Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-05-01 to 2025-05-01.)
ArticleCitations
The Buffer of Hedges6
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
The Boilerplate World1
Notes on contributors1
Editorial: Distant Voices/Still Lives1
A Letter on Decolonising the curriculum1
Aphorism as Narrative Method: Assessing John Berger's G.1
2021: How Film Festivals and Women Will Defeat COVID‐191
Putin ~ Culture: Introduction1
Berger in Picasso’s Red Period1
1
1
Care1
Learning to Look: Berger’s Lessons1
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Parsing Time in the Lyric1
Bowing to a Cloud1
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career1
‘A problem to be faced about history’: Marion Milner on holiday0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
0
Stress: A Keyword for Today?0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Entitled0
A Line around a Think0
Criticizing Sondheim0
Notes on Contributors0
Issue Information0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
The Humanities and the University: a Brief History of the Present Crisis0
0
Revaluations0
0
Notes on contributors0
‘It is money we are looking for’0
On growing up with ‘America’0
Waiting for the Rainbow: Poems0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Terrorist0
Living with Sondheim0
Issue Information0
The Challenge of Ambivalence: Hitchens on Orwell0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Solitude, Psychological Science and the Cold War Imagination0
A fortunate Man: The Story of a Country Doctor0
Beyond Theory of the Lyric0
Bluffing0
Capitalism and autocracy0
Editorial0
Consorting0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
0
Calling Out0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Christopher Hitchens: Let's Riot On0
A Revolution of the Screw: Peripheralising Europe0
At Last Someone is Saying It0
Bills of Mortality: Poems0
Objectivity and the historian: Beyond the fried egg test0
The London Consortium: a Select Bibliography0
Lessing's Early Letters: A Prolific Personal Voice0
Inclusive0
You0
0
Six Moscow Yarns0
Unfinished interview with Terence Davies0
On Data, Media, and the Deconstruction of the Administrative State0
List of illustrations0
Challenging0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
On the ‘Hitchslap’0
Directing Follies at the National Theatre0
Decisions to leave: a semi‐fictional essay0
Assault on Freedom0
Witch Hunt0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Living in a World of Pain0
Friendship’s Death at Cannes, July 20210
Editorial0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Notes on contributors0
Deliver0
Issue Information0
Notes on Contributors0
Editorial0
‘The Ladies Who Lunch’, Again and Again0
Editorial0
The Success of The Success and Failure of Picasso0
Issue Information0
In the Bargain Bin0
Sondheim’s Puzzles0
‘A poet of human nature’: Marion Milner’s William Blake0
Five Poems0
From The Far Side of Paradise0
A Surface Reading of Vladimir Nabokov0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Athwart Culture: The Putin Power Vertical0
0
Notes on contributors0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Poetic Licentiousness and the Destitutions of High Culture0
Reality Winners0
0
Issue Information0
The Solitary Mind in the Anatomy of Melancholy0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Nice Is Different Than Good0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Christopher Hitchens and ‘The Press as Opposition’0
Poland's Other Pope: Re‐appreciating Maria Janion0
Animal0
Inside/Outcast0
Atheism in the Grand Scheme of Things0
Reality Television’s ‘Open Lie’0
Prediction Machines0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Oh, Mr Hitchens!0
Curious George0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Beyond the Barbershop: Berger, Turner and the Inner World0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Safe0
CRIQ 62:5 – Abstracts0
Russia's New Patriotic Tresh0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Issue Information0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Notes on contributors0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Passionate0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Matter0
Intelligence0
Pronouns: we/us/our0
When/And0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Sondheim and Weidman’s unintended trilogy0
Notes on contributors0
Defined As0
Notes on contributors0
Notes on contributors0
Sri Lanka0
Issue Information0
Issue Information0
Syntax as Punishment: Joy Williams’s Reckonings0
0
Gull Island0
John Berger, Time Traveller0
The Art of Precarity0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
‘I Can’t Breathe’0
Quiver0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
CONTRE‐JOUR0
‘Boris’0
Issue Information0
The Clinch0
Affliction’s Lonely Hour0
Berger and the Disappointment of Zoos0
Gothic and Racism – A Review0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Chapters from an Abandoned History of English Literature0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
Caspar David Friedrich and Iconographies of Religious Feeling0
Thirty Years with Mark Cousins0
Assimilation0
The London Consortium: a Personal History0
Issue Information0
0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
Indolence0
Editorial, CQ 64.10
Creative critique0
Objectivity in the age of story0
Streaming: The World of Endless Amusement0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Foreswearing the Anthropocence0
Notes on contributors0
Errata to ‘Parsing Time in the Lyric’0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
From messianic subjectivity to immaculate objectivity: An etymology0
Dear Hitch0
What is Amateur Film?0
Issue Information0
Can History be a Science?0
The London Consortium Courses, 1996–20120
White0
0
So What: Musings about the Method0
Editorial0
CHE0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Poetry0
Issue Information0
An Irish Childhood in the City of London0
0
That Funny Money‐Man: A Hundred Years of Harmonium0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Crossing of Crossings0
Introduction: Peripheral Europes0
Editorial0
Issue Information0
Producing Terence Davies—A short memoir0
0
Issue Information0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
“It’s Fucking Obvious!”0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Notes on contributors0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
To the Anxious Humanities Scholar0
Editorial0
Issue Information0
Laura Marcus (7 March 1956–22 September 2021)0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Keywords: Decolonise0
Editorial0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
My back door to Sondheim0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Notes on contributors0
0
Introduction: Solitudes Past and Present0
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