Art Journal

Papers
(The median citation count of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Editorial Board and Information for Authors4
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry3
Editorial Board and Information for Authors3
Title Page1
In Conversation with Cildo Meireles1
Editorial Board and Information for Authors1
Title Page1
Family Tensions1
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean1
Editorial Board and Information for Authors1
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–910
Activist Wallpaper Series 70
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void0
Editorial Board and Information for Authors0
National Parks in Prospect0
The Curatorial Art of Karin Higa0
Witnessing Histories0
Repose: Black Nightmares, Black Dreams0
Director’s Letter0
Sitting with the Matter of Black Life0
Editorial Board and Information for Authors0
Pictures for Charis0
Foundation of Kindness, Shared Experiences, Shared Burden0
Title Page0
The Challenge of the Peer Review0
Table of Contents0
Plural Imagination: Diversity in Mind and Making0
Director’s Letter0
Title Page0
Funding Infomration0
Only an Artist Can Tell0
Institutional Antics0
Table of Contents0
Funding Information0
An Acknowledgment Is Not Enough0
Patterns of Possession: H. R. Mallinson & Co.’s “American National Park” Silks0
Title Page0
Container of Memory: Ideas, Methods, Images0
Place, Space and Who0
Blackness, Death, and Visuality0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
Title Page0
Quarantine Devotion, A Series of Notes or Love at World’s End0
Feeling into Paula Dawson’s Holograms0
Director's Letter0
Modern Turkish Art: Domestic Networks, Foreign Funds0
Table of Contents0
Editorial Board and Information for Authors0
“Meet the Ranger Naturalist”: New Deal–Era Interpretation and National Park Service Posters0
Editorial Board and Information for Authors0
Unearthing Mexico City0
Writing Time: The Shufa of Fung Ming Chip0
Funding Information0
African Art and Art History0
Title Page0
The Torture of Mothers: Elizabeth Catlett’s Prints as a Call for Reproductive Justice0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
The Color of Joy: Reconsidering Critical Race Visual Culture0
Swimming against the Tide: Thoughts on Managing an Art Profession0
Director's Letter0
Director's Letter0
A Tale of Two Exhibitions0
Funding Information0
Unwatchable: Alfredo Jaar, Lament of the Images (2002), and the Ends of Representation0
Title Page0
Delete the Idea Down: James Lee Byars and the Performance of Abbreviation0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Archiving the Future0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial0
Condition—Contact—Conversation0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
Advice to a Young Black Artist0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly0
Vistas0
Devil’s Promenade0
Pennington County, SD, May 1936: Arthur Rothstein’s Steer Skull and Badlands National Monument0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair0
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Race, Whiteness, and Absence in Studio Practice0
Beyond Binaries: Trans Studies and the Global Contemporary0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
Director’s Letter0
Infrastructure/Aesthetics0
Engaging Audiences through Artistic Collaborations in National Parks0
Reflections on Black0
How Internalized White Supremacy Manifests for My BIPOC Students in Art School0
A Small Matter of Agency0
The Camera vs. the Brush: Photography, Art, and the Contested Representation of the American West0
Avant-Garde Redux: McLuhan and the Art of Media0
Advice for the Young Artist0
Table of Contents0
Table of Contents0
Editorial Board and Information for Authors0
Title Page0
To an Always Knowing0
Director's Letter0
Funding Information0
Funding Information0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
Looking Beyond European Publics0
Archives in Endemic Time0
In the Making: Queer Publishing and Transpedagogies0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
Editorial Board and Information for Authors0
Parochial Modernism0
The Black Joy Archive0
Title Page0
Director’s Letter0
Listening to Echoes: Racial Violence in Contemporary Art History0
A Syllabus on Transgender and Nonbinary Methods for Art and Art History0
Kay Sage, Modern Architecture, and the Tyranny of Geometry0
Editorial Board and Information for Authors0
Critique and Engagement in America’s National Parks0
An Inventory of Shimmers0
Funding Information0
Table of Contents0
The Beauty of an Empty Plinth0
It’s the Pleasure Principle0
Collective Consciousness in the Age of Crisis0
The Many Lives of Gandhi's Hut0
Fugitive Utterances in Modernity’s Song0
Director's Letter0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s0
Environment at War: Capturing Global Conflict in Arab Geographies0
Art-Org-Ask0
Negotiating Art and Space in Midtown Manhattan0
Expand | Contract: Fugitive Visualities0
Marbles0
Funding Information0
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable0
Modes of Dissent0
Table of Contents0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
Red Windows on the World0
Jannis Kounellis: An Epic Journey With No Return0
The Baton Passed0
Culture and Communism in Bengal0
Destigmatizing Art History0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
Paperwork: Conceptual Art and the Pink-Collar Worker0
Robert Blanchon: AIDS and the Question of Conceptualism0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics0
Another Way to Decolonize the Curriculum0
Caring for Art History in Vienna0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene0
Director’s Letter0
Funding Information0
National Identity, Ideology, and the American Landscape0
Black Op Art0
Spatial Orders for the Masses0
Breaking Out of the Known0
Abstracted Resistance: Third-Worldism in Rubem Valentim’s Afro-Brazilian Symbolism, 1963–660
Hitler Asleep in the Mercedes0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
Editorial Board and Information for Authors0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
Editorial Board and Information for Authors0
Smoke on the Water: Jong Yong Man’s Evening Glow over Kangsŏn and the Grounds for Landscape Painting in North Korea0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park0
Architecture and Bureaucracy, a Chronicle0
Coercive Disobedience: Art and Simulated Transgression0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 10
Experience as Art History0
Ovoidism in Lenape Land0
With Each Other0
The Built and the Grown: Charles Simonds’s Memorial to Stanley Tankel at Gateway0
Funding Information0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
Editorial Board and Information for Authors0
Title Page0
Our Restless Hearts0
Editorial Board and Information for Authors0
Funding Information0
Pangs of Intimate Recognition0
Director's Letter0
Director's Letter0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
An Art History to Emerge0
Affirm Your Students and Call Out Your Institutions0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon0
Taking, Breaking, and Re-Making0
Petrit Halilaj’s Memory Objects0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
Cashing in the Intangible Assets of Whiteness0
Creeping Tender0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine10
Two Art Hubs: Berlin and Istanbul0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads0
The Art of Law and Its Discontents0
Table of Contents0
Editing the Archive: Alexandra Bell’s Annotation, Redaction, and Epistemic Resistance in Counternarratives0
Plundered Loot0
Table of Contents0
When Seeing Expires: Art History and the Work of Alison Rossiter0
The Disposables : Critical Plastic for Art Reform0
Funding Information0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
DRC No. 12: A “Migratory” Site of Glocal Specificity0
Art as Communication: Small Diplomacy and The Formation of The Grey Collection0
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis0
Funding Information0
Funding Information0
Table of Contents0
Table of Contents0
When Is Japanese Cinema?0
Table of Contents0
Philosophy’s Illustrious Companions0
In Improvisation0
Lynda Benglis’s Materials0
“Who can do something, do what they can”0
Horizons from Asian American Negation0
Director's Letter0
Art and Feminism Unifying Yugoslavia0
Histories “Made out of Pictures and Words Just Kept”0
Living Color: Henryk Stażewski’s Interior Models0
Director's Letter0
Jan Sawka’s Screen Play0
Connection as a Structuring Principle0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths0
Models of Resistance0
SCAB: Honoring the Memory of Mr. Fred Rouse0
Dreaming of Childhood0
Empathy, Mutuality, and the Potentialities of the Visual0
NEW FINANCIAL ARCHITECTURES FOR CREATIVE COMMUNITIES (NFACC) aka STRUCTURES TO MAINTAIN YOUR JOY!0
Silent Voices and Absent Referents0
Funding Information0
One Hundred Years of Revolutionary Experiments in Art Education0
Director's Letter0
Table of Contents0
Title Page0
A Beyond-Human Biennale0
The Network and the Collective0
Portraits (and) Matter0
Balancing Perfectly: Binh Danh in Conversation with Shana Lopes0
Witness Trees: Ken Gonzales-Day Re-surveys the US West0
Table of Contents0
Table of Contents0
Title Page0
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