Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
6
Solitude, Psychological Science and the Cold War Imagination2
Deliver2
Introduction: Solitudes Past and Present2
Notes on contributors1
Pronouns: we/us/our1
Friendship’s Death at Cannes, July 20211
The Buffer of Hedges1
Defined As1
Editorial1
On the ‘Hitchslap’1
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem1
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song1
Editorial1
Revaluations1
Intelligence1
‘The Ladies Who Lunch’, Again and Again1
Tower House1
John Berger, Time Traveller1
Quiver1
Prediction Machines1
Reality Television’s ‘Open Lie’1
Keywords: Decolonise1
Waiting for the Rainbow: Poems1
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Notes on contributors0
Passionate0
Editorial0
Editorial, CQ 64.10
Living with Sondheim0
Editorial: Distant Voices/Still Lives0
CONTRE‐JOUR0
Notes on contributors0
Gothic and Racism – A Review0
Errata to ‘Parsing Time in the Lyric’0
Calling Out0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
The Success of The Success and Failure of Picasso0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Issue Information0
Atheism in the Grand Scheme of Things0
What is Amateur Film?0
In the Bargain Bin0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
Notes on contributors0
Issue Information0
Notes on contributors0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Falling in Love with Everyone: Lessing’s Letters to Smithie at the Keep, University of Sussex0
List of illustrations0
0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Editorial: ‘Doris Lessing at 100: The Writer’s Quest’0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
‘A problem to be faced about history’: Marion Milner on holiday0
The London Consortium: a Personal History0
Laura Marcus (7 March 1956–22 September 2021)0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Inside/Outcast0
Notes on contributors0
From The Far Side of Paradise0
Introduction: Peripheral Europes0
Issue Information0
Stress: A Keyword for Today?0
Issue Information0
Issue Information0
Oh, Mr Hitchens!0
Sri Lanka0
Decisions to leave: a semi‐fictional essay0
Notes on contributors0
Inclusive0
Poetic Licentiousness and the Destitutions of High Culture0
The Golden Notebook: a masterpiece among its Isms0
Alfred and Emily (2008): Speculation in the Aftermath of Empire0
0
Notes on contributors0
Issue Information0
Aphorism as Narrative Method: Assessing John Berger's G.0
Gull Island0
Capitalism and autocracy0
Good Times, Bad Times0
Issue Information0
Christopher Hitchens and ‘The Press as Opposition’0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Notes on contributors0
A fortunate Man: The Story of a Country Doctor0
Care0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Sondheim’s Puzzles0
Lessing's Early Letters: A Prolific Personal Voice0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Bluffing0
The London Consortium Courses, 1996–20120
Assimilation0
Terrorist0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
My back door to Sondheim0
Poetry0
Poland's Other Pope: Re‐appreciating Maria Janion0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Learning to Look: Berger’s Lessons0
Notes on Contributors0
Affliction’s Lonely Hour0
Creative critique0
CRIQ 62:5 – Abstracts0
Putin ~ Culture: Introduction0
“It’s Fucking Obvious!”0
Animal0
Challenging0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Foreswearing the Anthropocence0
The Challenge of Ambivalence: Hitchens on Orwell0
Athwart Culture: The Putin Power Vertical0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
Six Moscow Yarns0
Triviality, Materiality and Synchronicity in the Lessing Archive0
0
CHE0
Issue Information0
The Boilerplate World0
Issue Information0
Five Poems0
‘A poet of human nature’: Marion Milner’s William Blake0
The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction: The Diary of a Good Neighbour (1983) and The Good Terrorist (1985)0
Entitled0
On growing up with ‘America’0
The Art of Precarity0
Issue Information0
White0
Thirty Years with Mark Cousins0
The London Consortium: a Select Bibliography0
The Humanities and the University: a Brief History of the Present Crisis0
0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Matter0
Editorial0
Issue Information0
Sondheim and Weidman’s unintended trilogy0
Issue Information0
‘No Hip Muffs’: female ageing in Doris Lessing’s fiction and correspondence0
‘It is money we are looking for’0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
‘Comrade Doris’: Lessing’s correspondence with the Foreign Commission of the Board of Soviet Writers in the 1950s0
Bowing to a Cloud0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
To the Anxious Humanities Scholar0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Bills of Mortality: Poems0
Issue Information0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
On Data, Media, and the Deconstruction of the Administrative State0
0
Safe0
Christopher Hitchens: Let's Riot On0
Indolence0
0
0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Consorting0
Russia's New Patriotic Tresh0
Syntax as Punishment: Joy Williams’s Reckonings0
0
0
Metaphors of Transcendence in John Berger’s A Seventh Man0
0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
An Irish Childhood in the City of London0
Beyond the Barbershop: Berger, Turner and the Inner World0
A Line around a Think0
Criticizing Sondheim0
Parsing Time in the Lyric0
Editorial0
Notes on contributors0
0
‘In That Other Voice’: Doris Lessing’s Ironic ‘Return to Realism’ in the 1980s0
A Surface Reading of Vladimir Nabokov0
Living in a World of Pain0
Editorial0
Berger in Picasso’s Red Period0
Notes on contributors0
You0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Notes on contributors0
Streaming: The World of Endless Amusement0
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding0
Assault on Freedom0
Chapters from an Abandoned History of English Literature0
0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Editorial0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
2021: How Film Festivals and Women Will Defeat COVID‐190
‘I Can’t Breathe’0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
The Solitary Mind in the Anatomy of Melancholy0
Crossing of Crossings0
A Letter on Decolonising the curriculum0
When/And0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
The Clinch0
Caspar David Friedrich and Iconographies of Religious Feeling0
‘Boris’0
Objectivity in the age of story0
Issue Information0
So What: Musings about the Method0
Lessing's Legacy Explored Through Her Personal Archive0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
At Last Someone is Saying It0
Nice Is Different Than Good0
Issue Information0
Issue Information0
Can History be a Science?0
Notes on Contributors0
Witch Hunt0
0
Doris Lessing’s Documentary Speculations on Futures Past0
Curious George0
Berger and the Disappointment of Zoos0
Dear Hitch0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
That Funny Money‐Man: A Hundred Years of Harmonium0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Editorial0
20080
Directing Follies at the National Theatre0
Beyond Theory of the Lyric0
0
Unfinished interview with Terence Davies0
A Revolution of the Screw: Peripheralising Europe0
Producing Terence Davies—A short memoir0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
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