OOIR: Observatory of International Research

Papers

(The median citation count of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)

Article	Citations
The Amazoniad	2
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’	2
Romantics De-Romanticised?	1
Whose Poetics?	1
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence	1
Introduction: A Conversation with Geoff Wall	1
Notes on Contributors	1
Things Unattempted	0
Performing Briggflatts	0
Notes on Contributors	0
Notes on Contributors	0
Three Words	0
On Nature, and ‘Man’s Dominion’	0
An Apology for Logic	0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters	0
Alone, Ness: W. S. Graham to Nessie Dunsmuir	0
The Come-Back Kid	0
‘Not by an Act of God’: Capital in the Work of Basil Bunting	0
On Good Form(s)	0
Open-Ended	0
Magazine Publics, Jim Crow Politics	0
A Mirror and a Razor Lay Crossed	0
Thoreau’s Disobedient Thinking	0
The Borders of Biography: Lucia Berlin and Me	0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment	0

Winston’s Desires, Orwell’s Politics	0
Notes on Contributors	0
The Promise of Philosophical Fiction	0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian	0
Compound Eyes: Richard H. Horne’s Polyoptics	0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara	0
From an Unfinished Biography of George Sand	0
Touching Paintings (in the Contemporary American Novel)	0
‘A Nice Noise’: Briggflatts and the Poetics of (In)Attention	0
Terraqueous Intimacy	0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-1790	0
What Close Reading Really Is	0
Thom Gunn’s Variants	0
Notes on Contributors	0
On the Hunt: Predatory Metaphor and the Early Modern Essay	0
The Draughtswoman of Middlemarch	0
The Use of Poetry	0
Lessons in Modernity	0
Notes on Contributors	0
Exemplary Reading?	0
Foreword	0
What Makes Us Laugh?	0
Marx and Morality	0
Versatile Georgic Variety	0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination	0
‘Colossal Snob’? The Class-Ridden World of Simon Raven	0
A Conversation with Professor Dame Hermione Lee	0
Radical: Marianne Moore’s Characters	0
Bird Learning	0
Notes on Contributors	0
Irving Kristol and the Biographical Threads of Neoconservatism	0
Artistic Culture and the Book Trade in Late Seventeenth-Century London	0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias	0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable	0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic	0
Notes on Contributors	0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians	0
Family Matters	0
Repair: A New History	0
Dispatches from a Socialist Century	0
Notes on Contributors	0
Jamesian Footings	0
Ann Yearsley and Habituated Indifference	0
Simeon Solomon’s Contradictions	0
Notes on Contributors	0
Poetry, Painting, Physics	0
Voices and Publics: An Interview with Stefan Collini	0
Habit, Romanticism, and the Literary Imagination	0
Jane Austen, Elizabeth Bowen, and the Novel	0
Dorothy Wordsworth and the Writing of Resolve	0

Notes on Contributors	0
How Hollywood Watched Television	0
Introduction by the Editors	0
Crisis, Legitimation, Disciplinarity	0
Biographical Questing: Stoppard and Eliot	0
Hard-Core Poetry	0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein	0
Bunting’s Monosyllables	0
Risky Business	0
Afterword: Thomas Love Peacock and Habits of Thinking	0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit	0
Indebted – Henry James and Honoré de Balzac	0
Richardson’s Punctilios	0
Zaina Alsous’s Dodo Poetics	0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work	0
Notes on Contributors	0
The Two Voices: Suffering and Will in Tennyson’s Maud	0
‘Cockney Aristotle’: Hazlitt’s Second Nature	0
Miss Stephen’s Lessons	0
Notes on Contributors	0
Stevie Smith’s Questions	0
‘An Encyclopaedia of the Everyday’	0
Preface: Habit	0
Epic Allusions	0
Notes on Contributors	0
Conrad’s Margins and Details	0
Less and More: The Fin-de-Siècle Android	0
Experimenting with Failure	0
Polish Poetry Speaks Out	0
Reframing Novelistic Recognition	0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley	0
Good for Nothing	0
Hardy’s Poetic Retrospect	0
Mina Loy’s Brilliance	0
Seeing Music, Hearing Images	0
I Shock Myself: Beatrice Wood on, and in, New York Dada	0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby	0
Elizabeth Daryush and the Company She Keeps	0
How Not to Know Mr Lear	0
The Two Audens	0
Proustian Extravagance	0
A Formal Intimacy: Donald Hall in Henry Moore’s Atelier	0
Putting in a Word or Two for Mrs Lirriper	0