Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Buffer of Hedges14
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Care1
Notes on contributors1
Editorial1
Bowing to a Cloud1
Berger in Picasso’s Red Period1
1
A Letter on Decolonising the curriculum1
Patrick Leigh Fermor: Writing a Walk1
Learning to Look: Berger’s Lessons1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
The Wishes of Human Vanity1
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
John Berger, Time Traveller0
0
Entitled0
Issue Information0
Sondheim and Weidman’s unintended trilogy0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Affliction’s Lonely Hour0
Reality Television’s ‘Open Lie’0
Chaplin's Eyes0
Poland's Other Pope: Re‐appreciating Maria Janion0
Introduction: Solitudes Past and Present0
Inside/Outcast0
Notes on contributors0
Waiting for the Rainbow: Poems0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Somerset Maugham's Failings0
A Revolution of the Screw: Peripheralising Europe0
Issue Information0
Solitude, Psychological Science and the Cold War Imagination0
Beyond Theory of the Lyric0
Berger and the Disappointment of Zoos0
That Funny Money‐Man: A Hundred Years of Harmonium0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
Indolence0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Producing Terence Davies—A short memoir0
Infinite Joyce0
Editorial0
Unfinished interview with Terence Davies0
Issue Information0
Passionate0
0
Slapstick Classicism: Chaplin among the Sculptures0
Introduction: Peripheral Europes0
You0
The Solitary Mind in the Anatomy of Melancholy0
Objectivity in the Age of Story0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
At Last Someone is Saying It0
Gull Island0
Tragedy and the Tramp: Chaplin's Surplus Populations0
Issue Information0
Beyond the Barbershop: Berger, Turner and the Inner World0
Notes on contributors0
Parsing Time in the Lyric0
Introduction0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
An Irish Childhood in the City of London0
Editorial0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
The Last Line0
Defined As0
0
The London Consortium: a Personal History0
Charlie in the House of Words0
Introduction: The Art of Failure—Disruption, Loss, Decline0
Issue Information0
Quiver0
Issue Information0
Christopher Hitchens: Let's Riot On0
Issue Information0
Issue Information0
Gothic and Racism – A Review0
Chaplin's Nuts0
Christopher Hitchens and ‘The Press as Opposition’0
Issue Information0
‘The Ladies Who Lunch’, Again and Again0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Editorial0
Blank Forms for Future Applications0
A Surface Reading of Vladimir Nabokov0
Poetry0
Sondheim’s Puzzles0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
The Challenge of Ambivalence: Hitchens on Orwell0
Friendship’s Death at Cannes, July 20210
Editorial0
Issue Information0
Errata to ‘Parsing Time in the Lyric’0
0
‘It is money we are looking for’0
Bret/ BRAT0
Reality Winners0
Poetic Licentiousness and the Destitutions of High Culture0
Living with Sondheim0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Light Tactics: The Poem as Index0
Editorial0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Issue Information0
On growing up with ‘America’0
Creating Spaces: Redacted Poetry Through Papercutting0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
CONTRE‐JOUR0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Criticizing Sondheim0
Animal0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
Issue Information0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
Prediction Machines0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Intelligence0
The Art of Precarity0
Bills of Mortality: Poems0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Living in a World of Pain0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Crossing of Crossings0
Experience0
The Success of The Success and Failure of Picasso0
Editorial: Distant Voices/Still Lives0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
On Technique and Judgement in Modernist Poetics0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Ethnographies of Paper in Early Modern England0
The London Consortium Courses, 1996–20120
‘Scot‐free flip‐top’ or Ish 2b0
The Laugh of the Tramp0
What Did Janet Malcolm Want?0
“It’s Fucking Obvious!”0
In the Bargain Bin0
On the ‘Hitchslap’0
Papermaking and Making Whiteness in Othello0
Chaplin's Mis‐fit Physics: Disability and Mobility0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Notes on Contributors0
CHE0
0
0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Notes on contributors0
Issue Information0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Ecologies of Papermaking: Craft, Rags and Plants0
0
Dear Hitch0
Consorting0
The Clinch0
0
Notes on contributors0
Deliver0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Jorge Luis Borges' Medieval Aesthetics of Failure0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
Assimilation0
The Poetics of the Single Sheet of Paper: From Research to Practice0
The Humanities and the University: a Brief History of the Present Crisis0
Creative Critique0
Oh, Mr Hitchens!0
0
Editorial, CQ 64.10
0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
A Paper Chase: Call a Group of Foxes0
Atheism in the Grand Scheme of Things0
Bluffing0
Janet Malcolm's Self‐Portrait0
0
Pronouns: we/us/our0
Terrorist0
Nice Is Different Than Good0
Lessing's Early Letters: A Prolific Personal Voice0
Objectivity and the Historian: Beyond the Fried Egg Test0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Issue Information0
White0
So What: Musings about the Method0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Editorial0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Notes on contributors0
Journalism and Objectivity: Reporting on Palestine and Israel0
The London Consortium: a Select Bibliography0
‘reportless places’: Janet Malcolm and Collage0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
When/And0
Matter0
Correction to Critical Quarterly : Volume 67, Issue 10
Decisions to leave: a semi‐fictional essay0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Challenging0
Issue Information0
Keywords: Decolonise0
Aphorism as Narrative Method: Assessing John Berger's G.0
Lawnmower Poetry and the Poetry of Lawnmowers0
Notes on contributors0
0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
Stress: A Keyword for Today?0
Revaluations0
Notes on contributors0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Curious George0
Directing Follies at the National Theatre0
Issue Information0
Inclusive0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
A fortunate Man: The Story of a Country Doctor0
Theatres of Indirectness: Passive Aggression and Failure0
My back door to Sondheim0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
Witch Hunt0
Editorial0
0
Editorial0
Sri Lanka0
Objectivity0
0
From The Far Side of Paradise0
0.18079209327698