Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
6
Introduction: Solitudes Past and Present2
Solitude, Psychological Science and the Cold War Imagination2
Deliver2
John Berger, Time Traveller1
Quiver1
Prediction Machines1
Reality Television’s ‘Open Lie’1
Keywords: Decolonise1
Waiting for the Rainbow: Poems1
Notes on contributors1
Pronouns: we/us/our1
Friendship’s Death at Cannes, July 20211
The Buffer of Hedges1
Defined As1
Editorial1
On the ‘Hitchslap’1
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem1
Jean ‘Binta’ Breeze Claimed Madness, Rainbow and Song1
Editorial1
Revaluations1
Intelligence1
‘The Ladies Who Lunch’, Again and Again1
Tower House1
Criticizing Sondheim0
An Irish Childhood in the City of London0
Assimilation0
Editorial0
A Line around a Think0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Notes on contributors0
Poetry0
Editorial0
‘In That Other Voice’: Doris Lessing’s Ironic ‘Return to Realism’ in the 1980s0
0
A Surface Reading of Vladimir Nabokov0
Creative critique0
Notes on contributors0
Notes on contributors0
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding0
Learning to Look: Berger’s Lessons0
You0
Streaming: The World of Endless Amusement0
0
Editorial0
‘A reasonably sheltered position’: Marion Milner, David Jones, and the location of art writing0
“It’s Fucking Obvious!”0
Assault on Freedom0
Introduction: Marion Milner: Modernism, Politics, Psychoanalysis0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
Crossing of Crossings0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Issue Information0
2021: How Film Festivals and Women Will Defeat COVID‐190
The Solitary Mind in the Anatomy of Melancholy0
Macro‐Historicism and Micro‐History in Contemporary Russian Cinema0
The Clinch0
Objectivity in the age of story0
Caspar David Friedrich and Iconographies of Religious Feeling0
On growing up with ‘America’0
When/And0
‘Boris’0
Issue Information0
Issue Information0
At Last Someone is Saying It0
0
So What: Musings about the Method0
Issue Information0
Issue Information0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Sondheim and Weidman’s unintended trilogy0
Curious George0
Witch Hunt0
‘It is money we are looking for’0
Dear Hitch0
Doris Lessing’s Documentary Speculations on Futures Past0
Matter0
Notes on Contributors0
Bowing to a Cloud0
20080
That Funny Money‐Man: A Hundred Years of Harmonium0
Do You Speak Franglais? The hotchpotch of languages in Henry V0
Beyond Theory of the Lyric0
Editorial0
On vernacular capitalist‐iconic‐democratic‐neoliberal‐concrete‐territorial‐automotive assemblages: Gods in the Time of Democracy by Kajri Jain0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Unfinished interview with Terence Davies0
Safe0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
Producing Terence Davies—A short memoir0
0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
Editorial0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Russia's New Patriotic Tresh0
Living with Sondheim0
Passionate0
0
Gothic and Racism – A Review0
Editorial: Distant Voices/Still Lives0
Lyric Over‐Hearing: Wordsworth’s Intent to Steal0
Calling Out0
Notes on contributors0
0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Parsing Time in the Lyric0
What is Amateur Film?0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Beyond the Barbershop: Berger, Turner and the Inner World0
Issue Information0
Issue Information0
Falling in Love with Everyone: Lessing’s Letters to Smithie at the Keep, University of Sussex0
Notes on contributors0
0
A Psychoanalysis of Milk: The Case of Alfred Hitchcock0
‘The Unconscious was Another Word for Inspiration’: Adam Phillips on Marion Milner0
Living in a World of Pain0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
Between desire and uncertainty: Tomorrow Sex Will be Good Again by Katherine Angel0
Berger in Picasso’s Red Period0
List of illustrations0
Editorial: ‘Doris Lessing at 100: The Writer’s Quest’0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
Notes on contributors0
Key Tendencies of Auteur Cinema in the Putin Era or Sleep, Dear Country!0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
The London Consortium: a Personal History0
Inside/Outcast0
Chapters from an Abandoned History of English Literature0
Sri Lanka0
Issue Information0
A Letter on Decolonising the curriculum0
Introduction: Peripheral Europes0
Oh, Mr Hitchens!0
‘I Can’t Breathe’0
Stress: A Keyword for Today?0
Alfred and Emily (2008): Speculation in the Aftermath of Empire0
Inclusive0
Issue Information0
Notes on contributors0
The Golden Notebook: a masterpiece among its Isms0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Notes on contributors0
Nice Is Different Than Good0
Good Times, Bad Times0
Aphorism as Narrative Method: Assessing John Berger's G.0
Can History be a Science?0
Christopher Hitchens and ‘The Press as Opposition’0
Capitalism and autocracy0
Lessing's Legacy Explored Through Her Personal Archive0
Issue Information0
0
Care0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Berger and the Disappointment of Zoos0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
A fortunate Man: The Story of a Country Doctor0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
The London Consortium Courses, 1996–20120
Lessing's Early Letters: A Prolific Personal Voice0
Directing Follies at the National Theatre0
Terrorist0
Bluffing0
Sondheim’s Puzzles0
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
My back door to Sondheim0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
Censorship in Russian Cinema: Ten Years of ‘Work‐in‐Progress’0
Poland's Other Pope: Re‐appreciating Maria Janion0
‘Redeeming the body’: Embodiment and the ‘other’ in the work of Marion Milner0
A Revolution of the Screw: Peripheralising Europe0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Editorial, CQ 64.10
CRIQ 62:5 – Abstracts0
Notes on Contributors0
Notes on contributors0
Affliction’s Lonely Hour0
Errata to ‘Parsing Time in the Lyric’0
Foreswearing the Anthropocence0
Animal0
Putin ~ Culture: Introduction0
CONTRE‐JOUR0
Challenging0
The Challenge of Ambivalence: Hitchens on Orwell0
Six Moscow Yarns0
CHE0
Triviality, Materiality and Synchronicity in the Lessing Archive0
The Success of The Success and Failure of Picasso0
Athwart Culture: The Putin Power Vertical0
0
Atheism in the Grand Scheme of Things0
Five Poems0
Entitled0
‘A poet of human nature’: Marion Milner’s William Blake0
In the Bargain Bin0
The Boilerplate World0
The Politics of Cleaning in Doris Lessing’s 1980s Realist Fiction: The Diary of a Good Neighbour (1983) and The Good Terrorist (1985)0
Notes on contributors0
White0
The Humanities and the University: a Brief History of the Present Crisis0
Thirty Years with Mark Cousins0
‘A problem to be faced about history’: Marion Milner on holiday0
The Art of Precarity0
The London Consortium: a Select Bibliography0
0
‘No Hip Muffs’: female ageing in Doris Lessing’s fiction and correspondence0
Issue Information0
From The Far Side of Paradise0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Issue Information0
Laura Marcus (7 March 1956–22 September 2021)0
Editorial0
Issue Information0
To the Anxious Humanities Scholar0
‘Comrade Doris’: Lessing’s correspondence with the Foreign Commission of the Board of Soviet Writers in the 1950s0
Decisions to leave: a semi‐fictional essay0
Bills of Mortality: Poems0
‘Action […] real and effective’: Marion Milner and ‘Expressive Action’0
Issue Information0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Poetic Licentiousness and the Destitutions of High Culture0
0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
0
Christopher Hitchens: Let's Riot On0
On Data, Media, and the Deconstruction of the Administrative State0
Issue Information0
Consorting0
0
Issue Information0
Syntax as Punishment: Joy Williams’s Reckonings0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Indolence0
Gull Island0
0
0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Metaphors of Transcendence in John Berger’s A Seventh Man0
Notes on contributors0
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