Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
6
Solitude, Psychological Science and the Cold War Imagination2
Deliver2
Introduction: Solitudes Past and Present2
Notes on contributors1
Pronouns: we/us/our1
Friendship’s Death at Cannes, July 20211
The Buffer of Hedges1
Defined As1
Editorial1
On the ‘Hitchslap’1
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem1
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song1
Editorial1
Revaluations1
Intelligence1
‘The Ladies Who Lunch’, Again and Again1
Tower House1
John Berger, Time Traveller1
Quiver1
Prediction Machines1
Reality Television’s ‘Open Lie’1
Keywords: Decolonise1
Waiting for the Rainbow: Poems1
Atheism in the Grand Scheme of Things0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
The Humanities and the University: a Brief History of the Present Crisis0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
The Art of Precarity0
White0
The Success of The Success and Failure of Picasso0
Notes on contributors0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
‘No Hip Muffs’: female ageing in Doris Lessing’s fiction and correspondence0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Editorial0
In the Bargain Bin0
Notes on contributors0
Editorial: ‘Doris Lessing at 100: The Writer’s Quest’0
To the Anxious Humanities Scholar0
Bills of Mortality: Poems0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
‘A problem to be faced about history’: Marion Milner on holiday0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
0
Inside/Outcast0
0
Christopher Hitchens: Let's Riot On0
Issue Information0
From The Far Side of Paradise0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Laura Marcus (7 March 1956–22 September 2021)0
Syntax as Punishment: Joy Williams’s Reckonings0
Issue Information0
Indolence0
Decisions to leave: a semi‐fictional essay0
Issue Information0
Issue Information0
Oh, Mr Hitchens!0
Consorting0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Poetic Licentiousness and the Destitutions of High Culture0
0
Inclusive0
The Golden Notebook: a masterpiece among its Isms0
0
Editorial0
Gull Island0
Issue Information0
Aphorism as Narrative Method: Assessing John Berger's G.0
Capitalism and autocracy0
Criticizing Sondheim0
Editorial0
Notes on contributors0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
A fortunate Man: The Story of a Country Doctor0
A Surface Reading of Vladimir Nabokov0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Assimilation0
Lessing's Early Letters: A Prolific Personal Voice0
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding0
Bluffing0
You0
Notes on contributors0
Poetry0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Editorial0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Assault on Freedom0
0
0
Creative critique0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Crossing of Crossings0
Notes on Contributors0
2021: How Film Festivals and Women Will Defeat COVID‐190
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Learning to Look: Berger’s Lessons0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
The Challenge of Ambivalence: Hitchens on Orwell0
Objectivity in the age of story0
Animal0
When/And0
The Clinch0
“It’s Fucking Obvious!”0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
0
Issue Information0
So What: Musings about the Method0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Issue Information0
Triviality, Materiality and Synchronicity in the Lessing Archive0
The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction: The Diary of a Good Neighbour (1983) and The Good Terrorist (1985)0
Curious George0
Dear Hitch0
Notes on Contributors0
On growing up with ‘America’0
‘A poet of human nature’: Marion Milner’s William Blake0
Issue Information0
The London Consortium: a Select Bibliography0
20080
Beyond Theory of the Lyric0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
0
Thirty Years with Mark Cousins0
Issue Information0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Sondheim and Weidman’s unintended trilogy0
0
‘It is money we are looking for’0
Issue Information0
Matter0
Issue Information0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Living with Sondheim0
Bowing to a Cloud0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
‘Comrade Doris’: Lessing’s correspondence with the Foreign Commission of the Board of Soviet Writers in the 1950s0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
Editorial0
Calling Out0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Safe0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
On Data, Media, and the Deconstruction of the Administrative State0
Gothic and Racism – A Review0
What is Amateur Film?0
0
Russia's New Patriotic Tresh0
0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Issue Information0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
0
Falling in Love with Everyone: Lessing’s Letters to Smithie at the Keep, University of Sussex0
Metaphors of Transcendence in John Berger’s A Seventh Man0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
Issue Information0
0
Parsing Time in the Lyric0
An Irish Childhood in the City of London0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
A Line around a Think0
List of illustrations0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Beyond the Barbershop: Berger, Turner and the Inner World0
Living in a World of Pain0
Notes on contributors0
Notes on contributors0
‘In That Other Voice’: Doris Lessing’s Ironic ‘Return to Realism’ in the 1980s0
The London Consortium: a Personal History0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Streaming: The World of Endless Amusement0
Sri Lanka0
Notes on contributors0
Introduction: Peripheral Europes0
Stress: A Keyword for Today?0
Berger in Picasso’s Red Period0
Chapters from an Abandoned History of English Literature0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Alfred and Emily (2008): Speculation in the Aftermath of Empire0
Notes on contributors0
Notes on contributors0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
The Solitary Mind in the Anatomy of Melancholy0
Good Times, Bad Times0
Christopher Hitchens and ‘The Press as Opposition’0
Issue Information0
A Letter on Decolonising the curriculum0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
‘I Can’t Breathe’0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Issue Information0
Caspar David Friedrich and Iconographies of Religious Feeling0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
‘Boris’0
Care0
Terrorist0
Nice Is Different Than Good0
Sondheim’s Puzzles0
Can History be a Science?0
At Last Someone is Saying It0
Lessing's Legacy Explored Through Her Personal Archive0
Issue Information0
The London Consortium Courses, 1996–20120
Poland's Other Pope: Re‐appreciating Maria Janion0
0
Berger and the Disappointment of Zoos0
Witch Hunt0
Doris Lessing’s Documentary Speculations on Futures Past0
My back door to Sondheim0
CRIQ 62:5 – Abstracts0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Directing Follies at the National Theatre0
That Funny Money‐Man: A Hundred Years of Harmonium0
Editorial0
Affliction’s Lonely Hour0
Foreswearing the Anthropocence0
A Revolution of the Screw: Peripheralising Europe0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Unfinished interview with Terence Davies0
Putin ~ Culture: Introduction0
Producing Terence Davies—A short memoir0
Challenging0
Editorial, CQ 64.10
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
CHE0
Passionate0
Athwart Culture: The Putin Power Vertical0
Six Moscow Yarns0
Notes on contributors0
Errata to ‘Parsing Time in the Lyric’0
Editorial: Distant Voices/Still Lives0
Entitled0
Notes on contributors0
The Boilerplate World0
Five Poems0
CONTRE‐JOUR0
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