English Studies in Africa

Papers
(The TQCC of English Studies in Africa is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
The Plague Years: An Introduction3
Two Poems by Phelelani Makhanya3
Subtlety, Understatement and Omission in The Lord of the Rings3
Re-imagining a New Normal: COVID-19 Pandemic and the Changing Face of Social Interaction3
Near Symmetries: The Transnational Modernism of Edward Wolfe and William Plomer2
Two Poems by Leanne Stillerman Zabow2
Dust Explodes for All to See: Narrating the Actual in a Time of Continuous Disaster2
In the Centre of the Cosmos: Sacred Spacetime in Niyi Osundare’s ‘A Song for Olosunta’2
Green Dream1
Elemental Humanity in Bessie Head’s When Rain Clouds Gather1
‘Stories have to be told or they die’: A Critique of the Essentialist Paradigms of Female Genital Mutilation and Religion in Nawal El Saadawi’s Woman at Point Zero (19771
A Response1
An End in Itself: Genre, Apocalypse and the Archive in Deon Meyer’s Fever1
Active Thumbs, Confined Bodies: Eluding the ‘Insect’ in Times of the Plague1
Within the Landscape: A Postcolonial Ecocritical Reading of Yvonne Vera’s Butterfly Burning1
Their Galgut, Our Galgut: A Complimentary Rant on the Booker Prize1
Notes on Contributors1
“Black Hamlet”1
Masked Masterpieces: in R≡lational Folds1
‘I will not eat with you’: Shylock and the Value of Vegetarianism in Shakespeare’s The Merchant of Venice (1598)1
Gods for Sale: Religious Appropriation and Capitalism in Okey Ndibe’s Foreign Gods Inc .1
COVID-19 and African Postage Stamps1
Correction1
Transportation and Agon in Chinua Achebe’s No Longer at Ease and Anthills of the Savannah1
Reading Resistance in Damon Galgut’s The Promise : An Analysis of Narrative Perspective1
Exploring Institutionalized Oppression in The Book of Not (2006)1
Against Indifference: Lyric Documentation in Khaled Mattawa’s Mare Nostrum (2019)1
Sonification and Music: Science meets Art1
Introduction: Damon Galgut’s The Promise and the Booker Prize Double Bind1
The Desiring Girl in South African Young Adult Fiction1
Millenarian Modernism in H. I. E. Dhlomo’sThe Girl who Killed to Save1
Hydropolitical Textualities1
‘Good’ South African Literature: The Booker Prize, its Infatuation with the Postcolonial and Damon Galgut’s The Promise1
Ways of Being: Water Spirits in Mia Couto’s Sleepwalking Land (1992)1
‘I Am Powerful’: Agency, Autonomy and Audacity in Sefi Atta’sA Bit of Difference1
‘These Super People’: The Superimposition of Ted Hughes’ ‘Brasilia’ on Sylvia Plath’s ‘Brasilia’1
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