English Studies

Article	Citations
Embodied Trauma in the Lord of the Rings	4
“Third Space”, Cultural Translation and Linguistic Hospitality in Sinéad Morrissey’s Poetry	4
Narrating Difficult Histories: Interwar Border Crossing in Evelyn Waugh’s Vile Bodies (1930) and Christopher Isherwood’s Down There on a Visit (1962)	3
Frame Within Frame Within	3
Material Ethics in Trans-corporeal Space: A Study of Alejandro Morales’s The Rag Doll Plagues	3
Inventing Tomorrow: H. G. Wells and the Twentieth Century	2
Facing Two Ways Syntactically: On the Grammar and Use of Promise and Threaten in Three Regional Varieties	2
Escaping from Brunanburh and John of Worcester	2
Aspects of Recusant History	2
Della Cruscan Poetry, Women and the Fashionable Newspaper	2
Rethinking the Red Sea in the Old English Exodus	2
Between the Mythical and the Ironic: An Analysis of the Imaginative Structure of Margaret Atwood’s MaddAddam Trilogy	2
“I Know Well and Appreciate the Repose and Delight to Be Found in Gardening”: Class, Gender, and “Garden Elements” in Charles Dickens’s Dombey and Son	2
The Space between Drawings and Words in Stevie Smith’s Poems	2
The Kid’s Transformation, the Judge’s Rejuvenation: Subtle Referential Changes in Cormac McCarthy’s Blood Meridian Editions	2
Shakespearean Intertextuality in Mahmoud Darwish: The Otherness of the Proper Name in Darwish and Rita and Shakespeare’sRomeo and Juliet	2
Secrecy and Community in 21st-Century Fiction	2
Allegories of the Anthropocene	2
Quiet and Personal, or Resoundingly Universal? An Ishiguro Crisis	2
Modernism's Book of Scraps: Worldmaking and the Anthology as Medium in the Contact Collection of Contemporary Writers	2
“Many Strange Tongues” in the Fenlands: The Buried Giant as Brexit Allegory?	2
The Golden Thread: Irish Women Playwrights, Volume One (1716–1992)	1
The Representation of Physical Books and Bookish Places in Video Games: The Last of Us Part II	1
Subscription Theatre: Democracy and Drama in Britain and Ireland, 1880–1939	1
Exploring Interfaces	1

All the Sonnets of Shakespeare	1
“All that I Am Craving Is the Talk”: Collaboration, Translation and Lady Gregory’s Workhouse Ward	1
Embracing Otherness: The Role of Nostalgia in Bicultural Identity Formation in How the García Girls Lost Their Accents , Dreaming in Cuban	1
“It wasn’t always like this”: Displacement and the Poetics of Gentrification in Ross Raisin’s Waterline (2011) and Lisa Blower’s Sitting Ducks	1
“The Eye to the Object”: The Question of Demonstrative Knowledge in Defoe’s The Consolidator	1
Feminist Approaches to Early Medieval English Studies Feminist Approaches to Early Medieval English Studies , edited by Robin Norris, Rebecca Stephenson, and Renée Trill	1
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre	1
The Interplay of Dominant Empiricism and Residual Cartesianism in Ann Radcliffe’s A Sicilian Romance	1
Crossing the Mirror into Maternal Waters: The Ethics and Aesthetics of Becoming-other in Ella Hickson’sThe Writer(2018)	1
Chaucer, Arguing “in good feyth”	1
Emotional Anthologies: The Exeter Riddles and the Psalms	1
The Aesthetics of Space in Nineteenth-Century British Literature, 1843–1907	1
“We Have Very Primitive Emotions”: Cognitive Biases and Environmental Crises in Hemingway’sGreen Hills of Africa	1
Beowulf’s Monster Discourse Now: Grendel in Twenty-First-Century Film	1
Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)	1
Human Tissue in the Realist Novel, 1850–1895 Human Tissue in the Realist Novel, 1850–1895 , by Ben Moore, Cham, Palgrave Macmillan, 2023, 100 pp., $44.99(Hardback), ISBN	1
Making Promises: St. John Hankin’s Drama	1
British Battles 493–937: Mount Badon to Brunanburh	1
“As it is an Evil”: Defensive Equivocation in Measure for Measure	1
The Censorship of Eighteenth-Century Theatre: Playhouses and Prohibition, 1737–1843	1
Writing the City: Looking Within, Looking Without	1
Emotion, Morality and Agency in Wærferth's Old English Version of Gregory's Dialogues	1
Piers Plowman and the Reinvention of Church Law in the Late Middle Ages	1
Narrative Space and the Figure of the Refugee in the Early Life Writing of Ocean Vuong	1
Pope’s Openers and the Almost Four-Beat Dunciad	1
Arden of Faversham Arden of Faversham , edited by Catherine Richardson(Arden Early Modern Drama), London, Bloomsbury Publishing, 2022, xviii+337 pp., £90.00 (hardback),	1
“[A] Man in Petticoats”: Female Entrepreneurs in Wilkie Collins’s Novels	1
Old English Medievalism: Reception and Recreation in the 20th and 21st Centuries	1
Small World: Ireland, 1798–2018	1
Tobias Smollett’s and John Campbell’s Contributions to the American Volumes in The Modern Part of an Universal History	0
Environment and Narrative: New Directions in Econarratology	0
Making (and Un-making) Meaning in Alejandro Zambra’s Multiple Choice	0
Theatre Closure and the Paradoxical Rise of English Renaissance Drama in the Civil Wars	0
The Haunted House in Women’s Ghost Stories: Gender, Space and Modernity, 1850-1945	0
SettingOthelloin Tehran from Exile: Metatheatre in Gholām-Hossein Sāedi’sOthello in Wonderland	0
Dido, Queen of Carthage	0
Alchemy and Exemplary Poetry in Middle English Literature Alchemy and Exemplary Poetry in Middle English Literature , by Curtis Runstedler, Cham, Palgrave Macmillan, 202	0
Effacing the Poet: Mary Sidney Herbert Translates Petrarch’sTriumphi	0
The Jew of Malta	0
An In-depth Corpus-based Investigation of Unbound Reflexives	0
A Collostructional and Constructional Approach to the Transitive out of - ing Construction	0
Bending Toward Justice: Moral Failure, Tragic Recognition, and Confession in Cormac McCarthy’s The Stonemason	0
Tolkien’s Lost Chaucer	0
American Evil: Steven Zultanski’s Bribery, Liberal Guilt and the Quest for Authenticity	0
Three Nineteenth-Century British Travellers in Palestine: Walking and the Art of Critique	0
Erminda Rentoul Esler's “Physical” and “Virtual” Networks: Women's Activism, the Irish in London, and the Local-Colour Story	0
Recovering Old English	0
West Midland Elements in the Language of the Auchinleck CoupletGuy of Warwick: A Reinterpretation	0
Postmodern Anxiety and the Neo-Victorian Dialogue with the Other in Graham Swift’sEver After	0
“Not a Sight, but a Sound”: Listening in E. M. Forster’s A Passage to India	0

Seamus Heaney and the End of Catholic Ireland	0
Afterlives of Slavery in Maxine Beneba Clarke’s “Demerara Sugar”	0
Before the Trials: William Hone and the Rise of the Watchdog Press	0
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama	0
Epistolary Courtiership and Dramatic Letters: Thomas Overbury and the Jacobean Playhouse	0
Avant-Garde Nationalism at the Dublin Gate Theatre, 1928-1940	0
Women and Crowds in the Novels of Elizabeth Gaskell and Margaret Harkness	0
A New Interpretation of the Crux aþolwarum in the Old English Maxims I 198b	0
An Ironic Abuse of the Oppressive Form: John Ashbery and the Sestina as an Occasion for PostmodernArs Poetica	0
Interconnections between Art and Commerce: Literary Prizes, Readers, and the Reading Committee of the Irish Women Writers' Club (1933–1958)	0
“All the City, Written, Erased, Rewritten?”: Sedimentary Memory in Before Yesterday We Could Fly and Teju Cole’s Open City	0
Cosmopolitanism, Comparison and Affect: Decolonising Isabella Bird’sThe Yangtze Valley and Beyond(1899)	0
A Corpus-Based Investigation of the Word Football in Contemporary Spoken English: Linguistic Profile and Cultural Values in 1994 and 2014	0
“This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing	0
Narrative Time and Moral Injury in Daniel Defoe’s The Fortunate Mistress	0
The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn	0
Evangelizing the Church: Soteriology, Liberation, and Transformative Action in Graham Greene’s The Honorary Consul	0
Beowulf: Translation and Commentary	0
The Tramp in British Literature, 1850–1950 The Tramp in British Literature, 1850–1950 , by Luke Lewin Davies, Cham, Palgrave Macmillan, 2021. 344 pp., €119.89(hardcover)	0
Why “Trying to Keep the War Alive”?: Exploring the Shanghai Postcolonial Flâneur in J. G. Ballard’s Empire of the Sun	0
The Bloomsbury Handbook to Agatha Christie The Bloomsbury Handbook to Agatha Christie , edited by Mary Anna Evans and J. C. Bernthal, London, Bloomsbury Academic, 2023.	0
The English Studies Interview with Melissa Harrison	0
Myth and the Memory of War in A. S. Byatt’s “The Thing in the Forest” and “The Pink Ribbon”	0
Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit, 1727–1799	0
Routines and the Performance Piece in Don DeLillo’s The Body Artist	0
Shakespeare and the Comedy of Enchantment	0
In and out of Bloomsbury: Biographical essays on twentieth-century writers and artists	0
Pinter’s Apprenticeship and the BBC	0
Theatre as Intervention: Responsibility/Irresponsibility or Literature’s Classical Role in Democracy and Miller’sThe Crucible	0
“The Marsh did not Confine Them but Defined Them”. An Ecocritical Analysis of Waterscapes in Contemporary Anglophone Environmental Narratives	0
Camp Comedy and “Submerged Trouble”: Molly Keane's Queer Collaborations	0
Non-verbal Communication in Mr Rosenblum’s List by Natasha Solomons through the Lens of Literary Food Studies	0
Diachronic Developments of the Concessive Though -Fronting Construction in American English: A Corpus-Based Perspective	0
Edith Wharton’s Position on the Real in A Motor-Flight Through France: Arthur Schopenhauer and Aesthetic-Sublime Contemplation	0
Bookshelves, Social Media and Gaming	0
Beyond Information Packaging: The Case of Adjective Phrase Inversion in Learned and Scientific Exposition Academic Prose	0
Instapoetry: Digital Image Texts Instapoetry: Digital Image Texts , by Niels Penke, Berlin, Palgrave Macmillan, 2023, 116 pp., £27.99 (hardback), ISBN: 978-3662668337	0
Old English Lexicology and Lexicography: Essays in Honor of Antonette diPaolo Healey	0
The Legacy of Nongqawuse: Cultural Memory and Identity Construction in The Heart of Redness	0
Emotion, Morality, and Exemplarity in Old English Literature	0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon	0
The English Studies Interview with Alan Hollinghurst: In Conversation with Dominic Dean	0
“Something to say upon Women’s Inconstancy”: Fickleness and Fleeting Infatuation in the Shelleys and Beyond	0
Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter	0
One Scribe or Two? On the Copying of Sir Gawayn and the Carl of Carlisle in NLW Brogyntyn ii.1	0
The Transformation of New Sincerity Aesthetics in Zadie Smith’s Grand Union	0
Potentials of Empathetic Stimuli in Creative Nonfiction: Zimbardo’sThe Lucifer Effectand Danner’sTorture and Truth	0
“If we had a spaceship could we go there?”: The Road’s Critique of Techno- Futurism and Anthropocentrism	0
Performing Ethics in English Revenge Drama: Wild Play	0
“Intensities of Feeling”: Emotion, Espionage, and the Ottoman Empire	0
New Media and the Rise of the Popular Woman Writer, 1832–1860	0
“So This was what Being Alone was like”: Articulations of Vulnerability in Colm Tóibín’s Nora Webster	0
Mad Dogs are Englishmen? Imperialism and Homicide in Somerset Maugham’s “The Outstation”	0
“Traits Don't Change, States of Mind Do”: Tracking Olive in Olive Kitteridge by Elizabeth Strout	0
Milton, Longinus, and the Sublime in the Seventeenth Century	0
The Reader’s Joyce: Ulysses, Authorship and the Authority of the Reader	0
On the Making of Robinson’s Stylistic “Fast Ones” Through the Banks Series' Early Years	0
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century Women: Writing Religious Community	0
The Critical Study of Masculinities in Old English Literature	0
Beowulf, the Wrath of God and the Fall of the Angels	0
Making Light of Grave Matters: Humour in Edith Eaton’s Works	0
Women's Collaborative Literary Processes and Networks: Mary and Matilda Banim's Ireland	0
Don Quixote, Benengeli and Coetzee’s Jesus Trilogy	0
A Corpus-based Investigation of Modals in Spoken British English: Gender Variation and Change in the Years 1994 and 2014	0
The Activist Humanist: Form and Method in the Climate Crisis	0
Castration Desire: Less Is More in Ishiguro's Never Let Me Go	0
Criminally Fat: Reframing the homme fatal in Vera Caspary’s Laura (1943)	0
“What Is a Man?”: Disability, Domesticity, and Imperialism in Flannery O’Connor’s “The Life You Save May Be Your Own”	0
Variation in the Usage of Relativisation Strategies in Migrant and Non-migrant English Speakers	0
A “Fanatic in Morality”: The “Native” Question, Revisions, and Emotional Intensity in Anthony Trollope’s South Africa (1878)	0
“From the Editor’s Standpoint”: L.T. Meade, Alice Corkran, and Lessons on Authorship, Collaboration, and Competition	0
Dilemma as Technique: Sarah Schulman’s Queer Detective Fiction and Gentrification	0
Examining the Refugee Identity and the Ethics of Hospitality in Richard Powers’ Generosity (2009)	0
The Making of Felony Procedure in Middle English Literature	0
House of Pain: Home Invasion and the Gentrification Sublime	0
Before Utopia: The Making of Thomas More’s Mind	0
Emotions of DISGUST and UNPLEASANT PERSONAL EXPERIENCE as Aesthetic Responses in the Old English Poetic Corpus	0
Etymological Spellings in William Caxton’s Translations	0
Law as Practice: Hermeneutic Insights into Legal Issues in British Civil Courts from Ian McEwan’s The Children Act	0
Rewriting the North: Contemporary British Fiction and the Cultural Politics of Devolution	0

Photographs, Diaspora, and Identity: Homecoming in Hala Alyan’s The Arsonists’ City	0
Tom Stoppard: A Life	0
The Pragmatics of Racism in Claudia Rankine’s Citizen. An American Lyric (2014)	0
Jane Austen’s Will – and Those of the Two Cassandras	0
What Kind of a Thing is a Middle English Lyric? What Kind of a Thing is a Middle English Lyric? , edited by Cristina Maria Cervone and Nicholas Watson, Philadelphia, Uni	0
In Memoriam Noel Osselton (1927–2024)	0
Traces of the Queer Child inShuggie Bain	0
“Judicial killings – that’s a Rarity in Australia”: Detection, Identity and Representation in Nicole Watson’s The Boundary	0
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-1830	0
The Bountiful Mines of the Indies: Gold and the Economy of the Global Ocean in Shakespeare’s Plays	0
“that Rarefied Amalgam of Time” – Tracing the Temporal in Mike McCormack’s Solar Bones	0
The Drama of Serial Conversion in Early Modern England	0
Tennyson and Goethe’s Faust	0
Ezra Pound and His Classical Sources: The Cantos and the Primal Matter of Troy	0
“Liberty Is Dangerous, Especially Amongst the Effeminat Sex”: Strategies for Single Women’s Travel Safety in “Assaulted and Pursued Chastity” (1656)	0
Eldarin Cosmotechnics: Posthumanism, Ecology and Techne in Tolkien’s Portrayal of Elven Paradises	0
The Demons of Leonard Cohen	0
The Modern Short Story and Magazine Culture, 1880-1950	0
Dickens and Democracy in the Age of Paper: Representing the People	0
The Way of the Superbious Man: Alexander to Aristotle and the Riddle of the Letter	0
Off She Went: Travel-Writing in Women of the Beat Generation	0
Life Writings, Autobiographical Subjects: Exploring Colonial Narratives and Anti-Memory in African Freedom Fighters’ Texts	0
Women Historians and Acknowledgments: Scholarly Collaboration as Expression of Authorial Self in Alice Stopford Green’s Histories, c. 1880–1916	0
The Making of a Shakespeare Critic: Partial English Translations of Goethe’s Wilhelm Meisters Lehrjahre in the Long Nineteenth Century	0
How to Read Middle English Poetry	0
Sentimental Genres: The “Old English Elegy” and the Poetics of Nostalgia	0
A Curator in the House of Memory: Restoration, Implication and the Post-Conflict Novel in Aminatta Forna’s The Hired Man	0
“Everything Kills Everything Else in Some Way”: An Ecocritical Reading of Human – Non-Human Relationships in Ernest Hemingway’s The Old Man and the Sea	0
Jacob Hall and other Rope Dancers at The Hague, 1679–1681	0
Matthew Arnold: Pessimist?	0
Coming Back Down to Earth: The Novel and the Human Condition in the Anthropocene	0
Stylistics and Contemporary Fiction	0
Imagining Time in the English Chronicle Play: Historical Futures, 1590–1660	0
Woden andWidsith	0
“Snatch, Eat, Erase”: The Demonization of Women’s (Sexual) Appetite Through Eating Disorders in the CW TV Series the Vampire Diaries (2009–2017)	0
Early Shakespeare, 1588–1594	0
Focus on 1721	0
The Intersection of Class and Space in British Postwar Writing: Kitchen Sink Aesthetics	0
Middle English fobbere and the Critical Editing of Piers Plowman	0
“We Were Paralysed” : Ecological Grief, the Everyday Anthropocene, and Climate Crisis Ordinariness in The High House	0
World-Making Renaissance Women: Rethinking Early Modern Women’s Place in Literature and Culture	0
A “Phantom Pain”: The Insidious Trauma of Migration in Fadia Faqir’s My Name is Salma	0
Homecoming, Trauma, and Identity in Noo Saro-Wiwa’sLooking for Transwonderland: Travels in Nigeria	0
Substrate Language Influence in Postcolonial Asian Englishes and the Role of Transfer in the Complementation System	0
Correction	0
Emotional Disturbance in the Old English Dialogues of Solomon and Saturn	0
Screening, Cheating and Revenge on Stage in 1721	0
The Knots of Sir Gawain and the Green Knight ’s Boar Chase (Lines 1431–7)	0
Language in the Garden: Transcendentalist Legacies and the Problem of Metaphor in Marilynne Robinson’s Gilead Novels	0
The Middle English Book: Scribes and Readers, 1350–1500	0
“Alphabets of Flesh”: Writing the Body and Diasporic Women’s Autobiography in Meena Alexander’s Fault Lines	0
The Moral Economy of Sadie Jones’s The Snakes	0
Dissensuous Modernism: Women Writers, the Senses, and Technology	0
Modernism, Space and the City: Outsiders and Affect in Paris, Vienna, Berlin and London	0
Introducing Trace as an Embodied Approach to the Novel in English	0
Development of the Subject of BE going to in Grammaticalisation from the 1820s to 2010s in Comparison with BE about to	0
King Arthur’s “Lurking Carcass” and the English Nation: Embodying the State on Stage and Page in The Misfortunes of Arthur and A Mirror for Magistrates	0
Portrait of a Woman Writer: Friendship and Collaboration Between Jane Barlow and Sarah Purser	0
The Real and the Speculative: Gentrification and Literary Form in Tom McCarthy's Remainder	0
From Gay Postmodern to Black/Queer Transness: Alan Hollinghurst’sThe Swimming-Pool Libraryand Paul Mendez’sRainbow Milk	0
“An Otter’s Temporary Resting Place”: Michael Longley’s Western Landscape	0
“I hate science fiction”: Genres and Planets in Jeanette Winterson’s The Stone Gods	0
Martin Johnston, the Problem of Elegy, and Social Poetics in Late Modernist Lyric	0
Viral Modernism: The Influenza Pandemic and Interwar Literature	0
The Literary Mirroring of Aboriginal Australia and the Caribbean	0
Writing the World in Early Medieval England	0
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings	0
Orwell, Class, and Consumption: The Desecration of Bread in The Road to Wigan Pier	0
Riddles at Work in the Early Medieval Tradition: Words, Ideas, Interactions	0
Landscapes, Women, and Art in A. S. Byatt’s “Crocodile Tears” and “A Stone Woman”	0
Between Reality and Fantasy: Home in Ransom Riggs's Miss Peregrine's Home for Peculiar Children	0
The Life and Lies of Charles Dickens	0
An Ecofeminist Approach to Posthuman Subjects in Karen Traviss’ City of Pearl	0
Poetry in the World: Harriet Monroe's China Travels	0
Reading Kazuo Ishiguro in Times of Crisis	0
“Book Birthing” and Conspicuous Literary Consumption: Writing and Reading Books in the Time of COVID-19	0
One Soul We Divided: A Critical Edition of the Diary of Michael Field	0
Eliot After the Waste Land	0
The Enclosed Garden and the Medieval Religious Imaginary	0
“[E]verything that is to be Made Whole Must First be Broken”: Religion, Metaphor and Narrative Alchemy in Hilary Mantel's Fludd (1989)	0
Fluid Adaptive Revision and Twin-Track Authorship: Andrew Bovell’s Lantana Series from Stage to Screen	0
Kinship in Old Norse Myth and Legend	0
İkinci Katil [The Second Murderer]: A Turkish Adaptation of Shakespeare's Scottish Play, Macbeth	0
Memory, Compromised and Implicated Identities, and Narrative Ethics in Rachel Seiffert’s Novels	0
Reading Habits in the Covid-19 Pandemic: An Applied Linguistic Perspective	0
The Fin-de-Siècle Scottish Revival: Romance, Decadence and Celtic Identity	0
Ofer Hronrade—Defining the Long-Enigmatic “Hron” of Old English	0
Instability, Disruption, Dissonance: A Reading ofA Midsummer Night’s Dream	0
Private Study and Opportune Words: Wisdom in the Old English Pastoral Care	0
Marriage and Late-Victorian Dramatists	0
Michael Drayton’s Topographies:Ideas Mirrour(1594) andPoly-Olbion(1612–1622)	0
Hrothgar and Etzel: Beowulf Analogues in Middle High German Literature	0
Migration Crisis and Conspiracy in Kazuo Ishiguro	0
“Art is Seeing Things”: Ekphrastic Education in Ali Smith’s Seasonal Quartet	0
The Hothouse Flower: Nurturing Women in the Victorian Conservatory	0