Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
6
Introduction: Solitudes Past and Present2
Solitude, Psychological Science and the Cold War Imagination2
Deliver2
John Berger, Time Traveller1
Quiver1
Prediction Machines1
Reality Television’s ‘Open Lie’1
Keywords: Decolonise1
Waiting for the Rainbow: Poems1
Notes on contributors1
Pronouns: we/us/our1
Friendship’s Death at Cannes, July 20211
The Buffer of Hedges1
Defined As1
Editorial1
On the ‘Hitchslap’1
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem1
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song1
Editorial1
Revaluations1
Intelligence1
‘The Ladies Who Lunch’, Again and Again1
Tower House1
Affliction’s Lonely Hour0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
CRIQ 62:5 – Abstracts0
Assimilation0
An Irish Childhood in the City of London0
A Line around a Think0
Foreswearing the Anthropocence0
Poetry0
Notes on contributors0
Putin ~ Culture: Introduction0
‘In That Other Voice’: Doris Lessing’s Ironic ‘Return to Realism’ in the 1980s0
Challenging0
0
Six Moscow Yarns0
Creative critique0
Streaming: The World of Endless Amusement0
CHE0
Notes on contributors0
Athwart Culture: The Putin Power Vertical0
Learning to Look: Berger’s Lessons0
Five Poems0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
Entitled0
The Boilerplate World0
“It’s Fucking Obvious!”0
White0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
The Solitary Mind in the Anatomy of Melancholy0
The Humanities and the University: a Brief History of the Present Crisis0
The Art of Precarity0
Issue Information0
Caspar David Friedrich and Iconographies of Religious Feeling0
Issue Information0
‘Boris’0
‘No Hip Muffs’: female ageing in Doris Lessing’s fiction and correspondence0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
On growing up with ‘America’0
Editorial0
Issue Information0
To the Anxious Humanities Scholar0
Bills of Mortality: Poems0
0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
At Last Someone is Saying It0
Issue Information0
Doris Lessing’s Documentary Speculations on Futures Past0
0
Sondheim and Weidman’s unintended trilogy0
Christopher Hitchens: Let's Riot On0
‘It is money we are looking for’0
Issue Information0
Witch Hunt0
Matter0
Editorial0
Consorting0
Bowing to a Cloud0
Syntax as Punishment: Joy Williams’s Reckonings0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Indolence0
That Funny Money‐Man: A Hundred Years of Harmonium0
Producing Terence Davies—A short memoir0
0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Safe0
Unfinished interview with Terence Davies0
Criticizing Sondheim0
0
Editorial0
Russia's New Patriotic Tresh0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Passionate0
0
Editorial0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Editorial: Distant Voices/Still Lives0
Notes on contributors0
A Surface Reading of Vladimir Nabokov0
Notes on contributors0
Parsing Time in the Lyric0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
You0
Beyond the Barbershop: Berger, Turner and the Inner World0
0
Notes on contributors0
Living in a World of Pain0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Editorial0
Assault on Freedom0
0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Editorial: ‘Doris Lessing at 100: The Writer’s Quest’0
Crossing of Crossings0
2021: How Film Festivals and Women Will Defeat COVID‐190
Berger in Picasso’s Red Period0
The Clinch0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Chapters from an Abandoned History of English Literature0
Inside/Outcast0
Objectivity in the age of story0
When/And0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Oh, Mr Hitchens!0
Issue Information0
So What: Musings about the Method0
A Letter on Decolonising the curriculum0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Issue Information0
‘I Can’t Breathe’0
The Golden Notebook: a masterpiece among its Isms0
Curious George0
Dear Hitch0
Issue Information0
Notes on Contributors0
Inclusive0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Capitalism and autocracy0
20080
Nice Is Different Than Good0
Beyond Theory of the Lyric0
Can History be a Science?0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Aphorism as Narrative Method: Assessing John Berger's G.0
Lessing's Legacy Explored Through Her Personal Archive0
A fortunate Man: The Story of a Country Doctor0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Berger and the Disappointment of Zoos0
0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Bluffing0
Editorial0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Living with Sondheim0
Directing Follies at the National Theatre0
Lessing's Early Letters: A Prolific Personal Voice0
Gothic and Racism – A Review0
A Revolution of the Screw: Peripheralising Europe0
Calling Out0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Notes on contributors0
What is Amateur Film?0
Editorial, CQ 64.10
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Notes on Contributors0
Issue Information0
Issue Information0
Errata to ‘Parsing Time in the Lyric’0
The Challenge of Ambivalence: Hitchens on Orwell0
Falling in Love with Everyone: Lessing’s Letters to Smithie at the Keep, University of Sussex0
Animal0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
CONTRE‐JOUR0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Triviality, Materiality and Synchronicity in the Lessing Archive0
Atheism in the Grand Scheme of Things0
0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
List of illustrations0
The Success of The Success and Failure of Picasso0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
‘A poet of human nature’: Marion Milner’s William Blake0
Notes on contributors0
The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction: The Diary of a Good Neighbour (1983) and The Good Terrorist (1985)0
Notes on contributors0
The London Consortium: a Personal History0
In the Bargain Bin0
Thirty Years with Mark Cousins0
0
The London Consortium: a Select Bibliography0
Sri Lanka0
Introduction: Peripheral Europes0
‘A problem to be faced about history’: Marion Milner on holiday0
Stress: A Keyword for Today?0
Issue Information0
Alfred and Emily (2008): Speculation in the Aftermath of Empire0
Notes on contributors0
From The Far Side of Paradise0
Notes on contributors0
Issue Information0
Laura Marcus (7 March 1956–22 September 2021)0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
Good Times, Bad Times0
Issue Information0
Christopher Hitchens and ‘The Press as Opposition’0
Decisions to leave: a semi‐fictional essay0
Issue Information0
‘Comrade Doris’: Lessing’s correspondence with the Foreign Commission of the Board of Soviet Writers in the 1950s0
Issue Information0
On Data, Media, and the Deconstruction of the Administrative State0
Care0
Poetic Licentiousness and the Destitutions of High Culture0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
The London Consortium Courses, 1996–20120
Gull Island0
Terrorist0
Issue Information0
Sondheim’s Puzzles0
0
My back door to Sondheim0
Notes on contributors0
Poland's Other Pope: Re‐appreciating Maria Janion0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
0
Metaphors of Transcendence in John Berger’s A Seventh Man0
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