Critique-Studies in Contemporary Fiction

Papers
(The median citation count of Critique-Studies in Contemporary Fiction is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
The Infant Planet and the Iron Sphere: Microcosmic Materiality in Twenty-First-Century Fiction11
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness4
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory4
Sarah Perry’s Melmoth and the Implications of Gothic Form4
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring3
Carter, Porter, Herrera: Overcoming Mythology to Achieve Agency (Sometimes) Effectively3
Beyond Necropolitics: Colum McCann’sApeirogon3
“In the Black Abyss There Appeared a Single Eye”: The Gaze and Self-Fragmentation in The Lord of the Rings3
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard3
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies2
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted2
Text of (as) the Erotic Sacrament: Erotics in Jeanette Winterson’s Written on the Body and Frankissstein2
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement2
Refunctioning Western Speculative Genres: Transcultural Autoethnography and Posthuman Futurity in The Brief Wondrous Life of Oscar Wao2
What is Owed to the Ghost? Postmemory and Political Honesty in André Dao’s Anam2
Most Alive: Vibrant Taxidermy and Art as Futural Practice in Kristen Arnett’s Mostly Dead Things2
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence2
“But Karachi is Always Dual”: Cartography, Placemaking, and Identity in Kamila Shamsie’s Kartography2
Time, Clocks, and Illnesses in Paul Harding’s Tinkers2
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)2
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose2
Isolation and Connectivity: The Insular Geopolitics in This Earth of Mankind2
Descent into the Eye (I) of the Kraken: Friday and the Lacanian Real in J. M. Coetzee’s Foe2
Chaos, Cosmos, and Waste: The Politics of “Maximalism” in Don DeLillo’s Underworld2
The Right to Development and Self-Help: Faking Entrepreneurship of the Strategic Economic Man in Mohsin Hamid’s How to Get Filthy Rich in Rising Asia2
Global Forms in Bolaño’s 2666 : Genre, Race, Capital2
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”2
Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart2
“I Was A Woman of Appetites, A Growling Beast”: On Subversive Female Hunger in Butter and Milk Fed2
Memory Writing and Cosmopolitan Identity in Timothy Mo’s Pure1
Extracting the Ultradeep Oil: David Mitchell’s The Bone Clocks1
Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk1
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights1
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization1
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing1
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives1
“We’ve Got to Move”: Mapping and Remapping the World in Cormac McCarthy’s The Road1
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every1
Eco-Cosmopolitanism and the Politics of Planetary Vulnerability in Samantha Harvey’s Orbital (2023)1
The Self Turned Inside Out: Neural Networks in Temi Oh’s More Perfect and Justin Cronin’s The Ferryman1
To Be or Not to Be (Human): Black Ontology and Belonging in Beatty and Adjei-Brenyah1
Environmental Memory, Place Identity, and Solastalgia in Arif Anwar’s The Storm1
Undocumenting Citizenship: Mixed-Status Families in María Escandón’s González and Daughter Trucking Co1
Social Reproductive Labor and Uto/Dystopia: An Analysis of Leila, Midnight Robber and Woman World1
The Cybernetic Leviathan: Body Politic and Body Politics in Heinlein’s Starship Troopers1
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels1
Telling Truth in Fiction: The Precarious Aesthetic of Valeria Luiselli’s Documentary Fiction Lost Children Archive1
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”1
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth1
How to Get Away with Murder: Unknowing and Subversion in Shirley Jackson’s We Have Always Lived in the Castle1
“Change, Change All the Time”: Loss and Re-Creation of Former Homes in Kazuo Ishiguro’s Novels1
Beyond Pragmatic Eloquence: Compassion and David Mitchell’s Art of Reading Pain1
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus1
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun1
Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe1
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls1
Cohesion, Exile, Return: Non-Human Narrative and the Shape of Diaspora Community in Never Let Me Go1
Ideal Caregiver? Caring Robot and the Dividuation in The School for Good Mothers and Klara and the Sun1
A Quivering Ontology: Ali Smith, Hauntology, and Deconstructive Aesthetics1
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’s Frankenstein in Baghdad and Muhsin Al-Ramli’s Daughter of the Tigris1
Relational Time, Female Transgenerational Bonds and Herstory in Linda Grant’s The Story of the Forest (2023)1
Ben Lerner’s Novels and the Syntax of Collectivity1
Revisiting Richard Ford’s The Sportswriter1
“The Lurid and the Lovely”: Degrees of Disillusionment and Existential Awakening in Thomas Ligotti’s Cosmic Horror1
‘‘A Soul in Every Stone’’: Object-Worlds and Hysterical Detail in Thomas Pynchon’s Gravity’s Rainbow1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland1
Meta-Minstrelsy and Market Logics in Percival Everett’s James1
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia1
Performing Identity: Deconstructing Race and Gender in Brit Bennett’s The Vanishing Half1
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels1
Topophrenia and Cognitive Mapping in The Brick People1
Spectral Dissent: “Faultlines” In Sarah Waters’ The Little Stranger1
Living in Endtimes: Countersentimental Domesticity in the Age of Uncertainty1
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow1
Literary Setting and Social Form in Tash Aw’s We, the Survivors1
“When He Comes, He Will Be Like an Englishman”: Space, Spy Fiction, and Englishness in Michael Ondaatje’s Warlight1
“We’re All Just Playing into Stories Created Before Our Time”: Fictional Female Serial Killers, Femgore, and the Illusion of Power1
I’m a Woman. Man, Woman, M–Woman .” – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf1
Androdecentrism in the Anthropocene: Weirding Masculinities in the Work of Max Porter, Martin MacInnes, and Matt Hill1
Capitalized Pollution and Inhabitability Critique in Kazuo Ishiguro’s Klara and the Sun1
“Why shouldn’t I be wanted, even loved?”: Eugenics, Reproduction, and the Postcolonial in Indra Sinha’s Animal’s People and Nnedi Okorafor’s Who Fears Dea1
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World1
Religious Hypocrisy and Moral Failure in James Baldwin’s Go Tell It on the Mountain and Khaled Hosseini’s The Kite Runner1
Motherlands in Europe. Economic Subalternity and Fantasies of Family in Contemporary Romanian Literature of Migration1
Photographic Evocation of Time: Identity, Memory, and Modernity in Claude Simon’s The Wind and W. G. Sebald’s Austerlitz0
Dawning of the Changelingocene: Political Economy of Speed and Surplus Data in Ken Liu’s Maddie Trilogy0
Navigating neurotechnology and astrobiology in Richard Powers’s Bewilderment0
Toward an Ethics of Affinity: Posthumanism and the Question of the Animal in Two SF Narratives of Catastrophe0
Voluntary Euthanasia as a Field of Moral Ambiguity: Satirizing Consent, Capacity, and Medical Bureaucracy in Ian McEwan’s Amsterdam and Steven Amsterdam’0
Lateral Composition and Posthuman Community in Kazuo Ishiguro’s Klara and the Sun0
“At the Edge of the Intactile Dark”: Gothic Minimalism in Cormac McCarthy’s The Passenger and Stella Maris0
Reading the Graphic Narrative “The Taboo,” from the Anthology This Side, That Side: Restorying Partition: Graphic Narratives from Pakistan, India, Bangladesh , As a Micr0
Gothic Economics: Unmasking the Uncanny in Indian Literature0
The Asymmetries of Border Spaces0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation0
“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies0
The Story of Revenge in Natalie Haynes’ A Thousand Ships0
Unity Throughout Fragments: Childhood, Science, and Gender in Ian McEwan’s The Child in Time0
Introduction: Insurgent Infrastructures and Infrastructures of Insurgency0
Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth 0
The Tempting Signifier: Covert Deixis and Ontological Suspicion in Ali Smith’s The Accidental0
The Tragedy of Alignment: Machinic Consistency and the Failure of Human Relations in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s 0
The Psychic Affective Turn: Body, Affect, and Exile in Manuel Puig’s The Buenos Aires Affair0
Deconstructing the Narrative of Fascination in J. M. Coetzee’s Waiting for the Barbarians and Foe0
Two Hundred Years of Technodystopia: AI and the Politics of Embodiment in Winterson’s Frankissstein0
The Compost of History: Olfactory Aesthetics, Patriarchal Ruin, and the Decolonial Archive in Shani Mootoo’s Cereus Blooms at Night0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction0
Ways of Being Male: Masculinities as Allegories in Yu Hua’s Brothers0
The Culture Industry Meets Authentic Art in Angela Carter’s The Passion of New Eve0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality0
For the “Briefly Gorgeous” Moment: Imagism and Queer Aesthetics in Ocean Vuong’s On Earth We’re Briefly Gorgeous0
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm0
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales0
Post-Truth, Testimony and Crises of Trust in Margaret Atwood’s The Handmaid’s Tale and The Testaments0
Event, Catastrophe and Crisis in Don DeLillo’s The Silence : “The Wrong Kind of Normal”0
“Adrift without Certainty, Only Conjecture”: Nomadic Utopia in Pynchon’s Against the Day0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge : The Internet as Terror and Transformation0
Don DeLillo’s Cosmopolis : The Transhuman Delusion0
“Console Us for Our losses”: Representing Dementia in Emma Healey’s Elizabeth is Missing0
Reviving from the Archive: Kazuo Ishiguro’s Modern Ghost Stories and Memory Writing0
From Testimony to Appropriation: A Radical Intersectional Critique of The Help0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto0
White Focalization as Racist Interpellation in Caryl Phillips’ Crossing the River0
Consuming Appetites, Disappearing Meals: Things Becoming Food in Chana Porter’s The Thick and the Lean0
Technocratic Fiction, Indigenous Sovereignty, and Counter-Insurgent Infrastructure0
Disneyland and Its Discontents: J.G. Ballard and the Commodification of Dissent0
What Is Punch that They are Mindful of Him? Neil Gaiman, Ben Aaronovitch, and Russell Hoban0
“The Dance, the Music, the Rave”: Partying, Pleasure, and the Politics of Cultural Production in Morvern Callar 1995 and Morvern C0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel0
Palimpsestuous Fragmentation in James Cahill’s Tiepolo Blue0
Deterritorializing Hegemonic Globalization Progressively in Xiaolu Guo’s Experimental Writing: A Comparative Reading of A Concise Chinese-English Dictionary for Lovers a0
Space, Time, and Progression: Narrating Chinese Americans Between Worlds in Literature0
Revisiting Trauma Through The Bluest Eye0
Climate Crises, Ruined Islands, and British Metamodernism0
Untwining the Threads in John Banville’s Birchwood : False Shadows, Bogus Plots and What Lies Beyond Unreliability0
‘Off to the Side’: An Ethics of Interruption in Ali Smith’s Hotel World And There but for the0
Metafiction as Movement and Movement as Metafiction in John Edgar Wideman’s Philadelphia Fire0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees0
Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow0
Object Dynamics: Reinvoking “Fukú” And “Fukú”-Imbued Network in The Brief Wondrous Life of Oscar Wao0
Form After the Internet Novel: The Hermeneutics of Digital Ekphrasis0
Our Business is Emotion: Affective Labor in the Workplace Wellness Novel0
Scalar Anglosphere: Wasteocene Waters and Vulnerable Bodies in Chioma Okereke’s Water Baby0
Forced Migration Narratives and the Nation-State: ‘ Out’ and ‘ Go, Went, Gone’0
Frontier Stories: Burnt Shadows and an Alternative Ethic of Narrativizing Violence0
Why Britain Chooses Brexit: Post-Imperial Affects in Julian Barnes’ Fiction and Brexlits0
Mimesis at Stake: Tom McCarthy, the Death of Materiality, and the Rise of Virtual Realism0
How to Blow Up a Novel: Pipeline Insurgency and Narrative Form in Alexis Wright’s Carpentaria0
Seeking Solidarity from Afar: Gurnah’s Vision for the Zanzibar National Community in By the Sea0
Sanitizing Stories, Palatable Books: Fictionalizing Dutch Colonial History for Anglophone Audiences in The Miniaturist and The Nat0
A Limbo Between Beckett and Kafka: The Tartar Steppe0
“Moist, Living”: The Hydro-Logics of Red Tory0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)0
Haunted Laughter: Spectral Justice and Satirical Memory in Percival Everett’s The Trees0
Wayward Plots: Public Transport and Abolition Narratology in Namwali Serpell’s The Furrows0
The Sisyphean Quest for Independence: Beyond Two Bildungsromans in Graham Swift’s Wish You Were Here0
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk0
Spectral Ecologies and Decolonial Haunting in Edgar Mittelholzer’s My Bones and My Flute (1955): Landscape, Sound, and Somatic Memory0
Between Remembrance and Forgetting: Memory and the Concept of Home in Map of the Invisible World0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here0
From Senescence to Self-Renewal: Narrative of Gerontology and Journey in Ishiguro’s The Remains of the Day0
Affect, Evolution, and Reparation: AI Self-Sacrifice in Klara and the Sun0
Nonviolence as a Form of Caring in Buddhist and Posthumanist Contexts: Ruth Ozeki’s A Tale for the Time Being0
Collage and Bagatelle as Dialogic Games: Representational and Narrative Strategies in Ali Smith’s Autumn0
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”0
Joan Didion’s Woman Bartleby in Play It as It Lays0
Telling Others, Telling the Self: Autofiction, Empathy, and Ethical Dilemmas in W. G. Sebald’s The Emigrants0
Fractured Spheres, Entangled Worlds: Reimagining the Anglosphere in the Age of Permacrisis0
First-Person Paralepsis as Narratorial Invention: Desiderio’s Impossible Knowledge, Reliability, and Narrative Authority0
THE ‘ DERMOGROTESQUE’ BODY: ACNE, ALIENATION, AND AESTHETICS IN BUKOWSKI’S HAM ON RYE0
From Parody Toward an Itinerant Life: Mapping the Minor in Salar Abdoh’s The Poet Game0
Klara and the Sun : Dystopia, Utopian Desire and Altermodernist Estrangement in Kazuo Ishiguro’s Science Fiction0
Not Only Puritans and Snobs: The Dynamic Between the Urban and the Provincial in the Works of Elizabeth Strout0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)0
The Polyphony of the Border: Genre, Narrative, Collective History0
Correction0
Mapping Traumatized Bodies and Territories in Doris Lessing’s Mara and Dann: An Adventure0
Collapsed Modernities in the Twenty-First-Century Southern European Novel0
Repeating the (Un-) Making of Organic Society: The Practice of Everyday-Life Rituals in Tom McCarthy’s Fiction0
“All the World’s a Stage”: Beckettian World(s) and Self-Reflexive Theatricality in Dermot Healy’s A Goat’s Song0
“This is Our Place”: Politics of Mobility and Reinhabitation in Ann Pancake’s Strange as This Weather Has Been0
“Bodies in the Way”: Melancholia and Resistance in Fadia Faqir’sMy Name Is Salmaand Leila Aboulela’sMinaret0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat0
Natural Agency and Community in Paul Harding’s Tinkers0
The Deprecation of the Non-German Other in Sabine Thiesler’s Novels: Representational Ethics and Popular Literature0
“It Began with Naming Things”: Mzungus and Other European Colonizers in Abdulrazak Gurnah’s Afterlives0
Jeanette Winterson’s The Gap of Time in the Caesura of the Time That is Left0
‘Ofer eall wifa cyn’: Cultivating Female Agency in David Foster Wallace’s Infinite Jest and Cynewulf’s Juliana0
Metabolic Dystopia in Mo Yan’s The Republic of Wine0
Transnational Identity and Humor in Bernardine Evaristo’s Mr Loverman0
Indigenizing Blankness in the Works of Leanne Betasamosake Simpson, Gerald Vizenor, and Jordan Abel0
The Civil War of the Body: Archival, Ruined, and Spectral Time in Ocean Vuong’s The Emperor of Gladness0
Edges, Borders, Peripheries: Contested European Imaginaries and Narrative Forms0
“Ethics is Optics”: Paul Ricoeur and Telling Otherwise in Viet Thanh Nguyen’s The Refugees0
The Trans Archive in Shola von Reinhold’s LOTE and Jordy Rosenberg’s Confessions of the Fox0
Statement of Retraction: A Deleuzian Reading of “Becoming-Plant” in Han Kang’s Writing: “The Fruit of My Woman” and The Vegetarian0
Abjecting the Racial Agency in Damon Galgut’s The Promise0
Metabibliographic Fiction: Metafiction After the Death of the Book in Steven Hall’s Maxwell’s Demon and Nicola Barker’s I Am Sover0
Pushing the Boundaries of Dystopia: Anna Burns’s Milkman0
Semiperipheral Interventions into Post-Human Protagonist Trajectories: Disembodiment and Palimpsestic Be-Longing in Dukaj’s The Old Axolotl (2015) and Chabria’s 0
David Vann’s Legend of a Suicide : Dismantling the Trauma Paradigm0
A Contemporary Myth of Er? From Homo Sacer to Freeform Life in Matt Haig’s The Midnight Library0
Limitations of Postmodern Irony: How David Foster Wallace Writes a Superior Critique of American Consumerism in Infinite Jest Compared with Bret Easton Ellis’s ‘ 0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days0
“Do You Love Him yet?”: The Aesthetics of Post-Traumatic Recuperation and the Fiction of J. M. Coetzee0
From Kafka to Cinema: Kazuo Ishiguro’s Transmedia Reconstruction of Dream Narrative0
Time Is on Our Side?: Homo Economicus in Time-Travel Romance0
Van Gogh and Myth in A. S. Byatt’s Still Life0
“Shadowy Objects in Test Tubes”: Gene Fetishism and Racialized Biocapital in Kazuo Ishiguro’s Never Let Me Go0
Love as Critique: Doomscrolling Through the Unfeeling Surface in Richard Flanagan’s The Living Sea of Waking Dreams0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All0
The Pattern Nexus: Postdigital Aesthetics, Technoscience and Mysticism in Tom McCarthy’s The Making of Incarnation and Beyond0
Borges, Simulation, and the Coming of Artificial Intelligence0
Come West, Young Woman: Jane Smiley’s Trailing Wives0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory0
Monstrous Reproduction, Monstrous Evolution, and Extinction Anxiety in Steve Alten’s MEG Books0
Capitalist Dreams, Posthuman Nightmares: AI and the Neoliberal Reordering of Humanity in Ian McEwan’s Machines Like Me and Kazuo Ishiguro’s Klara and the 0
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas0
Correction0
Cinematic consciousness and time images: Don DeLillo’s The Body Artist and Point Omega0
Shroud : John Banville’s Critique of the Critique of Ideology0
We’re Still Inside the Fucking paradigm !’: Flagging the Crisis of Attention in Eleanor Catton’s Birnam Wood0
The Carnivalesque in Hari Kunzru’s Gods Without Men and Emily St. John Mandel’s The Glass Hotel : A Bakhtinian Reading0
A Pale View or a Cryptic View0
Living Through the State of Exception: Paul Lynch’s Prophet Song0
“Sharing the Same Soil”: The Critique of Post-Feminist Gender Identity and the Materiality of Body in Sally Rooney’s Normal People (2018)0
Ghostly Thinking and Fictional Dwelling: Heidegger’s Philosophy of Nature and Rushdie’s The Satanic Verses0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror0
The End of the 90s in Porochista Khakpour's The Last Illusion, Rachel Kushner's The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation0
Roads and Racism: The Dialectics of Infrastructure in Philip K. Dick’s Marin Novels0
Forgetting to remember: Amnesia as Metaphor in Chinese North American Literature0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos0
Doris Lessing’s Ethical Narrative in The Diary of a Good Neighbor0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire0
A Look at the Gaze in Tolkien’s The Lord of the Rings0
Narrative Complicity in Evelio Rosero’s Stories of Violence from Colombia0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad0
Narrating Panarchy in the Anthropocene: The Adaptive (Short Story) Cycle in Rebecca Campbell’s Arboreality0
Queer Literary Assemblages: Justin Torres’s Blackouts (2023)0
World Literature Sickness: Exile and Dissent in Azareen Van der Vliet Oloomi’s Call Me Zebra0
Orbital Gaze, Earthly Wounds: Reading Samantha Harvey’s Orbital as Planetary Fiction0
Alienated Exclusion: Redefining Nationalistic Fundamentalism and Diasporic Identity in Mohsin Hamid’s The Reluctant Fundamentalist0
Re-visions of Literary Tragedy: Postcolonial Innovations in the Fiction of Preti Taneja and Kamila Shamsie0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass0
Discard Ecologies and the ‘Hyposubject’ in Indra Sinha’s Animal’s People (2007)0
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