OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
Poetry and Diffidence: A Brief History	1
Tennyson’s Poems: New Textual Parallels. Edited by R.H. Winnick	1
Organic Form and Creative Impotence in Golding’s The Spire	1
Purity of Diction in English Verse	0
King Multitude: Browning and Coriolanus	0
Morris’s Dramatic Scenes	0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’	0
Defoe’s Deist Masterpiece?	0
Printing Thomas Hardy’s Pronouns	0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James	0
Wyatt: Satirist in Secret	0
Haunting the Revolution	0
The Form of Samuel Johnson’s Letters	0
Reading for Attention: The Good Soldier in the Method Wars	0
Can We Take Pip’s Word For It?	0
Word and Picture in Walter Scott	0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya	0
A Romance with Words	0
Auden and the Infernal Sciences	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
Two Poems	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
Airy Invigilating: George Herbert and Seamus Heaney	0
Barbara Pym and Her Sisters	0
Covering The Necessity of Atheism	0

A Rational Mystic	0
Jane Austen’s Style: Narrative Economy and the Novel’s Growth. By Anne Toner	0
Jane Austen and the Wrong Man	0
Late Stevens	0
New Impressions XX Seven Types of Ambiguity	0
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy	0
The Well of Dreams	0
Translation in Love’s Labour’s Lost	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
The Life and Poetry of George Darley by Donald J. Lange	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce	0
An Intuition about Kipling: New Annotations for Eliot	0
Barbara Pym’s Last Title	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
On Seamus Heaney. By R. F. Foster	0
Sailing to Byzantium: After W. B. Yeats	0
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	0
Evolution, Ideology, and Emergence in The Cantos	0
Affinities: On Art and Fascination. By Brian Dillon	0
Larkin’s ‘Suppressed Betjeman Period’	0
Voice and Judgement in Mansfield Park	0
Real Magic in Sir Gawain and the Green Knight	0
Roger Lonsdale	0
Churchill’s Nervousness	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
Seamus Heaney and Contingency	0
The New Eighteenth Century Poetry?	0
Shakespeare’s Love-Triangle Poems	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
Silence in Shakespeare’s Comedies	0
‘Mr Eliot somewhere says’: The ‘affectation of unaffectedness’ in Seven Types of Ambiguity	0
‘le temps de l’insurrection’: Robespierre to Wordsworth	0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews	0
Henry James and Incompleteness	0
The Poet’s Mistake. By Erica McAlpine	0
The Teasing Realism of Penelope Fitzgerald	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0
Shelley’s Poet-Birds	0
Shelley and Tennyson under The Rainbow	0
Brunette Coleman Revisited	0
The Gravity and Levity of the Reverend Sydney Smith	0
Death and Betrayal in The Book of the Duchess	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
Impossible Rhyme in Geoffrey Hill	0
If Memory Serves	0
That’s Me All Right!	0
In A Tremble Ever Since	0
Superlative Clough	0

The World as It Is	0
Austen and Death	0
Lionel Trilling’s The Liberal Imagination	0
Two Shakespearean Suicides	0
Inevitable Rhyme in Geoffrey Hill	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
Poetry & Money: A Speculation. By Peter Robinson	0
Two Bateson Poems	0
The Dolphin: Two Versions, 1972–1973. By Robert Lowell. Edited by Saskia Hamilton; The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. Edited by Saskia H	0
If Not Critical. By Eric Griffiths. Edited by Freya Johnston	0
‘Catching the very note and trick’: James’s Browning	0
The Final Simile of ‘The Scholar-Gypsy’	0
A Will to Believe	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
The Comedian as Wallace Stevens	0
Samuel Richardson, Ford Madox Ford, and How to End a Novel	0
The Foreign Connection	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Tristram Shandy, edited by Judith Hawley	0
Yes No: Form and Content in The Third Policeman	0
Henry James’s Pony	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer	0
History in Understanding Poetry	0
Poetry and the Police State	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
Barbara Pym at War (So Very Secret)	0
Displayed Quotation in Edward Thomas’s Short Fiction	0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae	0
QUAQUA	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
TRYING UNCERTAINTY	0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure	0
Kisses and Comedy in Astrophil and Stella	0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
Ballads and Product Placement in the Time of Shakespeare	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0