British Journal of Aesthetics

Papers
(The TQCC of British Journal of Aesthetics is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
Portraits, Facial Perception, and Aspect-Seeing15
Philosophy of Music: A History13
Philosophy, Literature and Understanding: On Reading and Cognition8
(What) Do We Owe Beautiful Objects? A Case for Aesthetic Obligations7
Examining Hypothetical Intentionalism7
‘Ad Reinhardt: “Art Is Art and Everything Else Is Everything Else”’, Fundación Juan March7
The Heart of Classical Work-Performance7
Of Pots and Plato’s Aesthetics6
Correction Erratum to: Imperfectionist Aesthetics in Art and Everyday Life5
Musical Affordances and the Transformation Into Structure: How Gadamer can Complement Enactivist Perspectives on Music4
Feeling Fit for Function: Haptic Touch and Aesthetic Experience4
Kara Walker: A Black Hole is Everything a Star Longs to Be4
Beyond Autonomy in Eighteenth-Century British and German Aesthetics4
A Fitting-Attitude Approach to Aesthetic Value?3
Kant’s Critique of Taste: The Feeling of Life3
Retitling, Cultural Appropriation, and Aboriginal Title3
Wonderful Worlds: Disinterested Engagement and Environmental Aesthetic Appreciation3
The Normative Space of Musical Performance: Expertise and the Symbolic Body3
The Good, the Bad, and the Ugly3
Bolzano on aesthetic normativity3
Arts of Address: Being Alive to Language and the World3
Reply to Abell’s and Currie’s comments on Gilmore’sApt Imaginings: Feelings for Fictions and Other Creatures of the Mind2
Elusive Fictional Truth2
Poetry, painting, park. Goethe and Claude Lorrain2
Arthur Danto’s Philosophy of Art: Essays2
In Defence of the Production-Oriented Approach to the Ethical Criticism of Art: A Reply to James Harold2
Practical Form: Abstraction, Technique, and Beauty in Eighteenth-Century Aesthetics2
Lynette Yiadom-Boakye: Fly in League with the Night2
Play and Aesthetics in Ancient Greece2
Art and Ethico-Political Value2
Aesthetic Insight and Mental Agency2
Double-Standard Moralism: Why We Can Be More Permissive Within Our Imagination2
Uncommon Sense: Jeremy Bentham, Queer Aesthetics, and the Politics of Taste2
Distant Dinosaurs and the Aesthetics of Remote Art2
The Ethics and Aesthetics of Intertextual Writing: Cultural Appropriation and Minor Literature2
On Perspectivism and Expressivism: A Reply to Ted Nannicelli2
‘Truth in Fiction’ Reprised2
Aesthetics of Care: Practice in Everyday Life2
Asteroids, Holoblack and Clearance Futurism2
Speculative Aesthetic Expressivism2
Looking Through Images: A Phenomenology of Visual Media2
Art, Borders and Belonging1
Fictional reference: How to Account for both Directedness and Uniformity1
The Iconology of Abstraction: Non-Figurative Images and the Modern World1
The dualist character of a garden’s aesthetic properties1
Art, Ethics, and the Relativism of Distance1
Sounding Sense and Sensing Sound: ‘Form-Content Unity’ Revisited and Reformulated1
Talk about Pop Muzik: Discussion of Enrico Terrone, ‘Listening to Other Minds: A Phenomenology of Pop Songs’,BJA60 (2020), 435–4531
Popular Song and Ethics: Ethical Perspectives and Personal Qualities1
Natural Perception: Environmental Images and Aesthetics in International Law1
Aesthetic Testimony and Aesthetic Authenticity1
Immoralism is Obviously True: Towards Progress on the Ethical Question1
Camus’s ‘The Plague’: Philosophical Perspectives1
Environmental Virtue Aesthetics1
Does the Critical Scrutiny of Drill Constitute an Epistemic Injustice?1
Kehinde Wiley at the National Gallery: The Prelude1
Visual Metaphors1
Country Music and the Problem of Authenticity1
Interpreting Art1
Positive Garden Aesthetics1
Definition of Fiction: State of the Art1
The Global Rules of Art: The Emergence and Divisions of a Cultural World Economy1
The Entanglement: How Art and Philosophy Make Us What We Are1
The Philosophy of Curatorial Practice: Between Work and World1
On the Deeply Moving and the Merely Touching1
Immoral Artists and Our Aesthetic Projects: Commentary on Mary Beth Willard’sWhy It’s OK to Enjoy the Work of Immoral Artists1
Classics in Western Philosophy of Art1
Philosophy of Lyric Voice: The Cognitive Value of Page and Performance Poetry1
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