Journal of the American Musicological Society

Article	Citations
The Literary Echoes in Milton Babbitt’s Music	11
American Religious Sounds Project	7
Contributors to This Issue	6
Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos	4
Living at Night in Times of Pandemic: Night Studies and Club Culture in France and Germany	3
Contributors to This Issue	2
Author Submission Guidelines	2
Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings	2
In Search of Panpipes, or the Limits of Materiality	2
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together	2
The Promise and Peril of Making Digital Maps Sing	2
Index to Volume 76	1
Headphones On: Audio-Enhanced Soundwalks for Teaching and Analysis	1
Colloquy: Theorizing Global Music History	1
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)	1
“This Last Remaining Vestige of Human Liberty”: Barbershop Music, Racial Segregation, and Civil Rights, 1938–1963	1
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley	1
New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson	1
When Imperial Narratives Fail, or Constructing a History of Musical Modernism in Ukraine	1
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, by Cisco Bradley	1

Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation	1
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne	1
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude, by Richard Kramer	1
Dreaming in Ensemble: How Black Artists Transformed American Opera	1
With, Against, and Along the Grain: Digital and Multimedia Sources on Cantonese Opera	1
From Dreams to Nightmares: The Nazi Suppression of Mendelssohn’s Incidental Music to A Midsummer Night’s Dream	1
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	1
Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music, by Annika Forkert and The Life and Music of Elizabeth Maconchy, by Erica Siegel	1
Publications Received	1
Publications Received	1
Music, Politics and Society in Ancient Rome	1
Contributors to This Issue	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Carl Philipp Emanuel Bach: The Complete Works	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
Music and Power at the Court of Louis XIII: Sounding the Liturgy in Early Modern France, by Peter Bennett	0
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	0
Seachanges: Music in the Mediterranean and Atlantic Worlds, 1550–1800, edited by Kate van Orden	0
Publications Received	0
Digitizing Public Musicology	0
Contributors to This Issue	0
Beyond Exceptionalism: The Washington Conservatory of Music and the Education of Black Classical Musicians, 1903–60	0
Publications Received	0
Mozart and the Mediation of Childhood, by Adeline Mueller	0
Music, Subjectivity, and Schumann, by Benedict Taylor	0
Contributors to This Issue	0
Immaculate Sounds: The Musical Lives of Nuns in New Spain, by Cesar D. Favila	0
History beyond Recovery: Julius Eastman and the Challenge of the Heterological	0
Author Submission Guidelines	0
On the Failure of White Feminism: When PJ Harvey and Björk Covered the Rolling Stones’ “Satisfaction”	0
Expanding the Music Theory Canon: Inclusive Examples for Analysis from the Common Practice Period, by Paula Maust; Inclusive Music Histories: Leading Change through Research and Pedagogy	0
Dmitry Shostakovich and Music for Stalinist Cinema (1936–1953)	0
Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital, by Michael E. Veal	0
Author Submission Guidelines	0
Publications Received	0
Digital Open-Access and Open Educational Resources for the Music History Classroom	0
Bruckner’s Fourth: The Biography of a Symphony	0
Olin Downes and the Soviets	0
Author Submission Guidelines	0
Listening through the Colonial Noise: Things, Sound Objects, and Legacy at the Berliner Phonogramm-Archiv’s Konrad T. Preuss Collection	0
The Musical Language of Italian Opera, 1813–1859, by William Rothstein	0
The Making of European Music in the Long Eighteenth Century	0
Songs of the New World and the Breath of the Planet at the Orbis Spike, 1610: Toward a Decolonial Musicology of the Anthropocene	0
A Defense of Mode and Cipriano de Rore’s “First Book” of Five-Voice Madrigals (1542)	0
Experiencing Eras, Worldbuilding, and the Prismatic Liveness of Taylor Swift and The Eras Tour	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland, by Andrea F. Bohlman	0
Sound Relations: Native Ways of Doing Music History in Alaska, by Jessica Bissett Perea	0
She Played and Sang: Jane Austen and Music, by Gillian Dooley	0
Politics, Technology, and Interdisciplinarity at the Centro Latinoamericano de Altos Estudios Musicales (CLAEM): Rafael Aponte-Ledée’s Presagio de pájaros muertos (1966)	0
The Gospel Love Album: Negotiating Articulations of Gender, Sexuality, and Realness	0

Sonic Decency: Music in the Aftermath of Guatemala’s 1773 Santa Marta Earthquake	0
How Sonata Forms: A Bottom-Up Approach to Musical Form, by Yoel Greenberg	0
Publications Received	0
Contributors to This Issue	0
Sounding Latin Music, Hearing the Americas, by Jairo Moreno	0
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing, by Emily Zazulia	0
Monteverdi and the Marvellous: Poetry, Sound, and Representation, by Roseen Giles	0
Author Submission Guidelines	0
Constructing Celebrity at Cours-la-Reine in Massenet’s Manon	0
Faith, Trauma, Resistance, and Resilience in the Revolutionary Songs of Civil War El Salvador	0
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy, by Larry Wolff	0
Contributors to This Issue	0
Rape at the Opera: Staging Sexual Violence, by Margaret Cormier	0
On African Music: Techniques, Influences, Scholarship, by Kofi Agawu	0
Citations: The Renaissance Imitation Mass Project (CRIM). Richard Freedman and David Fiala, Project Directors.	0
Publications Received	0
The Beatles: Get Back, directed by Peter Jackson	0
Island Time: Speed and the Archipelago from St. Kitts and Nevis	0
Mozart the Performer: Variations on the Showman’s Art, by Dorian Bandy	0
Cosmopolitan Connections and Immigrant Audiences: Reconsidering the Yiddish Operetta	0
Publications Received	0
Sounding the Vote: A Review of Trax on the Trail	0
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	0
“If You Have to Ask, You’ll Never Know”: RIPM Jazz Beyond Jazzbros	0
Author Submission Guidelines	0
Summer of Soul (… Or, When the Revolution Could Not Be Televised), directed by Ahmir “Questlove” Thompson	0
That Which We Call a Mode: Making the Case for an Open Concept of Modality	0
Sounding Human: Music and Machines, 1740/2020, by Deirdre Loughridge	0
The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne	0
The Neural Orchestra: Cognitive Instrumentalities	0
Waste Not, Want Not: Recycling in Republic Pictures’ Serial Scores	0
Opera in the Viennese Home from Mozart to Rossini	0
Clara Schumann Studies, edited by Joe Davies	0
(Knee) Drop It Like It’s Hot: Breaking’s Debut in the 2024 Olympic Games	0
Armida on the Beach: A Cinquecento Rhetorical Model of the Emotions and Its Musical Reception	0
Nostalgia and Videogame Music: A Primer of Case Studies, Theories, and Analyses for the Player-Academic, edited by Can Aksoy, Sarah Pozderac-Chenevey, and Vincent E. Rone	0
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds	0
Material Cultures of Music Notation: New Perspectives on Musical Inscription, edited by Floris Schuiling and Emily Payne	0
Singing in Stimmtausch ca. 1100–1350: Repositioning Polyphony in Medieval France	0
The Global Tonnetz	0
Publications Received	0
A Poetics of Handel’s Operas, by Nathan Link	0
Contributors to This Issue	0
Views of the Annotator	0
Billie Eilish and the Feminist Aesthetics of Depression: White Femininity, Generation Z, and Whisper Singing	0
What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism, by Adrian Daub	0
From Difference to Ambiguity: Undoing Antiracist Fallacies in US Music Studies	0
The Great War, the Little String, and the Transformation of Modern Violin Playing	0
Race, Gender, and the Colonial Orchestral Body at the New Zealand International Exhibition, 1906	0
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies	0
Author Submission Guidelines	0
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception, by Simon P. Keefe	0
On Music Theory, and Making Music More Welcoming for Everyone, by Philip Ewell	0
Queer Country, by Shana Goldin-Perschbacher	0
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	0
Author Submission Guidelines	0
Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film	0
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon	0
Contributors to This Issue	0
Edward Lowinsky and the Divisive Politics of the New Josquin Edition	0
Fanfare for a City: Music and the Urban Imagination in Haussmann’s Paris, by Jacek Blaszkiewicz	0
Shopping Sounds: The Rahrs’ Dutch Music Shop, Its Customers, and Their Tastes, ca. 1835–1900	0
Aesthetic Wit(h)nessing in Anti-lynching Songs by Silvestre Revueltas and Carlos Chávez	0
The Haydn Economy: Music, Aesthetics, and Commerce in the Late Eighteenth Century, by Nicholas Mathew	0
Musical Migration and Imperial New York: Early Cold War Scenes, by Brigid Cohen	0
Music in the Flesh: An Early Modern Physiology, by Bettina Varwig	0
Throwing off the Russian Lenses from Soviet Music: The Colonization and Decolonization of Georgian and Ukrainian Music	0
Printing Music in Renaissance Rome, by Jane A. Bernstein	0
Regionalizing the Nation: The Symphonies of Franz Lachner and Emilie Mayer in Relationship to German National Identity	0
Author Submission Guidelines	0
Publications Received	0
Musical Genre and Romantic Ideology: Belonging in the Age of Originality, by Matthew Gelbart	0
The Oxford Handbook of Jewish Music Studies	0
Author Submission Guidelines	0
Timeline of African American Music	0
Evliya’s Song: Listening to the Early Modern Ottoman Court	0
Music, Sound, and Trauma	0
Whose Decolonization? Prospects for Decolonizing African Art Music	0
Gender and Voice in Medieval French Literature and Song, edited by Rachel May Golden and Katherine Kong and A Companion to Female-Voice Song and Women’s Musical Agency in the Middle Ages	0
Music’s AI Problem, AI’s Music Problem	0

Contributors to This Issue	0
Sonic Bodies: Text, Music, and Silence in Late Medieval England, by Tekla Bude	0
“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	0
Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France, by Yossi Maurey; Vexilla regis glorie: Liturgy and Relics at the Sainte-Chapell	0
Resonances from Beyond the Grave: Music and the Occult in Nineteenth-Century Paris	0