Art Bulletin

Article	Citations
Message from CAA Executive Director	12
Is it Ours? Art, Copyright, and Public Interest , by Martha BuskirkMartha Buskirk Is It Ours? Art, Copyright, and Public Interest Berkeley: University	5
Maintenance Work and the Long Life of Materials in Medieval Art	2
Gifts in the Age of Empire: Ottoman-Safavid Cultural Exchange, 1500–1639 , by Sinem Arcak Casale	1
Editorial Board and Information for Authors	1
The Spectacle of Privacy: Geoffrey Hendricks’s Ring Piece and the Ambivalence of Queer Visibility	1
Crafting America: Artists and Objects, 1940 to Today, by Glenn Adamson and Jen Padgett; and Greater American Camera: Making Modernism in Mexico, by Monica Bravo	1
Jacopo Bassano and the Flood of Feltre	1
Coeditors’ Response	1
Table of Contents	1
Reviewing Reviews in The Art Bulletin	1
Editorial Board and Information for Authors	1
Table of Contents	1
Title Page	1
Luxury After the Terror , by Iris MoonIrisMoon Luxury After the Terror University Park: Penn State University Press, 2022. 272 pp.; 30 color ills., 65	1
Portraits and Identity: “Roman” and “Elite” in the Late Antique Villas of Aquitania	1
“Arabesques”: The Making and Breaking of a Concept in Renaissance Italy	1
Reply	1
Peirce, Bierstadt, and the Topographic Imagination in Nineteenth-Century North America	1
African Ecomedia: Network Forms, Planetary Politics , by Cajetan IhekaCajetan Iheka African Ecomedia: Network Forms, Planetary Politics Durham, NC: Du	0
Beyond the Perspectival Paradigm: Early Modern Pictorial Space and Digital Challenges to the Field	0
Grafted Arts: Art Making and Taking in the Struggle for Western India, 1760–1910 , by Holly Shaffer; and The Place of Many Moods: Udaipur’s Painted Lands and India’s	0
Editorial Board and Information for Authors	0
Table of Contents	0
Message from CAA Executive Director	0

A Black Gaze: Artists Changing How We See , by Tina Campt; and White Sight: Visual Politics and Practices of Whiteness , by Nicholas MirzoeffTina M.Ca	0
Empires of Light: Vision, Visibility and Power in Colonial India, by Niharika Dinkar	0
Message from CAA Executive Director	0
Crafting Enlightenment: Artisanal Histories and Transnational Networks, edited by Lauren R. Cannady and Jennifer Ferng; and The Sun King at Sea: Maritime Art and Galley Slavery in Louis XIV'	0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World, by Anna Arabindan-Kesson	0
Painting, Poetry, and the Invention of Tenderness in the Early Roman Empire, by Hérica Valladares; and Destinations in Mind: Portraying Places on the Roman Empire’s Souvenirs, by Kimberl	0
Milk-Carton Sculpture: Ruth Asawa, Geodesic Geometry, and the Maternal Counterculture of the Alvarado School Arts Workshop	0
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Editorial Board and Information for Authors	0
Constable as a Voyage of Discovery	0
John Constable, Luke Howard, and the Aesthetics of Climate	0
Editorial Board and Information for Authors	0
The Art of Cloth in Mughal India , by Sylvia Houghteling; and Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean , by Amanda	0
Editorial Board and Information for Authors	0
Uneasy Articulations: Magnus Hirschfeld, Art, and Sexual Science in Early Twentieth-Century Germany	0
And the Mural Came Down: Race, Removal, and Reckoning in the Sunshine City	0
Title Page	0
Boucher’s Spirit: Authorship, Invention, and the Force of Porcelain	0
The Reception of Karl Briullov’s Last Day of Pompeii at the Salon of 1834	0
“Life” Magazine and the Power of Photography, edited by Katherine A. Bussard and Kristen Gresh	0
The Mexican Picturesque and the Sentimental Nation: A Study in Nineteenth-Century Landscape	0
Images on a Mission in Early Modern Kongo and Angola , by Cécile FromontCécile FromontImages on a Mission in Early Modern Kongo and AngolaUniversity Park: Penn State University Pres	0
Turned Earth: The Chinese Plowing Ritual in the Age of Enlightenment	0
Allegories of the Anthropocene, by Elizabeth M. DeLoughrey	0
Icons of the Nursing Virgin in Fifteenth-Century Ethiopia	0
The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution, by Dan Hicks	0
Sculpture, Donatello, and the Goldsmith’s Art in Fifteenth-Century Florence	0
The Album of the World Emperor: Cross-Cultural Collecting and Album Making in Seventeenth-Century Istanbul, by Emine Fetvaci	0
Rooted in Stone: Sculpture and Colonization in Medieval Regensburg	0
Message from CAA Executive Director	0
Doublethink: Polish Carpets in Transcultural Contexts	0
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Why Do We Think There Have Been No Great Women Artists? Revisiting Linda Nochlin and the Archive	0
Message from CAA Executive Director	0
Gas Mask Nation: Visualizing Civil Air Defense in Wartime Japan , by Gennifer Weisenfeld	0
Table of Contents	0
Editorial Board and Information for Authors	0
“Magnificence Without Meaning”: Piranesi’s Carceri and the Antiquarian Imagination	0
Premodern Globalism in Art History: A Conversation	0
The Importance of Being Oroonoko: An Art Historical Morality Play	0
“Interior Decorator is Dead”	0
The Speculative City: Art, Real Estate, and the Making of Global Los Angeles , by Susanna Phillips Newburysusanna phillipsnewbury The Speculative City: Art, Real Esta	0
Table of Contents	0
Climate Change and the Art of Devotion: Geoaesthetics in the Land of Krishna, 1550–1850, by Sugata Ray	0
“Spanish” Casta Paintings in Nineteenth-Century Britain	0
Contents	0
Rebus and Realism: A Prolegomenon to the “Work” of Adolph Menzel	0
Love, Luxury, and Live Spectacle: Narrative Paintings and Women’s Patronage under the Northern Wei	0
Message from CAA Executive Director	0

Walker Evans: Starting from Scratch, by Svetlana Alpers	0
Visualizing “National Art”: O Sech’ang’s Art Collection and Connoisseurship against Japanese Colonialism	0
Francis Newton Souza’s Black Paintings: Postwar Transactions in Color	0
Message from CAA Executive Director	0
Rebalancing the Cold War: Diné Sandpainting and Earth Diplomacy	0
Spiritual Mining: Augustinian Images of Extraction in Colonial Peru	0
Editorial Board and Information for Authors	0
Queering the Minimalist Interior	0
The Moon Jar: The Making of a Korean Icon	0
Welcome to the Gayborhood: Beacon Hill Between the Wars	0
Roman Gladiator Knives: Objectification, Mascotting, and the Material Culture of Sport in Ancient Rome	0
Savage Mind to Savage Machine: Racial Science and Twentieth-Century Design, by Ginger Nolan	0
Descendants of Aztec Pictography: The Cultural Encyclopedias of Sixteenth-Century Mexico, by Elizabeth Hill Boone	0
Becoming Mary Sully: Toward an American Indian Abstract, by Philip Joseph Deloria; and Knowing Native Arts, by Nancy Marie Mithlo	0
Cold War Camera , by Thy Phu, Erina Duganne, and Andrea Noble (eds.)thy phu, erina duganne, and andrea noble, eds. Cold War Camera Durham, NC: Duke Un	0
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Bound and Boarded: Policing Native Motherhood in US Art and Culture	0
Closer Looking: Computer Vision in Material Studies of Art	0
Reclaiming the Americas: Latinx Art and the Politics of Territory , by Tatiana Reinoza	0
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Editorial Board and Information for Authors	0
Title Page	0
Letter to the Editors	0
Roman Landscapes: Visions of Nature and Myth from Rome and Pompeii , by Jessica Powers (ed.); and Shaping Roman Landscape: Ecocritical Approaches to Architecture and	0
Art on the Edge: The Church of the Holy Cross, Jvari, Georgia	0
Fragmentation and Reassembly: Decoration, Technique, and Meaning at an Early Islamic Platform	0
Image Encounters: Moche Murals and Archaeo Art History, by Lisa Trever	0
Bayard’s Boutique	0
Painting in Stone: Architecture and the Poetics of Marble from Antiquity to the Enlightenment, by Fabio Barry	0
The Materials of Shame: Decoration, Masculinity, and the Birth of Modern Interior Design	0
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“That he may behold”: Constructing Presence through Sight in Ancient Egyptian Art	0
After Art History? Artworks as Data	0
“At the Threshold of Silence”: Le Corbusier, “Le Parthénon,” and the Vision of Antiquity	0
The Identikit Problem	0
Editorial Board and Information for Authors	0
Where Dragon Veins Meet: The Kangxi Emperor and His Estate at Rehe, by Stephen H. Whiteman	0
The Predatory Core: Peter Paul Rubens and the Hunt	0
Visualizing Peasant and Bovine Self-Sustenance in the Famine Tracts of Colonial India	0
Diagramming Devotion: Berthold of Nuremberg's Transformation of Hrabanus Maurus's Poems in Praise of the Cross, by Jeffrey F. Hamburger	0
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Untimely Images, Fallen Figures: Sarah Charlesworth at the End of Modern History	0
Table of Contents	0
Dancing through Dada: Suzanne Duchamp’s Scottish Espagnole	0
New Histories of the Papunya Boards, New Beginnings for the Western Desert Painting Movement	0
Blanks in the Figure: A Fin-de-Siècle Enthusiasm in France	0
Byzantine Intersectionality: Sexuality, Gender and Race in the Middle Ages, by Roland Betancourt	0
Correction	0
Pindar, Song, and Space: Towards a Lyric Archaeology, by Richard Neer and Leslie Kurke	0
Ideas in the Air	0
Strange Things for Strangers: Transcultural Automata in Early Modern Amsterdam	0
Simulated Landscape Paintings: Newly Unearthed Tomb Murals in Tang China	0
French Gothic Ivories: Material Theologies and the Sculptor’s Craft , by Sarah Guérin; and The Mineral and the Visual: Precious Stones in Medieval Secular Culture	0
The Cradle : Berthe Morisot and the Medicalization of Babies’ Sleep	0
Beauty, Gods, and Early Greek Art: The Dedications of Mantiklos and Nikandre Revisited	0
Material Ciphers: Ruth Wolf-Rehfeldt’s Concrete Conceptualism and the Informational Imaginaries of the Cold War	0
Message from CAA Executive Director	0
Table of Contents	0
Message from CAA Executive Director	0
New Growth: The Art and Texture of Black Hair , by Jasmine Nichole Cobb	0
The King’s Horseman: Portraits of Authority in Southwestern Nigeria	0
Editorial Board and Information for Authors	0
Archaic Sculpture and Archaisms of Gender: Rethinking the “Brother and Sister Stele”	0
Projecting Citizenship: Photography and Belonging in the British Empire, by Gabrielle Moser	0
Cultural Evolutionary Modeling in the Data-Driven Humanities	0
The Colossus and the Sphinx: Two Cartographies of Africa in Nineteenth-Century Britain	0
Playing Parrot: American Trompe L’oeil and Empire	0
Visualizing the Unknown in the Digital Era of Art History	0
Ruling Culture: Art Police, Tomb Robbers, and the Rise of Cultural Power in Italy, by Fiona Greenland; Why Those Who Shovel Are Silent: A History of Local Archaeological Knowledge and Labor<	0
Message from CAA Executive Director	0
Art History after Computer Vision: Further Reading	0
Data and Computer Vision	0
Table of Contents	0
Title Page	0
Mineral Analogs: Carleton Watkins’s Photographs and the Gold Standard	0
Chinese Ways of Seeing and Open-Air Painting, by Yi Gu	0
The Subiconographic Surface: Two Temptations of Saint Anthony Painted on Stone	0
Sewn in Place: Gender, Materiality, and Mapmaking in the Early United States	0
Vital Voids: Cavities and Holes in Mesoamerican Material Culture, by Andrew Finegold; and Playing with Things: Engaging the Moche Sex Pots, by Mary Weismantel	0
Computer Vision in the Archives	0

Forming Abstraction: Art and Institutions in Postwar Brazil , by Adele Nelson; Constructing Latin America: Architecture, Politics, and Race at the Museum of Modern Ar	0
Art History In and Outside of the Academy	0
Unfixed: Photography and Decolonial Imagination in West Africa, by Jennifer Bajorek	0
Exhibition as Art Historical Space: The 1933 Chinese Art Exhibition in Paris	0
What Is Queer About Contemporary US Art History? Queer Behavior: Scott Burton and Performance Art , by David J. Getsy; In Between Subjects: A Critical Gen	0
Editor’s Note	0
Botanical Illustration and Byzantine Visual Inquiry in the Morgan Dioscorides	0
Introduction: Art History after Computer Vision	0
Message from CAA Executive Director	0
Editorial Board and Information for Authors	0
The Prince’s Prosthetic Body: Orthopedic Armor and Material Self-Fashioning in Sixteenth-Century Europe	0
Table of Contents	0
Editorial Board and Information for Authors	0
Editorial Board and Information for Authors	0
Decolonizing Nature: Contemporary Art and the Politics of Ecology and Beyond the World’s End: Arts of Living at the Crossing, by T. J. Demos; and The Ecological Eye: Assembling an Eco	0
The Fragility of Solace: Pothos and Memory in Late Roman Gold-Glass Portraiture	0
Architectural Guide to Sub-Saharan Africa, by Philipp Meuser and Adil Dalbai (eds.)	0
Splendeurs des oasis d’Ouzbékistan/The Splendours of Uzbekistan’s Oases , and Sur les routes de Samarcande. Merveilles de soie et d’or/On the Roads to Samarkand: Wond	0
Mapping Art History in the Digital Era	0
Landscape into Eco Art: Articulations of Nature since the ʼ60s, by Mark A. Cheetham	0
Message from CAA Executive Director	0
Grains, Stains, and Worms: Designing from Wood in Early Modern Italy, 1450–1530	0
“A Different Kind of Struggle”: Jacob Lawrence’s Hospital Series and the Politics of Art as Therapy	0
A Ming Chinese and Spanish Imperial Collaboration in Southeast Asia: The Boxer Codex	0
Rubens in Repeat: The Logic of the Copy in Colonial Latin America, by Aaron M. Hyman	0
“What Means This Carnage?”: Civil War Soldiers’ Bodies, Recuperative Projects, and the Army Medical Museum	0
Figurines in Hellenistic Babylonia: Miniaturization and Cultural Hybridity, by Stephanie M. Langin-Hooper	0
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Die Formen des Sichtbaren: Eine Anthropologie der Bilder , by Philippe Descola	0
Conquest, Reason, and Cannibalism in a Sixteenth-Century Mexican Manuscript	0
Table of Contents	0
A New Look for the Jewish Past: Historicism, Authenticity, and Fantasy in E. M. Lilien’s Bible Art	0
Engraving Accuracy in Early Modern England: Visual Communication and the Royal Society , by Megan C. Doherty; and Skepticism's Pictures: Figuring Descartes's Natural	0
Contingent Images: Looking Obliquely at Colonial Mexican Featherwork in Early Modern Europe	0
Decolonizing Art and Empire	0
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Marking Time: Art in the Age of Mass Incarceration, by Nicole R. Fleetwood	0
Architecture and Material Politics in the Fifteenth-Century Ottoman Empire , by Patricia Blessing	0
The Ka‘ba Orientations: Readings in Islam’s Ancient House, by Simon O’Meara; Islam and the Devotional Object: Seeing Religion in Egypt and Syria, by Richard J. A. McGregor; and Hajj a	0
Distant Viewing: Computational Exploration of Digital Images , by Taylor Arnold and Lauren Tilton; and Picture-Work: How Libraries, Museums, and Stock Agencies Launch	0
Engraving’s “Immoveable Veil”: Phillis Wheatley’s Portrait and the Politics of Technique	0
Forward-Looking Art History	0
Table of Contents	0
Table of Contents	0
Message from CAA Executive Director	0
Making Up Materials: Donatello and the Cosmetic Act	0
Message from CAA Executive Director	0
Title Page	0
Temples in the Cliffside: Buddhist Art in Sichuan , by Sonya S. Lee; The Japanese Buddhist World Map: Religious Vision and the Cartographic Imagination	0
Containing the Uncontainable: Kinaesthetic Analogies and an Early Christian Box	0
The Big Picture	0
Letter to the Editors	0
The Collaborative Essay	0
A History of Art History, by Christopher S. Wood	0
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Global Objects: Toward a Connected Art History by Edward S. Cooke, Jr.EDWARD S.COOKE, JR. Global Objects: Toward a Connected Art History Princeton, NJ	0
Visualizing Equality: African American Rights and Visual Culture in the Nineteenth Century, by Aston Gonzalez; Contraband Guides: Race, Transatlantic Culture, and the Arts in the Civil War E	0
Message from CAA Executive Director	0
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Editorial Board and Information for Authors	0
Mechanical Technologies and Ancient Sculpture	0
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Digital Art History as Critical AI	0
The Road to Buenos Aires Is Paved with Good Design: Worldmaking Fantasies and the Latin American Industrial Design Exhibition	0
Media Critique in the Age of Gillray: Scratches, Scraps, and Spectres, by Joseph Monteyne	0
Study in Black and White: Photography, Race, Humor, by Tanya Sheehan	0