OOIR: Observatory of International Research

Papers

(The median citation count of Canadian Review of American Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)

Article	Citations
From Chico to Caesar, Why Chimps Are Good to Think	3
American Borderlands: Reflections on Margins, Mainstreams, and Alternatives	2
Die a Hero or Live Long Enough to See Yourself Become a Traditional American Family Sitcom: Exhausting Parody and Thirty-Three Years of The Simpsons	2
Temperance, Slavery, and Reforming Excessive Appetite in White-Jacket and Moby-Dick	2
Reproductive Justice, Race, and the Prescience of the Past	2
Remembering Priscilla “Percy” L. Walton, 1957–2024	1
Introduction: Making and Remaking American Poetry	1
Quests for the Power of the Poem (Forgetting the Power of the Past?)	1
Ecology, Natural History, and Ecospatiality in American Literature	1
Liberal Containment in Marvel Movies of the Trump Era	1
Ezra Pound and Spatial Poetics	1
Monster Menstrual: Women, Girls, and Queer Horror in Stranger Things	1
Introduction—Alternative/Mainstream	1
Être dansés. Technomagie, culture électronique et socialité après l’humanisme	1
Mad Men and the Falling Bodies of 9/11	1
The Spectacle and Reification of Traumapower in Game of Thrones	1
“Local to where, across the river?”: Detroit, Borderlands, and Cycles of Dispossession in Elmore Leonard’s Killshot	1
“True Canadian”: Advertising Canadian Branded Products in the Early American Press, 1760–1810	0
North of Carmel: Jeffers, Bringhurst, and the Ecological View	0
Borders and Betrayal in Zora Neale Hurston’s Barracoon: Rethinking Truths and Facts in the American Slave Narrative	0
Jennifer Haley’s The Nether: Transhumanism in the Post-Internet World	0
L’obscénité intégrale. Pornoculture et vie quotidienne	0
“Don’t Pray for Me, Pray for Them!”: Norman Jewison’s In the Heat of the Night and Hollywood “Redneckification” of Anti-Black Racism	0
“The American Sentence”	0
“If You Wish a Picture”: Ekphrasis as Technique in Solmaz Sharif’s Look	0

Liminality and Longing in Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo” and Dionne Brand’s At the Full and Change of the Moon	0
Pornoculture et fétichisme : œuvres d’art mutilées. Un imaginaire de la chair entre photographie, cinéma, série télévisée et réseaux sociaux	0
“The Spirit of Their Fathers Moves Within Them”: The Radical Conservatism of the Virginia Populists	0
Tainted Love: Tracing Connie’s Trauma Through Music in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”	0
The Sentimental Physician: J. Marion Sims’sStory of My Life	0
Taiwan Shift in Anglophone Fiction and Memoir	0
From Slavery to Individuality: A Marxist Reading of Narrative of the Life of Frederick Douglass	0
How to Read a Drawer: Print Culture and Humour Practice in Harper’s New Monthly Magazine	0
Editorial Remarks	0
“Love Thy Neighbor”: Neuroculture, Fundamentalism, and the Other in Gish Jen’s World and Town	0
The Practice of Everyday Death: On the Paratactical “Life” of Neo-liberal Biopolitics	0
Detecting Meaninglessness and Meaning in Don DeLillo’s Players	0
“The World Unwraps Itself”: Tracing Utopia in Gregory Maguire’s Wicked: The Life and Times of the Wicked Witch of the West and Stephen Schwartz and Winn	0
Alternative Makings in American Poetry	0
“Knowing Our Place”: Reading Barbara Kingsolver’s Works from a Bioregional Perspective	0
Majority Nationalism and the Trump Administration: Implications for Puerto Rico and Latinos	0
Films at the Fairs: Cinema at the San Francisco and San Diego International Expositions of 1915	0
Revisiting Asian American Poetics: A Review of Heterogeneity and a Case of Russell Leong	0
Perturbed Spirits: The Garish Power of Conspiracy Theory	0
Modern Liberty, Partisanship, and Identity: On Mark Lilla and Yuval Levin	0
The Tree-Sound Chora of Toni Morrison’s Beloved	0
The Elusive Killer in Didactic Cinema: Conceptualizing Munch-ian Art and Adorno’s Negative Dialectics in Horror	0
Missing the Boat: Narrative Artistry in Hawthorne’s “My Kinsman, Major Molineux” and James’s The Ambassadors	0
Towards Post-Institutional Individualism: Ralph Ellison’s Invisible Man and the Therapeutic Politics of Dissent	0
Boot Camp Baby: Military Science Fiction’s Incubator	0
Telling American Stories: Mattel and the Material Culture of the US Past	0
Petrocultural Formations: Crisis Discourse, Energy Geographies, and Neo-liberalism	0
Morbid Symptoms	0
Fiddling with Southern California at a Time of Upheaval: A.E. Maxwell’s Mystery Series	0
“Up Against the Wall, Motherfucker”: The History of a Phrase	0
Refashioning Noir: Do Dead Girls Still Live in L.A.?	0
Cities and Ruin in American Studies	0
“I Will Have Your Surrender”: British Colonization and the Rape of Jamie Fraser	0
The Mainstreaming of American Queer Cinema	0
Crossing Cultures and the Poetic Worlds of Forrest Gander, Thomas King, and Margaret Atwood	0
Hotshop: Placing the Genesis of American Studio Glassblowing	0
Why Are Public Attitudes towards Immigration in Canada Becoming Increasingly Positive? Exploring the Factors Behind the Changes in Attitudes towards Immigration (1998–2021)	0
Performing the Neoliberal Body: Alienation, Plenitude Fantasies, and the Ethics of the Public in Charles Yu’s Interior Chinatown	0
Religion and Neuroscience in Uncle Tom’s Cabin	0
President Biden’s Restrained Hamiltonian Foreign Policy	0