Cambridge Quarterly

Papers
(The median citation count of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’2
Introduction: A Conversation with Geoff Wall2
Afterword: Thomas Love Peacock and Habits of Thinking1
Touching Photographs: The (In)tangible Image in the Photo-essays of John Berger and Jean Mohr1
Notes on Contributors1
Foreword1
Whose Poetics?1
Notes on Contributors1
Romantics De-Romanticised?1
Miss Stephen’s Lessons0
Simeon Solomon’s Contradictions0
Notes on Contributors0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
Repair: A New History0
Voices and Publics: An Interview with Stefan Collini0
Jane Austen, Elizabeth Bowen, and the Novel0
The Two Voices: Suffering and Will in Tennyson’s Maud0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
Dorothy Wordsworth and the Writing of Resolve0
Notes on Contributors0
Stevie Smith’s Questions0
Persuading Without Convincing?0
Winston’s Desires, Orwell’s Politics0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
From an Unfinished Biography of George Sand0
Hard-Core Poetry0
Poetry, Painting, Physics0
‘A Nice Noise’: Briggflatts and the Poetics of (In)Attention0
How Not to Know Mr Lear0
Notes on Contributors0
What Close Reading Really Is0
Notes on Contributors0
‘Not by an Act of God’: Capital in the Work of Basil Bunting0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Things Unattempted0
Bunting’s Monosyllables0
What Makes Us Laugh?0
On Nature, and ‘Man’s Dominion’0
Good for Nothing0
Family Matters0
Baroness Elsa’s Ready-To-Wear Poetry0
On Good Form(s)0
The Come-Back Kid0
Jamesian Footings0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Touching Paintings (in the Contemporary American Novel)0
Artistic Culture and the Book Trade in Late Seventeenth-Century London0
Notes on Contributors0
Notes on Contributors0
Seeing Music, Hearing Images0
Notes on Contributors0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Introduction by the Editors0
Epic Allusions0
Thoreau’s Disobedient Thinking0
Proustian Extravagance0
Experimenting with Failure0
Notes on Contributors0
On the Hunt: Predatory Metaphor and the Early Modern Essay0
Mina Loy’s Brilliance0
Habit, Romanticism, and the Literary Imagination0
Lessons in Modernity0
Thom Gunn’s Variants0
A Conversation with Professor Dame Hermione Lee0
The Two Audens0
Putting in a Word or Two for Mrs Lirriper0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
What New Thing? Lyric Baulking in Shelley, Hardy, Gurney and Brady0
Marx and Morality0
Notes on Contributors0
Biographical Questing: Stoppard and Eliot0
A Formal Intimacy: Donald Hall in Henry Moore’s Atelier0
Versatile Georgic Variety0
Conrad’s Margins and Details0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination0
Bird Learning0
Irving Kristol and the Biographical Threads of Neoconservatism0
Reframing Novelistic Recognition0
Radical: Marianne Moore’s Characters0
Notes on Contributors0
Preface: Habit0
Exemplary Reading?0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
How Hollywood Watched Television0
Less and More: The Fin-de-Siècle Android0
‘An Encyclopaedia of the Everyday’0
A Mirror and a Razor Lay Crossed0
Indebted – Henry James and Honoré de Balzac0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
The Penguin Book of Greek and Latin Lyric Verse0
Polish Poetry Speaks Out0
Ann Yearsley and Habituated Indifference0
The Use of Poetry0
Compound Eyes: Richard H. Horne’s Polyoptics0
Hardy’s Poetic Retrospect0
Risky Business0
Terraqueous Intimacy0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
Crisis, Legitimation, Disciplinarity0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
An Apology for Logic0
Notes on Contributors0
The Draughtswoman of Middlemarch0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
Performing Briggflatts0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
The Borders of Biography: Lucia Berlin and Me0
Three Words0
In Memoriam0
Richardson’s Punctilios0
The Promise of Philosophical Fiction0
Zaina Alsous’s Dodo Poetics0
Notes on Contributors0
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