OOIR: Observatory of International Research

Papers

(The median citation count of Journal of the American Musicological Society is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Musical Genre and Romantic Ideology: Belonging in the Age of Originality, by Matthew Gelbart	2
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman	2
Index to Volume 75	2
Contributors to This Issue	2
Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification	2
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly	1
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon	1
Nostalgia and Videogame Music: A Primer of Case Studies, Theories, and Analyses for the Player-Academic, edited by Can Aksoy, Sarah Pozderac-Chenevey, and Vincent E. Rone	1
Billie Eilish and the Feminist Aesthetics of Depression: White Femininity, Generation Z, and Whisper Singing	1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid	1
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz	1
Mozart the Performer: Variations on the Showman’s Art, by Dorian Bandy	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Nadia Boulanger and Her World, edited by Jeanice Brooks	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
The Promise and Peril of Making Digital Maps Sing	1
On African Music: Techniques, Influences, Scholarship, by Kofi Agawu	1
Publications Received	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
The Literary Echoes in Milton Babbitt’s Music	1
Sonic Decency: Music in the Aftermath of Guatemala’s 1773 Santa Marta Earthquake	1
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception, by Simon P. Keefe	1
The Beatles: Get Back, directed by Peter Jackson	1
Contributors to This Issue	1
Author Submission Guidelines	1

Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos	1
Mozart and the Mediation of Childhood, by Adeline Mueller	1
Publications Received	1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin	1
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France, by Yossi Maurey; Vexilla regis glorie: Liturgy and Relics at the Sainte-Chapell	1
Music in the Flesh: An Early Modern Physiology, by Bettina Varwig	1
American Religious Sounds Project	1
I Used to Love to Dream, by A. D. Carson	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
History beyond Recovery: Julius Eastman and the Challenge of the Heterological	1
Music, Sound, and Trauma	1
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906	1
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley	1
Song in the Sumatran Highlands	1
Publications Received	1
Publications Received	1
Author Submission Guidelines	1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz	1
Music, Subjectivity, and Schumann, by Benedict Taylor	1
Timeline of African American Music	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
The Great War, the Little String, and the Transformation of Modern Violin Playing	1
What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism, by Adrian Daub	1
Publications Received	1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding	1
Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War	1
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	1
Fantasie nègre: The Piano Music of Florence Price, by Samantha Ege	1
Author Submission Guidelines	1
Synchronization as Musical Labor in Italian Silent Cinemas	1
Queer Country, by Shana Goldin-Perschbacher	1
Author Submission Guidelines	1
Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–60	1
Armida on the Beach: A Cinquecento Rhetorical Model of the Emotions and Its Musical Reception	1
Author Submission Guidelines	1
Carl Philipp Emanuel Bach: The Complete Works	1
Publications Received	1
Women and Music in Sixteenth-Century Ferrara, by Laurie Stras	0
Contributors to This Issue	0
Contributors to This Issue	0
The Neural Orchestra: Cognitive Instrumentalities	0
Summer of Soul (… Or, When the Revolution Could Not Be Televised), directed by Ahmir “Questlove” Thompson	0
De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917), edited by Javier Marín-López	0
Index to Volume 76	0
Musical Migration and Imperial New York: Early Cold War Scenes, by Brigid Cohen	0
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley	0
The Global Tonnetz	0
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, by Sarah Ann Long	0
Author Submission Guidelines	0
Digitizing Public Musicology	0

Contributors to This Issue	0
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude, by Richard Kramer	0
She Played and Sang: Jane Austen and Music, by Gillian Dooley	0
Sounding Human: Music and Machines, 1740/2020, by Deirdre Loughridge	0
Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France, by Peter Bennett	0
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing, by Emily Zazulia	0
Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne	0
Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film	0
Global Chopin: The 1949 Centenary and Polish Internationalism during the Early Cold War	0
Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)	0
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne	0
Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800, edited by Kate van Orden	0
Contributors to This Issue	0
Vera Lynn Sings: Domesticity, Glamour, and National Belonging on 1950s British Television	0
Songs of the New World and the Breath of the Planet at the Orbis Spike, 1610: Toward a Decolonial Musicology of the Anthropocene	0
Colloquy: Theorizing Global Music History	0
#AlmaToo: The Art of Being Believed	0
Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation	0
Sound Relations: Native Ways of Doing Music History in Alaska, by Jessica Bissett Perea	0
Publications Received	0
Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.	0
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds	0
Olin Downes and the Soviets	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland, by Andrea F. Bohlman	0
A Poetics of Handel’s Operas, by Nathan Link	0
Contributors to This Issue	0
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture, by Anthony R. DelDonna	0
The Comedians of the King: “Opéra Comique” and the Bourbon Monarchy on the Eve of Revolution, by Julia Doe	0
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy, by Larry Wolff	0
Author Submission Guidelines	0
Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez	0
How Sonata Forms: A Bottom-Up Approach to Musical Form, by Yoel Greenberg	0
Digital Open-Access and Open Educational Resources for the Music History Classroom	0
Publications Received	0
Contributors to This Issue	0
Author Submission Guidelines	0
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	0
Evliya’s Song: Listening to the Early Modern Ottoman Court	0
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)	0
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	0
Sacred Sounds, Secular Spaces: Transforming Catholicism through the Music of Third-Republic Paris, by Jennifer Walker	0
Buckra: Whiteness and Porgy and Bess	0
Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music	0
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century, by Nicholas Mathew	0
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja	0
Contributors to This Issue	0
Sounding Latin Music, Hearing the Americas, by Jairo Moreno	0
Hector Berlioz’s Neurophysiological Imagination	0
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	0
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, by Cisco Bradley	0
Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music, by Annika Forkert and The Life and Music of Elizabeth Maconchy, by Erica Siegel	0
Flaming? The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance, by Alisha Lola Jones	0
On the Failure of White Feminism: When PJ Harvey and Björk Covered the Rolling Stones’ “Satisfaction”	0
On Music Theory, and Making Music More Welcoming for Everyone, by Philip Ewell	0
Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions	0
Author Submission Guidelines	0
Singing Webern, Sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957	0
The Musical Language of Italian Opera, 1813–1859, by William Rothstein	0
Sonic Bodies: Text, Music, and Silence in Late Medieval England, by Tekla Bude	0
New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley	0
“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	0
Clara Schumann Studies, edited by Joe Davies	0
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies	0
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together	0
The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries, by Anna Maria Busse Berger	0
Printing Music in Renaissance Rome, by Jane A. Bernstein	0
Publications Received	0
Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson	0
The Beethoven Syndrome: Hearing Music as Autobiography, by Mark Evan Bonds	0