English Language Notes

Papers
(The TQCC of English Language Notes is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
the land of dreams4
Emily Dickinson’s Shawl2
Decolonial Futures2
“Smartness Aloft”2
Archives of the Dispossessed1
Kashmiri Feminist Manifesto1
Notes on Kashmiri Visualities1
Sweet-and-Sour Soup for the Psyche1
Of Pandemic and Life’s Propositions1
Ghost Meat1
Introduction1
Kashmiri Futures1
Magicking into Being1
Expanding Black and Indigenous Ecologies1
Queer Trauma in Caitlín R. Kiernan’sThe Red Tree0
“A Little Civilization in My Pocket”0
Literature and #MeToo0
“She Was Raised on Blood”0
Future’s Moving Terrains0
Cut To0
Playing Pandemics0
Ghostly Outlines0
#MeToo Revisited0
Personhood, Spirit, and Afterlife0
Silence and Violence in the Archive of Slavery0
An Avalanche of Cultural Rejections0
“A Syrup of Passion and Desire”0
Serving His Lord0
Fashions and Wars0
Fashion’s Borders0
The War That Never Happened0
The Addicted Self0
On Discovering Ukrainian Literature0
Mooring Aslima0
Between the Lived and the Literary0
“I Am Very Sexy, Sexy, Sexy”0
Toward an Oceanic “Becoming With”0
Introduction0
If “Everything Is Mapu0
Horror, Trauma, and George A. Romero’sMartin(1978)0
Archives against the Police0
Ecology without Civilization0
Spiritual (Mal)practice0
Sinophone Geopolitics and Postcolonial Materiality in Cold War Borneo0
In the Time of Pandemic, the Deep Structure of Biopower Is Laid Bare0
Approaching Addiction0
On Ideal Suggestions and the Paintings of Matthias Grünewald0
Introduction0
Lyric Commodification in McKay’s Morocco0
A Queer Romance0
Saamaka0
On Reading Ukrainian Literature in the 1920s and Now0
Introduction0
Lagerfeld, Fashion, and Cultural Heritage0
Opium and Logistical Nightmares0
Researching Kashmir0
Transhistoricizing Claude McKay’s Romance in Marseille0
Material Bodies, Bodies of Narrative0
Shoreline Thinking0
The Self-Fashioned Writer’s “Confession”0
Marseille Exposed0
Local Ontology and Lived Experience of Fashion toward a Gulf Fashion “Sustainability”0
Introduction0
The Person: The Garden: The Guide0
A Primer for Rebellion0
Fake You!0
They Will Say0
Disaster Theory0
Academic Labor, Shared Governance, and the Future That Awaits Us0
Critiquing the Global Clothing Chain in Mauritius0
Spanish Civil War Horror and Regional Trauma0
On Insurrections0
Fake News, Then and Now0
Weathering the Occupation0
Luminous Explosions0
Black Lives Matter and Communications Technologies0
Remaking the Drunkard in Early Stuart England0
Considering Epidemiology’s Need for Literary History0
Slavery’s Archive and the Matter of Black Atlantic Lives0
Atlas(t): Cartography of the Human Form through Bibliomancy0
On Syndemics and Social Change0
Locating and Narrating Revolution0
Surface and Retreat0
Land as an Indigenous Archive in Yvonne Vera’s The Stone Virgins0
All Aboard0
Fascist Culture, Critical Pedagogy, and Resistance in Pandemic Times0
The Unfinished Business of American Insurrection0
Afropessimism, Liminal Hotspots, and Claude McKay’s Aesthetic of Sovereign Rejection in Romance in Marseille0
“Broken Bits of Color in the Dirt”0
“No Man’s Ocean Ever Did Get the Best of Me”0
Fashion in Așǫs0
Convoluted Yarns0
Teaching for a Habitable Future with Octavia Butler’sParable of the Sower0
Afterword0
Introduction0
Introduction0
Claude McKay’s Bad Nationalists0
Trauma and Horror0
A Black Pacific Memoir0
Theater in Lockdown, or a Performance-Studies Paradox0
Sigma Alpha Elsinore0
Introduction0
Marketing Masks and Makeup in Mollie Panter-Downes’s “Letter from London”0
How to Listen Otherwise0
Western Expansionism via Subject-Dispersing Technologies0
Resisting the Clockwork of Occupation0
“That Vast Quantity of Laudanum I Have Been Known to Take”0
Reframing Addiction0
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