OOIR: Observatory of International Research

Papers

(The median citation count of English Literary Renaissance is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)

Article	Citations
Front Matter	2
Sidney’s Penetrations: Metaphors and Ideas	2
Editorial Notices	1
Introduction: Interstitial Fiction	1
Ridiculous Subjects:Coriolanus, Popular Representation, and the Roman Tribunes in Early Modern Drama	1
Lucy Hutchinson’s and Margaret Cavendish’s Petitionary Lives	1
“transeant Things”: Materialism and Mortality in the Lyrics of Lucy Hutchinson and Margaret Cavendish	1
Reading a Lost Book: Ben Jonson’sEpigrammes(c.1612) and Disposable Authorship	0
How to Do Things With Numbers:Love’s Labour’s Lostand Quantitative Uncertainty	0
The Affective Ecology of Shakespeare’s First Tetralogy	0
Early Modern Wetlands: A Brief Literary History of the Unfast	0
A Priest to the Table: Eucharistic Causality and Priestly Spirituality in George Herbert’s The Temple	0
Editorial Notices	0
“Brought up in the universitie of bridewell”: Beggarly Rhetorics and Rhetorical Beggars in Early Modern England	0
Frontispiece	0
How to Know the Witch: Trivial Domestication, Tragicomedy, and Race in The Witch of Edmonton	0
Recent Studies of Mary Sidney Herbert, Countess of Pembroke (1999–2020)	0
Judith and Lucrece: Reading Shakespeare Between Copy and Work	0
Aeneas the Fair Youth: Early Modern Whiteness and the Aeneid in English Translation	0
Margaret Russell, Countess of Cumberland’s Letter to John Layfield: Composing Grief through Consolation and Lamentation	0
Editorial Notices	0
The Racial Biopolitics of Sex in the Work of Henry Neville	0
Front Matter	0
“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi	0
The Witty Episteme: Suspicion, Misogyny, and Knowingness in Jonson’s Epicoene	0

Lucy Hutchinson’s Everyday War: The 1640s Manuscript and her Restoration ‘Elegies’	0
Frontispiece	0
Taking Time to Breathe: The Formal Atmospherics of Early Modern Drama	0
A Proof of Pleasure: Renaissance in Rancière, Auerbach, Marlowe	0
Speaking in Many Sorts of Music: Traveling Singers as Agents of Embassy in Shakespeare’s Twelfth Night	0
Volume 53 (2023)	0
“To Please the Best, and th’Evill to Embase”: Slavery Logic in Spenser’sFaerie Queene, Book VI	0
In the Mood of Fiction	0
Volume 54 (2024)	0
Believing in Apostrophe in The Winter’s Tale	0
Frontispiece	0
Tickling Shylock, the Laughing Animal	0
From Plays-Within to Players Without: Theatrical Hospitality in Hamlet and Sir Thomas More	0
Frontispiece	0
Fictions of Race: Racecraft, Reproduction, and Whiteness in Titus Andronicus	0
Contesting Fiction in Gavin Douglas’ Eneados	0
“Many Ciphers, Although But One for Meaning”: Lady Mary Wroth’s Many-Sided Monogram	0
George Gascoigne’s “Patched Cote”: Writing Pedagogy and Poetic Style in the Literature Classroom	0
Fictions of Human Nature in Early Modern Poetry and Philosophy	0
Front Matter	0
The Politics of Scale in Shakespeare’s Henry V: Fiction, History, Theater	0
Frontispiece	0
“Hick scorners jestes”: Thomas Nashe, Martin’s Month’s Mind, and the Tudor Dramatic Tradition	0
Introduction: Lucy Hutchinson (1620–1681) and Margaret Cavendish (1623–1673)	0
Lord Burghley’s “Ten Precepts” for his Son Robert Cecil: A New Edition	0
Approaching Playhouse Song in the Archive: The Case of Dekker, Ford, Middleton, and Rowley’s The Spanish Gypsy	0
The Utopian Hypothesis	0
Front Matter	0
Translation, Praise, and Politics in the Poetry of Edmund Waller	0
Front Matter	0
Rhodes’s “Fair Example”: Tyranny, Race, and the Orient in The Maid’s Tragedy	0
Front Matter	0
Front Matter	0
Frontispiece	0
Ground-plots of Invention: Poetics of the Material and Difficult Thinking in The Faerie Queene	0
“Noe dish whose tast, or dressing, is unknown / Unto oʳ natives”: Local and Global Material Cultures in the Food Rituals of Thomas Salusbury’s 1634 “Chirk Castle Entertainment”	0
“Beyond Beyond”:Cymbeline, the Camera Obscura, and the Ontology of Elsewhere	0
Frontispiece	0
Tricks and the (Tragi)comic Art of Survival	0
Frontispiece	0
Non-Atomic Atomisms and Atomic Epistemologies in the Poetry of Margaret Cavendish and Lucy Hutchinson	0
“The Scope of Mine Intent”: Reading for the Author in George Gascoigne’sHundreth Sundrie FlowresandPosies	0
Human Resources: Class and Cannibalism in Herrick’s “The Hock-Cart”	0
Frontispiece	0
Color on the Last Day: Experimentalism and the Meaning of Skin	0
The Relics of Hippolytus in Spenser’s Faerie Queene	0
Front Matter	0
Sackbut of Israel: John Donne and English Nonconformity, 1650–1700	0
Emblematic Tabernacles in John Donne, John Milton, and the Antwerp Polyglot Bible	0
Frontispiece	0

Frontispiece	0
Spectrum of Darkness: George Herbert’s Ventriloquism of an African Woman in “Aethiopissa ambit Cestum Diversi Coloris Virum”	0
Introduction: Comic Epistemologies	0
Biblical Prophecy and Political Counsel in Shakespeare’s Richard II and Shakespeare and Fletcher’s Henry VIII (All Is True)	0
Volume 55 (2025)	0
Artlikeness:Enargeia, Imagination, and the Enlivening of Shakespeare’s Hero	0
Preface	0
VOLUME 52 (2022)	0
Singular Modes: The Politics of Dress in Cavendish, Evelyn, and Hutchinson	0
The Way They Read Then: Early Modern English Erotica	0
Servant’s Pains, Lord’s Power: Art, Service, and Succession in Thomas Chaloner’s Poetry	0
Front Matter	0
“Glassy Margents”: Biblical Paratexts, Early Modern Readers, and Shakespeare	0
Commendatory Verses and Authorial Communities in Early English Playbooks	0
Front Matter	0
Front Matter	0
Front Matter	0
“Palpable to thinking”: Othello and Gross Conceits	0
In Memoriam: Kirby Farrell	0
Early Modern Women and Latin Literary Culture: Assessing the Evidence of Manuscript Verse	0
Recent Studies in Early Modern Conscience	0
“Make you merry”: Forced Laughter and Other Epilogic Failures in Henry IV, Part 2	0
Displacement’s Botanical Roots: The Racial Rhetoric of Transplantation in Early Modern Thought	0
Frontispiece	0
Margaret Cavendish Reads Josuah Sylvester: Epicurus, Atheism, and Atomic Skepticism in Poems, and Fancies	0
Making up People in Measure for Measure	0
Resurrection Reading: Margaret Cavendish Drafts the Afterlife	0