Embrace: Queer Life-Building in Mame-Diarra Niang's Éthérée	0
Full Circle: A Half Century of Friendship	0
Forensic Art History?	0
Erratum: Textiles in the History of the History of African Art	0
A Quiet Revolution in Arts Education: The Rise of blaxTARLINES Kumasi	0
Traditional Igbo Architecture: A Symbolic Evaluation	0
Back-and-Forth: Cutting Our Coats According to Some Cloths and Other Smaller Things …	0
Unfixed: Photography and Decolonial Imagination in West Africa	0
Ernest Mancoba: “I Shall Dance in a Different Society”	0
Decorative Arts of the Tunisian École: Fabrications of Modernism, Gender, and Power	0
The Making of Contemporary Art in Tanzania	0
Revealing Relationships: Colonial Photograph Albums of the Niger Delta at the British Museum: A Case Study	0
Doran H. Ross: Generosity. Intellect. Passion.	0
Carnival in Africa	0
The Ritual Solidarity of Masked Processions in Calabar, Cameroon, and Cuba	0
The View From Here: Contemporary Perspectives from Senegal	0
Facing Toward the Future: How New Categories May Emerge	0
Sane Wadu: I Hope So curated by Mukami Kuria and Angela Muritu	0
Moth to Cloth: Silk in Africa	0
Excellent!: Textiles from Mali	0
Unravelling Regional and Global Connections: Historical Kente and Related Textiles in Ghana, Togo, and Côte d'Ivoire	0
Aïda Muluneh's Homebound: A Journey in Photography & Addis Foto Fest: Nine Years Survey	0
Postcolonial Modernism: Art and Decolonization in Twentieth-Century Nigeria	0
Doran's Being in Africa	0
100 × Congo: A Century of Congolese Art in Antwerp	0
The Flip-flop Toys of Saarenald T. S. Yaawaisan in the Bryn Mawr Art and Artifact Collections	0
Inside History: Seeking Figurative Thinking	0
Practicing Decoloniality	0
Gatekeepers and Vengeful Spirits of the Ọ̀wọ̀ Past: Word and Act Made Visible	0
Sidney Littlefield Kasfir 1939–2019	0
The Place of Socialism in African Art	0
Motifs in Motion: Fes Belts (Ahzima) and Moroccan Design Innovation in the Mediterranean World	0
Paa Joe: Gates of No Return	0
Honoring Doran Ross: The Beads, Body, & Soul Project & Beyond …	0
N'Goné Fall	0
Exterminate All the Brutes directed by Raoul Peck	0
Beyond Single Collections	0
That the House May Stand Again: Veranda Posts in Ọ̀yọ́ Palace	0
We Made It in Venice! But Then …? Reversing Notions of Center and Periphery	0
Kanga Cloths at Vlisco: An Object-Based Study of Dutch Printing for the Colonial East African Market, 1876–1971	0
Touched and Changed: Self-Reflexivity and Reciprocity in Fieldwork	0
A Note on African Socialism	0
Colonial Legacies: Contemporary Lens-Based Art and the Democratic Republic of Congo by Gabriella Nugent	0
The “Black Art” Renaissance:African Sculpture and Modernism Across Continents	0
The African Origin of Civilization curated by Alisa LaGamma and Diana Craig Patch; Before Yesterday We Could Fly: An Afrofuturist Period Room curated by Hannah Beachler, Michelle Commander, Ian Alteve	0
Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa by Brian Valente-Quinn	0
The Swahili World	0
Susan Mullin Vogel: Disturbing Expectations	0
Textiles in the History of the History of African Art	0
The Abolition of Museums of African Art	0
Igshaan Adams: A Body of Work	0
“Africa's First Woman Press Photographer”: Mabel Cetu's Photographs in Zonk!	0
Tragedy of the Nation in Ndidi Dike's State of the Nation	0
Reimagining Borders curated by Clairmont Chung	0
Embodied Morality: Ekpri Àkàtà Masquerade of Efik Society, Nigeria	0
Create to Free Yourself curated by Stephan Köhler	0
Gosette Lubondo: Imaginary Trip curated by Erica P. Jones and Elaine Eriksen Sullivan	0
William Fagaly March 1, 1938-May 23, 2021	0
African Modernism in America, 1947–1967	0
Hidden Elements: Victor Ekpuk's Illustrations for the Daily Times of Nigeria	0
Doran H. Ross 1947–2020	0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World by Anna Arabindan-Kesson and Visualizing Empire: Africa, Europe, and the Politics of Representation edited by Rebecca Peabody,	0
Bloodflowers: Rotimi Fani-Kayode, Photography, and the 1980s	0
Media Primitivism: Technological Art in Africa By Delinda Collier	0
Modernist Art in Ethiopia	0
The Artfulness of Death in Africa	0
African Socialist Cultural Policy: Senegal under Senghor	0
After All Is Said and Done: On Fluid Solidarity and Survival	0
Cloth is Money: Textiles from the Sahel	0
African Apparel: Threaded Transformations Across the 20th Century	0
Saturdays	0
New Masks, New Meanings: Covid Perspectives on African Art History: Part 1: Behind The Mask: African Art History in a Pandemic Era	0
The Financial Commitment of Repository Countries: A Key Element of Reparation	0
Wrapped in Pride: Ghanaian Kente and African American Identity	0
Art for People's Sake: Artists and Community in Black Chicago, 1965-1975 by Rebecca Zorach	0
Early African Ivories	0
Archiving the Algerian Revolution in Zineb Sedira's Gardiennes d'images	0
African Arts — Global Conversations	0
Artifacts from the Perspective of Effutu Masquerade Performance: An Aesthetic Album	0

Picasso in Dakar, 1972-2022 curated by Guillaume de Sardes, Hélène Joubert, El Hadji Malick Ndiaye, and Ousseynou Wade	0
Ceremonial Bill-Hooks from Sierra Leone	0
The Doctor, Ghana, and Me	0
Photo Cameroon: Studio Portraiture, 1970s-1990s	0
[Re:]Entanglements: Colonial Collections in Decolonial Times curated by Paul Basu	0
The Thinkers	0
Sahel:Art and Empires on the Shores of the Sahara	0
Morphing Identity and Style in Contemporary Ghanaian Painting: Two Artists From Sekondi-Takoradi	0
Dream No Small Dream	0
Beyond Aesthetics: Use, Abuse, and Dissonance in African Traditions	0
Art du Bénin d'hier et d'aujourd'hui: de la Restitution à la Révélation curated by Léa Awunou Roufai and Yassine Lassissi (contemporary art) and Edmond Toli, Alain Godonou, and José Pliya (Danxomèan a	0
Doran H. Ross: His Fabulous Fowler Years	0
Ways of the Rivers: Arts and Environment of the Niger Delta	0
Heroes: Principles of African Greatness curated by Kevin Dumouchelle	0
Beyond the “Popular” versus “Serious” Criticism Binary: Towards New Histories of Black Art Criticism	0
On Stage-Crafting and State-Crafting Beyond Crisis: Ibrahim Mahama's Word and Deed	0
The Contemporary Art World, Africa, and the Women Who Have Brought About Change	0
A Museum of Black Civilizations in the Contemporary World: In conversation with Hamady Bocoum	0
The Arts of Africa: Studying and Conserving the Collection, Virginia Museum of Fine Arts by Richard B. Woodward, Ash Duhrkoop, Ndubuisi Ezeluomba, Sheila Payaqui, Ainslie Harrison, Casey Mallinckrodt,	0
Women and Photography in Africa: Creative Practices and Feminist Challenges	0
Fatimah Tuggar: Home's Horizons	0
African Textiles, Fashionable Textiles: A Historiography	0
Deep Ties: Cole and Ross, 1972–2020	0
Lagos and Its Representation in Visual Arts	0
Art, Socialism, and Solidarity at the International Congress of Africanists, 1962–1973	0
An Unwavering Passion: Doran Ross's Scholarship on Asafo Flags	0
Ancestors in Search of Descendants: Stone Effigies of the Ancient Sapi by F. J. Lamp	0
“Knowledge” or “Progress?”: Do They Have to Be Mutually Exclusive?	0
fiktion Kongo: Kunstwelten zwischen Geschichte und Gegenwart / Congo as Fiction: Art Worlds Between Past and Present	0
Before Nollywood: The Ideal Photo Studio curated by Amy Staples. Iké Udé: Nollywood Portraits Originating curator: Selene Wendt; Smithsonian curator: Karen Milbourne	0
Shifting Landscapes	0
Atta Kwami: September 14, 1956-October 6, 2021	0
Doran Hrothgar Ross Scholar, Trickster, Connoisseur	0
Bisi Silva	0