Cambridge Quarterly

Papers
(The TQCC of Cambridge Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Anti-Narratives of Slavery in Colson Whitehead’s The Underground Railroad1
‘Surrealism Found Me’: British Surrealism and Encounter1
Alexander Pope’s Lucretian Vestiges1
Critical Prehistory1
On Method: African Materials1
On the Making of African Literatures1
Christopher Okigbo’s Materials1
Penelope Fitzgerald and Edward Burne-Jones: The Spirit of Her Work1
Open-Ended0
Romantic Connections0
Notes on Contributors0
Splitting Allegiances: A Reading of Swift’s On the Words – Brother Protestants, and Fellow Christians0
‘Cockney Aristotle’: Hazlitt’s Second Nature0
Lessons in Modernity0
Romantics De-Romanticised?0
Materials, Structures and African Literary Criticism: A Response0
What Makes Us Laugh?0
How Subtle Is the Bird0
Words for Jazz? Perhaps: Jazzing Up the Poetry of Michael Longley0
‘Still Repeated Circles’: William Cowper’s The Task and the Shape of Habit0
Notes on Contributors0
Notes on Contributors0
Hysterical Ballads0
Things Unattempted0
Notes on Contributors0
Simeon Solomon’s Contradictions0
‘A Genteel Form of Suicide’: Julian Bell’s Chinese Journey0
‘Nothing is not connected. Nothing is not alive’: Ali Smith as Art Critic0
Notes on Contributors0
Family Matters0
Future-Oriented, Backward-Looking0
‘In a Church, in a Cave’: Cruising with E. M. Forster0
Hamlet’s Wisdom0
Dispatches from a Socialist Century0
Description, Despite Itself0
Seeing Blindness0
Reading and the Senses0
Christina Rossetti’s Apocalypse: Rhythm and Deferral in The Face of the Deep0
Is Poetry Communist?0
Foreword0
The Art of Advice0
Notes on Contributors0
Spectres of the Gulag: Soviet Bloc Dissident Poetics and Seamus Heaney’s Representation of Political Imprisonment0
Translation Kits0
Henry James and ‘The Auditive Intelligence’0
Where Does the Stress Fall?0
Afterword: Thomas Love Peacock and Habits of Thinking0
Habit, Romanticism, and the Literary Imagination0
Lewis Carroll’s Instructive Alice0
Rossetti’s Giorgione and the Victorian ‘Cult of Vagueness’0
Old Ageing0
The Literary Archives of Experience: Richard Rive’s Oxford Library0
Hardy’s Poetic Retrospect0
‘An Encyclopaedia of the Everyday’0
Rethinking Connection: The Edwardian Novels0
Peace Descends0
Voices and Publics: An Interview with Stefan Collini0
Weird Horizons and the Mysticism of the Unhuman in Jeff VanderMeer’s Southern Reach Trilogy0
Conrad’s Margins and Details0
Indebted – Henry James and Honoré de Balzac0
‘Parnellian Silences’ in Virginia Woolf’s The Years0
Ann Yearsley and Habituated Indifference0
Strange Thinking0
Paths and Puzzles: Walking the Maze in the Apocalypse of Golias0
‘The Carpet Fits’: Coincidence and Fate in Howards End0
Reclaimed Romanticism in Robin Hyde’s ‘Houses by the Sea’0
Notes on Contributors0
Notes on Contributors0
Versatile Georgic Variety0
‘Beyond the path itself’: archive and text in the correspondence of Bernard Dubourg and J. H. Prynne0
A Reunion of the Arts0
The Borders of Biography: Lucia Berlin and Me0
Experimenting with Failure0
The Radical Art of Believing Women0
A Likeness Only Fancied? Lancelot Andrewes and Gertrude Stein0
The Humanities: Between Skills and Canons0
The ‘Inner Mumble’: Forster, Free Expression, and International PEN0
The Amazoniad0
Notes on Contributors0
Materials of African Futures0
The Whale and the Wire: Moby-Dick and the 1858 Atlantic Telegraph Cable0
James Merrill’s Sprezzatura0
Polish Poetry Speaks Out0
How Hollywood Watched Television0
E.M. Forster and the Character of ‘Character’0
Reconstructing the American Novel: The Theory and Practice of John W. De Forest0
Notes on Contributors0
Veronica Forrest-Thomson’s ABC of Atoms: Poetry, Knowledge, Technique0
Notes on Contributors0
The Copyeditor Test0
Jamesian Footings0
Notes on Contributors0
Dorothy Wordsworth and the Writing of Resolve0
‘Colossal Snob’? The Class-Ridden World of Simon Raven0
Repair: A New History0
‘Daily I sit | with the Language’: Solmaz Sharif’s and Philip Metres’s Documentary Poetics of War0
Touching Paintings (in the Contemporary American Novel)0
Epic Allusions0
Making Belief: Epistemology and Scenography in John Home’s Theatrical Adaptation of Ossian0
A Mirror and a Razor Lay Crossed0
Introduction0
Notes on Contributors0
Against Presumption: E.M. Forster’s Critical Reception, Unsettlement and Hope0
The Higher Feebleness: E.M. Forster as a Public Intellectual0
Preface: Habit0
I Shock Myself: Beatrice Wood on, and in, New York Dada0
‘Breathing Through its Spectacles’: The Queer Trees of Frank O’Hara0
‘Pale, Male, Stale’: The Professor in Children’s Literature0
Irving Kristol and the Biographical Threads of Neoconservatism0
An Undercurrent of Shelley’s Poetics in Ruskin’s Modern Painters0
Exemplary Reading?0
A Small Big Atlas of What If and Its Vicinities0
Bird Learning0
Notes on Contributors0
Rabbits and Ladders0
Alone, Ness: W. S. Graham to Nessie Dunsmuir0
‘Organs of Embodied Sentiment’: Contextualising William Blake’s Sistine Studies c.1770-17900
Magazine Publics, Jim Crow Politics0
Running the ‘Household Poems’: Edward Thomas and Money0
Roman Greatness0
Elizabeth Daryush and the Company She Keeps0
Notes on Contributors0
I’m a Bug!0
An ‘Incongruous Bill of Fare’: Musical Canons and Copies in George Du Maurier’s Trilby0
On Good Form(s)0
The Two Audens0
A Conversation with Professor Dame Hermione Lee0
Early Modernity’s Bad Boy0
Where Is the Poem Really From?0
Terraqueous Intimacy0
‘What Does a Socialist Woman Do?’ Birth Control and the Body Politic in Naomi Mitchison’s We Have Been Warned0
Notes on Contributors0
‘Defiantly Ambiguous’: Life in the Black Midwest0
Larkinography0
‘Rotten Work of Genius’: Ford Madox Ford and D. H. Lawrence0
Anthologies and the Materials of Nigerian Poetry0
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