Art Journal

Papers
(The TQCC of Art Journal is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
With Each Other5
Horizons from Asian American Negation4
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis3
African Art and Art History2
Editorial Board and Information for Authors2
The Art of Law and Its Discontents1
Infrastructure/Aesthetics1
Title Page1
The Politics of Taking No Position: Jay Chung and Q Takeki Maeda1
Title Page1
Director's Letter1
Activist Wallpaper Series 71
Cover Guys: Trans Male Portraits from Original Plumbing Magazine10
Cashing in the Intangible Assets of Whiteness0
Editorial Board and Information for Authors0
Editorial Board and Information for Authors0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte0
Jan Sawka’s Screen Play0
Pennington County, SD, May 1936: Arthur Rothstein’s Steer Skull and Badlands National Monument0
Expand | Contract: Fugitive Visualities0
Passing Through: Plains Indigenous Art and Hospitality in Glacier National Park0
Funding Information0
Blackness, Death, and Visuality0
Looking Beyond European Publics0
Funding Information0
The Baton Passed0
Ovoidism in Lenape Land0
Silent Voices and Absent Referents0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean0
Archiving the Future0
An Art History to Emerge0
Table of Contents0
Kay Sage, Modern Architecture, and the Tyranny of Geometry0
Art-Org-Ask0
Portraits (and) Matter0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies0
Fugitive Utterances in Modernity’s Song0
Table of Contents0
Modes of Dissent0
Formalist Solidarity: Nikki Luna and Resquicio Colectivo against Gendered Violence0
“Who can do something, do what they can”0
To an Always Knowing0
Bridging the Cultures or Gazing from Outside: The Need to Revisit Eurasia in Art0
Director's Letter0
An Inventory of Shimmers0
The Curatorial Art of Karin Higa0
Art, Feminism, and Religious Rituals: Ecofeminism and Helène Aylon’s Court Trial0
Table of Contents0
Living Color: Henryk Stażewski’s Interior Models0
In the Making: Queer Publishing and Transpedagogies0
Family Tensions0
Patterns of Possession: H. R. Mallinson & Co.’s “American National Park” Silks0
Creeping Tender0
Swimming against the Tide: Thoughts on Managing an Art Profession0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era0
SCAB: Honoring the Memory of Mr. Fred Rouse0
Spatial Orders for the Masses0
Editorial Board and Information for Authors0
Editorial Board and Information for Authors0
Editorial Board and Information for Authors0
Title Page0
The Color of Joy: Reconsidering Critical Race Visual Culture0
Sitting with the Matter of Black Life0
A Beyond-Human Biennale0
In Improvisation0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility0
Pangs of Intimate Recognition0
Director’s Letter0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art0
A Small Matter of Agency0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads0
Funding Information0
Lynda Benglis’s Materials0
Critique and Engagement in America’s National Parks0
“Meet the Ranger Naturalist”: New Deal–Era Interpretation and National Park Service Posters0
Balancing Perfectly: Binh Danh in Conversation with Shana Lopes0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–910
Funding Information0
Editorial Board and Information for Authors0
Robert Blanchon: AIDS and the Question of Conceptualism0
Title Page0
Destigmatizing Art History0
A Tale of Two Exhibitions0
Title Page0
The Disposables : Critical Plastic for Art Reform0
Collective Consciousness in the Age of Crisis0
Reflections on Black0
Director's Letter0
Table of Contents0
The Camera vs. the Brush: Photography, Art, and the Contested Representation of the American West0
An Acknowledgment Is Not Enough0
NEW FINANCIAL ARCHITECTURES FOR CREATIVE COMMUNITIES (NFACC) aka STRUCTURES TO MAINTAIN YOUR JOY!0
Condition—Contact—Conversation0
The Challenge of the Peer Review0
The Built and the Grown: Charles Simonds’s Memorial to Stanley Tankel at Gateway0
Devil’s Promenade0
Philosophy’s Illustrious Companions0
Black Op Art0
Funding Infomration0
Jannis Kounellis: An Epic Journey With No Return0
Table of Contents0
Plundered Loot0
Editorial Board and Information for Authors0
Art and Feminism Unifying Yugoslavia0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair0
Unearthing Mexico City0
Nalini0
Another Way to Decolonize the Curriculum0
Director's Letter0
One Hundred Years of Revolutionary Experiments in Art Education0
Funding Information0
Director's Letter0
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry0
Taking, Breaking, and Re-Making0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body0
Funding Information0
Beyond Binaries: Trans Studies and the Global Contemporary0
Table of Contents0
Table of Contents0
Title Page0
Abstracted Resistance: Third-Worldism in Rubem Valentim’s Afro-Brazilian Symbolism, 1963–660
Two Art Hubs: Berlin and Istanbul0
Table of Contents0
Histories “Made out of Pictures and Words Just Kept”0
Director’s Letter0
Modern Turkish Art: Domestic Networks, Foreign Funds0
Beyond a Politics of Location: On Asian/American Art Workers and Art0
Editorial Board and Information for Authors0
Title Page0
Queer World Making: Contemporary Middle Eastern Diasporic Art0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing0
Our Restless Hearts0
Repose: Black Nightmares, Black Dreams0
Title Page0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void0
Title Page0
Editorial Board and Information for Authors0
Experience as Art History0
Chicago’s Sapphire & Crystals: Protest, Community, and Care during COVID0
Table of Contents0
Feeling into Paula Dawson’s Holograms0
Listening to Echoes: Racial Violence in Contemporary Art History0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series0
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable0
Funding Information0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory0
Table of Contents0
Writing Time: The Shufa of Fung Ming Chip0
Empathy, Mutuality, and the Potentialities of the Visual0
Director’s Letter0
Plural Imagination: Diversity in Mind and Making0
Funding Information0
Editorial Board and Information for Authors0
An/Aesthetics of Infrastructural Ruination: On Jumana Manna’s Thirty Plumbers in the Belly0
Director's Letter0
Funding Information0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste0
Table of Contents0
Title Page0
Institutional Antics0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 19690
The Many Lives of Gandhi's Hut0
Avant-Garde Redux: McLuhan and the Art of Media0
Table of Contents0
Director's Letter0
The Beauty of an Empty Plinth0
Hitler Asleep in the Mercedes0
Environment at War: Capturing Global Conflict in Arab Geographies0
The Black Joy Archive0
Director's Letter0
Title Page0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology0
Place, Space and Who0
Pictures for Charis0
Foundation of Kindness, Shared Experiences, Shared Burden0
When Is Japanese Cinema?0
Director's Letter0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–50
Coercive Disobedience: Art and Simulated Transgression0
Editorial Board and Information for Authors0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s0
Title Page0
Race, Whiteness, and Absence in Studio Practice0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths0
Witnessing Histories0
Negotiating Art and Space in Midtown Manhattan0
Finding Mutuality0
National Identity, Ideology, and the American Landscape0
Director's Letter0
DRC No. 12: A “Migratory” Site of Glocal Specificity0
Funding Information0
Advice for the Young Artist0
Editorial Board and Information for Authors0
Funding Information0
Marbles0
Is the Global (Still) Art History’s Future?0
Advice to a Young Black Artist0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 10
Unwatchable: Alfredo Jaar, Lament of the Images (2002), and the Ends of Representation0
Director's Letter0
Container of Memory: Ideas, Methods, Images0
Title Page0
Table of Contents0
The Network and the Collective0
Funding Information0
Only an Artist Can Tell0
“Politics in Matter”: Concrete Expressions in Contemporary Palestinian Art of Resistance0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches0
Vistas0
When Seeing Expires: Art History and the Work of Alison Rossiter0
Title Page0
Breaking Out of the Known0
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene0
Engaging Audiences through Artistic Collaborations in National Parks0
Archives in Endemic Time0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba0
Quarantine Devotion, A Series of Notes or Love at World’s End0
Visualizing Surveillance: Between Transparency and Opacity0
Editorial Board and Information for Authors0
Between Land and a Raised Foot : Thania Petersen Stands Her Ground0
Witness Trees: Ken Gonzales-Day Re-surveys the US West0
Visionary or Voyeur: Lionel Wendt and the Contradictions of Late Colonial Modernity in Ceylon0
Table of Contents0
Editorial Board and Information for Authors0
Table of Contents0
Parochial Modernism0
It’s the Pleasure Principle0
A Syllabus on Transgender and Nonbinary Methods for Art and Art History0
Dreaming of Childhood0
Architecture and Bureaucracy, a Chronicle0
National Parks in Prospect0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up0
In Conversation with Cildo Meireles0
Petrit Halilaj’s Memory Objects0
Director’s Letter0
Paperwork: Conceptual Art and the Pink-Collar Worker0
Funding Information0
Title Page0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis0
Funding Information0
No Man Can Serve Two Masters: A Critique of Mastery in Charles White’s Sound of Silence0
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