OOIR: Observatory of International Research

Papers

(The TQCC of Journal of the American Musicological Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
The Literary Echoes in Milton Babbitt’s Music	5
American Religious Sounds Project	3
In Search of Panpipes, or the Limits of Materiality	2
Contributors to This Issue	2
The Promise and Peril of Making Digital Maps Sing	2
Grand Illusion: Phantasmagoria in Nineteenth-Century Opera, by Gabriela Cruz	2
Author Submission Guidelines	2
Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos	2
Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation	1
#AlmaToo: The Art of Being Believed	1
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)	1
Experiencing Eras, Worldbuilding, and the Prismatic Liveness of Taylor Swift and The Eras Tour	1
Contributors to This Issue	1
Sounding Together: Collaborative Perspectives on U.S. Music in the 21st Century, edited by Charles Hiroshi Garrett and Carol J. Oja	1
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture, by Anthony R. DelDonna	1
Synchronization as Musical Labor in Italian Silent Cinemas	1
Publications Received	1
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude, by Richard Kramer	1
On African Music: Techniques, Influences, Scholarship, by Kofi Agawu	1
From Dreams to Nightmares: The Nazi Suppression of Mendelssohn’s Incidental Music to A Midsummer Night’s Dream	1
Singing Like Germans: Black Musicians in the Land of Bach, Beethoven, and Brahms, by Kira Thurman	1
Industry: Bang on a Can and New Music in the Marketplace, by William Robin	1
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne	1
“Listen and Be Amazed!”: Odeon, Künneke, and the First Recordings of Complete Symphonies	1
Contributors to This Issue	1

“Empty Claims of Fellowship”? Erich Doflein, Paul Hindemith, and Übungsmusik as Shared Task	1
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	1
De Nueva España a México: El universo musical mexicano entre centenarios (1517–1917), edited by Javier Marín-López	1
Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson	1
Clara Schumann Studies, edited by Joe Davies	1
Publications Received	1
A Poetics of Handel’s Operas, by Nathan Link	1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid	1
Alien Listening: Voyager’s Golden Record and Music from Earth, by Daniel K. L. Chua and Alexander Rehding	1
Black Diamond Queens: African American Women and Rock and Roll, by Maureen Mahon	1
Contributors to This Issue	1
Index to Volume 76	1
Carl Philipp Emanuel Bach: The Complete Works	1
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania, by Sarah Justina Eyerly	1
Contributors to This Issue	1
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550, by Sarah Ann Long	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
Hector Berlioz’s Neurophysiological Imagination	1
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, by Cisco Bradley	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music, by Annika Forkert and The Life and Music of Elizabeth Maconchy, by Erica Siegel	1
Buckra: Whiteness and Porgy and Bess	1
Colloquy: Theorizing Global Music History	1
From Modes to Keys in Early Modern Music Theory, by Michael R. Dodds	1
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley	1
Author Submission Guidelines	1
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together	1
Author Submission Guidelines	1
The Beatles: Get Back, directed by Peter Jackson	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet, by Pierpaolo Polzonetti	1
New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Digitizing Public Musicology	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
Devotional Refrains in Medieval Latin Song, by Mary Channen Caldwell	1
In Stravinsky’s Orbit: Responses to Modernism in Russian Paris, by Klára Móricz	1
Creatures of the Air: Music, Atlantic Spirits, Breath, 1817–1913, by James Q. Davies	1
Colonial Galant: Three Analytical Perspectives from the Chiquitano Missions	1
Contributors to This Issue	1