Critique-Studies in Contemporary Fiction

Article	Citations
Metamodernism, the Anthropocene, and the Resurgence of Historicity: Ben Lerner’s 10:04 and “The Utopian Glimmer of Fiction”	7
Mastering Otherness with a Look: On the Politics of the Gaze and Technological Possibility in Kazuo Ishiguro’s Klara and the Sun	4
“It Was Our Great Generational Decision”: Capitalism, the Internet and Depersonalization in Some Millennial Irish Women’s Writing	4
Post/Human Perfectibility and the Technological Other in Kazuo Ishiguro’s Klara and the Sun	4
The Hero at a Thousand Places: Kurt Vonnegut’s Slaughterhouse-Five as Anti-Monomyth	3
ReopeningAgaat: Afrikaans, Encyclopedic Narrative, World Literature	3
Willed Arboreality: Feminist Worldmaking in Han Kang’sThe Vegetarian	2
Back to Gondwanaland: Deep Time and Planetarity in Thomas Pynchon’sGravity’s Rainbowand Cormac McCarthy’sBlood Meridian	2
Poetics of Allegory in The Queue : Revolutionizing the Narrative of Arabic Science Fiction between Estrangement and Diglossia	2
Artfulness: Intertextuality, Wordplay, and Precariousness in Contemporary Experimental Fiction	2
Scripting Urbanity through Intertextuality and Consumerism in N.K. Jemisin’s The City We Became: “I’m Really Going to Have to Watch Some Better Movies about New York”	2
Tender Transgressions: Olga Tokarczuk’s Exercises in Postsecular Imagination	2
Against Anthropocentrism: A Stray’s Quest in Diane Cook’s The New Wilderness	2
Witnessing Trauma in Hanya Yanagihara'sA Little Life	2
Rubbing Out Forever or Cutting Up? Dialectics of the Mystical and the Subversive Attitude to Language in William Burroughs’ The Nova Trilogy	1
“I Am, (Therefore and with Difficulty) I Think”: An Enactive Reading of Sabina Berman’s Autistic Narrator	1
The Individual Reader	1
A Retinal Twitch, A Misfired Nerve Cell: The Neuroscience of The Crying of Lot 49	1
A Post-Anthropocentric Explication of the Posthuman World-Building in Adrian Tchaikovsky’s the Doors of Eden	1
Reading Others / Reading Texts: The Hermeneutics of Suspicion inBrief Interviews with Hideous Men	1
The Ways of Seeing and Making in Ali Smith’sHow to Be Both	1
The Short Autofictions of Eve Babitz, Lucia Berlin and Bette Howland	1
Carnivalesque Memoryscapes of Multiculturalism: History, Memory, Storytelling in Tash Aw’s Harmony Silk Factory	1
Mirrors and Windows: Synthesis of Surface and Depth in Kazuo Ishiguro’s Klara and the Sun	1
Toward an Ethics of Affinity: Posthumanism and the Question of the Animal in Two SF Narratives of Catastrophe	1

God in Secret: Elizabeth Strout’s Postsecular Fiction	1
Rethinking Haruki Murakami: An Alternative History of Traumas and Aftermaths in Kafka on the Shore	1
Redefining Anthropos and Life. A Phenomenological Reading of Ximen Nao’s Post-Human Journey Towards Enlightenment in Mo Yan’s Life and Death are Wearing Me Out	1
Narrative Nonlinearity and the Birth of the Wreader: A Hypertext Critical Reading of Selected Digital Literary Texts	1
Kazuo Ishiguro’s Development of Stories through Film	1
Writing in the “Second Person Plural”: Ben Lerner, Ambient Esthetics, and Problems of Scale	1
A Heideggerian Reading of the Posthuman Treatment of Death in Don DeLillo’s Zero K	1
‘Storied Matter’ & the Human Response In: Joy Williams’s The Changeling and Samantha Hunt’s The Seas	1
Narrative Crisis and Renewal in the Age of Information: David Foster Wallace’s “Mister Squishy”	1
Buddhist-Ecofeminist Spiritualities: Beyond the Entanglement of New Materialism and Engaged Buddhism in Ruth Ozeki’s A Tale for the Time Being	1
The Queer-Cyberspace of Jeanette Winterson’s’ The Powerbook: A Critique of St. Augustine’s Metaphysical Philosophy	1
Coetzee’sFoeand Borges: An Intertextual Reading	1
The Novel at the Limit	1
Hawaiian Spirituality and Religious Syncretism in Gary Pak’s Children of a Fireland	1
Timely, Untimely, Timeless: Temporal Limits in J.M. Coetzee’s Late Global Fiction	1
“Pain Comes in Waves”: Eroding Bodies in Colm Tóibín’s The Blackwater Lightship	1
Jeff VanderMeer, or the Novel Trapped in the Open World	1
Registering Trauma and the Construction of Narrative in Ian McEwan’s The Innocent	1
Remembering and Writing the Cycles of Oppression and Resistance in Ece Temelkuran’sThe Time of Mute Swans	1
Postcolonial Predicaments: Encumbering the Emancipatory Potential in Susan Abulhawa’s Mornings in Jenin	1
Sheila Heti, Melanie Klein and Motherhood	1
The Eternal Recurrence of Oedipus: A Deleuzean Reading of Love and Ethics in Iris Murdoch’sThe Sandcastle	1
Urban Apocalypse, Global Precarity, and Uncanny Liminality in Colson Whitehead’sZone Oneand Ling Ma’sSeverance	1
Beyond Necropolitics: Colum McCann’s Apeirogon	1
Hacking the Society of Control: The Fiction of Hari Kunzru	1
W.G. Sebald’s The Rings of Saturn: Memories of the Holocaust in the Fluid Cartography of a “Natural History of Destruction”	1
Politics of Food and Gender in Bulbul Sharma’s The Anger of Aubergines and Eating Women, Telling Tales	1
Unreality in America: ReadingBilly Lynn’s Long Halftime Walkin a Post-Truth Age	1
Historicizing Madness in Jean Rhys’s Wide Sargasso Sea	1
Getting into Character: Racial Passing and the Limitations of Performativity and Performance in Brit Bennett’sThe Vanishing Half	1
Ben Lerner’s Novels and the Syntax of Collectivity	1
Tension Between Embodied Structures and the Pursuit of Change: Exploring the Metaphysical Underpinnings of Olga Tokarczuk’s Flights	1
Doris Lessing’s Ethical Narrative inThe Diary of a Good Neighbor	0
Post-postmodernist Esthetics of Irrelevance: Textual Disability as Narrative Prosthesis (The Lin/Wallace Connection)	0
Sexuality and Irish Identity in Patrick McCabe’s Breakfast on Pluto	0
Correction	0
The Desiring Subject Vs. the Object of Desire in Indra Sinha’s Animal’s People (2007)	0
Self-Dispersal and Self-Help: Paul Auster’s Second Person	0
Theory (And/Or) Fiction: Academic Writing, Inhuman Horror, and the New Weird in Reza Negarestani’s Cyclonopedia	0
Shades of Shakespeare in the Queering of Hill House	0
A Hermeneutical Revisit to ‘Biographic Metafiction’ through A.S. Byatt’s Possession: A Romance	0
Rhythmic Impersonality: The Legacy of Modernist Racialism in Zadie Smith’sSwing Time	0
Limitations of Postmodern Irony: How David Foster Wallace Writes a Superior Critique of American Consumerism in Infinite Jest Compared with Bret Easton Ellis’s ‘	0
Revisiting Trauma Through The Bluest Eye	0
Can Androids Write Science Fiction? Ian McEwan’s Machines like Me	0
Sarah Perry’s Melmoth and the Implications of Gothic Form	0
The Failure of Imagination and its Redemption: John Banville‘s The Book of Evidence	0
“Memory Shot Through Holes”: The Idea of Postmemory in Elif Shafak’s The Island of Missing Trees	0
What We Talk About When We Talk About Love in the Digital Age: Technology, Intimacy, and Affect in Olivia Sudjic’s Sympathy and Lauren Oyler’s Fake Accoun	0
Infrastructure and the Valences of the Literary in Fiston Mwanza Mujila’s Tram 83	0

The Architecture of Narrative Reciprocity in Ali Smith’s How to Be Both	0
Materialism of Numbers in J. M. Coetzee’s The Schooldays of Jesus	0
Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose	0
“Faux Apparitions: Angels or Cannibals, Between Coetzee and Defoe ”	0
Mr. Ambivalent: Jonathan Franzen and the Masculinization of the Middlebrow	0
Beyond Blah Blah Blah: Climate and Historical Justice in Peter Dimock’s Daybook from Sheep Meadow	0
Time Is on Our Side?: Homo Economicus in Time-Travel Romance	0
Enforced Conviviality and the Violence of Care in Han Kang’sThe Vegetarian	0
Deconstructing and Reconstructing Englishness: National Symbolism of the County House in McEwan’s Atonement	0
Lacan, Shadow Feminism, and Paul Auster’s City of Glass	0
Left in the Dark: Regimes of Affect and Political Passivity in Kazuo Ishiguro’sthe Remains of the Day	0
Climate Crises, Ruined Islands, and British Metamodernism	0
Jerusalem Time: Reading Contemporary Israeli Dystopias	0
Female Pleasure and Car Accidents: Signifying Alice Munro’s Middle Stories	0
Arboreal Obliquity or Trees Doing the Human in Murray Bail’s Eucalyptus	0
Trauma, Horror and the Female Serial Killer in Stephen King’sCarrieandMisery	0
The Experience of Return in Chimamanda Ngozi Adichie’s Americanah : Expanding the Category of the “Cosmopolitan Stranger”	0
Abjecting the Racial Agency in Damon Galgut’s The Promise	0
“Pointing at Shadows”: Wallace, Wittgenstein, and the Problem of Putting Pain into Words	0
“‘Pleading Human’ in Paul Beatty’s The Sellout”	0
“Sharing the Same Soil”: The Critique of Post-Feminist Gender Identity and the Materiality of Body in Sally Rooney’s Normal People (2018)	0
Paul’s Imaginary Revenge in Teddy Wayne’s The Great Man Theory	0
Technologically Constituted Spaces: David Foster Wallace, Martin Heidegger, and Technological Nostalgia	0
I, We and All of Us: Transcending the Individualistic “I” in Three Chinese Breast Cancer Narratives	0
Illness and Sebald’s Dialectics of Literary Historiography	0
Subversive Triviality: John Ashbery’s and James Schuyler’s A Nest of Ninnies	0
The Thinking Self and Discourse of Love Lead to Self-Knowledge in Iris Gomez’s Try to Remember	0
From Other to Posthuman: Meiji’s Journey in Manjula Padmanabhan’s Escape and The Island of Lost Girls	0
“Something Else Already Opening up.” The Utopian Impulse and the Novum of Disability in Missouri Williams’s The Doloriad	0
Indentured History in Lore: Theorizing the Communal Discourse Archive	0
Re-Reading Saramago on Community –Blindness	0
Yearning for the Plot Enclosure in Ian McEwan’s Black Dogs	0
J.G. Ballard’s Depiction of Global Psychodynamics: “The Terminal Beach” and Pre-Traumatic Stress	0
Rescuing Precarious Bodies: Biopolitics and Haitian Health in Edwidge Danticat’s Diasporic Writing	0
Monstrous Technology in Thomas Pynchon’s Bleeding Edge: The Internet as Terror and Transformation	0
“A Stage-Hand, Perhaps”: Life as a Stage Play in John Banville’s the Book of Evidence	0
Faulty Power in the Faculty Tower: James Hynes’s The Lecturer’s Tale as a Parody of William Shakespeare’s Macbeth	0
“Interspecies Empathy and Canine Captivity in Karen Russell’s Short Fiction”	0
‘I Can Hear Schacht, You’re Right. Also the fans.’ David Foster Wallace’s Reading of Richard Schacht’s Alienation	0
“The Interconnectedness and Spiritual Equality of All Things”: Recovering Indigenous Ecological Imagination in Postcolonial Australian Fiction	0
Enforcing Masculinities at the Border: An Ecomasculinist Reading of Cormac Mccarthy’s the Crossing	0
First-Person Paralepsis as Narratorial Invention: Desiderio’s Impossible Knowledge, Reliability, and Narrative Authority	0
The Ethics and Politics of Love and Freedom in J. M. Coetzee’s Age of Iron	0
The Warped Bildung: Parody, Postmodern Gothic, and the Bildungsroman in Iain Banks’s The Wasp Factory	0
The Psychology of Dictatorship: A Journey into Muammar Gaddafi’s Mind in Yasmina Khadra’s The Dictator’s Last Night	0
Vampire Aesthetics in Anne Rice’s Interview with the Vampire	0
Deterritorializing Hegemonic Globalization Progressively in Xiaolu Guo’s Experimental Writing: A Comparative Reading of A Concise Chinese-English Dictionary for Lovers a	0
That “Willful” Migrant Adulteress: Female Embodiment and Diasporic Melancholia in Chandani Lokugé’s Softly, as I Leave You	0
“I’m a Person like Any Goddamn Man’s a Person”: Feminine Cognitive Embodiment in Kathy Goes to Haiti	0
“Bodies in the Way”: Melancholia and Resistance in Fadia Faqir’sMy Name Is Salmaand Leila Aboulela’sMinaret	0
Neomodernism and the Social Novel: Rachel Cusk’s Outline Trilogy	0
The Deprecation of the Non-German Other in Sabine Thiesler’s Novels: Representational Ethics and Popular Literature	0
Opaque Poetics in Salvador Plascencia’s The People of Paper	0
Second-Person Narration and Self-Reflectivity: The Effectivity of the Narrative Technique in Empathizing with and Identifying the “Other” in N.K. Jemisin’s The Broken Earth	0
Katja Kettu’s Rose on poissa as Transcultural Trauma Fiction	0
INTRODUCTION - Special Issue: The Novel at Its Limits	0
The Decline and Fall of Liberal Democracy: Michel Houellebecq’s Submission as Satire	0
The End of the 90s in Porochista Khakpour's The Last Illusion, Rachel Kushner's The Mars Room and Ottessa Moshfegh’s My Year of Rest and Relaxation	0
Indigenous Silence, White Universality, and the Question of Appropriation in Mason & Dixon	0
Shroud : John Banville’s Critique of the Critique of Ideology	0
From a Pin to an Elephant: Politics of Consumption and the Debordian Spectacle in James Lovegrove’s Days	0
The Stepford Wives, Or: The Horrors of Domesticity	0
What Is Punch that They are Mindful of Him? Neil Gaiman, Ben Aaronovitch, and Russell Hoban	0
Proxy Medico: Alternative Therapeutic Communities in Cinematic and Literary Narrative	0
From Lolita to Fang Siqi: Sabotaging the Narrative of Rape across Cultures	0
Madness, Authorship, and the City: Elvira Navarro’s A Working Woman	0
Houellebecq, Pornographer? Monstration and the Remains of Sex	0
“Moist, Living”: The Hydro-Logics of Red Tory	0
You Equals Not-I : Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat	0
Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror	0
Why is this (K)night Different: Passover, Blood, War, and the Conflict Between Jewish and American Identity in Jo Sinclair’s Wasteland and Dara Horn’s All	0
“ Ma semblable, ma soeur ”: Negative Capability and Self-Fashioning in “The Quilt Maker” by Angela Carter and Flights by Olga Tokarczuk	0
“Playing God, Are We?”: The Cosmogonic Concoction in Kurt Vonnegut’s Galápagos	0
“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels	0
The Misanthropocene in California: Susan Straight’s Blacker Than a Thousand Midnights and Joan Didion’s The Last Thing He Wanted	0
Global Forms in Bolaño’s 2666 : Genre, Race, Capital	0
Dissolving the Body-Mind Problem: Science, Senses, and Situational Subjectivity in the Gate of Angels	0
Like a Record: The Muse and Mimesis of The Forensic Records Society	0
“A Jail within a Jail”: Concealment and Unveiling as Narrative Structure in Colson Whitehead’s The Nickel Boys	0
From the Obstructive “Mountain” to the Free “Water”: Examining the Evolution of Transculturalism in Ling Zhang’s Immigrant Narratives	0

Eastern Premise: Writing the East of England in the Novels of Graham Swift	0
Reviving from the Archive: Kazuo Ishiguro’s Modern Ghost Stories and Memory Writing	0
Challenging the Boundaries between Humanity and Animality: Becoming(s) in Adrian Tchaikovsky’s Echoes of the Fall Trilogy	0
“Is There a Self in This Text? Satire, Passing, and Life in Danzy Senna’sCaucasia”	0
“A Question, in the End, of Vision”: Pessimism and the Paradox of Marriage in Lauren Groff’s Fates and Furies	0
World Literature Sickness: Exile and Dissent in Azareen Van der Vliet Oloomi’s Call Me Zebra	0
Trash, ‘White Trash’ and ‘Wasted Humans’: Racial and Environmental (In)Justice in Tristan Egolf’s Lord of the Barnyard	0
Repressive Mythologies: Defensive Nostalgia in Ishiguro, McEwan and Ondaatje	0
Reading with(out) Suspicion: Atwood, Sedgwick and Critical Practice	0
Between Tenderness and Anger. Oscillation in Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk	0
A Postsecular Reading of Nonsensical Caring in Ali Smith’s Fiction	0
Guerrilla Gardening: At the Intersection of Birnam Wood and Minneapolis	0
Gender Politics in Question: A Comparative Study of Edna O’Brien and Li Ang	0
Neoliberal Humanism: Never Let Me Go and the Value of the Humanities	0
Ilja Leonard Pfeijffer’s Literary Resistance to Right-Wing Populist Discourse in Grand Hotel Europa (2018)	0
“This Sense of Otherness”: The Horrors of the Countryside in Andrew Michael Hurley’s Starve Acre	0
The Fearful Transience of Identity: Analyzing the Gothic Antiheroine in Claire Messud’sthe Woman Upstairsand Lauren Acampora’sthe Paper Wasp	0
Political Memory, Amnesia and Identity in Playing Madame Mao	0
Pushing the Boundaries of Dystopia: Anna Burns’sMilkman	0
Violence against Women in Science: The Future of Gender and Science in Gwyneth Jones’sLife	0
“The Body of Human Truths” and the Limits of Humanitarian Reading in Nuruddin Farah’s Links	0
Calibrating the “Feminine” and the “Speculative” in Selective Short Stories of Vandana Singh	0
National Families and Private Companies: Narrative Structure and Economies of Exchange in Jane Smiley’sthe Last Hundred Years Trilogy	0
Post-Apocalyptic Fiction and the Limits of Optimism: A Pessimistic Reading of Cormac McCarthy’s The Road	0
Performativity and Performance: Identities and Multi-Dimensional Psychological Passing in Go Tell It on the Mountain	0
To Sound and to Absorb: Art, Solipsism and the Problem of Mediation in John Banville’sthe Blue Guitarand Wallace Stevens’ “The Man with the Blue Guitar”	0
Post-Socialist Realism. Authenticity and Political Conscience in the Romanian Literature of the 2000s	0
Cinematic consciousness and time images: Don DeLillo’s The Body Artist and Point Omega	0
“He Was Struck Out. Deleted”: We Need to Talk about Wesley in Nicola Barker’s Behindlings	0
“Posthuman Intersections in BrexLit: Representing Migration in Contemporary British Fiction”	0
Writing Space and Death Experience in Saul Bellow’s Novels	0
A “Sodomized” Postcolony? Narrating Algeria’s Cultural Impasse in Belkacem Meghzouchene’s The overcoat of Virginia	0
The Politics of Alienation in Gary Shteyngart’s Lake Success	0
Between Maternity and Autonomy: Radical Mothering in Mona Simpson’sAnywhere but Here	0
“I Am Not Returning Home”: A Transgender Reading of Jeff VanderMeer’s Annihilation	0
The Author as Reader: Reading Auster Reading Crane	0
The Poetics of Re-Enchantment: Penelope Fitzgerald’s The Beginning of Spring	0
Juxtaposition and Asynchronicity as Postcolonial Poetics in Elaine Castillo’s America Is Not the Heart	0
The Possession-Possessor Dichotomy in the Turkish-Museum Novel	0
The Missing Corpse in Contemporary Iraqi Fiction: Ahmed Saadawi’sFrankenstein in Baghdadand Muhsin Al-Ramli’sDaughter of the Tigris	0
Unexplored Spaces for Unconventional Paces: Mapping the Colonial and the Body through Aritha van Herk’s Work	0
The Influence of Leo Tolstoy’sWhat Is Art?On David Foster Wallace’s Literary Project	0
Coloniality and Identity in Kopano Matlwa’s Coconut (2007)	0
Autism and Post-Human: A Cyborgian Reading of Sabina Berman’s Me Who Dove into the Heart of the World	0
“With an Eye to Their Later Existence as Ruins”: Language, Materiality, and the Ruin in the Work of W.G. Sebald	0
Towards an Ethics of Reading: Syntax and Self-Care in Depression Narratives	0
Homebound: Compromised Petroculture Criticism in American Neoliberal Family Novels	0
Scheherazade Unbowed: Muslim Arab Women Diaspoetics in Fadia Faqir’s The Cry of the Dove (2007)	0
Sounds of the Contemporary: Listening to the Present in Richard McGuire’s Here	0
Alienation and After Dark	0
Interrogating “Feeling Politics”: Animal and Vegetal Empathy in Han Kang’s The Vegetarian	0
Blooming against Meat: Silence, Starvation, and Arboreal Subjectivity in Han Kang’s The Vegetarian	0
Van Gogh and Myth in A. S. Byatt’s Still Life	0
“We Read You”: Spies, Documents, and Identity in John le Carré and Joseph Conrad	0
Changing Horses: The Legacy of the Quixote in the Novels of Ian McEwan	0
Losing “Touch”: The Sense of Belonging in Brit Bennett’s The Vanishing Half	0
Insignificant Inheritance: Repairing Domestic Interiors	0
The Summoning: Folk Horror and the Calendar Custom in Molly Aitken’s the Island Child (2020) and Zoe Gilbert’s Folk (2019)	0
Graphic Capitaloscenes: Drawing Infrastructure as Historical Form	0
Discard Ecologies and the ‘Hyposubject’ in Indra Sinha’s Animal’s People (2007)	0
“Fucked in the Head and Liking It”: Atomik Aztex , Postcoloniality, Psychosis of Civilization	0
Do It Yourself Dystopia: The Digital Future in Dave Eggers’s The Every	0
The Apocrypha of The Maples Stories: John Updike’s Fe/Male Points of View Reconsidered	0
Arachne Silenced: Herstoriographic Metafiction and Gender Trouble in Stevie Davies’ Impassioned Clay (1999)	0
The Economic Wonderland of Thomas Pynchon’s the Crying of Lot 49	0
When the Powerpolis Paused: Representations of Political Trauma of Indian Emergency in Delhi Calm	0
Trauma and the Science Fiction of the Interior in Tom McCarthy’s Remainder	0
A Bastard’s Confession: National Forgetting, Remasculinization, and the Ethics of Just Memory in Viet Thanh Nguyen’sThe Sympathizer	0
Undoing Olive: Living with Alterity in Elizabeth Strout’sOlive KitteridgeBooks	0
“I’m Here”: Isolation and Presence in the Short Stories of Tobias Wolff	0
Minds, Mapping Minds, Mapping Minds: Reading the Complex Minds of Richard Powers’sThe Echo Maker	0
Aesthetics for Idiots: Truth and Beauty in Elif Batuman’s the Idiot	0
Indigenizing Blankness in the Works of Leanne Betasamosake Simpson, Gerald Vizenor, and Jordan Abel	0
“The City Eats and Sleeps Noise”: Don DeLillo’s Cosmopolis and the Contours of Entangled Corporeality	0
Infrastructural Closure, Rupture, and Insurgency in Lidia Yuknavitch’s The Book of Joan	0
Toward an Ethics of Witnessing: Refugee Memory and Community in Gish Jen’s World and Town	0
Fearful and Shameful: Affective and Ethical Reactions to Modernity in David Mitchell’sCloud Atlas	0
“Impossible to Keep”: Home Renovation and the Australian Suburban Gothic in Sonya Hartnett’sGolden Boys	0
The Urban Essential Solitude of the Hunger Character: A Blanchotian Reading of PAUL Auster’s Moon Palace	0
Unsettling Frontiers: Property, Empire, and Race in Denis Johnson’s Train Dreams	0
African and Islamic: Doris Lessing’s Notion of Writerly Commitment in “The Small Personal Voice”	0
“From Plátano Player to Questioning Chronicler—Historiography in Junot Díaz’s The Brief Wondrous Life of Oscar Wao”	0
How to Blow Up a Novel: Pipeline Insurgency and Narrative Form in Alexis Wright’s Carpentaria	0
Memory and the Jungian Unconscious in J. G. Ballard’s Autobiographical Narratives	0
An Esthetic of the Meaningless: The Problem of Knausgaard’s Readability	0
Shakespeare and Other Suspects: The Concealed Narrator in Ian McEwan’s Nutshell	0
The Sublime in Philip K. Dick’s Flow My Tears, the Policeman Said	0
Breaking into the Middle of the Story: Reading Lydia Syson’s Mr Peacock’s Possessions as a Neo-Victorian Robinsonade	0
Olli Jalonen’s Literary Explorations of Time, Space, and Existential Meaning	0
An Ecological View in Kazuo Ishiguro’s Never Let Me Go: The Landscape of Nagasaki Implied by the Narrator	0
Overcoming Daddy: The Daughter’s Rite of Passage in Joyce Carol Oates’ Late Novels	0
The Child Savage: Rethinking the Eurocentric Rhetoric of Civilization in William Golding’s Lord of the Flies	0
The Short Story and Intertextuality: Fictional Discreteness, Textual Self-Sufficiency and the Concept of the Uncanny Resemblance	0
Ensouling Agential Praxis in A Secular World: A Sufi Spiritual Turn in Leila Aboulela’s the Kindness of Enemies	0
“May the Circle Be Unbroken”: Looking at the Relations between Self, Other and the World from a Critical Cosmopolitan Outlook in Julia Alvarez’s Finding Miracles	0