Journal of the American Musicological Society

Papers
(The TQCC of Journal of the American Musicological Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Contributors to This Issue2
Life of a Colombian Musician: Music Autobiography, Cosmopolitan Musickings, and Agonistic Objectification2
Musical Genre and Romantic Ideology: Belonging in the Age of Originality, by Matthew Gelbart2
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman2
Index to Volume 752
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France, by Yossi Maurey; Vexilla regis glorie: Liturgy and Relics at the Sainte-Chapell1
American Religious Sounds Project1
Music in the Flesh: An Early Modern Physiology, by Bettina Varwig1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums1
I Used to Love to Dream, by A. D. Carson1
Music, Sound, and Trauma1
History beyond Recovery: Julius Eastman and the Challenge of the Heterological1
Healing for the Soul: Richard Smallwood, the Vamp, and the Gospel Imagination, by Braxton D. Shelley1
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 19061
Song in the Sumatran Highlands1
Publications Received1
Publications Received1
Author Submission Guidelines1
Music, Subjectivity, and Schumann, by Benedict Taylor1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom1
Timeline of African American Music1
The Great War, the Little String, and the Transformation of Modern Violin Playing1
What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism, by Adrian Daub1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding1
Publications Received1
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti1
Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War1
Author Submission Guidelines1
Fantasie nègre: The Piano Music of Florence Price, by Samantha Ege1
Queer Country, by Shana Goldin-Perschbacher1
Synchronization as Musical Labor in Italian Silent Cinemas1
Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–601
Author Submission Guidelines1
Armida on the Beach: A Cinquecento Rhetorical Model of the Emotions and Its Musical Reception1
Author Submission Guidelines1
Carl Philipp Emanuel Bach: The Complete Works1
Publications Received1
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon1
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly1
Billie Eilish and the Feminist Aesthetics of Depression: White Femininity, Generation Z, and Whisper Singing1
Nostalgia and Videogame Music: A Primer of Case Studies, Theories, and Analyses for the Player-Academic, edited by Can Aksoy, Sarah Pozderac-Chenevey, and Vincent E. Rone1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid1
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden1
Mozart the Performer: Variations on the Showman’s Art, by Dorian Bandy1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague1
Nadia Boulanger and Her World, edited by Jeanice Brooks1
On African Music: Techniques, Influences, Scholarship, by Kofi Agawu1
The Promise and Peril of Making Digital Maps Sing1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis1
Publications Received1
The Literary Echoes in Milton Babbitt’s Music1
Sonic Decency: Music in the Aftermath of Guatemala’s 1773 Santa Marta Earthquake1
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception, by Simon P. Keefe1
The Beatles: Get Back, directed by Peter Jackson1
Contributors to This Issue1
Author Submission Guidelines1
Mozart and the Mediation of Childhood, by Adeline Mueller1
Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos1
Publications Received1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin1
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