Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-06-01 to 2026-06-01.)
ArticleCitations
The Buffer of Hedges14
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Bowing to a Cloud1
Berger in Picasso’s Red Period1
1
A Letter on Decolonising the curriculum1
Patrick Leigh Fermor: Writing a Walk1
Learning to Look: Berger’s Lessons1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
The Wishes of Human Vanity1
Care1
Notes on contributors1
Editorial1
Bills of Mortality: Poems0
Beyond the Barbershop: Berger, Turner and the Inner World0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Infinite Joyce0
Crossing of Crossings0
Gull Island0
Unfinished interview with Terence Davies0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Parsing Time in the Lyric0
0
Ethnographies of Paper in Early Modern England0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
Introduction: Peripheral Europes0
The Success of The Success and Failure of Picasso0
Issue Information0
Defined As0
At Last Someone is Saying It0
On the ‘Hitchslap’0
The London Consortium: a Personal History0
Tragedy and the Tramp: Chaplin's Surplus Populations0
‘Scot‐free flip‐top’ or Ish 2b0
Chaplin's Nuts0
Quiver0
Introduction0
0
Issue Information0
An Irish Childhood in the City of London0
Chaplin's Mis‐fit Physics: Disability and Mobility0
Notes on contributors0
‘The Ladies Who Lunch’, Again and Again0
0
Ecologies of Papermaking: Craft, Rags and Plants0
Editorial0
Charlie in the House of Words0
Dear Hitch0
Issue Information0
Notes on contributors0
Sondheim’s Puzzles0
Issue Information0
Jorge Luis Borges' Medieval Aesthetics of Failure0
Friendship’s Death at Cannes, July 20210
Issue Information0
Poetry0
Assimilation0
Living with Sondheim0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
The Humanities and the University: a Brief History of the Present Crisis0
Bret/ BRAT0
Blank Forms for Future Applications0
Creating Spaces: Redacted Poetry Through Papercutting0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Editorial0
Editorial0
Issue Information0
Errata to ‘Parsing Time in the Lyric’0
Editorial, CQ 64.10
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
0
Pronouns: we/us/our0
CONTRE‐JOUR0
Criticizing Sondheim0
Poetic Licentiousness and the Destitutions of High Culture0
Janet Malcolm's Self‐Portrait0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
White0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
On growing up with ‘America’0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Living in a World of Pain0
Issue Information0
Journalism and Objectivity: Reporting on Palestine and Israel0
Experience0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Animal0
Matter0
Correction to Critical Quarterly : Volume 67, Issue 10
The London Consortium Courses, 1996–20120
Editorial: Distant Voices/Still Lives0
Prediction Machines0
Challenging0
On Technique and Judgement in Modernist Poetics0
Intelligence0
Papermaking and Making Whiteness in Othello0
The Laugh of the Tramp0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
“It’s Fucking Obvious!”0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Keywords: Decolonise0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Issue Information0
CHE0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Revaluations0
0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
What Did Janet Malcolm Want?0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
Issue Information0
In the Bargain Bin0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Editorial0
The Clinch0
Notes on Contributors0
0
Deliver0
0
Consorting0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Oh, Mr Hitchens!0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Entitled0
The Poetics of the Single Sheet of Paper: From Research to Practice0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Bluffing0
0
Reality Television’s ‘Open Lie’0
0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
A Paper Chase: Call a Group of Foxes0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Lessing's Early Letters: A Prolific Personal Voice0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
Waiting for the Rainbow: Poems0
0
Terrorist0
Creative Critique0
Inside/Outcast0
Editorial0
0
Solitude, Psychological Science and the Cold War Imagination0
Issue Information0
So What: Musings about the Method0
Atheism in the Grand Scheme of Things0
A Revolution of the Screw: Peripheralising Europe0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Objectivity and the Historian: Beyond the Fried Egg Test0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Notes on contributors0
The London Consortium: a Select Bibliography0
Nice Is Different Than Good0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Issue Information0
Issue Information0
Decisions to leave: a semi‐fictional essay0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
You0
0
Stress: A Keyword for Today?0
Aphorism as Narrative Method: Assessing John Berger's G.0
‘reportless places’: Janet Malcolm and Collage0
Issue Information0
Notes on contributors0
When/And0
Objectivity in the Age of Story0
Inclusive0
Notes on contributors0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Editorial0
Curious George0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Notes on contributors0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
Lawnmower Poetry and the Poetry of Lawnmowers0
Introduction: The Art of Failure—Disruption, Loss, Decline0
Theatres of Indirectness: Passive Aggression and Failure0
0
The Last Line0
Christopher Hitchens: Let's Riot On0
Editorial0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Gothic and Racism – A Review0
Sri Lanka0
Directing Follies at the National Theatre0
Christopher Hitchens and ‘The Press as Opposition’0
Witch Hunt0
Metaphors of Transcendence in John Berger’s A Seventh Man0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
A fortunate Man: The Story of a Country Doctor0
A Surface Reading of Vladimir Nabokov0
John Berger, Time Traveller0
My back door to Sondheim0
From The Far Side of Paradise0
The Challenge of Ambivalence: Hitchens on Orwell0
Poland's Other Pope: Re‐appreciating Maria Janion0
0
Issue Information0
Affliction’s Lonely Hour0
Objectivity0
‘It is money we are looking for’0
Somerset Maugham's Failings0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Reality Winners0
Notes on contributors0
0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Issue Information0
That Funny Money‐Man: A Hundred Years of Harmonium0
Sondheim and Weidman’s unintended trilogy0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Issue Information0
Beyond Theory of the Lyric0
Chaplin's Eyes0
Light Tactics: The Poem as Index0
Editorial0
Introduction: Solitudes Past and Present0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Indolence0
Producing Terence Davies—A short memoir0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Slapstick Classicism: Chaplin among the Sculptures0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
The Solitary Mind in the Anatomy of Melancholy0
Passionate0
Berger and the Disappointment of Zoos0
The Art of Precarity0
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