English Studies

Article	Citations
The Interplay of Dominant Empiricism and Residual Cartesianism in Ann Radcliffe’s A Sicilian Romance	5
Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)	5
Geographies of Memory: Paula Hawkins’s Into the Water and A Slow Fire Burning	4
British Battles 493–937: Mount Badon to Brunanburh	4
The Anthropocene Unconscious: Climate Catastrophe Culture	4
Della Cruscan Poetry, Women and the Fashionable Newspaper	3
Narrating Difficult Histories: Interwar Border Crossing in Evelyn Waugh’s Vile Bodies (1930) and Christopher Isherwood’s Down There on a Visit (1962)	3
Old English Medievalism: Reception and Recreation in the 20th and 21st Centuries	3
Writing Orality: Australian Aboriginal Voices in Alexis Wright’s Carpentaria	3
Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of Mother Ireland	3
Rethinking the Red Sea in the Old English Exodus	3
Escaping from Brunanburh and John of Worcester	3
“Born Yesterday”: Philip Larkin and the Denial of Childhood	2
Gower’s Quatrains: Language, Rhyme, Occasion	2
Shakespeare and University Drama in Early Modern England Shakespeare and University Drama in Early Modern England , by Daniel Blank, Oxford, Oxford University Press, 202	2
“Hang Loose”: The Ethos and Influence of Oceanfrog Frazer in Cormac McCarthy's Suttree	2
Deconstructing the Female Antagonist of the Coronation Scandal in B’sVita Dunstani	2
“Third Space”, Cultural Translation and Linguistic Hospitality in Sinéad Morrissey’s Poetry	2
The Letters of T. S. Eliot, Volume 9: 1939-1941	2
The Art and Thought of the Beowulf Poet The Art and Thought of the Beowulf Poet , by Leonard Neidorf, Ithaca and London, Cornell University Press, 2022. xiii + 197 pp.,	2
“But which is the Way the World Ends?”: The Dual Nature of Anger and Power of Brotherly Love in N.K. Jemisin’s Broken Earth Trilogy	2
Embracing Otherness: The Role of Nostalgia in Bicultural Identity Formation in How the García Girls Lost Their Accents , Dreaming in Cuban	2
Shakespeare, Dramatic Poetry and Value	2
“I Take it You’ve Read Every Book on the Shelves?” Demonstrating Taste and Class Through Bookshelves in the Time of COVID	2
List of reviewers for English Studies 2021	2

A Curator in the House of Memory: Restoration, Implication and the Post-Conflict Novel in Aminatta Forna’s The Hired Man	1
In and out of Bloomsbury: Biographical essays on twentieth-century writers and artists	1
“[E]verything that is to be Made Whole Must First be Broken”: Religion, Metaphor and Narrative Alchemy in Hilary Mantel's Fludd (1989)	1
“Curds and Cream”: Integration, Reclamation and the Pastoral Community in The Winter’s Tale	1
Order out of Chaos: The Orthographic Standardisation of full and - ful	1
Blood and Footprints: Traces of Embodiment in Jude the Obscure and The Woman in White	1
The Battle of Brunanburh: The Yorkshire Hypothesis	1
Making Light of Grave Matters: Humour in Edith Eaton’s Works	1
Women and Crowds in the Novels of Elizabeth Gaskell and Margaret Harkness	1
The Poets of Rapallo: How Mussolini’s Italy Shaped British, Irish, and U.S. Writers	1
Irish Women Writers and Their (Trans)National Networks: Making and Translating Local Colour Literature	1
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-1830	1
“An Otter’s Temporary Resting Place”: Michael Longley’s Western Landscape	1
The Tramp in British Literature, 1850–1950 The Tramp in British Literature, 1850–1950 , by Luke Lewin Davies, Cham, Palgrave Macmillan, 2021. 344 pp., €119.89(hardcover)	1
Bending Toward Justice: Moral Failure, Tragic Recognition, and Confession in Cormac McCarthy’s The Stonemason	1
Coming Back Down to Earth: The Novel and the Human Condition in the Anthropocene	1
Interconnections between Art and Commerce: Literary Prizes, Readers, and the Reading Committee of the Irish Women Writers' Club (1933–1958)	1
Stylistics and Contemporary Fiction	1
Shakespeare and Textual Theory; The Arden Research Handbook of Shakespeare and Textual Studies	1
Poet, Editor, Anarchist: Lola Ridge’s New York Networks	1
The Iconicity of Style in Contemporary Science Fiction	1
Revisiting the Pansies Notebook: New Approaches to D. H. Lawrence's Late Archives	1
Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History	1
Facing Two Ways Syntactically: On the Grammar and Use of Promise and Threaten in Three Regional Varieties	1
Eldarin Cosmotechnics: Posthumanism, Ecology and Techne in Tolkien’s Portrayal of Elven Paradises	1
One Soul We Divided: A Critical Edition of the Diary of Michael Field	1
Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama	1
Erminda Rentoul Esler's “Physical” and “Virtual” Networks: Women's Activism, the Irish in London, and the Local-Colour Story	1
“Judicial killings – that’s a Rarity in Australia”: Detection, Identity and Representation in Nicole Watson’s The Boundary	1
Maria and the Posthuman in George Stewart’s Storm	1
Nationalism and Irony: William Wordsworth’s Political Sonnets of 1807	1
“The Seafolk Have no Souls”: On Ecophobia, Animality and Civilisation in Oscar Wilde’s “The Fisherman and his Soul”	1
Do You Want to Be Happy and Write?: Critical Essays on Michael Ondaatje	1
The Palestinian Re-experience of Historical Violence: “A Wound Never Completely Scabbed Over”	1
“The Trouble Goes Back to Your Grandfather’s Time”: Masculinity and Domestic Spaces in Anne Tyler’s A Spool of Blue Thread	1
Epistolary Courtiership and Dramatic Letters: Thomas Overbury and the Jacobean Playhouse	1
The Middle English Book: Scribes and Readers, 1350–1500	1
“All that I Am Craving Is the Talk”: Collaboration, Translation and Lady Gregory’s Workhouse Ward	1
The Intersection of Class and Space in British Postwar Writing: Kitchen Sink Aesthetics	1
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings	1
Woden and Widsith	1
The English Studies Interview: Merve Emre	0
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century Women: Writing Religious Community	0
The Drama of Serial Conversion in Early Modern England	0
West Midland Elements in the Language of the Auchinleck CoupletGuy of Warwick: A Reinterpretation	0
Tracing Loss in Times of Rapid Climate Change: Figures of Absence in Omar El Akkad’sAmerican War	0
Kazuo Ishiguro’s Gestural Poetics	0
Making (and Un-making) Meaning in Alejandro Zambra’s Multiple Choice	0
Variation in the Usage of Relativisation Strategies in Migrant and Non-migrant English Speakers	0
The Overlap of the Political and Emotional Discourse in Sir Isumbras	0

American Evil: Steven Zultanski’s Bribery, Liberal Guilt and the Quest for Authenticity	0
Transatlantic Transformations of Romanticism: Aesthetics, Subjectivity and the Environment	0
Traces of the Queer Child inShuggie Bain	0
Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter	0
“Not a Sight, but a Sound”: Listening in E. M. Forster’s A Passage to India	0
“A Cold Fusion of Two Universal Elements”: Lady Macbeth’s Archive in Netflix’s House of Cards (Beau Willimon, David Fincher, 2013–2018)	0
Camp Comedy and “Submerged Trouble”: Molly Keane's Queer Collaborations	0
The Pleasures of Memory in Shakespeare’s Sonnets	0
The Moral Economy of Sadie Jones’s The Snakes	0
Landscapes, Women, and Art in A. S. Byatt’s “Crocodile Tears” and “A Stone Woman”	0
From Disembodiment to Cosmic Ethics: The Evolution of Posthuman Subjectivity in Ted Chiang’s “Exhalation”	0
Quiet and Personal, or Resoundingly Universal? An Ishiguro Crisis	0
Transcultural Memory of the Nation in Caryl Phillips’s A Distant Shore	0
The Activist Humanist: Form and Method in the Climate Crisis	0
The Bloomsbury Handbook to Agatha Christie The Bloomsbury Handbook to Agatha Christie , edited by Mary Anna Evans and J. C. Bernthal, London, Bloomsbury Academic, 2023.	0
Memory, Compromised and Implicated Identities, and Narrative Ethics in Rachel Seiffert’s Novels	0
Martin Johnston, the Problem of Elegy, and Social Poetics in Late Modernist Lyric	0
Sentimental Genres: The “Old English Elegy” and the Poetics of Nostalgia	0
The World My Wildernessand the Possibility of Forgiveness: War, Guilt, Atonement	0
Between Reality and Fantasy: Home in Ransom Riggs's Miss Peregrine's Home for Peculiar Children	0
The South Sea Bubble and the Erasure of Slavery and Impressment	0
Life Writings, Autobiographical Subjects: Exploring Colonial Narratives and Anti-Memory in African Freedom Fighters’ Texts	0
Fariseas lufigaþ forþmestu setulas : Loanwords and Analogical Changes in the Nominal Morphology of Farman’s Gloss to the Rushworth Gospels	0
The Representation of Physical Books and Bookish Places in Video Games: The Last of Us Part II	0
Human Tissue in the Realist Novel, 1850–1895 Human Tissue in the Realist Novel, 1850–1895 , by Ben Moore, Cham, Palgrave Macmillan, 2023, 100 pp., $44.99(Hardback), ISBN	0
The Boatman’s Tale: The Buried Giant and Cosmopolitanism in Crisis	0
William Caxton and Vernacular Classicism	0
Criminally Fat: Reframing the homme fatal in Vera Caspary’s Laura (1943)	0
Transcending Boundaries: Maternity in the Age of Biotechnological Reproduction in Deirdre Sullivan’s “The Mother”	0
Arden of Faversham Arden of Faversham , edited by Catherine Richardson(Arden Early Modern Drama), London, Bloomsbury Publishing, 2022, xviii+337 pp., £90.00 (hardback),	0
Controlling the Uncontrollable: Estrangement and Appropriation in the First Riddle of the Exeter Book	0
Representing the Tramp in British Interwar Social Exploration Literature: Frank Jennings, Frank Gray and George Orwell	0
“Everything Kills Everything Else in Some Way”: An Ecocritical Reading of Human – Non-Human Relationships in Ernest Hemingway’s The Old Man and the Sea	0
Shakespeare and Lost Plays: Reimagining Drama in Early Modern England	0
England’s Insular Imagining: The Elizabethan Erasure of Scotland	0
Before the Trials: William Hone and the Rise of the Watchdog Press	0
“What Is a Man?”: Disability, Domesticity, and Imperialism in Flannery O’Connor’s “The Life You Save May Be Your Own”	0
Bookshelves, Social Media and Gaming	0
Ideas of the World in Early Medieval English Literature	0
A History of Irish Literature and the Environment	0
The Kid’s Transformation, the Judge’s Rejuvenation: Subtle Referential Changes in Cormac McCarthy’s Blood Meridian Editions	0
“Traits Don't Change, States of Mind Do”: Tracking Olive in Olive Kitteridge by Elizabeth Strout	0
English Renaissance Manuscript Culture: The Paper Revolution	0
Deleuzian Time and the Elemental Rhythms of Nature in Joan Lindsay’s Picnic at Hanging Rock (1967)	0
Recovering Old English	0
Dark Academia: Bookishness, Readerly Self-fashioning and the Digital Afterlife of Donna Tartt’s The Secret History	0
Beowulf: Translation and Commentary	0
Rural Modernity, Rural Modernism and Deindustrialisation in Norman Nicholson’s Poetry	0
The Artist Helen Coombe (1864-1937): The Tragedy of Roger Fry’s Wife	0
A Cognitive Model of Reading Autofiction	0
The Real and the Speculative: Gentrification and Literary Form in Tom McCarthy's Remainder	0
Milton, Longinus, and the Sublime in the Seventeenth Century	0
Posthumanism and Female Resistance: Reading the Disruptive Female Body in Uzma Aslam Khan’s The Story of Noble Rot	0
The Sense of Movement in the Stanzaic Morte Arthur and the Alliterative Morte Arthure	0
Projection or Reflection? The Pandemic Bookshelf as a Mirror for Self-Image and Personal Identity	0
Middle English fobbere and the Critical Editing of Piers Plowman	0
“In a House with Too Many Holes”: In Praise of Nature as Home in Margaret Renkl’s Late Migrations	0
“Sights from Various Corners of the Globe”: Cosmopolitan Pressure and Paradoxical Mobility in The Remains of the Day	0
Natural and Supernatural in Early Medieval England	0
You Do Have to Live Like This: Narrative Foreclosure and the Opening of the Detroit Frontier in Benjamin Markovits’s You Don’t Have to Live Like This	0
“Something to say upon Women’s Inconstancy”: Fickleness and Fleeting Infatuation in the Shelleys and Beyond	0
Dilemma as Technique: Sarah Schulman’s Queer Detective Fiction and Gentrification	0
In Memoriam Noel Osselton (1927–2024)	0
House of Pain: Home Invasion and the Gentrification Sublime	0
Exeunt the Kit-Cats, Pursued by Pope, Reviewed by Johnson	0
“The Marsh did not Confine Them but Defined Them”. An Ecocritical Analysis of Waterscapes in Contemporary Anglophone Environmental Narratives	0
Photographs, Diaspora, and Identity: Homecoming in Hala Alyan’s The Arsonists’ City	0
Flying Machines and Time Experiment in Kazuo Ishiguro’s “Bewilderment Trilogy”	0
In and out of Possession : How Football Terms Can Illustrate the Connection Between Polysemy and the Register-Sensitivity of Semantic Prosody	0
Medieval Afterlives: Transforming Traditions in Shakespeare and Early English Drama	0
The Long Shadow of Fáfnir: Dragons in the Works of J. R. R. Tolkien and C. S. Lewis	0
Memory Gaps and Biofiction in Maggie O'Farrell's Hamnet : Interpreting Mystery and Reimagining Anne Hathaway	0
The Haunted House in Women’s Ghost Stories: Gender, Space and Modernity, 1850-1945	0
The English Studies Interview with Melissa Harrison	0
Eliot After the Waste Land	0
Complete Old English: A Comprehensive Guide to Reading and Understanding Old English with Original Texts	0
International Poetry of the First World War: An Anthology of Lost Voices	0
One Scribe or Two? On the Copying of Sir Gawayn and the Carl of Carlisle in NLW Brogyntyn ii.1	0
Emotion, Morality, and Exemplarity in Old English Literature	0
Instability, Disruption, Dissonance: A Reading ofA Midsummer Night’s Dream	0

Poetry in the World: Harriet Monroe's China Travels	0
Conrad’s Decentred Fiction	0
Crossing the Mirror into Maternal Waters: The Ethics and Aesthetics of Becoming-other in Ella Hickson’sThe Writer(2018)	0
The Reader’s Joyce: Ulysses, Authorship and the Authority of the Reader	0
Agape and the Antichrist: Soteriological and Eschatological Masculinities in the Homilies of Wulfstan	0
Say Hello to Metamodernism!: Understanding Today’s Culture of Ironesty, Felt Experience, and Emphatic Reflexivity	0
Shakespeare and Montaigne	0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre	0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon	0
Prepositions with and about and Schematic Conceptualisation of Emotion Causality	0
Pope’s Openers and the Almost Four-Beat Dunciad	0
“Cloud-Cuckooland Down There”: Derek Mahon’s Cloud Thinking Poetics	0
Orwell & Empire	0
How to Read Middle English Poetry	0
On the Making of Robinson’s Stylistic “Fast Ones” Through the Banks Series' Early Years	0
Private Study and Opportune Words: Wisdom in the Old English Pastoral Care	0
The Politics of Education in Dorothy Richardson’s Dental Record Writings: The Struggle Over Schooling in the Modernist Literary Field	0
Culturally-mediated Perceptions: Remapping Conrad’s Narrative of Colonial Violence	0
Secrecy and Community in 21st-Century Fiction	0
Diachronic Developments of the Concessive Though -Fronting Construction in American English: A Corpus-Based Perspective	0
What Kind of a Thing is a Middle English Lyric? What Kind of a Thing is a Middle English Lyric? , edited by Cristina Maria Cervone and Nicholas Watson, Philadelphia, Uni	0
Performing Ethics in English Revenge Drama: Wild Play	0
Representations of Terror and Horror in the Frontispieces to Thomas and Robert Hughes’s Gothic Chapbooks	0
Nautical Borrowings in Early Modern English: The Case Study of Richard Hakluyt’s The Principall Nauigations (1589)	0
“It wasn’t always like this”: Displacement and the Poetics of Gentrification in Ross Raisin’s Waterline (2011) and Lisa Blower’s Sitting Ducks	0
A Corpus-based Investigation of Modals in Spoken British English: Gender Variation and Change in the Years 1994 and 2014	0
Jacob Hall and other Rope Dancers at The Hague, 1679–1681	0
Peripatetics: Reading Fiona Sampson’s Starlight Wood: Walking back to the Romantic Countryside	0
Development of the Subject of BE going to in Grammaticalisation from the 1820s to 2010s in Comparison with BE about to	0
Emotional Anthologies: The Exeter Riddles and the Psalms	0
Posthumanist Subjectivities of Fantastic Creatures in the Harry Potter Series	0
“Distinguished Irishwomen in London”: The Promotion of Professional Networks in Charlotte O'Conor Eccles' Journalism and Fiction	0
Grief, Resurrection & Renewal:geniwadin Old English Verse	0
The Intelligent Unconscious in Modernist Literature and Science	0
“This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing	0
Experiencing Dystopia ThroughUmwelt: Modelling the Nonhuman Animal inHollow Kingdom	0
Ezra Pound and His Classical Sources: The Cantos and the Primal Matter of Troy	0
The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist	0
Interpretation, Commercialisation, and Eighteenth-Century Frontispieces: Tobias Smollett	0
Rewriting the North: Contemporary British Fiction and the Cultural Politics of Devolution	0
“So This was what Being Alone was like”: Articulations of Vulnerability in Colm Tóibín’s Nora Webster	0
The Life and Lies of Charles Dickens	0
Satire in Eighteenth-Century Medical Discourse: Elizabeth Nihell, Tobias Smollett and the Advent of Man-Midwifery	0
Introducing Trace as an Embodied Approach to the Novel in English	0
“All the City, Written, Erased, Rewritten?”: Sedimentary Memory in Before Yesterday We Could Fly and Teju Cole’s Open City	0
“Alphabets of Flesh”: Writing the Body and Diasporic Women’s Autobiography in Meena Alexander’s Fault Lines	0
“From the Editor’s Standpoint”: L.T. Meade, Alice Corkran, and Lessons on Authorship, Collaboration, and Competition	0
Riddles at Work in the Early Medieval Tradition: Words, Ideas, Interactions	0
Scribal Consistency across Four Middle English Texts in NLW, Brogyntyn ii.1	0
A Collostructional and Constructional Approach to the Transitive out of - ing Construction	0
The Critical Study of Masculinities in Old English Literature	0
The Pragmatics of Racism in Claudia Rankine’s Citizen. An American Lyric (2014)	0
Where Does Lexical Diversity Come From? Horizontal Interaction in the Network of the Late Modern English Reaction Object Construction	0
“Our Love and Terror”: Topophrenia in Seamus Heaney’s Bog Poems	0
Fluid Adaptive Revision and Twin-Track Authorship: Andrew Bovell’s Lantana Series from Stage to Screen	0
Instapoetry: Digital Image Texts Instapoetry: Digital Image Texts , by Niels Penke, Berlin, Palgrave Macmillan, 2023, 116 pp., £27.99 (hardback), ISBN: 978-3662668337	0
Introduction: Towards an Ecological Posthumanism in English Studies	0
Selina Thompson’s salt. : A Monument of Remembrance and Affective Healing	0
Emotions of DISGUST and UNPLEASANT PERSONAL EXPERIENCE as Aesthetic Responses in the Old English Poetic Corpus	0
Medieval Pasts and Eugenicist Futures: Grant Allen, Masculinity and Early English History	0
Genetic Criticism: Tracing Creativity in Literature	0
Screening, Cheating and Revenge on Stage in 1721	0
Disturbing Decorum and Good Proportion: Imbalance and Excess in English Pastoral Sonnets of the 1590s	0
Amplifying Reading Experience: Illustrations to Longueville’s The English Hermit , 1727–1799	0
Seamus Heaney and the End of Catholic Ireland	0
“Many Strange Tongues” in the Fenlands: The Buried Giant as Brexit Allegory?	0
The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature	0
‘We’re Just Fantasizing Aloud Here’: Fantasy and Online Communities in Dennis Cooper’s The Sluts (2005)	0
New Media and the Rise of the Popular Woman Writer, 1832–1860	0
Analogical Changes in the Nominal Morphology of Owun’s gloss to the Rushworth Gospels	0
Feminist Approaches to Early Medieval English Studies Feminist Approaches to Early Medieval English Studies , edited by Robin Norris, Rebecca Stephenson, and Renée Trill	0
King Arthur’s “Lurking Carcass” and the English Nation: Embodying the State on Stage and Page in The Misfortunes of Arthur and A Mirror for Magistrates	0
“The Song of the Shirt” Replanted: Thomas Hood’s Poem in a Nordic Context	0
The Literary Mirroring of Aboriginal Australia and the Caribbean	0
The Censorship of Eighteenth-Century Theatre: Playhouses and Prohibition, 1737–1843	0
The Incidence of Aural Incursions in Elizabeth Bowen’sThe Last Septemberand Iris Murdoch’sThe Red and the Green	0
Narrative Time and Moral Injury in Daniel Defoe’s The Fortunate Mistress	0
Tennyson and Goethe’s Faust	0
Correction	0
“Rough Critical Winds”: Mis-Selling English Pastoral in H. E. Bates’s Larkin Novels, 1958–1970	0
Recognition of the Self in Penelope Fitzgerald’s Autofictional Novels	0
Between the Mythical and the Ironic: An Analysis of the Imaginative Structure of Margaret Atwood’s MaddAddam Trilogy	0
A “Fanatic in Morality”: The “Native” Question, Revisions, and Emotional Intensity in Anthony Trollope’s South Africa (1878)	0
The Making of a Shakespeare Critic: Partial English Translations of Goethe’s Wilhelm Meisters Lehrjahre in the Long Nineteenth Century	0
Crisis of Crises: Re-imagining Central Europe in Kazuo Ishiguro’s The Unconsoled	0
Historical Fiction Now	0
“Snatch, Eat, Erase”: The Demonization of Women’s (Sexual) Appetite Through Eating Disorders in the CW TV Series The Vampire Diaries (2009–2017)	0
Fractal Gentrification in Hanif Abdurraqib’s Serial Poetry	0
Connecting Voices: An Introduction to Irish Women Writers' Collaborations and Networks, 1880–1940	0
Living, Learning, and Dying by Water: Materialist Jamaican Environment in A Tall History of Sugar by Curdella Forbes	0
Tobias Smollett’s and John Campbell’s Contributions to the American Volumes in The Modern Part of an Universal History	0
The Knots of Sir Gawain and the Green Knight ’s Boar Chase (Lines 1431–7)	0
Beyond Information Packaging: The Case of Adjective Phrase Inversion in Learned and Scientific Exposition Academic Prose	0
Probabilistic Variability in Clausal Verb Complementation in World Englishes	0
The 1930s: a decade of modern British fiction	0