Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
The Buffer of Hedges7
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
2021: How Film Festivals and Women Will Defeat COVID‐192
1
The Boilerplate World1
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Learning to Look: Berger’s Lessons1
Bowing to a Cloud1
1
Parsing Time in the Lyric1
Notes on contributors1
Care1
A Letter on Decolonising the curriculum1
Aphorism as Narrative Method: Assessing John Berger's G.1
Putin ~ Culture: Introduction1
Berger in Picasso’s Red Period1
Editorial1
Editorial: Distant Voices/Still Lives1
Reality Television’s ‘Open Lie’0
Christopher Hitchens and ‘The Press as Opposition’0
Prediction Machines0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
When/And0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Can History be a Science?0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Bluffing0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Capitalism and autocracy0
A Revolution of the Screw: Peripheralising Europe0
CRIQ 62:5 – Abstracts0
Introduction: Peripheral Europes0
That Funny Money‐Man: A Hundred Years of Harmonium0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Issue Information0
Crossing of Crossings0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Passionate0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Russia's New Patriotic Tresh0
Issue Information0
The London Consortium: a Personal History0
Issue Information0
Notes on contributors0
Issue Information0
Sondheim and Weidman’s unintended trilogy0
0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Chapters from an Abandoned History of English Literature0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Notes on contributors0
0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Editorial0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
A Line around a Think0
Issue Information0
Issue Information0
CONTRE‐JOUR0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Living in a World of Pain0
0
Editorial0
Five Poems0
A Surface Reading of Vladimir Nabokov0
Nice Is Different Than Good0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
List of illustrations0
The London Consortium Courses, 1996–20120
Defined As0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Six Moscow Yarns0
Poetry0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
An Irish Childhood in the City of London0
Notes on contributors0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Issue Information0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Notes on Contributors0
Issue Information0
Thirty Years with Mark Cousins0
Inside/Outcast0
White0
Dear Hitch0
0
Living with Sondheim0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Indolence0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Issue Information0
So What: Musings about the Method0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Oh, Mr Hitchens!0
‘A problem to be faced about history’: Marion Milner on holiday0
Notes on contributors0
Issue Information0
0
Lawnmower Poetry and the Poetry of Lawnmowers0
Editorial0
Notes on contributors0
Editorial0
You0
Notes on contributors0
Introduction: Solitudes Past and Present0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
My back door to Sondheim0
Affliction’s Lonely Hour0
Challenging0
On the ‘Hitchslap’0
Producing Terence Davies—A short memoir0
A fortunate Man: The Story of a Country Doctor0
Entitled0
‘I Can’t Breathe’0
Inclusive0
Laura Marcus (7 March 1956–22 September 2021)0
From The Far Side of Paradise0
Criticizing Sondheim0
Decisions to leave: a semi‐fictional essay0
Assault on Freedom0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Notes on contributors0
0
Issue Information0
Revaluations0
Notes on contributors0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Friendship’s Death at Cannes, July 20210
Stress: A Keyword for Today?0
Berger and the Disappointment of Zoos0
0
Creative critique0
Gull Island0
0
Deliver0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Gothic and Racism – A Review0
Errata to ‘Parsing Time in the Lyric’0
‘The Ladies Who Lunch’, Again and Again0
‘Boris’0
The Humanities and the University: a Brief History of the Present Crisis0
Consorting0
The Clinch0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
‘A poet of human nature’: Marion Milner’s William Blake0
Editorial, CQ 64.10
Objectivity in the age of story0
At Last Someone is Saying It0
Sondheim’s Puzzles0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
0
Notes on contributors0
Pronouns: we/us/our0
Terrorist0
Objectivity and the historian: Beyond the fried egg test0
0
Unfinished interview with Terence Davies0
From messianic subjectivity to immaculate objectivity: An etymology0
Metaphors of Transcendence in John Berger’s A Seventh Man0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Beyond Theory of the Lyric0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
What is Amateur Film?0
0
The Solitary Mind in the Anatomy of Melancholy0
Editorial0
Bills of Mortality: Poems0
Calling Out0
Syntax as Punishment: Joy Williams’s Reckonings0
Lessing's Early Letters: A Prolific Personal Voice0
To the Anxious Humanities Scholar0
Foreswearing the Anthropocence0
The Art of Precarity0
The London Consortium: a Select Bibliography0
0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Directing Follies at the National Theatre0
Animal0
Matter0
Waiting for the Rainbow: Poems0
Notes on Contributors0
Poland's Other Pope: Re‐appreciating Maria Janion0
Editorial0
Christopher Hitchens: Let's Riot On0
Issue Information0
Notes on contributors0
On Data, Media, and the Deconstruction of the Administrative State0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
Issue Information0
CHE0
Athwart Culture: The Putin Power Vertical0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Sri Lanka0
In the Bargain Bin0
Witch Hunt0
“It’s Fucking Obvious!”0
Poetic Licentiousness and the Destitutions of High Culture0
Editorial0
0
John Berger, Time Traveller0
Editorial0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
The Success of The Success and Failure of Picasso0
On growing up with ‘America’0
Quiver0
Streaming: The World of Endless Amusement0
Assimilation0
Issue Information0
Atheism in the Grand Scheme of Things0
Keywords: Decolonise0
Intelligence0
Experience0
Solitude, Psychological Science and the Cold War Imagination0
Beyond the Barbershop: Berger, Turner and the Inner World0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Safe0
Curious George0
‘It is money we are looking for’0
Reality Winners0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Issue Information0
Caspar David Friedrich and Iconographies of Religious Feeling0
0
Issue Information0
The Challenge of Ambivalence: Hitchens on Orwell0
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