Papers of the Bibliographical Society of America

Papers
(The TQCC of Papers of the Bibliographical Society of America is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
William S. Peterson. Morris & Company: Essays on Fine Printing. New Castle, DE: Oak Knoll Press, 2020. 320 pp, 8 pp. plates. $85. Hardcover (ISBN: 978-1-5845-6385-3).5
E. James West. Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America. Champaign: University of Illinois Press, 2020. 208 pp. $24.95. Paperback (978-0-252-08498-0)4
Tony Doe and Christopher Thornton, eds. Dr Thomas Plume, 1630–1704: His Life and Legacies in Essex, Kent and Cambridge. Hatfield, UK: Essex Publications, 2020. 328 pp. £15.19 Paper (ISBN: 978-14
William Temple Franklin and the Publication of Benjamin Franklin’s Works2
The Extraordinary Publication History of Addison’s Cato: Editions, Issues, Piracies2
:Scrivere sui libri: Breve guida al libro a stampa postillato2
What is “Black” about Black Bibliography?1
: Crafting Poetry Anthologies in Renaissance England: Early Modern Cultures of Recreation1
:The Hroswitha Club and the Impact of Women Book Collectors1
Benjamin, Wardhaugh, with Philip, Beeley and Yelda, Nasifoglu. Euclid in Print, 1482–1703: A Catalogue of the Editions of the Elements and Other Euclidean Works. [London]: The Bibliographical S1
Brigitte Fielder and Jonathan Senchyne, eds. Against a Sharp White Background: Infrastructures of African American Print. Madison: The University of Wisconsin Press, 2019. vii, 318 pp. Caseboun1
:Hanji Unfurled: One Journey into Korean Papermaking1
:Ghosts, Holes, Rips and Scrapes: Shakespeare in 1619, Bibliography in the Longue Durée1
:Book Anatomy: Body Politics and the Materiality of Indigenous Book History1
:Making the Miscellany: Poetry, Print, and the History of the Book in Early Modern England1
:Samuel Richardson as Anonymous Editor and Printer: Recycling Texts for the Book Market1
:Teaching the History of the Book1
“Could you make it rather more of a He and She picture”: Queer Texts and Dust Jackets in Mid-Twentieth Century British Fiction1
:Publishing Plates: Stereotyping and Electrotyping in Nineteenth-Century US Print Culture1
Late Thomas Heywood and “insidiate”: Authorial Agency and The Second Part of the Theatre of God’s Judgements1
Jill Kray and Paolo Sachet, eds. The Afterlife of Aldus: Posthumous Fame, Collectors and the Book Trade. Warburg Institute colloquia, 32. London: Warburg Institute, 2018. xiv, 226 pp. $40.00 Pa1
By-Laws of the Bibliographical Society of America1
Between Editions: Collaboration, Indigenous Book History, and the Paratextual Legacy of Zitkála-Šá’s American Indian Stories1
:Aquatint Worlds: Travel, Print, and Empire 1770–18200
:Taking Form, Making Worlds: Cartonera Publishers in Latin America0
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Shakespeare in Samuel Beckett’s Library0
:Cut/Copy/Paste: Fragments from the History of Bookwork0
Play Manuscripts, Vectors of Transmission, and Shakespeare’s Henry the fifth0
Erin A. McCarthy. Doubtful Readers: Print, Poetry, and the Reading Public in Early Modern England. Oxford: Oxford University Press, 2020. xviii, 277 pp. $80. Hardcover (ISBN: 978-0-1988-3647-6)0
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Simon Loxley, ed. Emery Walker: Arts, Crafts and a World in Motion. Newcastle, Delaware: Oak Knoll Press, 2019. xvi, 200 pp. $95.00. Hardcover, Illus. (ISBN: 9781584563839). Richard Mathews and0
Index to Volume 1160
News, Events, Publications, and Awards0
Circulation of a Sea Monster Image: From Renaissance Nature Studies to the Title Page of an Eighteenth-Century Halakhic Book0
Corinna Zeltsman. Ink under the Fingernails: Printing Politics in Nineteenth-Century Mexico. California: University of California Press, 2021. 350 pp. $34.95. Paperback, illus. (ISBN: 978-0-5200
The Catholic Martyrological Tradition of the Reformation and the Early Editions of Richard Rowlands Verstegan’s Théâtre des cruautés (1588)0
William Poole, Felicity Henderson, and Yelda Nasifoglu. Robert Hooke’s Books. (2015– ) Database. https://hookesbooks.yeldanasifoglu.com/.0
Concurrent Printing, Watermarks, and the Print Run of the First Folio0
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:The Burke Collection of Italian Manuscript Paintings0
The Decrees of the First Mexican Council (1555): Confiscations, Collectors, and Literary Migration0
Queer Bibliography: A Rationale0
“Only Death Put an End to Mr. Howe’s Collecting”: The Bibliophile behind Nearly Half of the Berg Collection0
:Early Modern Herbals and the Book Trade: English Stationers and the Commodification of Botany0
Who was “A. Moore”? Waste Paper as a Means of Identification0
:Birth Figures: Early Modern Prints and the Pregnant Body0
:Printing and Misprinting: A Companion to Mistakes and In-House Corrections in Renaissance Europe (1450–1650)0
:Book, Text, Medium: Cross-Sectional Reading for a Digital Age0
:Texas Lithographs: A Century of History in Images0
:Book Ownership in Stuart England0
:The Book by Design: The Remarkable Story of the World’s Greatest Invention0
Carolyn Fowler’s Black Arts and Black Aesthetics and Public Bibliography0
:The Making of Mary Shelley’s “Frankenstein.”0
Contents of Volume 1160
The Tabby Cat of Bibliography0
:The Declaration in Script and Print: A Visual History of America’s Founding Document0
“As being bound with you”: Revising the Contexts of Garnet’s “Address to the Slaves of the United States of America”0
Projected Books for Disabled Veterans and Civilians after World War II0
Who Printed Huon? New Light on the Early Tudor Book Trade0
BSA Bylaws Revision and the New BSA Membership Year0
Notebook and/or Network: The Bibliographical Note in the Future0
:Assembled for Use: Indigenous Compilation and the Archives of Early Native American Literatures0
The Rev. T. R. O’Flahertie: Nineteenth-Century Bibliographer, Collector, and Editor of Donne’sLetters0
:Libros e imprenta en México en el siglo XVI0
The Emergence of the Bibliographical Note0
“For billionaire booklovers”: George D. Sproul’s St. Dunstan Editions0
:The Printing and the Printers of the “Book of Common Prayer,” 1549–15610
Society News0
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:The Diagram as Paradigm: Cross-Cultural Approaches0
The Bibliographical Note in the History of English Studies0
The Pelican in Her Piety: The Seventeenth-Century Embroidered Binding of the Psalter of Anne Boleyn0
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:Gothic Chapbooks, Bluebooks and Shilling Shockers, 1797–18300
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What Is a Fragment?0
:Digital Codicology: Medieval Books and Modern Labor0
Revision and Duplication in Early Modern Plays: A Reevaluation of the “Minus” Hypothesis0
Lindsay, DiCuirci. Colonial Revivals: The Nineteenth-Century Lives of Early American Books. Philadelphia: University of Pennsylvania Press, 2018. 288 pp. $69.95. Illus. (ISBN 978-0-8122-5062-6)0
Forensic Bibliography0
Society Information0
On Liberation Bibliography: The 2021 BSA Annual Meeting Keynote0
Eurie Dahn. Jim Crow Networks: African American Periodical Cultures. Amherst: University of Massachusetts Press, 2021. 208 pp. $26.95. Paperback (ISBN: 9781625345264). Brooks E. Hefner. Blac0
:Inky Fingers: The Making of Books in Early Modern Europe0
:Authorizing Superhero Comics: On the Evolution of a Popular Serial Genre0
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:Wild Intelligence: Poets’ Libraries and the Politics of Knowledge in Postwar America0
Epistolary Poetics: Reading the Manuscript Interventions of Melesina Trench0
Bibliography after Empire: Documenting and Classifying Knowledge in the Tenth-Century Muslim World: The 2025 BSA Annual Meeting Keynote0
:So Much to Be Angry About: Appalachian Movement Press and Radical DIY Publishing, 1969–19790
:Godine at Fifty: A Retrospective of Five Decades in the Life of an Independent Publisher0
Opening Pandora’s Box: Charles d’Orléans’s Reception and the Work of Critical Bibliography0
:Inessential Colors: Architecture on Paper in Early Modern Europe0
News, Equity Action Plan, In Memoriam0
Society Information0
Society Information0
:Four Shades of Gray: The Amazon Kindle Platform0
Benito Rial, Costas, ed. Aldo Manuzio en la España del Renacimiento. Madrid: Consejo superior de investigaciones científicas, 2019. Nueva Roma 50. 402 pp. € 36. Paper, illus. (ISBN 978-84-00-100
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New Evidence in the Printing History of Louis Renard’s Poissons, ecrevisses et crabes0
:Indigenuity: Native Craftwork and the Art of American Literatures0
:The Private Library: Being a More or Less Compendious Disquisition on the History of the Architecture and Furnishing of the Domestic Bookroom0
Rediscovering Sarah de Laredo: Historian, Bibliographer, Woman0
:Pulpit, Press, and Politics: Methodists and the Market for Books in Upper Canada0
William Langland, “Father of English Poetry”: Thomas Dunham Whitaker’s Piers Plowman0
Securing the Future of the Dorothy Porter Wesley Fellowship for Black Bibliographers0
Society News0
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:Reading Mathematics in Early Modern Europe: Studies in the Production, Collection, and Use of Mathematical Books0
:Descriptive Bibliography0
:The Object of Jewish Literature: A Material History0
: Letterpress Revolution: The Politics of Anarchist Print Culture0
Andrew M. Stauffer. Book Traces: Nineteenth-Century Readers and the Future of the Library. Philadelphia: University of Pennsylvania Press, 2021. 207 pp. $49.95 Cloth, Illus. (ISBN: 978-0-8122-50
:L’Entour du texte: La publication du livre savant à la Renaissance0
Society Information0
:Intermediate Horizons: Book History and Digital Humanities0
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Eric Gardner. Black Print Unbound: The “Christian Recorder,” African American Literature, and Periodical Culture. New York: Oxford University Press, 2015. 344 pp. $39.95. Paperback, illus. 978-0
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Bastard Hands: Fifteenth-Century Scripts and the Processes of Medieval Making0
Toward a Bibliography of Birch bark: The 2023 Annual Meeting Keynote0
The Dance Typewriter: IBM, the Labanotation Element, and “Women’s Work” in 19730
Order and Access: Dorothy Porter and the Mission of Black Bibliography0
:Manuscript Poetics: Materiality and Textuality in Medieval Italian Literature0
:Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History0
Shakespeare by Touch: Tactile Reading and N. B. Kneass Jr.’s Merchant of Venice (1870)0
Private Owners, Public Books: Henrietta Bartlett’s Feminist Bibliography0
:The Medieval Scriptorium: Making Books in the Middle Ages0
:The Manuscripts Club: The People Behind a Thousand Years of Medieval Manuscripts0
:Tradition and Individuality: Bindings from the University of Michigan Greek Manuscript Collection0
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Margaret Cavendish’s University Years: Batch Bindings and Trade Bindings in Cambridge and Oxford0
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Elizabeth McHenry. To Make Negro Literature: Writing, Literary Practice, and African American Authorship. Durham, NC: Duke University Press, 2021. xv, 295 pp. Paperback, $27.95. (ISBN: 978-1-470
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: Arabic Printing for the Christians in Ottoman Lands: The East-European Connection0
:Dispatches from the Lizard Brain: A Descriptive Bibliography of Ninja Press0
Historical Shelf Marks as Sources for Institutional Provenance Research: Reconstructing the University of Virginia’s First Library0
:The Textual Effects of David Walker’s “Appeal”: Print-Based Activism against Slavery, Racism, and Discrimination, 1829–18510
:Star Territory: Printing the Universe in Nineteenth-Century America0
Black Bibliography as Biographical Method: The Publication History of The Adventures and Escape of Moses Roper, from American Slavery, 1837–18490
:Playing with the Book: Victorian Movable Picture Books and the Child Reader0
Collecting and Preserving Colonial Latin American Materials Today: A Roundtable0
A Newly Discovered Manuscript of Vincent of Lérins’s Commonitorium and Shakespeare’s Hand D in Sir Thomas More0
1990s Zine Distribution and Understanding the Work of Zine Distros through Their Catalogs0
:Shakespeare’s “Lady Editors”: A New History of the Shakespearean Text0
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What Is a Bibliographical Note?0
The Homosaurus, Queer Vocabularies, and Impossible Metadata0
Creating Community and Grappling with History: Queer DIY Publishing in the United States after Stonewall0
: Treasures from the Hispanic Society Library: An Exhibition Curated by Mitchell A. Codding and John O’Neill0
Compiling “A Selected Bibliography of Bibliographies of African American Writing”0
The Life and Times of an Artifact and Thing: The Gazeta de Lima0
:The Library: A Fragile History0
Early Publication History of Narrative of James Williams, an American Slave (1838)0
Russell Maret. Visionaries & Fanatics and Other Essays on Type Design, Technology, and the Private Press. Ann Arbor, MI: Legacy Press, 2021. 140, [3] pp. Illus. $70.00 hardcover; $35 paperb0
:Gems of Art on Paper: Illustrated American Fiction and Poetry, 1765–18850
Mumbo Jumbo’s Paratextual Condition0
:The Editor Function: Literary Publishing in Postwar America0
A Closer Look at the Making of Barlow’s Aesop’s Fables0
:Fugitive Texts: Slave Narratives in Antebellum Print Culture0
:A History of Ottoman Libraries0
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Letter from the Editors0
:Women’s Labour and the History of the Book in Early Modern England0
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Towards Intersectional Queer Bibliography: Three Perspectives from a Roundtable Discussion0
The Printing History of, and Other Matters Related to, Henry James’s First American Edition of Daisy Miller0
:Códice Maya de México: Understanding the Oldest Surviving Book of the Americas0
Theatrical Figures (and Others) as Book Subscribers for Sterne and Derrick0
A Note on the Quarto Chapbooks of the English Don Bellianis0
Transition by the Book: Editing, Pseudonymity, and the Possibilities of Trans Bibliography0
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Fulcher’s Ladies’ Memorandum Book and Poetical Miscellany, Illustrations, and the Mapping of Format Change0
Steven Lomazow. Magazines and the American Experience: Highlights from the Collection of Steven Lomazow, M.D. New York: Grolier Club, 2021. 337 pp. $75.00 Hardcover, Illus. (ISBN: 97816058309190
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:Building the Book from the Ancient World to the Present Day: How Manuscript, Printed, and Digital Texts are Made; Illustrated from the Teaching Collections of Rare Book School at the University of0
Elizabeth Savage. Early Colour Printing: German Renaissance Woodcuts at the British Museum. [London]: Paul Holberton Publishing, 2021. 256 pp. £50.00 Hardback, illus. (ISBN: 978-1-911300-75-5).0
:Medieval English Manuscripts and Literary Forms0
Simon R. Frost. Reading, Wanting, and Broken Economics: A Twenty-First Century Study of Readers and Bookshops in Southampton around 1900. Albany: State University of New York Press, 2021. xxii,0
Jean-Christophe Cloutier. Shadow Archives: The Lifecycles of African American Literature. New York: Columbia University Press, 2019. $35. 408 pp. Paperback. (ISBN: 978-0-2311-9331-3).0
:Cover Treasure: The Life and Art of Margaret Armstrong0
Tracing Personal Accounts in Colonial Knowledge Networks: Towards a Watermark Database for the Cape Colony, 1652–17950
The Publishing History of The Water-Babies : A Description of the Macmillan Editions (1863–1928)0
Creativity, Experimentation, and Failure: Queering Letterpress Printing in the Humanities Makerspace0
Society News0
: Paratext Printed with New English Plays, 1660–17000
:The Dictionary of the Book: A Glossary for Book Collectors, Booksellers, Librarians, and Others0
Embodied Literacy: Somatic Origins of Nonlinear Layouts in Chosŏn Epistolary Culture0
Robinson Crusoe Portrait Frontispieces: Models, Variants, and Interpretations, 1719–17990
Queering the Language of Dynasty in Imprints and Bibliographic Metadata0
A New Witness to Béroul’sTristan0
Orietta, Da Rold. Paper in Medieval England: From Pulp to Fictions. Cambridge and New York: Cambridge University Press, 2020. xx, 270 pp. $90.00 Illus. (ISBN 978-1-1088-4057-6).0
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:The Four Shakespeare Folios, 1623–2023: Copy, Print, Paper, Type0
:Stampato a Gerusalemme: Storia della tipografia francescana di Terra Santa tra Otto e Novecento0
An Unexpected Influence: Photostats in Special Collections Libraries0
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Society News0
The Leipzig Edition of Milton’s Pro Populo Anglicano Defensio0
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Cynthia Johnston, ed. A British Book Collector: Rare Books and Manuscripts in the R. E. Hart Collection, Blackburn Museum and Art Gallery. London: University of London Press, 2021. xiii + 234 p0
Letter from the Editors0
Lorenz Böninger. Niccolò di Lorenzo della Magna and the Social World of Florentine Printing, ca. 1470–1493. Cambridge, MA: Harvard University Press, 2021. I Tatti Studies in Italian Renaissance0
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