Critical Quarterly

Papers
(The TQCC of Critical Quarterly is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The Buffer of Hedges16
Lessing's Legacy Explored Through Her Personal Archive2
Good Times, Bad Times2
‘We Talked about Solitude’: Katherine Mansfield, Virginia Woolf, and Affective Bonding2
1
Berger in Picasso’s Red Period1
Care1
Editorial1
Learning to Look: Berger’s Lessons1
A Bathroom of One's Own: Intimacies of Austerity and Austerities of Intimacy in Barbara Pym's Fiction1
The Wishes of Human Vanity1
Patrick Leigh Fermor: Writing a Walk1
Notes on contributors1
Bowing to a Cloud1
0
Assimilation0
Issue Information0
Ecologies of Papermaking: Craft, Rags and Plants0
Waiting for the Rainbow: Poems0
On Not Being Stuck: Changing Humanities in 20th‐ and 21st‐Century Britain: The Lorna Sage Lecture, 20250
Neither Centre nor Periphery: Rethinking Postcoloniality through the Perspective of Eastern Europe0
The Voice Disrupted: Articulation, Hesitation, and Moral Seriousness in F. R. Leavis's Pedagogy0
Introduction: The Art of Failure—Disruption, Loss, Decline0
When/And0
Affliction’s Lonely Hour0
Solitude, Psychological Science and the Cold War Imagination0
Issue Information0
Mrs Gulliver's Travels: Minor‐Character Elaboration in Theory and Practice0
On Moving Showstoppers: Stephen Sondheim’s ‘I’m Still Here’, There and Everywhere0
CHE0
‘Shut Your Eyes and See’: Time, Ekphrasis and Enargeia in James Joyce's Ulysses0
‘reportless places’: Janet Malcolm and Collage0
Criticizing Sondheim0
Cathedral of Power: Battersea Power Station in Dystopian Visual Culture0
Issue Information0
Issue Information0
Notes on contributors0
Habeas Corpus? Cultural Keywords, Statistical Keywords, and the Role of a Corpus in their Identification0
‘The Ladies Who Lunch’, Again and Again0
Literary Journalism on Trial: Janet Malcolm, Criminal Character and the Legacy of New Journalism0
Deliver0
Chaplin's Mis‐fit Physics: Disability and Mobility0
Introduction0
Sondheim’s Puzzles0
Crossing of Crossings0
In the Bargain Bin0
Bret/ BRAT0
Issue Information0
Dear Hitch0
Notes on Contributors0
Living with Sondheim0
Light Tactics: The Poem as Index0
Blank Forms for Future Applications0
Chaplin's Nuts0
Issue Information0
RichardHolmes, The Boundless Deep: Young Tennyson, Science and the Crisis of Belief(William Collins, 2025)0
‘Scot‐free flip‐top’ or Ish 2b0
Bills of Mortality: Poems0
Issue Information0
Notes on contributors0
Nice Is Different Than Good0
So What: Musings about the Method0
0
Editorial0
Gesturing While Writing: An Alternate Perspective on Mimetic Prosody0
0
“It’s Fucking Obvious!”0
Issue Information0
Producing Terence Davies—A short memoir0
John Berger’s Knowledge, or Listening in to the Voice of the (Female) Image0
Politics, Letters and the Novel of Ideas: Doris Lessing's Archive0
Slapstick Classicism: Chaplin among the Sculptures0
The Origins of Printed Man: Ian Watt, Marshall McLuhan and Rise of the Literacy Thesis0
Contesting Constraint: Eleanor Careless on the ‘Carceral Poetry’ of Anna Mendelssohn0
Creative Critique0
Avant‐Garde Difficulty and the Shape of Claudia Rankine's Poetic Career0
Editorial0
Sondheim and Weidman’s unintended trilogy0
Somerset Maugham's Failings0
Entitled0
The Solitary Mind in the Anatomy of Melancholy0
Editorial: Distant Voices/Still Lives0
The Real Age of Newspapers: Hitch, the Vanity Fair Years0
Reading Closely with Your Voice: Under Milk Wood on the Radio, in the Afterlife0
Lessing's Early Letters: A Prolific Personal Voice0
Janet Malcolm's Self‐Portrait0
Stress: A Keyword for Today?0
Atheism in the Grand Scheme of Things0
Parsing Time in the Lyric0
‘It might as well be Stephen’ essays in appreciation of Sondheim0
‘Cucumber sandwiches that repeated’: Loneliness and melancholia in Elizabeth Taylor's Mrs Palfrey at the Claremont0
0
Objectivity in the Age of Story0
From The Far Side of Paradise0
On the ‘Hitchslap’0
Inside/Outcast0
Objectivity and the Historian: Beyond the Fried Egg Test0
Curious George0
Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper0
Unfinished interview with Terence Davies0
To Desire What Is Nothing: Simone Weil, Asceticism and Psychoanalysis0
Theatres of Indirectness: Passive Aggression and Failure0
The shaping of character: The classics as a remedy for cultural despair in Victorian England0
0
Defined As0
‘Art Isn’t Easy’: Making Musical Theatre in Sunday in the Park with George0
Sri Lanka0
Reality Winners0
A Chaplinish Play: Adrienne Kennedy's A Lancashire Lad0
Infinite Joyce0
The Clinch0
The Art of Precarity0
0
Consorting0
Papermaking and Making Whiteness in Othello0
Reading and relating with Frieda Fromm‐Reichmann and Joanne Greenberg0
Lawnmower Poetry and the Poetry of Lawnmowers0
Oh, Mr Hitchens!0
Challenging0
0
Experience0
Inclusive0
A Paper Chase: Call a Group of Foxes0
Introduction: Solitudes Past and Present0
Formal Introductions: Transference and Authority in ‘Forty‐One False Starts’0
Ethnographies of Paper in Early Modern England0
Objectivity0
0
Terrorist0
Issue Information0
On Technique and Judgement in Modernist Poetics0
The Success of The Success and Failure of Picasso0
Afterword to the Critical Quarterly Special Issue ‘Peripheral Europes’0
Editorial0
Issue Information0
Notes on contributors0
‘Too Straight’ for Fiction: Christopher Hitchens and No One Left to Lie To0
Editorial0
Gothic and Racism – A Review0
Directing Follies at the National Theatre0
‘To Save a Likeness’: Berger on Drawing & Resemblance0
Issue Information0
The London Consortium: a Select Bibliography0
Issue Information0
From Messianic Subjectivity to Immaculate Objectivity: An Etymology0
Living in a World of Pain0
A Surface Reading of Vladimir Nabokov0
Notes on contributors0
Chaplin's Eyes0
Decisions to leave: a semi‐fictional essay0
Metaphors of Transcendence in John Berger’s A Seventh Man0
A fortunate Man: The Story of a Country Doctor0
CatherineMalabou, Stop Thief!: Anarchism and Philosophy, trans. Carolyn Shread (Polity, 2023), 268 pp. ISBN 97815095552390
Issue Information0
The London Consortium Courses, 1996–20120
Aphorism as Narrative Method: Assessing John Berger's G.0
The Challenge of Ambivalence: Hitchens on Orwell0
Charlie in the House of Words0
CONTRE‐JOUR0
Reality Television’s ‘Open Lie’0
The London Consortium and Me: Memoir of an Experiment in Doctoral Education0
Conducting Liquids in Pursuit of Romance: Reading Ed Ruscha's Stains0
The Laugh of the Tramp0
‘It is money we are looking for’0
An Irish Childhood in the City of London0
Beyond the Barbershop: Berger, Turner and the Inner World0
Escaping the Magic Kingdom: Berger, Bacon, and the Pinocchio Problem0
At Last Someone is Saying It0
A Revolution of the Screw: Peripheralising Europe0
Introduction: Peripheral Europes0
The London Consortium: a Personal History0
White0
0
Revaluations0
Tragedy and the Tramp: Chaplin's Surplus Populations0
Issue Information0
Journalism and Objectivity: Reporting on Palestine and Israel0
First, Catch Your Peasant: A Critical History of the Peasantry in British Food Writing via John Berger, Elizabeth David and Patience Gray0
Editorial0
The Rhythmic and the Metronomic: On Charlie Chaplin's Gait0
Editorial0
Keywords: Decolonise0
What Did Janet Malcolm Want?0
The Ecstasy of Messaging: Coleridge's Natural Telegraphy0
Matter0
T.S. Eliot, Post‐War Geopolitics and ‘Eastern Europe’0
John Berger, Time Traveller0
Introduction: Paper and Poetry – Interventions in Theory and Practice0
Christopher Hitchens and ‘The Press as Opposition’0
From Hard Slavic Endings to Making Things Possible: The Political in Saša Stanišić's Prose0
Poland's Other Pope: Re‐appreciating Maria Janion0
Issue Information0
‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk0
0
The Rescue Plot: Maritime Encounter and the Borders of Europe0
Theorising from the European South: Italy, Racial Evaporations, and the Black Mediterranean0
0
Creating Spaces: Redacted Poetry Through Papercutting0
Correction to Critical Quarterly : Volume 67, Issue 10
Editorial0
Witch Hunt0
Beyond Theory of the Lyric0
Failing Better: Inauthenticity, Collusion and the Politics of Truth0
That Funny Money‐Man: A Hundred Years of Harmonium0
0
My back door to Sondheim0
0
Berger and the Disappointment of Zoos0
The Last Line0
Christopher Hitchens: Let's Riot On0
0
Thermidor: The Revolution Betrayed in Trotsky, Orwell and Serge0
0
Issue Information0
Errata to ‘Parsing Time in the Lyric’0
Passionate0
Notes on contributors0
Interstellar Migration, the Population ‘Problem’ and the Climate Emergency0
Gull Island0
Jorge Luis Borges' Medieval Aesthetics of Failure0
The Poetics of the Single Sheet of Paper: From Research to Practice0
The Sweet Shop and the Toy Shop: Consumption, Sign and Play in the Confectionery Industry0
Notes on contributors0
Intelligence0
‘Notebook Literature’: Virginia Woolf and Marion Milner0
The Humanities and the University: a Brief History of the Present Crisis0
On growing up with ‘America’0
Poetic Licentiousness and the Destitutions of High Culture0
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