Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
The Buffer of Hedges6
2021: How Film Festivals and Women Will Defeat COVID‐192
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
Parsing Time in the Lyric1
Notes on contributors1
Care1
A Letter on Decolonising the curriculum1
Aphorism as Narrative Method: Assessing John Berger's G.1
Putin ~ Culture: Introduction1
Berger in Picasso’s Red Period1
Editorial1
Editorial: Distant Voices/Still Lives1
1
The Boilerplate World1
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding1
Learning to Look: Berger’s Lessons1
Bowing to a Cloud1
1
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
John Berger, Time Traveller0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
0
Editorial0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
Stress: A Keyword for Today?0
0
0
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song0
Notes on contributors0
Nice Is Different Than Good0
Five Poems0
‘Boris’0
Gothic and Racism – A Review0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
Thirty Years with Mark Cousins0
The London Consortium Courses, 1996–20120
‘It might as well be Stephen’ essays in appreciation of Sondheim0
Issue Information0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
The Humanities and the University: a Brief History of the Present Crisis0
Caspar David Friedrich and Iconographies of Religious Feeling0
At Last Someone is Saying It0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Dear Hitch0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
Objectivity in the age of story0
Poland's Other Pope: Re‐appreciating Maria Janion0
Indolence0
Objectivity and the historian: Beyond the fried egg test0
Issue Information0
So What: Musings about the Method0
Unfinished interview with Terence Davies0
Pronouns: we/us/our0
Bluffing0
Notes on contributors0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
0
0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
That Funny Money‐Man: A Hundred Years of Harmonium0
Editorial0
Syntax as Punishment: Joy Williams’s Reckonings0
Issue Information0
Producing Terence Davies—A short memoir0
To the Anxious Humanities Scholar0
Bills of Mortality: Poems0
Russia's New Patriotic Tresh0
Beyond the Barbershop: Berger, Turner and the Inner World0
0
You0
Decisions to leave: a semi‐fictional essay0
Directing Follies at the National Theatre0
Notes on contributors0
Entitled0
Inclusive0
Challenging0
Notes on contributors0
Editorial0
Chapters from an Abandoned History of English Literature0
Notes on contributors0
Notes on contributors0
Notes on Contributors0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
Issue Information0
Berger and the Disappointment of Zoos0
From The Far Side of Paradise0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
Six Moscow Yarns0
Gull Island0
In the Bargain Bin0
Editorial0
Issue Information0
0
“It’s Fucking Obvious!”0
Notes on contributors0
‘A poet of human nature’: Marion Milner’s William Blake0
Creative critique0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Streaming: The World of Endless Amusement0
The Success of The Success and Failure of Picasso0
‘The Ladies Who Lunch’, Again and Again0
0
Errata to ‘Parsing Time in the Lyric’0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Revaluations0
Intelligence0
Issue Information0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Consorting0
Editorial, CQ 64.10
Terrorist0
Safe0
Solitude, Psychological Science and the Cold War Imagination0
0
Issue Information0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Notes on contributors0
Beyond Theory of the Lyric0
0
Reality Winners0
Living with Sondheim0
The Solitary Mind in the Anatomy of Melancholy0
Prediction Machines0
Inside/Outcast0
Calling Out0
When/And0
Reality Television’s ‘Open Lie’0
Oh, Mr Hitchens!0
Foreswearing the Anthropocence0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Editorial0
The London Consortium: a Select Bibliography0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
Editorial0
Animal0
Introduction: Peripheral Europes0
The Art of Precarity0
On Data, Media, and the Deconstruction of the Administrative State0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Christopher Hitchens: Let's Riot On0
Matter0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Issue Information0
Laura Marcus (7 March 1956–22 September 2021)0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Keywords: Decolonise0
0
Criticizing Sondheim0
Assault on Freedom0
Witch Hunt0
Issue Information0
Can History be a Science?0
0
Friendship’s Death at Cannes, July 20210
Affliction’s Lonely Hour0
A Line around a Think0
Notes on contributors0
On the ‘Hitchslap’0
Deliver0
Poetic Licentiousness and the Destitutions of High Culture0
0
CONTRE‐JOUR0
Quiver0
The London Consortium: a Personal History0
On growing up with ‘America’0
Editorial0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
A Surface Reading of Vladimir Nabokov0
The Clinch0
Issue Information0
Atheism in the Grand Scheme of Things0
Assimilation0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
List of illustrations0
Sondheim’s Puzzles0
Poetry0
‘It is money we are looking for’0
Christopher Hitchens and ‘The Press as Opposition’0
An Irish Childhood in the City of London0
Editorial0
Notes on Contributors0
From messianic subjectivity to immaculate objectivity: An etymology0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
The Challenge of Ambivalence: Hitchens on Orwell0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Issue Information0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
What is Amateur Film?0
Capitalism and autocracy0
0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
CRIQ 62:5 – Abstracts0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
White0
Lessing's Early Letters: A Prolific Personal Voice0
Issue Information0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
A Revolution of the Screw: Peripheralising Europe0
Passionate0
‘A problem to be faced about history’: Marion Milner on holiday0
Issue Information0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
CHE0
Lawnmower Poetry and the Poetry of Lawnmowers0
Crossing of Crossings0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Notes on contributors0
Waiting for the Rainbow: Poems0
Sondheim and Weidman’s unintended trilogy0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Issue Information0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
My back door to Sondheim0
Defined As0
Curious George0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Introduction: Solitudes Past and Present0
‘I Can’t Breathe’0
Athwart Culture: The Putin Power Vertical0
Sri Lanka0
Issue Information0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
A fortunate Man: The Story of a Country Doctor0
Issue Information0
Living in a World of Pain0
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