OOIR: Observatory of International Research

Papers

(The TQCC of Journal of the American Musicological Society is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
The Literary Echoes in Milton Babbitt’s Music	11
American Religious Sounds Project	8
Contributors to This Issue	7
Madama Butterfly / Madamu Batafurai: Transpositions of a “Japanese Tragedy,” by Arthur Groos	4
In Search of Panpipes, or the Limits of Materiality	3
Living at Night in Times of Pandemic: Night Studies and Club Culture in France and Germany	3
Author Submission Guidelines	2
Alberta Hunter, Musical Qualia of Blackness, and Black Women Working Together	2
Music, Politics and Society in Ancient Rome	2
Made in NuYoRico: Fania Records, Latin Music, and Salsa’s Nuyorican Meanings	2
“This Last Remaining Vestige of Human Liberty”: Barbershop Music, Racial Segregation, and Civil Rights, 1938–1963	2
Contributors to This Issue	2
The Promise and Peril of Making Digital Maps Sing	2
Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century Music, by Annika Forkert and The Life and Music of Elizabeth Maconchy, by Erica Siegel	1
Making Musicology	1
The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne	1
Berlioz in Time: From Early Recognition to Lasting Renown, by Peter Bloom	1
Carl Philipp Emanuel Bach: The Complete Works	1
O Say Can You Hear? A Cultural Biography of “The Star-Spangled Banner,” by Mark Clague	1
Nothing but Noise: Timbre and Musical Meaning at the Edge, by Zachary Wallmark	1
Prior Art: Forensic Evidence of Musical Originality in Copyright Litigation	1
Vaughan Williams and His World, edited by Byron Adams and Daniel M. Grimley	1
Publications Received	1
Reevaluating Political Musiktheater and Reversing Colonialist History: Mauricio Kagel’s Mare Nostrum (1975)	1
From Dreams to Nightmares: The Nazi Suppression of Mendelssohn’s Incidental Music to A Midsummer Night’s Dream	1

Contributors	1
The Making of European Music in the Long Eighteenth Century	1
Dreaming in Ensemble: How Black Artists Transformed American Opera	1
From Servant to Savant: Musical Privilege, Property, and the French Revolution, by Rebecca Dowd Geoffroy-Schwinden	1
Opera in the Tropics: Music and Theater in Early Modern Brazil, by Rogério Budasz; The Sweet Penance of Music: Musical Life in Colonial Santiago de Chile, by Alejandro Vera; Cinesonid	1
Voice, Slavery, and Race in Seventeenth-Century Florence, by Emily Wilbourne	1
New Orleans and the Creation of Transatlantic Opera 1819–1859, by Charlotte Bentley	1
Colloquy: Theorizing Global Music History	1
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront, by Cisco Bradley	1
Index to Volume 76	1
Contributors to This Issue	1
With, Against, and Along the Grain: Digital and Multimedia Sources on Cantonese Opera	1
Author Submission Guidelines	1
Clara Schumann Studies, edited by Joe Davies	1
French Musical Life: Local Dynamics in the Century to World War II, by Katharine Ellis	1
From the Ruins of Enlightenment: Beethoven and Schubert in Their Solitude, by Richard Kramer	1
Remember Me: Vocal Cadenzas as Mementos in Nineteenth-Century Musical Autograph Albums	1
Headphones On: Audio-Enhanced Soundwalks for Teaching and Analysis	1
Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, by Licia Carlson	1
When Imperial Narratives Fail, or Constructing a History of Musical Modernism in Ukraine	1
Publications Received	1