OOIR: Observatory of International Research

Papers

(The median citation count of Canadian Review of American Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)

Article	Citations
From Chico to Caesar, Why Chimps Are Good to Think	4
American Borderlands: Reflections on Margins, Mainstreams, and Alternatives	3
Die a Hero or Live Long Enough to See Yourself Become a Traditional American Family Sitcom: Exhausting Parody and Thirty-Three Years of The Simpsons	3
Être dansés. Technomagie, culture électronique et socialité après l’humanisme	1
Remembering Priscilla “Percy” L. Walton, 1957–2024	1
Introduction: Making and Remaking American Poetry	1
The Late Oedipal Genre, Thantagonists, and Secondary Televisuality	1
Reproductive Justice, Race, and the Prescience of the Past	1
From Disincorporation to Rematerialization: Breaking Bad and the Life of Cash	1
Ezra Pound and Spatial Poetics	1
Liberal Containment in Marvel Movies of the Trump Era	1
Jane Gray’s Framing of Asa Gray through Autobiography, Biography, and Correspondence	1
Temperance, Slavery, and Reforming Excessive Appetite in White-Jacket and Moby-Dick	1
Colonial Archives in Austin Clarke’s The Polished Hoe: In and on the Body of Mary-Mathilda	1
Mad Men and the Falling Bodies of 9/11	1
Introduction—Alternative/Mainstream	0
Detecting Meaninglessness and Meaning in Don DeLillo’s Players	0
Trump’s Base! You Can Say That Again!! An Optimistic Deconstruction of Base Politics	0
Petrocultural Formations: Crisis Discourse, Energy Geographies, and Neo-liberalism	0
Breaking Bad and Better Call Saul: Struggling and Living in Liquid Times	0
North of Carmel: Jeffers, Bringhurst, and the Ecological View	0
“Up Against the Wall, Motherfucker”: The History of a Phrase	0
Editorial Remarks	0
The Sentimental Physician: J. Marion Sims’sStory of My Life	0
Liminality and Longing in Zora Neale Hurston’s Barracoon: The Story of the Last “Black Cargo” and Dionne Brand’s At the Full and Change of the Moon	0

Cities and Ruin in American Studies	0
Revisiting Asian American Poetics: A Review of Heterogeneity and a Case of Russell Leong	0
“The Spirit of Their Fathers Moves Within Them”: The Radical Conservatism of the Virginia Populists	0
“The American Sentence”	0
Fiddling with Southern California at a Time of Upheaval: A.E. Maxwell’s Mystery Series	0
Fleabag, Modernism, and New Television	0
New Television as Neo-Naturalism: The Wire and The Shield	0
Justified: Transitioning the Old TV Western Lawman into a New Television Protagonist	0
“Knowing Our Place”: Reading Barbara Kingsolver’s Works from a Bioregional Perspective	0
“Don’t Pray for Me, Pray for Them!”: Norman Jewison’s In the Heat of the Night and Hollywood “Redneckification” of Anti-Black Racism	0
Ecology, Natural History, and Ecospatiality in American Literature	0
Jennifer Haley’s The Nether: Transhumanism in the Post-Internet World	0
“We Couldn’t Do That Even if We Wanted To”: Family and Natality in Veep and House of Cards (US)	0
Boot Camp Baby: Military Science Fiction’s Incubator	0
Civil War Diplomacy: A Fresh Look	0
A “Burlesque Queen in Bobby Socks”: Domesticity, Criminality, and Suspense in Charles Williams’s Noir Fiction	0
Tainted Love: Tracing Connie’s Trauma Through Music in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”	0
What Is Long-Form Television? An Answer to Jason Mittell’s Complex TV	0
The Mainstreaming of American Queer Cinema	0
Religion and Neuroscience in Uncle Tom’s Cabin	0
Taiwan Shift in Anglophone Fiction and Memoir	0
Hotshop: Placing the Genesis of American Studio Glassblowing	0
Towards Post-Institutional Individualism: Ralph Ellison’s Invisible Man and the Therapeutic Politics of Dissent	0
Modern Liberty, Partisanship, and Identity: On Mark Lilla and Yuval Levin	0
Borders and Betrayal in Zora Neale Hurston’s Barracoon: Rethinking Truths and Facts in the American Slave Narrative	0
How to Read a Drawer: Print Culture and Humour Practice in Harper’s New Monthly Magazine	0
The Practice of Everyday Death: On the Paratactical “Life” of Neo-liberal Biopolitics	0
The (Anti-)Hero with a Thousand Faces: Reconstructing Villainy in The Sopranos, Breaking Bad, and Better Call Saul	0
L’obscénité intégrale. Pornoculture et vie quotidienne	0
Films at the Fairs: Cinema at the San Francisco and San Diego International Expositions of 1915	0
Refashioning Noir: Do Dead Girls Still Live in L.A.?	0
The Spectacle and Reification of Traumapower in Game of Thrones	0
“If You Wish a Picture”: Ekphrasis as Technique in Solmaz Sharif’s Look	0
Quests for the Power of the Poem (Forgetting the Power of the Past?)	0
“Love Thy Neighbor”: Neuroculture, Fundamentalism, and the Other in Gish Jen’s World and Town	0
Monster Menstrual: Women, Girls, and Queer Horror in Stranger Things	0
From Slavery to Individuality: A Marxist Reading of Narrative of the Life of Frederick Douglass	0
Why Are Public Attitudes towards Immigration in Canada Becoming Increasingly Positive? Exploring the Factors Behind the Changes in Attitudes towards Immigration (1998–2021)	0
“I Will Have Your Surrender”: British Colonization and the Rape of Jamie Fraser	0
The Elusive Killer in Didactic Cinema: Conceptualizing Munch-ian Art and Adorno’s Negative Dialectics in Horror	0
Pornoculture et fétichisme : œuvres d’art mutilées. Un imaginaire de la chair entre photographie, cinéma, série télévisée et réseaux sociaux	0
Introduction—New Perspectives on New Television	0
Revisiting Auburn Avenue: The Construction of an Afrofuturist Counterpublic Space	0
Crossing Cultures and the Poetic Worlds of Forrest Gander, Thomas King, and Margaret Atwood	0
“True Canadian”: Advertising Canadian Branded Products in the Early American Press, 1760–1810	0
Missing the Boat: Narrative Artistry in Hawthorne’s “My Kinsman, Major Molineux” and James’s The Ambassadors	0
Morbid Symptoms	0
President Biden’s Restrained Hamiltonian Foreign Policy	0
Alternative Makings in American Poetry	0