Cambridge Quarterly

Papers
(The median citation count of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
The Amazoniad1
Introduction: A Conversation with Geoff Wall1
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence1
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’1
Romantics De-Romanticised?1
Is Poetry Communist?0
Notes on Contributors0
Putting in a Word or Two for Mrs Lirriper0
Notes on Contributors0
Veronica Forrest-Thomson’s ABC of Atoms: Poetry, Knowledge, Technique0
Marx and Morality0
A Conversation with Professor Dame Hermione Lee0
Radical: Marianne Moore’s Characters0
‘In a Church, in a Cave’: Cruising with E. M. Forster0
Notes on Contributors0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
Notes on Contributors0
Things Unattempted0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
From an Unfinished Biography of George Sand0
Weird Horizons and the Mysticism of the Unhuman in Jeff VanderMeer’s Southern Reach Trilogy0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
‘A Genteel Form of Suicide’: Julian Bell’s Chinese Journey0
Hardy’s Poetic Retrospect0
Open-Ended0
Winston’s Desires, Orwell’s Politics0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Indebted – Henry James and Honoré de Balzac0
The Borders of Biography: Lucia Berlin and Me0
Experimenting with Failure0
Notes on Contributors0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
Alexander Pope’s Lucretian Vestiges0
The Promise of Philosophical Fiction0
Mina Loy’s Brilliance0
James Merrill’s Sprezzatura0
Thoreau’s Disobedient Thinking0
Preface: Habit0
Simeon Solomon’s Contradictions0
‘Defiantly Ambiguous’: Life in the Black Midwest0
Magazine Publics, Jim Crow Politics0
Biographical Questing: Stoppard and Eliot0
Touching Paintings (in the Contemporary American Novel)0
A Reunion of the Arts0
Irving Kristol and the Biographical Threads of Neoconservatism0
What Makes Us Laugh?0
Hamlet’s Wisdom0
Critical Prehistory0
Seeing Music, Hearing Images0
Future-Oriented, Backward-Looking0
Notes on Contributors0
Notes on Contributors0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
Proustian Extravagance0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
Ann Yearsley and Habituated Indifference0
Thom Gunn’s Variants0
Roman Greatness0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work0
Less and More: The Fin-de-Siècle Android0
A Mirror and a Razor Lay Crossed0
Lewis Carroll’s Instructive Alice0
Notes on Contributors0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
Notes on Contributors0
The Two Audens0
The Higher Feebleness: E.M. Forster as a Public Intellectual0
Early Modernity’s Bad Boy0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
Dispatches from a Socialist Century0
Afterword: Thomas Love Peacock and Habits of Thinking0
Old Ageing0
Family Matters0
Compound Eyes: Richard H. Horne’s Polyoptics0
‘Parnellian Silences’ in Virginia Woolf’s The Years0
Polish Poetry Speaks Out0
Habit, Romanticism, and the Literary Imagination0
Jamesian Footings0
Terraqueous Intimacy0
Versatile Georgic Variety0
Notes on Contributors0
The Draughtswoman of Middlemarch0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
The Come-Back Kid0
Description, Despite Itself0
Exemplary Reading?0
Notes on Contributors0
Miss Stephen’s Lessons0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination0
Dorothy Wordsworth and the Writing of Resolve0
Notes on Contributors0
Zaina Alsous’s Dodo Poetics0
Elizabeth Daryush and the Company She Keeps0
Peace Descends0
Repair: A New History0
Translation Kits0
The Use of Poetry0
On Nature, and ‘Man’s Dominion’0
Notes on Contributors0
Artistic Culture and the Book Trade in Late Seventeenth-Century London0
Hard-Core Poetry0
On Good Form(s)0
Rabbits and Ladders0
Epic Allusions0
Lessons in Modernity0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
Notes on Contributors0
Notes on Contributors0
The Art of Advice0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Bird Learning0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
‘An Encyclopaedia of the Everyday’0
Notes on Contributors0
Foreword0
How Hollywood Watched Television0
Conrad’s Margins and Details0
Poetry, Painting, Physics0
The Copyeditor Test0
Stevie Smith’s Questions0
‘Beyond the path itself’: archive and text in the correspondence of Bernard Dubourg and J. H. Prynne0
Reframing Novelistic Recognition0
Jane Austen, Elizabeth Bowen, and the Novel0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
Crisis, Legitimation, Disciplinarity0
Voices and Publics: An Interview with Stefan Collini0
Where Is the Poem Really From?0
Richardson’s Punctilios0
Larkinography0
Good for Nothing0
The Humanities: Between Skills and Canons0
Three Words0
0.1242048740387