Archives of American Art Journal

Papers
(The median citation count of Archives of American Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Archives and Exile2
The Art of Diplomacy: British Artists on the Carnegie Institute’s Jury of Award0
Oral History0
New Collections0
Front Cover0
Charmion von Wiegand Papers0
Ecological Time in the Archive0
Editor’s Note0
Jessica Stockholder Papers0
Anton Refregier and Revolutionary Modern Dance0
Rodger Birt Papers0
About the Archives of American Art0
Robert Bechtle Papers / Tom Wudl Papers0
Battle for the Beach: Nancy Holt’s Solar Web0
In Another’s Hand0
Editor’s Note0
(Document Missing)0
New Collections Section Opener0
Editor’s Note0
Editor’s Note0
Front Cover0
Front Cover0
About the Archives of American Art0
Connie Zehr Papers; Cherie Raciti Papers0
Front Cover0
In Praise of Embarrassment0
Lewis deSoto Papers0
About the Archives of American Art0
N Dimensional Space in a One-Dimensional World: The Art of Holograms in 19700
Whitney Chadwick Papers; David Em Papers0
Intertainment Value:The Cauliflower Alley Tapes0
Hannah Wilke’s Noh: Art, Feminism, and Pornography in the 1970s0
Flo Allen and the Labor of the Nude0
Oral History0
Notes to Self0
What Was Black Women’s Art?0
Editor’s Note0
About the Archives of American Art0
“Current and Endless”: Reconsidering Rauschenberg’s Radio Pieces0
Meeting the World at High Noon : Maren Hassinger’s Object Performances0
Paul J. Smith Papers0
Editor’s Note0
Roberta Allen Papers0
The Armory Show, Walt Kuhn, and Settler Modernism0
Bricozaje: Between Contested Terrains and Aesthetic Borderlands0
About the Archives of American Art0
Tadaaki Kuwayama Papers Rakuko Naito Papers0
Kinship Structures: Viola Frey, Charles Fiske, and Figurative Ceramics in California0
Henryk Stażewski’s Art in America0
Being There: The Singularity of Oral History0
Dick Polich Papers0
New Collections Section Opener0
Oral History0
Front Matter0
Albert Murray’s Approach to Oral Art History: An Epistolary Exploration0
Michèle C. Cone Papers0
Oral History0
Front Matter0
Editor’s Note0
Front Cover0
Martha Jackson’s Voice: Gender, Oral History, and Art-Historical Evidence0
About the Archives of American Art0
Oral History0
Felix Gonzalez-Torres Letters to María Martínez-Cañas0
Oral History0
Oral History0
Front Matter0
Hisako Hibi and Matsusaburo “George” Hibi Papers0
About the Archives of American Art0
Trading With R. Y.0
Elyse and Stanley Grinstein Papers0
Out of the Box: Beverly Buchanan0
Emanuel Martínez Papers0
Mitchell Jamieson Papers0
Alexander Iolas and Brooks Jackson Gallery Records0
The Art of Commercial Archives0
Front Matter0
Front Matter0
Lily Yeh Papers0
Front Cover0
Marlon Fuentes Papers0
Front Matter0
About the Archives of American Art0
“Pictorially Yours”: The Correspondence of Joseph Cornell and Romana Javitz0
Michael Brewster Papers; Elyn Zimmerman Papers0
Robert B. and Beatrice C. Mayer Family Collection Records0
New Collections Section Opener0
Marjorie Kreilick Papers0
New Collections Section Opener0
Front Matter0
Beyond Side by Side: Intermediality in Senga Nengudi’s Collaborations0
New Collections Section Opener0
Reading Settler Archives Relationally0
The Remains of Jerome Caja and Charles Sexton0
Front Cover0
Front Cover0
Robert Hughes Papers0
Evoking Place: María Luisa Pacheco’s Abstract Paintings0
Envisioning Nonbinary Gender: The Art of Forrest Bess0
Editor’s Note0
Source X Material0
William C. Seitz and the Experience of Impressionism0
In Conversation0
New Collections Section Opener0
Jay DeFeo, Encore0
An Art of Hard Places: Intermediality in Walter De Maria’s Beds of Spikes and The Lightning Field0
“Look at me now”: Alma Thomas’s Intermediality0
Alana Van Derwerker Materials Related to Haystack Mountain School of Crafts0
Four Walls Records0
Front Matter0
New Collections Section Opener0
Oral History0
Weaving Abstraction0
Barbara Rossi Papers0
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