Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
The Buffer of Hedges13
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
Patrick Leigh Fermor: Writing a Walk1
Learning to Look: Berger’s Lessons1
Bowing to a Cloud1
1
Notes on contributors1
Care1
Editorial1
Berger in Picasso’s Red Period1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
A Letter on Decolonising the curriculum1
Do You Speak Franglais? The hotchpotch of languages in Henry V0
0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Notes on Contributors0
Beyond Theory of the Lyric0
0
0
Lessing's Early Letters: A Prolific Personal Voice0
Consorting0
Notes on contributors0
The Challenge of Ambivalence: Hitchens on Orwell0
0
Notes on contributors0
Issue Information0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Editorial0
Issue Information0
Notes on contributors0
‘It is money we are looking for’0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Passionate0
Reality Winners0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Slapstick Classicism: Chaplin among the Sculptures0
Chaplin's Eyes0
Issue Information0
Light Tactics: The Poem as Index0
Sondheim and Weidman’s unintended trilogy0
Decisions to leave: a semi‐fictional essay0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
Gull Island0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
Stress: A Keyword for Today?0
Editorial0
0
Parsing Time in the Lyric0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
The Success of The Success and Failure of Picasso0
The Art of Precarity0
Objectivity and the Historian: Beyond the Fried Egg Test0
Producing Terence Davies—A short memoir0
White0
Curious George0
Nice Is Different Than Good0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
Crossing of Crossings0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
Somerset Maugham's Failings0
Bills of Mortality: Poems0
Theatres of Indirectness: Passive Aggression and Failure0
Issue Information0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Intelligence0
‘The Ladies Who Lunch’, Again and Again0
0
Sri Lanka0
‘reportless places’: Janet Malcolm and Collage0
Ethnographies of Paper in Early Modern England0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Sondheim’s Puzzles0
Revaluations0
John Berger, Time Traveller0
At Last Someone is Saying It0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
Living with Sondheim0
Christopher Hitchens and ‘The Press as Opposition’0
Affliction’s Lonely Hour0
Introduction0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
Correction to Critical Quarterly : Volume 67, Issue 10
0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Notes on contributors0
Christopher Hitchens: Let's Riot On0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Issue Information0
Gothic and Racism – A Review0
Directing Follies at the National Theatre0
Witch Hunt0
Issue Information0
Notes on contributors0
A fortunate Man: The Story of a Country Doctor0
So What: Musings about the Method0
Jorge Luis Borges' Medieval Aesthetics of Failure0
My back door to Sondheim0
That Funny Money‐Man: A Hundred Years of Harmonium0
From The Far Side of Paradise0
Indolence0
Assimilation0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
The Humanities and the University: a Brief History of the Present Crisis0
Objectivity0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Errata to ‘Parsing Time in the Lyric’0
The Solitary Mind in the Anatomy of Melancholy0
Editorial, CQ 64.10
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
Editorial: Distant Voices/Still Lives0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
0
Living in a World of Pain0
Poetic Licentiousness and the Destitutions of High Culture0
Beyond the Barbershop: Berger, Turner and the Inner World0
A Revolution of the Screw: Peripheralising Europe0
0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Pronouns: we/us/our0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Introduction: Solitudes Past and Present0
The Laugh of the Tramp0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
A Surface Reading of Vladimir Nabokov0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Matter0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Notes on contributors0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
The London Consortium: a Personal History0
Berger and the Disappointment of Zoos0
Issue Information0
Challenging0
Unfinished interview with Terence Davies0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Janet Malcolm's Self‐Portrait0
Issue Information0
Infinite Joyce0
Introduction: Peripheral Europes0
The Clinch0
Defined As0
Editorial0
0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
Tragedy and the Tramp: Chaplin's Surplus Populations0
Oh, Mr Hitchens!0
The Last Line0
Friendship’s Death at Cannes, July 20210
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Keywords: Decolonise0
Bluffing0
Dear Hitch0
The Poetics of the Single Sheet of Paper: From Research to Practice0
What Did Janet Malcolm Want?0
A Paper Chase: Call a Group of Foxes0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
When/And0
Creating Spaces: Redacted Poetry Through Papercutting0
Chaplin's Nuts0
Editorial0
Editorial0
0
Terrorist0
Ecologies of Papermaking: Craft, Rags and Plants0
Charlie in the House of Words0
Issue Information0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
‘Scot‐free flip‐top’ or Ish 2b0
Entitled0
Issue Information0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
Poetry0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
0
The London Consortium: a Select Bibliography0
Reality Television’s ‘Open Lie’0
Blank Forms for Future Applications0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
Creative Critique0
Bret/ BRAT0
Inside/Outcast0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Waiting for the Rainbow: Poems0
Editorial0
0
Atheism in the Grand Scheme of Things0
The London Consortium Courses, 1996–20120
Notes on contributors0
“It’s Fucking Obvious!”0
Aphorism as Narrative Method: Assessing John Berger's G.0
Solitude, Psychological Science and the Cold War Imagination0
On Technique and Judgement in Modernist Poetics0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
The Wishes of Human Vanity0
Journalism and Objectivity: Reporting on Palestine and Israel0
CONTRE‐JOUR0
On growing up with ‘America’0
Papermaking and Making Whiteness in Othello0
You0
Issue Information0
Criticizing Sondheim0
Issue Information0
CHE0
Animal0
Inclusive0
Issue Information0
An Irish Childhood in the City of London0
Editorial0
Objectivity in the Age of Story0
Issue Information0
Prediction Machines0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Quiver0
Deliver0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
On the ‘Hitchslap’0
Poland's Other Pope: Re‐appreciating Maria Janion0
Chaplin's Mis‐fit Physics: Disability and Mobility0
0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Issue Information0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Editorial0
Experience0
Lawnmower Poetry and the Poetry of Lawnmowers0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
In the Bargain Bin0
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