Art Journal

Article	Citations
Groundwork: Race and Aesthetics in the Era of Stand Your Ground Law	10
Texturing Abstraction: Howardena Pindell’s Cut and Sewn Paintings	9
Burning All Illusion: Abstraction, Black Life, and the Unmaking of White Supremacy	5
Blackouts and Other Visual Escapes	5
Critical Questions and Embodied Reflections: Trans Visual Culture Today—A Roundtable	2
A Syllabus on Transgender and Nonbinary Methods for Art and Art History	2
Plural Imagination: Diversity in Mind and Making	2
Returning to The Scene of the Crime: Gendered and Racialized Violence in Ana Mendieta’s Rape Scene	1
Technology, Engineering, and Feminism: The Hidden Depths of Judy Chicago’s Minimal Art	1
An Orientation to the Sea	1
Recalibrating Our Senses: An Ecocritical Art History	1
Smoke on the Water: Jong Yong Man’s Evening Glow over Kangsŏn and the Grounds for Landscape Painting in North Korea	1
In the Making: Queer Publishing and Transpedagogies	1
Portraits (and) Matter	0
How Internalized White Supremacy Manifests for My BIPOC Students in Art School	0
Haptic Encounters: Margarita Cabrera’s Space in Between	0
The Baton Passed	0
Petrit Halilaj’s Memory Objects	0
“El cuerpo de verdad”: The Potency of Magali Lara’s Unpictured Bodies	0
The Torture of Mothers: Elizabeth Catlett’s Prints as a Call for Reproductive Justice	0
Editing the Archive: Alexandra Bell’s Annotation, Redaction, and Epistemic Resistance in Counternarratives	0
Parochial Modernism	0
The Art of Law and Its Discontents	0
Art and Feminism Unifying Yugoslavia	0
Sitting with the Matter of Black Life	0

Red Windows on the World	0
Unwatchable: Alfredo Jaar, Lament of the Images (2002), and the Ends of Representation	0
Written Reflections	0
Activist Wallpaper Series 7	0
Director's Letter	0
“The Senses Pointing towards a New Transformation”: On Touch, Collectivity, and Lygia Clark’s The I and the You at the First International Tactile Sculpture Symposium, 1969	0
Abstracted Resistance: Third-Worldism in Rubem Valentim’s Afro-Brazilian Symbolism, 1963–66	0
Title Page	0
Tools for Decolonizing Photography	0
“More Than Pictures”	0
SCAB: Honoring the Memory of Mr. Fred Rouse	0
Histories “Made out of Pictures and Words Just Kept”	0
Editorial Board and Information for Authors	0
Funding Information	0
Editorial Board and Information for Authors	0
Crimp’s Last Dance Film Essay	0
Touchstones: Lucy Lippard’s Overlay and the Politics of Prehistory	0
Title Page	0
Funding Information	0
Devil’s Promenade	0
Condition—Contact—Conversation	0
Two Tales of Two Cities: Contemporary Art, Southeast Asia, Divergent Approaches	0
Quarantine Devotion, A Series of Notes or Love at World’s End	0
Taking it Personally	0
Director's Letter	0
Editorial Board and Information for Authors	0
Title Page	0
Visualizing Animal Trauma and Empty Forest Syndrome in the Moving Imagery of Tuấn Andrew Nguyễn	0
Writing Time: The Shufa of Fung Ming Chip	0
A Tale of Two Exhibitions	0
Director's Letter	0
Editorial Board and Information for Authors	0
Editorial Board and Information for Authors	0
Director’s Letter	0
A Small Matter of Agency	0
Jannis Kounellis: An Epic Journey With No Return	0
Title Page	0
The Curatorial Art of Karin Higa	0
The Obama Portraits: Celebration and Elegy	0
Repose: Black Nightmares, Black Dreams	0
Title Page	0
Archiving the Future	0
Editorial Board and Information for Authors	0
Caring to Notice: Sera Waters’ Disentangled Pasts, Attentive Reparation and Truth-Telling Toward Survivable Futures	0
Table of Contents	0
NEW FINANCIAL ARCHITECTURES FOR CREATIVE COMMUNITIES (NFACC) aka STRUCTURES TO MAINTAIN YOUR JOY!	0
Table of Contents	0
Family Tensions	0
Spatial Orders for the Masses	0
Regarding Family Photography in Contemporary Latinx Art	0

Archives in Endemic Time	0
Funding Information	0
Place, Space and Who	0
Editorial Board and Information for Authors	0
Philosophy’s Illustrious Companions	0
Beyond Binaries: Trans Studies and the Global Contemporary	0
The Many Lives of Gandhi's Hut	0
Dreaming of Childhood	0
Rotimi Fani-Kayode and Eikoh Hosoe: Surrealism and the Specter of Death in the 1980s	0
Table of Contents	0
Title Page	0
Advice to a Young Black Artist	0
Context, Cursilería, and Sorrow: Beatriz González	0
The Network and the Collective	0
Swimming against the Tide: Thoughts on Managing an Art Profession	0
Table of Contents	0
Table of Contents	0
Joan Jonas’s Imagist Poetics	0
An Inventory of Shimmers	0
Infrastructure/Aesthetics	0
An Art History to Emerge	0
Creeping Tender	0
Conditions of Possibility	0
Modern Turkish Art: Domestic Networks, Foreign Funds	0
With Each Other	0
Landscapes of Despair: Book Covers and the Visual Culture of the Opioid Crisis	0
Pope.L: The Body and Its Void	0
Roots and webs and nets and branches and bulletin boards and banners and newsletters and mutual-aid text threads	0
Title Page	0
Funding Information	0
Table of Contents	0
For Douglas Crimp	0
Robert Blanchon: AIDS and the Question of Conceptualism	0
Director’s Letter	0
Advice for the Young Artist	0
Culture and Communism in Bengal	0
Embodied Practices/Practicing Embodiment as a Mode of Solidarity	0
Casta State of Mind: Michael Menchaca and the Graphic Revolution of Caste	0
The Uncertain Body: Lin Tianmiao’s Mother Machine and Postsocialist Biopolitics	0
Table of Contents	0
Title Page	0
Alternative Spaces in Chicago, Alternative Histories of Chicago	0
Pantéon: When the Saints Go Marching! Envisioning an Afro-diasporic Cosmology	0
Kay Sage, Modern Architecture, and the Tyranny of Geometry	0
Paperwork: Conceptual Art and the Pink-Collar Worker	0
Submerged Narratives: Memorializing Enslavement in Eve Sandler’s Mami Wata Crossing	0
Land as Protagonist	0
Director's Letter	0
Beyond a Politics of Location: On Asian/American Art Workers and Art	0
Caring for Art History in Vienna	0
Table of Contents	0
Environment at War: Capturing Global Conflict in Arab Geographies	0
A Beyond-Human Biennale	0
Now’s the Time	0
Modes of Dissent	0
Delete the Idea Down: James Lee Byars and the Performance of Abbreviation	0
Ruptured Envelopes, Double Shells: Skins in Art in the Age of Global Mobility	0
Only an Artist Can Tell	0
Table of Contents	0
Table of Contents	0
Sensing, Sensitizing, and Speculating: The Work of Artworks in the Climate Crisis Era	0
The Challenge of the Peer Review	0
Artist Statement	0
When Images in Haiti Fail: The Photograph of Charlemagne Péralte	0
Avant-Garde Redux: McLuhan and the Art of Media	0
“Social Fabric”: Photography, Solar Atmospheres, and a Process Ontology in Sonne München, 1994	0
Resonant Presence: Materiality and Memory in the Work of Suchitra Mattai	0
Race, Whiteness, and Absence in Studio Practice	0
Funding Information	0
A Clamoring Revolt: Restaging, Reseeing, and Reteaching the Womb Chair	0
Director's Letter	0
A Suitable Distance? Revisiting a Millennial Approach to Curating Art in the Caribbean	0
Title Page	0
Director's Letter	0
Editorial Board and Information for Authors	0
Taking, Breaking, and Re-Making	0
Title Page	0
Cover Guys: Trans Male Portraits from Original Plumbing Magazine1	0
Editorial Board and Information for Authors	0
Funding Information	0

Table of Contents	0
The Black Joy Archive	0
Plundered Loot	0
The Beauty of an Empty Plinth	0
Living Color: Henryk Stażewski’s Interior Models	0
Drawn to Picasso and Entangled in Primitivism	0
Joan Logue’s Newly Rediscovered and Digitized Words, 1–5	0
Funding Information	0
Reading and Witnessing Cage by Jade Montserrat and Webb-Ellis	0
Art-Org-Ask	0
Feeling into Paula Dawson’s Holograms	0
The Technicity of Blackness: On Failures and Fissures in the Art of Sondra Perry	0
Ambient Think Tanks	0
Table of Contents	0
Title Page	0
When Is Japanese Cinema?	0
Institutional Antics	0
Negotiating Art and Space in Midtown Manhattan	0
Interview with Texas Isaiah	0
Funding Information	0
Director’s Letter	0
An Acknowledgment Is Not Enough	0
Marbles	0
Editorial Board and Information for Authors	0
Alberto Burri and the Image of the Body in Post-Fascist Italy: Reconsidering the “Wound” Motif	0
“Who can do something, do what they can”	0
Natura Negra	0
Coercive Disobedience: Art and Simulated Transgression	0
Table of Contents	0
Collective Consciousness in the Age of Crisis	0
Funding Information	0
Horizons from Asian American Negation	0
Art as Surgery: Hygiene Politics in Zhang Peili’s Glove Art, 1985–91	0
Art as Communication: Small Diplomacy and The Formation of The Grey Collection	0
Director’s Letter	0
Director's Letter	0
Thinking How Art Can Be Thought	0
Lynda Benglis’s Materials	0
Connection as a Structuring Principle	0
Roberto Matta’s Embargo Primitivism: Making a Mural with “Cuba’s Own Soil,” 1963	0
Table of Contents	0
Extreme Performances That Lived Inside a Book	0
Table of Contents	0
Our Restless Hearts	0
Jan Sawka’s Screen Play	0
The Construction Mystique: The Revolution as Building Site in Contemporary Art from Cuba	0
Architecture and Bureaucracy, a Chronicle	0
Funding Information	0
One Hundred Years of Revolutionary Experiments in Art Education	0
Models of Resistance	0
Title Page	0
Funding Information	0
Bronze Head of a Black Woman: Renaming and Reframing a Brâncuși Series	0
Droids, Dreams, and Desires: Decoding Rajni Perera’s The Vessel with Two Mouths	0
In Improvisation	0
Funding Infomration	0
Altar, Tender: Sitting with devynn emory’s can anybody help me hold this body	0
Through the Guillotine Mirror: Claude Cahun’s Theory of Trans against the Void	0
Editorial Board and Information for Authors	0
The Color of Joy: Reconsidering Critical Race Visual Culture	0
Director's Letter	0
Foundation of Kindness, Shared Experiences, Shared Burden	0
Queer (Be)Longing: Glenn Ligon’s Million Man March Series and the Civil Rights Movement’s Legacy	0
Funding Information	0
Title Page	0
Song Dong’s Performative Futility: Action, Impact, and Efficacy in Contemporary Chinese Performance Art	0
Breaking Out of the Known	0
Black Op Art	0
Editorial Board and Information for Authors	0
Listening to Echoes: Racial Violence in Contemporary Art History	0
Pangs of Intimate Recognition	0
In Conversation with Cildo Meireles	0
Title Page	0
Editorial Board and Information for Authors	0
Another Way to Decolonize the Curriculum	0
Container of Memory: Ideas, Methods, Images	0
Two Art Hubs: Berlin and Istanbul	0
Editorial Board and Information for Authors	0
Director's Letter	0
Title Page	0
Affirm Your Students and Call Out Your Institutions	0
Director's Letter	0
When Seeing Expires: Art History and the Work of Alison Rossiter	0
Director’s Letter	0
Destigmatizing Art History	0
Only Eye Candy? Original Plumbing Magazine’s Remodeling of the (Trans) Male Pin-Up	0
Funding Information	0
Picasso and Africa, Again	0
When the Dust Has Settled: What Was the Archival Turn, and Is It Still Turning? 1	0
African Art and Art History	0
Funding Information	0
Artist's Pages	0
Editorial Board and Information for Authors	0