English Studies

Papers
(The TQCC of English Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Old English Medievalism: Reception and Recreation in the 20th and 21st Centuries12
Geographies of Memory: Paula Hawkins’s Into the Water and A Slow Fire Burning8
Gender Space and Collaboration Politics: Christine Longford’s The Furies (1933)6
The Interplay of Dominant Empiricism and Residual Cartesianism in Ann Radcliffe’s A Sicilian Romance6
Rethinking the Red Sea in the Old English Exodus5
Body Politics in Contemporary Irish Women’s Fiction: The Literary Legacy of Mother Ireland5
“Third Space”, Cultural Translation and Linguistic Hospitality in Sinéad Morrissey’s Poetry4
Tom McCarthy, The Making of Incarnation , and the Infrastructure of Virtuality4
Della Cruscan Poetry, Women and the Fashionable Newspaper4
Embracing Otherness: The Role of Nostalgia in Bicultural Identity Formation in How the García Girls Lost Their Accents , Dreaming in Cuban 4
“Hang Loose”: The Ethos and Influence of Oceanfrog Frazer in Cormac McCarthy's Suttree3
Shakespeare and University Drama in Early Modern England Shakespeare and University Drama in Early Modern England , by Daniel Blank, Oxford, Oxford University Press, 2023
The Art and Thought of the Beowulf Poet The Art and Thought of the Beowulf Poet , by Leonard Neidorf, Ithaca and London, Cornell University Press, 2022. xiii + 197 pp., 3
Writing Orality: Australian Aboriginal Voices in Alexis Wright’s Carpentaria3
“Populism Is the British Disease”: The Political Metamorphosis in Ian McEwan’s The Cockroach2
“I Take it You’ve Read Every Book on the Shelves?” Demonstrating Taste and Class Through Bookshelves in the Time of COVID2
Early Modern Bonds of Trust: From Shakespeare to Milton2
Shakespeare and Textual Theory; The Arden Research Handbook of Shakespeare and Textual Studies2
Do You Want to Be Happy and Write?: Critical Essays on Michael Ondaatje2
Shakespeare, Dramatic Poetry and Value2
Deceptive, Productive and Unhomely Food in Jhumpa Lahiri’s “A Temporary Matter”2
The Battle of Brunanburh: The Yorkshire Hypothesis2
Revisiting the Pansies Notebook: New Approaches to D. H. Lawrence's Late Archives2
Writing Solidarity in Brexit London: Exclusions and Alliances in Mohsin Hamid’s Exit West and Aminatta Forna’s Happiness2
“Born Yesterday”: Philip Larkin and the Denial of Childhood2
“But which is the Way the World Ends?”: The Dual Nature of Anger and Power of Brotherly Love in N.K. Jemisin’s Broken Earth 2
Transhistorical Solidarity and the Power of Kindness in Denise Mina’s Rizzio2
Poet, Editor, Anarchist: Lola Ridge’s New York Networks2
Blood and Footprints: Traces of Embodiment in Jude the Obscure and The Woman in White2
Order out of Chaos: The Orthographic Standardisation of full and - ful2
The Intersection of Class and Space in British Postwar Writing: Kitchen Sink Aesthetics1
Making Light of Grave Matters: Humour in Edith Eaton’s Works1
Women and Crowds in the Novels of Elizabeth Gaskell and Margaret Harkness1
Maria and the Posthuman in George Stewart’s Storm1
Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History1
A Curator in the House of Memory: Restoration, Implication and the Post-Conflict Novel in Aminatta Forna’s The Hired Man1
“An Otter’s Temporary Resting Place”: Michael Longley’s Western Landscape1
Practical Alienation: George Eliot’s Philosophical Experiments in Silas Marner (1861)1
Atrocity and Early Modern Drama1
Modernism's Book of Scraps: Worldmaking and the Anthology as Medium in the Contact Collection of Contemporary Writers1
In and out of Bloomsbury: Biographical essays on twentieth-century writers and artists1
Centring Sociality: Communication, Community, and the Failure of Reform in William Godwin’s St. Leon (1799)1
Female Printmakers, Printsellers, and Print Publishers in the Eighteenth Century: The Imprint of Women, c. 1700-18301
“The Seafolk Have no Souls”: On Ecophobia, Animality and Civilisation in Oscar Wilde’s “The Fisherman and his Soul”1
Interconnections between Art and Commerce: Literary Prizes, Readers, and the Reading Committee of the Irish Women Writers' Club (1933–1958)1
The Scansion of Classical Old English Verse: A Metrical Index and Database to The Anglo-Saxon Poetic Records, Vols I–IV1
The Middle English Book: Scribes and Readers, 1350–15001
Postcolonial Settings in the Fiction of James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker: Strange Surroundings1
“[E]verything that is to be Made Whole Must First be Broken”: Religion, Metaphor and Narrative Alchemy in Hilary Mantel's Fludd (1989)1
Richard Burbage and the Shakespearean Stage: A ‘Delightful Proteus’1
Coming Back Down to Earth: The Novel and the Human Condition in the Anthropocene1
Eldarin Cosmotechnics: Posthumanism, Ecology and Techne in Tolkien’s Portrayal of Elven Paradises1
The Poets of Rapallo: How Mussolini’s Italy Shaped British, Irish, and U.S. Writers1
“All that I Am Craving Is the Talk”: Collaboration, Translation and Lady Gregory’s Workhouse Ward1
Marilyn Chin and the Influence of African American Literature and Culture1
One Soul We Divided: A Critical Edition of the Diary of Michael Field1
Erminda Rentoul Esler's “Physical” and “Virtual” Networks: Women's Activism, the Irish in London, and the Local-Colour Story1
Epistolary Courtiership and Dramatic Letters: Thomas Overbury and the Jacobean Playhouse1
“Curds and Cream”: Integration, Reclamation and the Pastoral Community in The Winter’s Tale1
Civilizationism, Secularism, and Irony in Patience Agbabi’s “Joined-Up Writing”1
Bending Toward Justice: Moral Failure, Tragic Recognition, and Confession in Cormac McCarthy’s The Stonemason1
Early Modern Women’s Writing and the Future of Literary History1
Metaphorical Traits of the Language of the COVID-19 Pandemic: A Short-Term Diachronic Study1
The Tramp in British Literature, 1850–1950 The Tramp in British Literature, 1850–1950 , by Luke Lewin Davies, Cham, Palgrave Macmillan, 2021. 344 pp., €119.89(hardcover)1
Facing Two Ways Syntactically: On the Grammar and Use of Promise and Threaten in Three Regional Varieties1
Spatiality, Fugitivity, and “Black Livingness” in Harriet Jacobs’s Incidents in the Life of a Slave Girl1
Irish Women Writers and Their (Trans)National Networks: Making and Translating Local Colour Literature1
Peripatetics: Reading Fiona Sampson’s Starlight Wood: Walking back to the Romantic Countryside0
Living, Learning, and Dying by Water: Materialist Jamaican Environment in A Tall History of Sugar by Curdella Forbes0
The Narrative Perfect and Past Perfective: Evidence from the Diary of Samuel Pepys0
Connecting Voices: An Introduction to Irish Women Writers' Collaborations and Networks, 1880–19400
The Oracle, the Plague, and the Mystery of Oedipus’ Identity in Natalie Haynes’ The Children of Jocasta0
Phantom Fires in Broken Hearths: Homing Instincts of the Word0
Fractal Gentrification in Hanif Abdurraqib’s Serial Poetry0
Cripping Solidarity in Contemporary Feminist Disability Theatre: Lovingly, Joyfully, Radically0
The Long Shadow of Fáfnir: Dragons in the Works of J. R. R. Tolkien and C. S. Lewis0
Instability, Disruption, Dissonance: A Reading ofA Midsummer Night’s Dream0
Ectogenesis, Co-pregnancy and the Politics of Reproductive Labour in The Growing Season: An Interview with Helen Sedgwick0
Writing Solidarity and Exclusion in Twenty-first-century Britain: Theoretical and Creative Approaches0
Character Networks and Affective Flows: A Genealogy of Algorithmic Dramaturgy in Shakespeare’s Theatre0
Medieval Afterlives: Transforming Traditions in Shakespeare and Early English Drama0
Human Tissue in the Realist Novel, 1850–1895 Human Tissue in the Realist Novel, 1850–1895 , by Ben Moore, Cham, Palgrave Macmillan, 2023, 100 pp., $44.99(Hardback), ISBN0
The Pragmatics of Racism in Claudia Rankine’s Citizen. An American Lyric (2014)0
Introduction: Textures of Home: (Dis)location, Belonging and Loss0
The Drama of Serial Conversion in Early Modern England0
A History of Irish Literature and the Environment0
Echoes of Silence and the Story of Many: The Transmission of Intergenerational Trauma in Elizabeth Strout’s My Name is Lucy Barton0
Transcending Boundaries: Maternity in the Age of Biotechnological Reproduction in Deirdre Sullivan’s “The Mother”0
“This Ain’t the Way It’s S’posed to Be”: Negotiating Trauma Through Postmemory and Implication in Yaa Gyasi’s Homegoing0
Apple Trees and Plastic Ducks: Gardens as Post-pastoral Landscapes in Contemporary British Fiction0
“Rough Critical Winds”: Mis-Selling English Pastoral in H. E. Bates’s Larkin Novels, 1958–19700
Posthumanism and Female Resistance: Reading the Disruptive Female Body in Uzma Aslam Khan’s The Story of Noble Rot0
Shakespeare and Montaigne0
A Corpus-based Investigation of Modals in Spoken British English: Gender Variation and Change in the Years 1994 and 20140
Projection or Reflection? The Pandemic Bookshelf as a Mirror for Self-Image and Personal Identity0
The Politics of Education in Dorothy Richardson’s Dental Record Writings: The Struggle Over Schooling in the Modernist Literary Field0
Natural and Supernatural in Early Medieval England0
Conrad’s Decentred Fiction0
Beowulf: Translation and Commentary0
Probabilistic Variability in Clausal Verb Complementation in World Englishes0
What Kind of a Thing is a Middle English Lyric? What Kind of a Thing is a Middle English Lyric? , edited by Cristina Maria Cervone and Nicholas Watson, Philadelphia, Uni0
International Poetry of the First World War: An Anthology of Lost Voices0
The Artist Helen Coombe (1864-1937): The Tragedy of Roger Fry’s Wife0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon0
Communities of Writing: The Main Scribes of National Library of Wales, Brogyntyn ii.10
Afterlives of Slavery in Maxine Beneba Clarke’s “Demerara Sugar”0
“So This was what Being Alone was like”: Articulations of Vulnerability in Colm Tóibín’s Nora Webster0
West Midland Elements in the Language of the Auchinleck CoupletGuy of Warwick: A Reinterpretation0
The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist0
Fluid Adaptive Revision and Twin-Track Authorship: Andrew Bovell’s Lantana Series from Stage to Screen0
The Reader’s Joyce: Ulysses, Authorship and the Authority of the Reader0
Interpretation, Commercialisation, and Eighteenth-Century Frontispieces: Tobias Smollett0
A Collostructional and Constructional Approach to the Transitive out of - ing Construction0
Variation in the Usage of Relativisation Strategies in Migrant and Non-migrant English Speakers0
The Necromantics: Reanimation, the Historical Imagination, and Victorian British and Irish Literature0
The Spiritual Lives and Manuscript Cultures of Eighteenth-Century Women: Writing Religious Community0
New Evidence About The Strolling Actor George Jolly (1613–ca. 1683)0
From Postcolonialism to Cosmopolitanism: Reading Timothy Mo’s Thematic Shift and Its Resonance with the Development of British Chinese Literature0
Landscapes, Women, and Art in A. S. Byatt’s “Crocodile Tears” and “A Stone Woman”0
“‘It’s Growl You May, But go You Must’: The Untapped Potential of the Sailor’s Chantey”0
Tracing Loss in Times of Rapid Climate Change: Figures of Absence in Omar El Akkad’sAmerican War0
Traces of the Queer Child inShuggie Bain0
Scribal Consistency across Four Middle English Texts in NLW, Brogyntyn ii.10
In Memoriam Noel Osselton (1927–2024)0
Dilemma as Technique: Sarah Schulman’s Queer Detective Fiction and Gentrification0
Diachronic Developments of the Concessive Though -Fronting Construction in American English: A Corpus-Based Perspective0
Instapoetry: Digital Image Texts Instapoetry: Digital Image Texts , by Niels Penke, Berlin, Palgrave Macmillan, 2023, 116 pp., £27.99 (hardback), ISBN: 978-36626683370
The Real and the Speculative: Gentrification and Literary Form in Tom McCarthy's Remainder0
The Myth of Family: Friendship and Sexual Impropriety in the Feminist Occult Grail Narratives of Mary Butts’s Armed with Madness (1928)0
The Kid’s Transformation, the Judge’s Rejuvenation: Subtle Referential Changes in Cormac McCarthy’s Blood Meridian Editions0
The Moral Economy of Sadie Jones’s The Snakes0
From Rule of Men to Rule of Law: The Imagined Jew in Early Modern English Narrative and Stranger Governance in The Jew of Malta0
Performing Ethics in English Revenge Drama: Wild Play0
Emotion, Morality, and Exemplarity in Old English Literature0
Eliot After the Waste Land0
Emotional Anthologies: The Exeter Riddles and the Psalms0
The English Studies Interview with Melissa Harrison0
Camp Comedy and “Submerged Trouble”: Molly Keane's Queer Collaborations0
Feminist Approaches to Early Medieval English Studies Feminist Approaches to Early Medieval English Studies , edited by Robin Norris, Rebecca Stephenson, and Renée Trill0
Fariseas lufigaþ forþmestu setulas : Loanwords and Analogical Changes in the Nominal Morphology of Farman’s Gloss to the Rushworth Gospels0
Tobias Smollett’s and John Campbell’s Contributions to the American Volumes in The Modern Part of an Universal History0
Masculinity, the Environment and the Phenomenology of the Body in Beowulf0
Medieval Pasts and Eugenicist Futures: Grant Allen, Masculinity and Early English History0
“Many Strange Tongues” in the Fenlands: The Buried Giant as Brexit Allegory?0
Don Quixote, Benengeli and Coetzee’s Jesus Trilogy0
Transcultural Memory of the Nation in Caryl Phillips’s A Distant Shore0
The Overlap of the Political and Emotional Discourse in Sir Isumbras0
England’s Insular Imagining: The Elizabethan Erasure of Scotland0
The Literary Mirroring of Aboriginal Australia and the Caribbean0
The Censorship of Eighteenth-Century Theatre: Playhouses and Prohibition, 1737–18430
Genetic Criticism: Tracing Creativity in Literature0
The English Studies Interview: Merve Emre0
Ideas of the World in Early Medieval English Literature0
Arden of Faversham Arden of Faversham , edited by Catherine Richardson(Arden Early Modern Drama), London, Bloomsbury Publishing, 2022, xviii+337 pp., £90.00 (hardback), 0
Louise Glück’s Averno : A Feminist Reception of the Myth of Persephone0
One Scribe or Two? On the Copying of Sir Gawayn and the Carl of Carlisle in NLW Brogyntyn ii.10
You Do Have to Live Like This: Narrative Foreclosure and the Opening of the Detroit Frontier in Benjamin Markovits’s You Don’t Have to Live Like This0
Disturbing Decorum and Good Proportion: Imbalance and Excess in English Pastoral Sonnets of the 1590s0
Correction0
Transatlantic Transformations of Romanticism: Aesthetics, Subjectivity and the Environment0
Posthumanist Subjectivities of Fantastic Creatures in the Harry Potter Series0
Lost and Found: Material Objects and Dislocation in Denise Levertov’s Tesserae0
“What Is a Man?”: Disability, Domesticity, and Imperialism in Flannery O’Connor’s “The Life You Save May Be Your Own”0
Between the Mythical and the Ironic: An Analysis of the Imaginative Structure of Margaret Atwood’s MaddAddam Trilogy0
The Sense of Movement in the Stanzaic Morte Arthur and the Alliterative Morte Arthure0
The Representation of Physical Books and Bookish Places in Video Games: The Last of Us Part II0
Development of the Subject of BE going to in Grammaticalisation from the 1820s to 2010s in Comparison with BE about to0
Milton, Longinus, and the Sublime in the Seventeenth Century0
Ezra Pound and His Classical Sources: The Cantos and the Primal Matter of Troy0
“All the City, Written, Erased, Rewritten?”: Sedimentary Memory in Before Yesterday We Could Fly and Teju Cole’s Open City0
Private Study and Opportune Words: Wisdom in the Old English Pastoral Care0
“Snatch, Eat, Erase”: The Demonization of Women’s (Sexual) Appetite Through Eating Disorders in the CW TV Series The Vampire Diaries (2009–2017)0
American Evil: Steven Zultanski’s Bribery, Liberal Guilt and the Quest for Authenticity0
Nature and Narrative: Rhetoric and Design in Contemporary Fiction0
“Sights from Various Corners of the Globe”: Cosmopolitan Pressure and Paradoxical Mobility in The Remains of the Day0
Introduction: Towards an Ecological Posthumanism in English Studies0
Nautical Borrowings in Early Modern English: The Case Study of Richard Hakluyt’s The Principall Nauigations (1589)0
“Something to say upon Women’s Inconstancy”: Fickleness and Fleeting Infatuation in the Shelleys and Beyond0
Middle English fobbere and the Critical Editing of Piers Plowman0
“A Cold Fusion of Two Universal Elements”: Lady Macbeth’s Archive in Netflix’s House of Cards (Beau Willimon, David Fincher, 2013–2018)0
“We’re All Hamlet Now”: Isabella Hammad’s Appropriation of Shakespeare’s Hamlet in Enter Ghost0
“Not a Sight, but a Sound”: Listening in E. M. Forster’s A Passage to India0
Unpacking the “Red Flag” Bookshelf: Negotiating Literary Value on Twitter0
How to Read Middle English Poetry0
“The Marsh did not Confine Them but Defined Them”. An Ecocritical Analysis of Waterscapes in Contemporary Anglophone Environmental Narratives0
“Novels consist of words”: Exploring Transcultural Depths, Translating The Sense of an Ending into Russian0
Selina Thompson’s salt. : A Monument of Remembrance and Affective Healing0
The Revitalized Tudor and Chiron Myths in the Henriad : Reviewing Shakespeare as a Historiographer and Mythographer0
Memory Gaps and Biofiction in Maggie O'Farrell's Hamnet : Interpreting Mystery and Reimagining Anne Hathaway0
The Bloomsbury Handbook to Agatha Christie The Bloomsbury Handbook to Agatha Christie , edited by Mary Anna Evans and J. C. Bernthal, London, Bloomsbury Academic, 2023. 0
Rewriting the North: Contemporary British Fiction and the Cultural Politics of Devolution0
From Disembodiment to Cosmic Ethics: The Evolution of Posthuman Subjectivity in Ted Chiang’s “Exhalation”0
“It wasn’t always like this”: Displacement and the Poetics of Gentrification in Ross Raisin’s Waterline (2011) and Lisa Blower’s Sitting Ducks 0
“Alphabets of Flesh”: Writing the Body and Diasporic Women’s Autobiography in Meena Alexander’s Fault Lines0
Tennyson and Goethe’s Faust0
Bookshelves, Social Media and Gaming0
Paratextual Mediation and Narrative Reconstruction: An Analysis of Footnotes in Sydney Owenson’s The Wild Irish Girl0
Say Hello to Metamodernism!: Understanding Today’s Culture of Ironesty, Felt Experience, and Empathic Reflexivity0
Preserving the American Dream: Modern Refrigerators in Mid-Century Fiction0
Martin Johnston, the Problem of Elegy, and Social Poetics in Late Modernist Lyric0
The English Studies Interview with David Szalay: In Conversation with Dominic Dean0
Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre0
Samuel Beckett and Medicine; Shakespeare and Beckett0
“Everything Kills Everything Else in Some Way”: An Ecocritical Reading of Human – Non-Human Relationships in Ernest Hemingway’s The Old Man and the Sea0
Jacob Hall and other Rope Dancers at The Hague, 1679–16810
Quiet and Personal, or Resoundingly Universal? An Ishiguro Crisis0
King Arthur’s “Lurking Carcass” and the English Nation: Embodying the State on Stage and Page in The Misfortunes of Arthur and A Mirror for Magistrates0
Criminally Fat: Reframing the homme fatal in Vera Caspary’s Laura (1943)0
Secrecy and Community in 21st-Century Fiction0
Agape and the Antichrist: Soteriological and Eschatological Masculinities in the Homilies of Wulfstan0
“Madam, Will You Talk?”: Disability, Confinement, and a Newly Discovered Draft of a Ghost Story by M.R. James0
Dark Academia: Bookishness, Readerly Self-fashioning and the Digital Afterlife of Donna Tartt’s The Secret History0
Orwell & Empire0
Analogical Changes in the Nominal Morphology of Owun’s gloss to the Rushworth Gospels0
Manners, Morals, and Happiness: Negotiating Balance in Sense and Sensibility0
The Intelligent Unconscious in Modernist Literature and Science0
Historical Fiction Now0
“The Song of the Shirt” Replanted: Thomas Hood’s Poem in a Nordic Context0
Where Does Lexical Diversity Come From? Horizontal Interaction in the Network of the Late Modern English Reaction Object Construction0
The Boatman’s Tale: The Buried Giant and Cosmopolitanism in Crisis0
“Distinguished Irishwomen in London”: The Promotion of Professional Networks in Charlotte O'Conor Eccles' Journalism and Fiction0
Memory, Compromised and Implicated Identities, and Narrative Ethics in Rachel Seiffert’s Novels0
Representations of Terror and Horror in the Frontispieces to Thomas and Robert Hughes’s Gothic Chapbooks0
Crisis of Crises: Re-imagining Central Europe in Kazuo Ishiguro’s The Unconsoled0
“Cloud-Cuckooland Down There”: Derek Mahon’s Cloud Thinking Poetics0
A “Fanatic in Morality”: The “Native” Question, Revisions, and Emotional Intensity in Anthony Trollope’s South Africa (1878)0
The Pleasures of Memory in Shakespeare’s Sonnets0
An In-depth Corpus-based Investigation of Unbound Reflexives0
The Edinburgh Companion to the Millennial Novel0
The 1930s: a decade of modern British fiction0
Before the Trials: William Hone and the Rise of the Watchdog Press0
The Activist Humanist: Form and Method in the Climate Crisis0
English Renaissance Manuscript Culture: The Paper Revolution0
The Making of a Shakespeare Critic: Partial English Translations of Goethe’s Wilhelm Meisters Lehrjahre in the Long Nineteenth Century0
“In a House with Too Many Holes”: In Praise of Nature as Home in Margaret Renkl’s Late Migrations0
Satire in Eighteenth-Century Medical Discourse: Elizabeth Nihell, Tobias Smollett and the Advent of Man-Midwifery0
Recovering Old English0
“From the Editor’s Standpoint”: L.T. Meade, Alice Corkran, and Lessons on Authorship, Collaboration, and Competition0
Rural Modernity, Rural Modernism and Deindustrialisation in Norman Nicholson’s Poetry0
The Critical Study of Masculinities in Old English Literature0
The Ballad World of Anna Gordon, Mrs. Brown of Falkland0
Recognition of the Self in Penelope Fitzgerald’s Autofictional Novels0
Introducing Trace as an Embodied Approach to the Novel in English0
In and out of Possession : How Football Terms Can Illustrate the Connection Between Polysemy and the Register-Sensitivity of Semantic Prosody0
“Our Love and Terror”: Topophrenia in Seamus Heaney’s Bog Poems0
The Life and Lies of Charles Dickens0
The Self and Its Social/Ecological Other in E. M. Forster’s Howards End : An Allergic Reading0
Narrative Time and Moral Injury in Daniel Defoe’s The Fortunate Mistress0
Beyond Information Packaging: The Case of Adjective Phrase Inversion in Learned and Scientific Exposition Academic Prose0
The Knots of Sir Gawain and the Green Knight ’s Boar Chase (Lines 1431–7)0
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