Art Journal

Article	Citations
Horizons from Asian American Negation	5
African Art and Art History	4
Title Page	3
Director's Letter	2
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis	2
The Art of Law and Its Discontents	2
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda	1
Infrastructure/Aesthetics	1
Nalini	1
Title Page	1
Archiving the Future	1
Fugitive Utterances in Modernity’s Song	1
Activist Wallpaper Series 7	1
Finding Mutuality	1
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba	0
Table of Contents	0
Art and Feminism Unifying Yugoslavia	0
Witnessing Histories	0
Editorial Board and Information for Authors	0
Editorial Board and Information for Authors	0
A Small Matter of Agency	0
Institutional Antics	0
“Who can do something, do what they can”	0
Title Page	0
Writing Time: The Shufa of Fung Ming Chip	0

Body Configurations (Venice Portfolio)	0
Title Page	0
Director's Letter	0
Table of Contents	0
Condition—Contact—Conversation	0
A Beyond-Human Biennale	0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art	0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–5	0
SCAB: Honoring the Memory of Mr. Fred Rouse	0
Table of Contents	0
Philosophy’s Illustrious Companions	0
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry	0
Destigmatizing Art History	0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies	0
Director’s Letter	0
Other Than Art’s Sake	0
The Color of Joy: Reconsidering Critical Race Visual Culture	0
Petrit Halilaj’s Memory Objects	0
To an Always Knowing	0
Director's Letter	0
Pennington County, SD, May 1936: Arthur Rothstein’s Steer Skull and Badlands National Monument	0
Director's Letter	0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine1	0
Our Restless Hearts	0
The Built and the Grown: Charles Simonds’s Memorial to Stanley Tankel at Gateway	0
Transatlantic Correspondence: The Calligraphic Traces of Emilia Beatriz and Sofía Gallisá Muriente	0
Facing Photographic Acts (After Allan Sekula)	0
No Man Can Serve Two Masters: A Critique of Mastery in Charles White’s Sound of Silence	0
Family Tensions	0
The Baton Passed	0
Title Page	0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance	0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body	0
Director’s Letter	0
Funding Information	0
Feeling into Paula Dawson’s Holograms	0
Empathy, Mutuality, and the Potentialities of the Visual	0
One Hundred Years of Revolutionary Experiments in Art Education	0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte	0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void	0
Editorial Board and Information for Authors	0
Table of Contents	0
DRC No. 12: A “Migratory” Site of Glocal Specificity	0
Table of Contents	0
Funding Information	0
Jannis Kounellis: An Epic Journey With No Return	0
Editorial Board and Information for Authors	0
Funding Information	0
Constellatory Blackness	0
Table of Contents	0

Dreaming of Childhood	0
The Disposables : Critical Plastic for Art Reform	0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing	0
Two Art Hubs: Berlin and Istanbul	0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era	0
Ovoidism in Lenape Land	0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste	0
Understanding the World through Our Windows: How Transparency Shapes Our Worldview	0
Table of Contents	0
Editorial Board and Information for Authors	0
Funding Information	0
Table of Contents	0
Editorial Board and Information for Authors	0
Queer World Making: Contemporary Middle Eastern Diasporic Art	0
Title Page	0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn	0
An Inventory of Shimmers	0
Race, Whiteness, and Absence in Studio Practice	0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair	0
Listening to Echoes: Racial Violence in Contemporary Art History	0
Title Page	0
Balancing Perfectly: Binh Danh in Conversation with Shana Lopes	0
Environment at War: Capturing Global Conflict in Arab Geographies	0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility	0
Editorial Board and Information for Authors	0
“Meet the Ranger Naturalist”: New Deal–Era Interpretation and National Park Service Posters	0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths	0
Beyond a Politics of Location: On Asian/American Art Workers and Art	0
Looking Beyond European Publics	0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 1	0
Bridging the Cultures or Gazing from Outside: The Need to Revisit Eurasia in Art	0
Director's Letter	0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean	0
A Syllabus on Transgender and Nonbinary Methods for Art and Art History	0
Beyond Binaries: Trans Studies and the Global Contemporary	0
Title Page	0
Editorial Board and Information for Authors	0
Portraits (and) Matter	0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics	0
Foundation of Kindness, Shared Experiences, Shared Burden	0
Taking, Breaking, and Re-Making	0
A Tale of Two Exhibitions	0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads	0
Funding Infomration	0
Editorial Board and Information for Authors	0
Title Page	0
Funding Information	0
Another Way to Decolonize the Curriculum	0
Title Page	0
An Acknowledgment Is Not Enough	0
Breaking Out of the Known	0
Chicago’s Sapphire & Crystals: Protest, Community, and Care during COVID	0
Robert Blanchon: AIDS and the Question of Conceptualism	0
Editorial Board and Information for Authors	0
Table of Contents	0
Body Count: The Critical Matrices of James Rosenquist’s Growth Plan	0
Editorial Board and Information for Authors	0
Experience as Art History	0
Paperwork: Conceptual Art and the Pink-Collar Worker	0
Reflections on Black	0
Engaging Audiences through Artistic Collaborations in National Parks	0
Table of Contents	0
Between Land and a Raised Foot : Thania Petersen Stands Her Ground	0
Director’s Letter	0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai	0
Place, Space and Who	0
Sitting with the Matter of Black Life	0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology	0
Parochial Modernism	0
Director's Letter	0
Director’s Letter	0
Funding Information	0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up	0
Pangs of Intimate Recognition	0
Is the Global (Still) Art History’s Future?	0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly	0
Table of Contents	0
Plural Imagination: Diversity in Mind and Making	0
Title Page	0
Funding Information	0

The Beauty of an Empty Plinth	0
Repose: Black Nightmares, Black Dreams	0
Editorial Board and Information for Authors	0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures	0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s	0
Lynda Benglis’s Materials	0
Editorial Board and Information for Authors	0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 1969	0
Director's Letter	0
Black Op Art	0
When Seeing Expires: Art History and the Work of Alison Rossiter	0
National Parks in Prospect	0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series	0
Director's Letter	0
Funding Information	0
The Camera vs. the Brush: Photography, Art, and the Contested Representation of the American West	0
Witness Trees: Ken Gonzales-Day Re-surveys the US West	0
Collective Consciousness in the Age of Crisis	0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon	0
Director's Letter	0
Title Page	0
Jan Sawka’s Screen Play	0
Container of Memory: Ideas, Methods, Images	0
It’s the Pleasure Principle	0
Table of Contents	0
Table of Contents	0
Pictures for Charis	0
Expand | Contract: Fugitive Visualities	0
Editorial Board and Information for Authors	0
Table of Contents	0
Unearthing Mexico City	0
Funding Information	0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial	0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene	0
An Art History to Emerge	0
Director's Letter	0
Funding Information	0
The Challenge of the Peer Review	0
Funding Information	0
Avant-Garde Redux: McLuhan and the Art of Media	0
Funding Information	0
National Identity, Ideology, and the American Landscape	0
Title Page	0
In the Making: Queer Publishing and Transpedagogies	0
Archives in Endemic Time	0
The Many Lives of Gandhi's Hut	0
In Conversation with Cildo Meireles	0
When Is Japanese Cinema?	0
Productive Confrontations	0
Visualizing Surveillance: Between Transparency and Opacity	0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis	0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches	0
The Black Joy Archive	0
Title Page	0
Kay Sage, Modern Architecture, and the Tyranny of Geometry	0
Quarantine Devotion, A Series of Notes or Love at World’s End	0
Hitler Asleep in the Mercedes	0
Spatial Orders for the Masses	0
Plundered Loot	0
Director’s Letter	0
The Curatorial Art of Karin Higa	0
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable	0
Devil’s Promenade	0
Blackness, Death, and Visuality	0
Table of Contents	0
Negotiating Art and Space in Midtown Manhattan	0
Critique and Engagement in America’s National Parks	0
Formalist Solidarity: Nikki Luna and Resquicio Colectivo against Gendered Violence	0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–91	0
Funding Information	0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory	0
Histories “Made out of Pictures and Words Just Kept”	0
Editorial Board and Information for Authors	0
Modern Turkish Art: Domestic Networks, Foreign Funds	0
Sonic Bodies and Specific Machines: Henri Chopin’s Experimental Sound/Cinema	0
Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park	0
Marbles	0
Title Page	0
Vistas	0
Cashing in the Intangible Assets of Whiteness	0
Silent Voices and Absent Referents	0
Patterns of Possession: H. R. Mallinson & Co.’s “American National Park” Silks	0
Funding Information	0