OOIR: Observatory of International Research

Papers

(The TQCC of Critical Survey is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
The Restoration Muslim Tangerines Caliban and Sycorax in Dryden-Davenant’s Adaptation of Shakespeare’s The Tempest	4
‘We read Hamlet together’	4
Susan Abulhawa’s Appropriation of Shakespeare’s Romeo and Juliet	2
Terrorism and Culture	2
The Cultural Transformation of the Trope of the Renegade in Late Seventeenth- and Early Nineteenth-Century English Drama	2
Shakespeare’s Clarence	2
The Human Heart, from Harvey to Hobbes	2
Ian McEwan Celebrates Shakespeare	2
‘Hamlet through your legs’	2
The Politics of Happiness in Richard Brome’s <i>The Queen and Concubine</i>	1
The Tempest and The Faerie Queene	1
Deconstructing the Saussurean System of Signification	1
Shakespeare’s Orientalism Revisited	1
Hamlet and the 47 Ronin	1
Elli Tompuri's Female Hamlet, 1913	1
Predator or Prey Who Do You Think You Are?	1
Ibsen’s Arab Journey	1
Noise, Sound and Fury in Macbeth	1
Putting Strangeness in Perspective	1
Challenging Hegemonic Patriarchy	1
Pascal on Happiness	1
Almost Shakespeare – But Not Quite	1
Massinger’s Strange Pirates	1
The Way of the Bodhisattva	1
Redeeming Lady Macbeth	0

Hallucinations in Post-9/11 American Poetry	0
Introduction	0
Othello’s ‘Travailous History’	0
Postmodern Depthlessness and the Psyche	0
‘Changed to another form’	0
Canonising Shakespeare in 1920s Japan	0
Whoso List to Find?	0
Modernising Misogyny in Shakespeare’s Shrew	0
‘Moving back and forth of the I’	0
‘Fanciful associations’	0
‘You Mean Some Strange Revenge’	0
Ninagawa’s Ancient Journeys	0
The Construction of Muslim Women Characters in Early English Drama	0
Nathaniel Lee’s Politics of Sovereignty	0
(There Is) Nothing Like a Dane	0
The Apocalyptic Image of the Beast in William Blake’s ‘The Tyger’ and W.B. Yeats’ ‘The Second Coming’	0
Simulation, Fetishism and World Domination	0
Visualising Resilience	0
Poetry	0
In Memoriam	0
Collaborating with the Dead	0
Sweden and Shakespeare's Protestant Afterlife	0
Trauma in Nada Jarrar's An Unsafe Haven (2016) and Dima Wannous’ The Frightened Ones (2020)	0
‘Ophelia divided from herself ’ (Hamlet, 4.5.2944–45)	0
‘As a Stranger Give it Welcome’	0
Reflecting upon Coriolanus as Being-in-and-for-Mother through the Gaze of Existential Semiotics	0
Urban Decay or the Uncanny Return of Dionysus	0
Editorial	0
‘Failed Feminism’	0
[I] ‘did write this Wyll with my own hand’	0
Between Two Worlds	0
On the Verge of the Here and Now	0
Actualising History	0
Constructing Childhood through Remembrance in Selected Short Stories by Alice Munro	0
Introduction	0
Whoso List to Find?	0
The Interactive Verbal Network of Early Modern Theatre	0
‘All the world’s a [post-apocalyptic] stage’	0
‘Our golden crown’	0
Lear’s Subjectivity and Apotheosis	0
Lear Reassembled	0
Fudging the Outcome of Much Ado About Nothing	0
Harold Bloom and William Shakespeare	0
What Is Early Modern Dramatic Collaboration?	0
Hamlet’s Displacement as a Recurrent Case in Cather’s A Lost Lady and Al Halaby’s Once in a Promised Land	0
John Ford’s Strange Truth	0
Introduction	0
Alienating Hamlet	0
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea	0
Turkish History on the Early Stuart Stage	0

Absent Felicity	0
A Sacrament of Intellectual Self-Gratification	0
Editorial	0
‘At the Mercy of the German Eagle’	0
Västanå Teater's 1996 Hamlet	0
Shadowing Shakespeare	0
‘Need’ and ‘Desire’ in Shakespeare's Sonnets and Mawlana's Ghazals	0
Fortune, Felicity and Happiness in the Early Modern Period	0
Gauging the Propagandist’s Talents	0
Carol Ann Duffy's ‘Standing Female Nude’	0
Introduction	0
Ethics, Sublimity and Hospitality	0
‘Fanciful associations’	0
Genealogical Traces of the Misogynistic Murder Motif in Eugene O'Neill's Autobiographical Tragedies	0
The Question of Culpability in Shakespeare’s Antony and Cleopatra	0
In Fortune Fair and Foul	0
A Rose by Any Other Name May Smell Different	0
‘Besmeared with Sluttish Time’	0
William Le Queux, the Zeppelin Menace and the Invisible Hand	0
‘To Say What Could Not Be Said’	0
Millennial Dark Ladies	0
Gauging the Propagandist’s Talents	0
‘Our Troy, our Rome’	0
Canon Fodder and Conscripted Genres	0
Poetry	0
Francis Meres Revisited	0
‘These arts I used with thee’	0
Provincial Shakespeare	0
Reflections on Co-Creativity in Early Modern Drama	0
Transgressive Catholicism	0
Editorial	0
Liturgical Time in Chaucer’s Canterbury Tales	0
Thinking about Collaboration	0
Poetry	0
Poetry	0
Editorial	0
‘\|Y]oung Hamlet’	0
Liturgical Time in Chaucer’s Canterbury Tales	0
Happiness Against All Odds	0
The Mysterious Mr Le Queux	0
The Last Roman King	0
Introduction	0
The Happy Place That Exists Nowhere	0
A Danish Fool at Elsinore?	0
Editorial	0
Shakespearean Boars and Dolphins	0
Unaccommodated Religion	0
Loving Shakespeare	0
Urban Decay or the Uncanny Return of Dionysus	0
Fudging the Outcome of Much Ado About Nothing	0
Titus and Coriolanus in Tehran	0
Introduction	0
An Anti-Imperial Mythology	0
Romantic Love, Gender Imbalance and Feminist Readings in Iris Murdoch’s The Sea, The Sea	0
William Le Queux and Russia	0
Radical Reactionary	0
Manipulation of Theatrical Audience Size	0
Happiness in Sir Philip Sidney’s <i>Arcadia</i>	0
‘A Scorneful Image of this Present World’	0
Flights of Fancy and the Dissolution of Shakespearean Space-Time in Angela Carter’s Nights at the Circus	0
The International Circulation and Impact of Invasion Fiction	0
A Kingdom for a Mirth	0