Essays in Criticism

Papers
(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
The New Eighteenth Century Poetry?2
Hopkins and the Commonwealth1
Samuel Richardson, Ford Madox Ford, and How to End a Novel1
Organic Form and Creative Impotence in Golding’s The Spire1
In A Tremble Ever Since0
Wyatt: Satirist in Secret0
T. S. Eliot: The Collected Prose. Edited by Archie Burnett0
Barbara Pym and Her Sisters0
Ends and Elisions in Wordsworth’s Counting Songs0
Freedom, Responsibility, and Fable in Golding’s Darkness Visible0
Euripides in T. S. Eliot’s Marina0
Whistler and the ‘Poetry’ of Pictures0
Lewis Carroll’s Usefulness0
Criticism in ‘A Centrifugal Age’0
In Translation0
Does This Sound Write?0
Is Timon of Athens?0
An Intuition about Kipling: New Annotations for Eliot0
Walter Pater’s European Imagination. By Lene Østermark-Johansen0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?0
NEW IMPRESSIONS XXI The Meaning of Shakespeare0
Falling Over with Frances Burney0
Printing Thomas Hardy’s Pronouns0
The Final Simile of ‘The Scholar-Gypsy’0
‘Depleted Fury’: The Poetry of Keith Douglas0
Lyric Philosophy0
Roger Lonsdale0
The World as It Is0
Thomas Pringle and ‘Kubla Khan’0
Defoe’s Deist Masterpiece?0
Two Poems0
A Will to Believe0
Reading for Attention: The Good Soldier in the Method Wars0
Covering The Necessity of Atheism0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’0
Composing ‘The Nightfishing’0
Yes No: Form and Content in The Third Policeman0
Doubleness in Percival Everett’s James0
From The Morlocks: A Fantasia0
Struck in Gold0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority0
Silence in Shakespeare’s Comedies0
The Well of Dreams0
Basil Bunting’s Persians0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’0
Haunting the Revolution0
That’s Me All Right!0
Real Magic in Sir Gawain and the Green Knight0
If Memory Serves0
Austen and Death0
Inevitable Rhyme in Geoffrey Hill0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure0
Worldly Tenancy: Amit Chaudhuri, The Immortals , and the Novel0
Henry James and Charisma0
The Foreign Connection0
Airy Invigilating: George Herbert and Seamus Heaney0
Beckett’s Dante Marginalia: To Heaven and Back0
AND TAAK A WYF, FOR HYE GODDES SAKE!0
A Rational Mystic0
Voice and Judgement in Mansfield Park0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 20230
New Impressions XX Seven Types of Ambiguity0
Affinities: On Art and Fascination. By Brian Dillon0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room0
Displayed Quotation in Edward Thomas’s Short Fiction0
The Comic’s Last Supper0
The Teasing Realism of Penelope Fitzgerald0
TRYING UNCERTAINTY0
‘Catching the very note and trick’: James’s Browning0
Late Stevens0
Innocence as Harmlessness in Blake’s Songs0
Barbara Pym at War (So Very Secret)0
Past and Present: An Autobiography. By Edward Greenwood0
Shelley’s Poet-Birds0
Robert Frost: Teaching and the Pleasure of Ulteriority0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry0
The Form of Samuel Johnson’s Letters0
Death and Betrayal in The Book of the Duchess0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi0
Kisses and Comedy in Astrophil and Stella0
QUAQUA0
The Gravity and Levity of the Reverend Sydney Smith0
Jane Austen Remembering and Forgetting0
Sailing to Byzantium: After W. B. Yeats0
The Comedian as Wallace Stevens0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel0
Evolution, Ideology, and Emergence in The Cantos0
Churchill’s Nervousness0
Larkin’s ‘Suppressed Betjeman Period’0
Henry James’s Pony0
Barbara Pym’s Last Title0
Poetry and the Police State0
History in Understanding Poetry0
A Romance with Words0
Brunette Coleman Revisited0
Talking Modernism: Donald Hall’s Paris Review Interviews0
‘le temps de l’insurrection’: Robespierre to Wordsworth0
Behind The Times0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce0
Edmund Gosse’s Aesthetic Antinomianism0
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