Critical Quarterly

Papers
(The median citation count of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
The Buffer of Hedges7
2021: How Film Festivals and Women Will Defeat COVID‐192
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
Parsing Time in the Lyric1
Notes on contributors1
A Letter on Decolonising the curriculum1
Bowing to a Cloud1
Putin ~ Culture: Introduction1
Berger in Picasso’s Red Period1
Care1
The Boilerplate World1
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Learning to Look: Berger’s Lessons1
1
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Editorial0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
White0
‘A poet of human nature’: Marion Milner’s William Blake0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Revaluations0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
The Art of Precarity0
0
Bills of Mortality: Poems0
0
At Last Someone is Saying It0
Terrorist0
Unfinished interview with Terence Davies0
Matter0
Living with Sondheim0
Notes on contributors0
Issue Information0
Prediction Machines0
Beyond Theory of the Lyric0
Issue Information0
Lessing's Early Letters: A Prolific Personal Voice0
The Solitary Mind in the Anatomy of Melancholy0
Animal0
Notes on contributors0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Notes on contributors0
Lawnmower Poetry and the Poetry of Lawnmowers0
Producing Terence Davies—A short memoir0
Directing Follies at the National Theatre0
Six Moscow Yarns0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Christopher Hitchens: Let's Riot On0
Notes on contributors0
Objectivity and the historian: Beyond the fried egg test0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
“It’s Fucking Obvious!”0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Inclusive0
Berger and the Disappointment of Zoos0
A fortunate Man: The Story of a Country Doctor0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Editorial: Distant Voices/Still Lives0
Editorial0
The Success of The Success and Failure of Picasso0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
From The Far Side of Paradise0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Keywords: Decolonise0
0
Issue Information0
Curious George0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
0
Editorial, CQ 64.10
On the ‘Hitchslap’0
Reality Winners0
Sri Lanka0
Ethnographies of Paper in Early Modern England0
‘Boris’0
Notes on contributors0
Quiver0
Waiting for the Rainbow: Poems0
John Berger, Time Traveller0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Issue Information0
Inside/Outcast0
The Clinch0
Reality Television’s ‘Open Lie’0
Affliction’s Lonely Hour0
Errata to ‘Parsing Time in the Lyric’0
Criticizing Sondheim0
Safe0
A Revolution of the Screw: Peripheralising Europe0
Sondheim’s Puzzles0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Notes on contributors0
Issue Information0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Crossing of Crossings0
Notes on Contributors0
Correction to Critical Quarterly: Volume 67, Issue 10
Issue Information0
Intelligence0
Christopher Hitchens and ‘The Press as Opposition’0
Issue Information0
Bluffing0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
0
So What: Musings about the Method0
When/And0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
That Funny Money‐Man: A Hundred Years of Harmonium0
Capitalism and autocracy0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
The London Consortium: a Select Bibliography0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Beyond the Barbershop: Berger, Turner and the Inner World0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Russia's New Patriotic Tresh0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Witch Hunt0
Notes on Contributors0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
In the Bargain Bin0
CONTRE‐JOUR0
Sondheim and Weidman’s unintended trilogy0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Editorial0
Editorial0
My back door to Sondheim0
A Surface Reading of Vladimir Nabokov0
CHE0
Poetry0
0
Assimilation0
Living in a World of Pain0
List of illustrations0
Notes on contributors0
Streaming: The World of Endless Amusement0
‘It is money we are looking for’0
Editorial0
Notes on contributors0
Issue Information0
Issue Information0
Defined As0
0
The Challenge of Ambivalence: Hitchens on Orwell0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Editorial0
On growing up with ‘America’0
Introduction: Peripheral Europes0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Experience0
Atheism in the Grand Scheme of Things0
Athwart Culture: The Putin Power Vertical0
An Irish Childhood in the City of London0
Issue Information0
Caspar David Friedrich and Iconographies of Religious Feeling0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Editorial0
Thirty Years with Mark Cousins0
Issue Information0
Issue Information0
You0
Poland's Other Pope: Re‐appreciating Maria Janion0
Solitude, Psychological Science and the Cold War Imagination0
From messianic subjectivity to immaculate objectivity: An etymology0
Introduction: Solitudes Past and Present0
Dear Hitch0
Challenging0
Oh, Mr Hitchens!0
Indolence0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Laura Marcus (7 March 1956–22 September 2021)0
Editorial0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Passionate0
‘A problem to be faced about history’: Marion Milner on holiday0
The London Consortium Courses, 1996–20120
The Rescue Plot: Maritime Encounter and the Borders of Europe0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Decisions to leave: a semi‐fictional essay0
0
0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Papermaking and Making Whiteness in Othello0
Issue Information0
Issue Information0
Stress: A Keyword for Today?0
Aphorism as Narrative Method: Assessing John Berger's G.0
0
0
Gothic and Racism – A Review0
Consorting0
A Line around a Think0
Five Poems0
0
‘I Can’t Breathe’0
Entitled0
The London Consortium: a Personal History0
Creative critique0
0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Gull Island0
Objectivity in the age of story0
Assault on Freedom0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Notes on contributors0
The Humanities and the University: a Brief History of the Present Crisis0
Friendship’s Death at Cannes, July 20210
Poetic Licentiousness and the Destitutions of High Culture0
Chapters from an Abandoned History of English Literature0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Issue Information0
‘The Ladies Who Lunch’, Again and Again0
Pronouns: we/us/our0
Deliver0
Nice Is Different Than Good0
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