Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
The Buffer of Hedges7
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
2021: How Film Festivals and Women Will Defeat COVID‐192
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Learning to Look: Berger’s Lessons1
1
Parsing Time in the Lyric1
Berger in Picasso’s Red Period1
Notes on contributors1
Bowing to a Cloud1
A Letter on Decolonising the curriculum1
Putin ~ Culture: Introduction1
The Boilerplate World1
Care1
Editorial1
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Beyond the Barbershop: Berger, Turner and the Inner World0
Pronouns: we/us/our0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Producing Terence Davies—A short memoir0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Notes on contributors0
Editorial0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
White0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
‘A problem to be faced about history’: Marion Milner on holiday0
CHE0
The Art of Precarity0
Witch Hunt0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Bills of Mortality: Poems0
‘Boris’0
Editorial: Distant Voices/Still Lives0
Editorial0
Matter0
Consorting0
Reality Winners0
A Line around a Think0
0
In the Bargain Bin0
Notes on contributors0
Issue Information0
Poetry0
Defined As0
0
Editorial0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Issue Information0
Issue Information0
Issue Information0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Editorial0
On growing up with ‘America’0
Athwart Culture: The Putin Power Vertical0
Intelligence0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Experience0
CONTRE‐JOUR0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Introduction: Peripheral Europes0
Caspar David Friedrich and Iconographies of Religious Feeling0
Editorial0
Editorial0
A Surface Reading of Vladimir Nabokov0
Atheism in the Grand Scheme of Things0
Christopher Hitchens and ‘The Press as Opposition’0
An Irish Childhood in the City of London0
Poland's Other Pope: Re‐appreciating Maria Janion0
Assimilation0
Sondheim and Weidman’s unintended trilogy0
List of illustrations0
Thirty Years with Mark Cousins0
Issue Information0
Oh, Mr Hitchens!0
‘It is money we are looking for’0
Indolence0
The Humanities and the University: a Brief History of the Present Crisis0
0
Beyond Theory of the Lyric0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
That Funny Money‐Man: A Hundred Years of Harmonium0
The Challenge of Ambivalence: Hitchens on Orwell0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Waiting for the Rainbow: Poems0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
The London Consortium: a Select Bibliography0
Russia's New Patriotic Tresh0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
The London Consortium Courses, 1996–20120
Journalism and Objectivity: Reporting on Palestine and Israel0
Lawnmower Poetry and the Poetry of Lawnmowers0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Entitled0
A Revolution of the Screw: Peripheralising Europe0
Inclusive0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Notes on Contributors0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Issue Information0
Crossing of Crossings0
Issue Information0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
A fortunate Man: The Story of a Country Doctor0
So What: Musings about the Method0
0
The London Consortium: a Personal History0
Issue Information0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
Assault on Freedom0
Light Tactics: The Poem as Index0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
0
Notes on contributors0
Friendship’s Death at Cannes, July 20210
Notes on contributors0
Creative critique0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
‘The Ladies Who Lunch’, Again and Again0
Deliver0
Revaluations0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
‘A poet of human nature’: Marion Milner’s William Blake0
0
Nice Is Different Than Good0
Issue Information0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Gull Island0
Five Poems0
0
Gothic and Racism – A Review0
From The Far Side of Paradise0
Dear Hitch0
0
Living with Sondheim0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Issue Information0
Reality Television’s ‘Open Lie’0
At Last Someone is Saying It0
Unfinished interview with Terence Davies0
Creating Spaces: Redacted Poetry Through Papercutting0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
The Solitary Mind in the Anatomy of Melancholy0
Six Moscow Yarns0
Objectivity and the historian: Beyond the fried egg test0
Notes on contributors0
0
Editorial0
Inside/Outcast0
Notes on contributors0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Animal0
Passionate0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Christopher Hitchens: Let's Riot On0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
0
Decisions to leave: a semi‐fictional essay0
Directing Follies at the National Theatre0
From messianic subjectivity to immaculate objectivity: An etymology0
Issue Information0
Notes on contributors0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Introduction: Solitudes Past and Present0
Aphorism as Narrative Method: Assessing John Berger's G.0
‘I Can’t Breathe’0
You0
Berger and the Disappointment of Zoos0
Papermaking and Making Whiteness in Othello0
Correction to Critical Quarterly: Volume 67, Issue 10
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Keywords: Decolonise0
My back door to Sondheim0
Curious George0
Challenging0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Ethnographies of Paper in Early Modern England0
0
On the ‘Hitchslap’0
0
Sri Lanka0
Laura Marcus (7 March 1956–22 September 2021)0
Poetic Licentiousness and the Destitutions of High Culture0
Chapters from an Abandoned History of English Literature0
Streaming: The World of Endless Amusement0
Quiver0
John Berger, Time Traveller0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Criticizing Sondheim0
Issue Information0
The Clinch0
Affliction’s Lonely Hour0
“It’s Fucking Obvious!”0
A Paper Chase: Call a Group of Foxes0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Sondheim’s Puzzles0
Stress: A Keyword for Today?0
Notes on contributors0
The Success of The Success and Failure of Picasso0
Errata to ‘Parsing Time in the Lyric’0
Terrorist0
Safe0
Notes on Contributors0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Issue Information0
Issue Information0
Issue Information0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Bluffing0
Editorial, CQ 64.10
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Objectivity in the age of story0
Prediction Machines0
Living in a World of Pain0
When/And0
Lessing's Early Letters: A Prolific Personal Voice0
Notes on contributors0
Capitalism and autocracy0
Solitude, Psychological Science and the Cold War Imagination0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
0
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