Art Journal

Article	Citations
Horizons from Asian American Negation	12
Turning Toward Exhibition Environments in 1990s Installation Art: The Installation Spaces of Janet Cardiff and George Bures Miller	2
Title Page	2
Polvo de Gallina Negra and the Visual Politics of Pregnant Performance in Mexico	2
Director's Letter	1
Nalini	1
Fugitive Utterances in Modernity’s Song	1
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda	1
Title Page	1
Title Page	1
Reveal, Revise, Recover	1
Finding Mutuality	1
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing	0
One Hundred Years of Revolutionary Experiments in Art Education	0
Table of Contents	0
Gender, Lineage, and Racism: Rachelle Mozman Solano’s Casa de mujeres Series	0
Editorial Board and Information for Authors	0
Archiving the Future	0
Table of Contents	0
Title Page	0
Body Count: The Critical Matrices of James Rosenquist’s Growth Plan	0
Engaging Audiences through Artistic Collaborations in National Parks	0
Plundered Loot	0
Editorial Board and Information for Authors	0
WHATWETHINKASINSIGNIFICANTPROVIDESTHEPURESTAIRWEBREATHE	0

Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths	0
Pangs of Intimate Recognition	0
Listening to Echoes: Racial Violence in Contemporary Art History	0
Funding Information	0
The Ties That Bind	0
Archives in Endemic Time	0
Unearthing Mexico City	0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory	0
Writing Time: The Shufa of Fung Ming Chip	0
Empathy, Mutuality, and the Potentialities of the Visual	0
Editorial Board and Information for Authors	0
Witnessing Histories	0
Institutional Antics	0
Editorial Board and Information for Authors	0
Destigmatizing Art History	0
Title Page	0
Editorial Board and Information for Authors	0
Funding Information	0
A Beyond-Human Biennale	0
The Earth is Uneven: Art Histories of the Terracene	0
War, Capitalism, and Remaindered Life	0
Table of Contents	0
Other Than Art’s Sake	0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–91	0
“Who can do something, do what they can”	0
Pictures for Charis	0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 1969	0
The Challenge of the Peer Review	0
Director's Letter	0
Director’s Letter	0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance	0
Funding Information	0
Title Page	0
Table of Contents	0
Table of Contents	0
Title Page	0
Editorial Board and Information for Authors	0
Archival Resistance: Bani Abidi and the Politics of Memory	0
Director's Letter	0
Director's Letter	0
Director's Letter	0
Racial Fictions, Visual Culture, and White Nationalism	0
Robert Blanchon: AIDS and the Question of Conceptualism	0
Director's Letter	0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial	0
Funding Infomration	0
Between Land and a Raised Foot : Thania Petersen Stands Her Ground	0
Hitler Asleep in the Mercedes	0
Taking, Breaking, and Re-Making	0
Histories “Made out of Pictures and Words Just Kept”	0

Title Page	0
The Color of Joy: Reconsidering Critical Race Visual Culture	0
Constellatory Blackness	0
Funding Information	0
Blackness, Death, and Visuality	0
Director’s Letter	0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn	0
Table of Contents	0
Ovoidism in Lenape Land	0
Editorial Board and Information for Authors	0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches	0
Transatlantic Correspondence: The Calligraphic Traces of Emilia Beatriz and Sofía Gallisá Muriente	0
The Camera vs. the Brush: Photography, Art, and the Contested Representation of the American West	0
Body Configurations (Venice Portfolio)	0
Editorial Board and Information for Authors	0
Zoomorphic Feminism: The Gender Politics of Turning into Nonhuman Animals in Contemporary Art	0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba	0
DRC No. 12: A “Migratory” Site of Glocal Specificity	0
Black Op Art	0
Director's Letter	0
Title Page	0
Witness Trees: Ken Gonzales-Day Re-surveys the US West	0
Balancing Perfectly: Binh Danh in Conversation with Shana Lopes	0
An Oral History Interview with Carnival Knowledge	0
All the Orchids are Fine	0
Reframing Archives from the Venezuelan Diaspora: Ángela Bonadies’s Photographs	0
Sitting with the Matter of Black Life	0
“Meet the Ranger Naturalist”: New Deal–Era Interpretation and National Park Service Posters	0
Funding Information	0
Race, Whiteness, and Absence in Studio Practice	0
Bridging the Cultures or Gazing from Outside: The Need to Revisit Eurasia in Art	0
Director's Letter	0
Editorial Board and Information for Authors	0
Director's Letter	0
The Disposables : Critical Plastic for Art Reform	0
Dreaming of Childhood	0
Funding Information	0
Editorial Board and Information for Authors	0
Petrit Halilaj’s Memory Objects	0
Title Page	0
Another Way to Decolonize the Curriculum	0
Director's Letter	0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology	0
Beyond a Politics of Location: On Asian/American Art Workers and Art	0
Looking Beyond European Publics	0
Table of Contents	0
Sikh Art Today	0
Formalist Solidarity: Nikki Luna and Resquicio Colectivo against Gendered Violence	0
Cashing in the Intangible Assets of Whiteness	0
Funding Information	0
Reading for Pleasure	0
Editorial Board and Information for Authors	0
Director's Letter	0
National Identity, Ideology, and the American Landscape	0
Editorial Board and Information for Authors	0
Environment at War: Capturing Global Conflict in Arab Geographies	0
Funding Information	0
Effigy Tumuli: Michael Heizer Playing Indian	0
The Land of Promise: Migrant Workers in Contemporary Korea	0
Chicago’s Sapphire & Crystals: Protest, Community, and Care during COVID	0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis	0
Negotiating Art and Space in Midtown Manhattan	0
A Roundtable on Greer Lankton Convened by Francesca Granata, with Elspeth Brown, Freyja Hartzell, and Cyle Metzger	0
Funding Information	0
Critique and Engagement in America’s National Parks	0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body	0
Vistas	0
Table of Contents	0
Experience as Art History	0
Sonic Bodies and Specific Machines: Henri Chopin’s Experimental Sound/Cinema	0
Dear Colleagues	0
Facing Photographic Acts (After Allan Sekula)	0
Jannis Kounellis: An Epic Journey With No Return	0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai	0
Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park	0
Philosophy’s Illustrious Companions	0
Title Page	0
Patterns of Possession: H. R. Mallinson & Co.’s “American National Park” Silks	0
Funding Information	0
Silent Voices and Absent Referents	0

Expand | Contract: Fugitive Visualities	0
Director’s Letter	0
Queer World Making: Contemporary Middle Eastern Diasporic Art	0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series	0
Breaking Out of the Known	0
Editorial Board and Information for Authors	0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly	0
Elusive Operations: Goldin + Senneby’s Headless and the Aesthetic Techniques of Offshore Finance	0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art	0
Is the Global (Still) Art History’s Future?	0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures	0
Protest City	0
Reappropriating Gauguin in Contemporary Polynesian Photography	0
Table of Contents	0
It’s the Pleasure Principle	0
Funding Information	0
Avant-Garde Redux: McLuhan and the Art of Media	0
Art and Feminism Unifying Yugoslavia	0
Container of Memory: Ideas, Methods, Images	0
Upending Fixities: Reassessing the Historical as a Site of Rupture and Transformation	0
National Parks in Prospect	0
Pennington County, SD, May 1936: Arthur Rothstein’s Steer Skull and Badlands National Monument	0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon	0
Editorial Board and Information for Authors	0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility	0
Understanding the World through Our Windows: How Transparency Shapes Our Worldview	0
Collective Consciousness in the Age of Crisis	0
Foundation of Kindness, Shared Experiences, Shared Burden	0
Table of Contents	0
Table of Contents	0
Table of Contents	0
Dysphoric Aesthetics: Toward Trans Ethics of Spectatorial Sensitivity	0
Against Repair	0
Marbles	0
No Man Can Serve Two Masters: A Critique of Mastery in Charles White’s Sound of Silence	0
Modern Turkish Art: Domestic Networks, Foreign Funds	0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene	0
Funding Information	0
Title Page	0
The Black Joy Archive	0
Repose: Black Nightmares, Black Dreams	0
The Built and the Grown: Charles Simonds’s Memorial to Stanley Tankel at Gateway	0
Title Page	0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies	0
Title Page	0
The Curatorial Art of Karin Higa	0
Visualizing Surveillance: Between Transparency and Opacity	0
Reflections on Black	0
Funding Information	0
Productive Confrontations	0
Table of Contents	0
To an Always Knowing	0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 1	0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte	0
Table of Contents	0