English Studies in Africa

Papers
(The TQCC of English Studies in Africa is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-12-01 to 2025-12-01.)
ArticleCitations
Subtlety, Understatement and Omission in The Lord of the Rings5
‘I Am Powerful’: Agency, Autonomy and Audacity in Sefi Atta’sA Bit of Difference4
Modernisms and Modernities in Achebe’sThings Fall Apart3
Millenarian Modernism in H. I. E. Dhlomo’sThe Girl who Killed to Save3
Intersex Bodies, Literary Representation and Cultural Intersectionality: Gender Bounding Violence in An Ordinary Wonder (2021)3
Introduction: Damon Galgut’s The Promise and the Booker Prize Double Bind3
A Response3
Notes on Contributors3
Uncanny Times: The Case of Eugene de Kock2
Paying Homage to Virginia Woolf’s Mrs Dalloway: Revision and Reversion in Fiona Melrose’s Johannesburg2
Journeying through Nairobi: Mapping the City through Prize-Winning Stories2
‘For a Further Union’: Conceptions of Unity in the Later W.B. Yeats and T.S. Eliot2
Public Transport in Pre-Apartheid Literary Johannesburg: Between Progress and Oppression2
A Watery Umwelt: Intercorporeal Currents in Virginia Woolf’s The Waves and Maurice Merleau-Ponty’s Philosophy2
Betty Molteno and the Creation of a South African Nineteenth-Century Lesbian Discourse2
The Arrival from Abroad: Train Travel and Mobile Ideas of Race in Pre-Apartheid South African Literature2
‘The cold relentless circling of the intestate earth’: The Anthropomorphism of Earth and Proleptic Ecological Mourning in Cormac McCarthy’s The Road (2006)2
Relational Resilience in The Girl Who Smiled Beads: A Story of War and What Comes After and Call Me American: A Memoir1
Amorous Materialism: Jousting with Courtly Love in Wole Soyinka’s The Interpreters1
Street Art and the Reconfiguration of Civic Advocacy in Nairobi City1
Sekhmet and the Shaman: Extinction, Ferality and Trans-species Connections in Henrietta Rose-Innes’ Green Lion1
Their Galgut, Our Galgut: A Complimentary Rant on the Booker Prize1
Formula in the Praise Chants of Chief Adolphus Munamuna,Ọụbẹbẹ Kẹnị Ịzọn Ibe(The Chief Oral Poet of the Ịzọn Nation)1
‘[T]o Make us Complete as Human Beings’: Soil as the Bedrock of Collected Memories in Niq Mhlongo’s Paradise in Gaza1
Claire Keegan’s Small Things Like These (2021) as an Existentialist Fable1
Transportation and Agon in Chinua Achebe’s No Longer at Ease and Anthills of the Savannah1
Acting Across Diaspora: Transnational Spaces and Voices in Hala Alyan’s The Arsonists’ City1
The Sea and Underwater Transport in Imraan Coovadia’s The Institute for Taxi Poetry1
Within the Landscape: A Postcolonial Ecocritical Reading of Yvonne Vera’s Butterfly Burning1
White Moral Projects and the Impossibility of Racial Repair: A Reflection on White Shame and Black (Dis)Inheritance in Damon Galgut’s The Promise1
Literary Encounters: The Beat Generation, Poland and South Africa, 1948–19681
From the Politics of Forgetting to the Ethics of Remembering: The Postcolonial Sublime in J. M. Coetzee’sWaiting for the Barbarians1
On Editing South African Fiction1
“Black Hamlet”1
Introduction: Moving Publicly, Writing Mobility: Public Transport in African Literatures1
The Modern Tragic Animal in the Zoo: A Zoocritical Reading of The Hairy Ape1
‘Home is Another Country’: A Foucauldian Reading of Sisonke Msimang’s Always Another Country1
Making Kin?: Creation and Monstrosity in Mohale Mashigo’s ‘Little Vultures’ (2018)1
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