OOIR: Observatory of International Research

Papers

(The median citation count of Canadian Review of American Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
From Chico to Caesar, Why Chimps Are Good to Think	3
Mad Men and the Falling Bodies of 9/11	1
Quests for the Power of the Poem (Forgetting the Power of the Past?)	1
Jane Gray’s Framing of Asa Gray through Autobiography, Biography, and Correspondence	1
Remembering Priscilla “Percy” L. Walton, 1957–2024	1
Civil War Diplomacy: A Fresh Look	1
Colonial Archives in Austin Clarke’s The Polished Hoe: In and on the Body of Mary-Mathilda	1
American Borderlands: Reflections on Margins, Mainstreams, and Alternatives	1
Reproductive Justice, Race, and the Prescience of the Past	1
Die a Hero or Live Long Enough to See Yourself Become a Traditional American Family Sitcom: Exhausting Parody and Thirty-Three Years of The Simpsons	1
Ezra Pound and Spatial Poetics	1
Monster Menstrual: Women, Girls, and Queer Horror in Stranger Things	1
Introduction: Making and Remaking American Poetry	1
Liberal Containment in Marvel Movies of the Trump Era	1
Temperance, Slavery, and Reforming Excessive Appetite in White-Jacket and Moby-Dick	1
Être dansés. Technomagie, culture électronique et socialité après l’humanisme	1
Majority Nationalism and the Trump Administration: Implications for Puerto Rico and Latinos	0
Taiwan Shift in Anglophone Fiction and Memoir	0
Revisiting Asian American Poetics: A Review of Heterogeneity and a Case of Russell Leong	0
Why Are Public Attitudes towards Immigration in Canada Becoming Increasingly Positive? Exploring the Factors Behind the Changes in Attitudes towards Immigration (1998–2021)	0
Modern Liberty, Partisanship, and Identity: On Mark Lilla and Yuval Levin	0
Cities and Ruin in American Studies	0
The Mainstreaming of American Queer Cinema	0
Revisiting Auburn Avenue: The Construction of an Afrofuturist Counterpublic Space	0
“If You Wish a Picture”: Ekphrasis as Technique in Solmaz Sharif’s Look	0

“The American Sentence”	0
Morbid Symptoms	0
Petrocultural Formations: Crisis Discourse, Energy Geographies, and Neo-liberalism	0
“Don’t Pray for Me, Pray for Them!”: Norman Jewison’s In the Heat of the Night and Hollywood “Redneckification” of Anti-Black Racism	0
North of Carmel: Jeffers, Bringhurst, and the Ecological View	0
Introduction—Alternative/Mainstream	0
Trump’s Base! You Can Say That Again!! An Optimistic Deconstruction of Base Politics	0
From Slavery to Individuality: A Marxist Reading of Narrative of the Life of Frederick Douglass	0
“I Will Have Your Surrender”: British Colonization and the Rape of Jamie Fraser	0
“Knowing Our Place”: Reading Barbara Kingsolver’s Works from a Bioregional Perspective	0
Perturbed Spirits: The Garish Power of Conspiracy Theory	0
Crossing Cultures and the Poetic Worlds of Forrest Gander, Thomas King, and Margaret Atwood	0
The Sentimental Physician: J. Marion Sims’sStory of My Life	0
Fiddling with Southern California at a Time of Upheaval: A.E. Maxwell’s Mystery Series	0
Religion and Neuroscience in Uncle Tom’s Cabin	0
How to Read a Drawer: Print Culture and Humour Practice in Harper’s New Monthly Magazine	0
“True Canadian”: Advertising Canadian Branded Products in the Early American Press, 1760–1810	0
Hotshop: Placing the Genesis of American Studio Glassblowing	0
A “Burlesque Queen in Bobby Socks”: Domesticity, Criminality, and Suspense in Charles Williams’s Noir Fiction	0
L’obscénité intégrale. Pornoculture et vie quotidienne	0
Jennifer Haley’s The Nether: Transhumanism in the Post-Internet World	0
Alternative Makings in American Poetry	0
Boot Camp Baby: Military Science Fiction’s Incubator	0
Ecology, Natural History, and Ecospatiality in American Literature	0
The Practice of Everyday Death: On the Paratactical “Life” of Neo-liberal Biopolitics	0
Films at the Fairs: Cinema at the San Francisco and San Diego International Expositions of 1915	0
Liminality and Longing in Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo” and Dionne Brand’s At the Full and Change of the Moon	0
Pornoculture et fétichisme : œuvres d’art mutilées. Un imaginaire de la chair entre photographie, cinéma, série télévisée et réseaux sociaux	0
Tainted Love: Tracing Connie’s Trauma Through Music in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”	0
“The Spirit of Their Fathers Moves Within Them”: The Radical Conservatism of the Virginia Populists	0
The Elusive Killer in Didactic Cinema: Conceptualizing Munch-ian Art and Adorno’s Negative Dialectics in Horror	0
Missing the Boat: Narrative Artistry in Hawthorne’s “My Kinsman, Major Molineux” and James’s The Ambassadors	0
Towards Post-Institutional Individualism: Ralph Ellison’s Invisible Man and the Therapeutic Politics of Dissent	0
President Biden’s Restrained Hamiltonian Foreign Policy	0
Telling American Stories: Mattel and the Material Culture of the US Past	0
Borders and Betrayal in Zora Neale Hurston’s Barracoon: Rethinking Truths and Facts in the American Slave Narrative	0
Detecting Meaninglessness and Meaning in Don DeLillo’s Players	0
“Up Against the Wall, Motherfucker”: The History of a Phrase	0
“Love Thy Neighbor”: Neuroculture, Fundamentalism, and the Other in Gish Jen’s World and Town	0
Refashioning Noir: Do Dead Girls Still Live in L.A.?	0
The Spectacle and Reification of Traumapower in Game of Thrones	0
Editorial Remarks	0