Archives of American Art Journal

Papers
(The median citation count of Archives of American Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Archives and Exile2
Editor’s Note0
Front Cover0
Evoking Place: María Luisa Pacheco’s Abstract Paintings0
Anton Refregier and Revolutionary Modern Dance0
Martha Jackson’s Voice: Gender, Oral History, and Art-Historical Evidence0
Jessica Stockholder Papers0
William C. Seitz and the Experience of Impressionism0
Envisioning Nonbinary Gender: The Art of Forrest Bess0
Editor’s Note0
New Collections Section Opener0
Felix Gonzalez-Torres Letters to María Martínez-Cañas0
New Collections Section Opener0
Four Walls Records0
Hisako Hibi and Matsusaburo “George” Hibi Papers0
Out of the Box: Beverly Buchanan0
Front Matter0
Alexander Iolas and Brooks Jackson Gallery Records0
Front Cover0
Roberta Allen Papers0
Source X Material0
Front Matter0
Listening to Ana Mendieta0
Paul J. Smith Papers0
Robert B. and Beatrice C. Mayer Family Collection Records0
Intertainment Value:The Cauliflower Alley Tapes0
Art in General Records0
Marjorie Kreilick Papers0
About the Archives of American Art0
Trading With R. Y.0
Oral History0
Beyond Side by Side: Intermediality in Senga Nengudi’s Collaborations0
New Collections Section Opener0
Front Matter0
Michèle C. Cone Papers0
Editor’s Note0
Battle for the Beach: Nancy Holt’s Solar Web0
Front Cover0
Editor’s Note0
Front Matter0
“Pictorially Yours”: The Correspondence of Joseph Cornell and Romana Javitz0
Connie Zehr Papers; Cherie Raciti Papers0
Front Cover0
Robert Hughes Papers0
Kinship Structures: Viola Frey, Charles Fiske, and Figurative Ceramics in California0
Michael Brewster Papers; Elyn Zimmerman Papers0
Lily Yeh Papers0
In Praise of Embarrassment0
Hannah Wilke’s Noh: Art, Feminism, and Pornography in the 1970s0
Front Cover0
About the Archives of American Art0
Notes to Self0
Front Matter0
Flo Allen and the Labor of the Nude0
“Current and Endless”: Reconsidering Rauschenberg’s Radio Pieces0
Oral History0
About the Archives of American Art0
Front Matter0
Lewis deSoto Papers0
The Art of Commercial Archives0
Race, Violence, and the Textual Politics of the New York Sketch Club0
Nela Arias-Misson Papers0
Front Cover0
About the Archives of American Art0
Alana Van Derwerker Materials Related to Haystack Mountain School of Crafts0
Tadaaki Kuwayama Papers Rakuko Naito Papers0
Robert Bechtle Papers / Tom Wudl Papers0
Editor’s Note0
Emanuel Martínez Papers0
Being There: The Singularity of Oral History0
Front Matter0
Front Matter0
About the Archives of American Art0
In Another’s Hand0
The Remains of Jerome Caja and Charles Sexton0
Bricozaje: Between Contested Terrains and Aesthetic Borderlands0
Editor’s Note0
Front Cover0
Consuelo Jiménez Underwood Papers0
Ways of Speaking and Listening: The Artist Talk0
Oral History0
The Political Economy of AfriCOBRA0
About the Archives of American Art0
About the Archives of American Art0
In Conversation0
Indecipherable0
Elyse and Stanley Grinstein Papers0
N Dimensional Space in a One-Dimensional World: The Art of Holograms in 19700
Whitney Chadwick Papers; David Em Papers0
Weaving Abstraction0
What Was Black Women’s Art?0
New Collections Section Opener0
New Collections0
Oral History0
An Art of Hard Places: Intermediality in Walter De Maria’s Beds of Spikes and The Lightning Field0
Oral History0
Editor’s Note0
Barbara Rossi Papers0
Jay DeFeo, Encore0
The Art of Diplomacy: British Artists on the Carnegie Institute’s Jury of Award0
Henryk Stażewski’s Art in America0
New Collections Section Opener0
Oral History0
Editor’s Note0
New Collections Section Opener0
Dick Polich Papers0
About the Archives of American Art0
New Collections Section Opener0
Albert Murray’s Approach to Oral Art History: An Epistolary Exploration0
Oral History0
Front Cover0
Reading Settler Archives Relationally0
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