Cambridge Quarterly

Papers
(The median citation count of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
The Amazoniad1
Romantics De-Romanticised?1
Introduction: A Conversation with Geoff Wall1
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’1
Marx and Morality0
Versatile Georgic Variety0
Veronica Forrest-Thomson’s ABC of Atoms: Poetry, Knowledge, Technique0
Zaina Alsous’s Dodo Poetics0
On Nature, and ‘Man’s Dominion’0
The Come-Back Kid0
Roman Greatness0
Radical: Marianne Moore’s Characters0
Bird Learning0
‘Beyond the path itself’: archive and text in the correspondence of Bernard Dubourg and J. H. Prynne0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Notes on Contributors0
Notes on Contributors0
Preface: Habit0
Afterword: Thomas Love Peacock and Habits of Thinking0
Weird Horizons and the Mysticism of the Unhuman in Jeff VanderMeer’s Southern Reach Trilogy0
Thoreau’s Disobedient Thinking0
Open-Ended0
Less and More: The Fin-de-Siècle Android0
Dispatches from a Socialist Century0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
The Borders of Biography: Lucia Berlin and Me0
Notes on Contributors0
Compound Eyes: Richard H. Horne’s Polyoptics0
How Hollywood Watched Television0
The Promise of Philosophical Fiction0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
Jane Austen, Elizabeth Bowen, and the Novel0
Simeon Solomon’s Contradictions0
Lewis Carroll’s Instructive Alice0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
The Draughtswoman of Middlemarch0
Touching Paintings (in the Contemporary American Novel)0
The Humanities: Between Skills and Canons0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
Putting in a Word or Two for Mrs Lirriper0
‘Parnellian Silences’ in Virginia Woolf’s The Years0
Notes on Contributors0
Is Poetry Communist?0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Proustian Extravagance0
Notes on Contributors0
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work0
Richardson’s Punctilios0
Voices and Publics: An Interview with Stefan Collini0
Lessons in Modernity0
Miss Stephen’s Lessons0
Habit, Romanticism, and the Literary Imagination0
A Mirror and a Razor Lay Crossed0
Notes on Contributors0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Notes on Contributors0
Foreword0
Notes on Contributors0
Stevie Smith’s Questions0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
From an Unfinished Biography of George Sand0
Notes on Contributors0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
Family Matters0
Hardy’s Poetic Retrospect0
Mina Loy’s Brilliance0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
Jamesian Footings0
Alexander Pope’s Lucretian Vestiges0
Terraqueous Intimacy0
Things Unattempted0
Crisis, Legitimation, Disciplinarity0
A Conversation with Professor Dame Hermione Lee0
Larkinography0
Description, Despite Itself0
Exemplary Reading?0
Hamlet’s Wisdom0
Dorothy Wordsworth and the Writing of Resolve0
Three Words0
Notes on Contributors0
James Merrill’s Sprezzatura0
Elizabeth Daryush and the Company She Keeps0
Future-Oriented, Backward-Looking0
Where Is the Poem Really From?0
Magazine Publics, Jim Crow Politics0
The Use of Poetry0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
On Good Form(s)0
Irving Kristol and the Biographical Threads of Neoconservatism0
Hard-Core Poetry0
Artistic Culture and the Book Trade in Late Seventeenth-Century London0
Ann Yearsley and Habituated Indifference0
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence0
Epic Allusions0
Notes on Contributors0
Good for Nothing0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
Winston’s Desires, Orwell’s Politics0
Polish Poetry Speaks Out0
‘An Encyclopaedia of the Everyday’0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
Experimenting with Failure0
Indebted – Henry James and Honoré de Balzac0
Conrad’s Margins and Details0
Early Modernity’s Bad Boy0
Poetry, Painting, Physics0
Reframing Novelistic Recognition0
Repair: A New History0
Notes on Contributors0
Thom Gunn’s Variants0
The Two Audens0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
Biographical Questing: Stoppard and Eliot0
Seeing Music, Hearing Images0
What Makes Us Laugh?0
Notes on Contributors0
Notes on Contributors0
Notes on Contributors0
Fading to Black: Embodied Spectatorship and Empowered Subjectivity in James Baldwin’s Cinematic Imagination0
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