OOIR: Observatory of International Research

Papers

(The median citation count of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)

Article	Citations
Poetry and Diffidence: A Brief History	1
Shakespeare’s Academy	1
Dweller in the Shadows: A Life of Ivor Gurney. By Kate Kennedy	1
The Final Simile of ‘The Scholar-Gypsy’	1
If Memory Serves	0
Affinities: On Art and Fascination. By Brian Dillon	0
Organic Form and Creative Impotence in Golding’s The Spire	0
Album Verses and Romantic Literary Culture: Poetry, Manuscript, Print, 1780-1850. By Samantha Matthews	0
Reading for Attention: The Good Soldier in the Method Wars	0
In A Tremble Ever Since	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
Yes No: Form and Content in The Third Policeman	0
Henry James and Incompleteness	0
Henry James’s Pony	0
Seamus Heaney and Contingency	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
Brunette Coleman Revisited	0
The Dolphin: Two Versions, 1972–1973. By Robert Lowell. Edited by Saskia Hamilton; The Dolphin Letters, 1970–1979: Elizabeth Hardwick, Robert Lowell, and Their Circle. Edited by Saskia H	0
The Poet’s Mistake. By Erica McAlpine	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
Ballads and Product Placement in the Time of Shakespeare	0
Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
The New Eighteenth Century Poetry?	0
Tennyson’s Poems: New Textual Parallels. Edited by R. H. Winnick	0

Two Bateson Poems	0
Two Shakespearean Suicides	0
‘Catching the very note and trick’: James’s Browning	0
‘Sans “sans” I pray you’: A Serious Shakespearian Joke	0
Printing Thomas Hardy’s Pronouns	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
Bunyan and Textual Criticism: Revising the Wife in Pilgrim’s Progress	0
Tristram Shandy, edited by Judith Hawley	0
Displayed Quotation in Edward Thomas’s Short Fiction	0
That’s Me All Right!	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
Real Magic in Sir Gawain and the Green Knight	0
Jane Austen’s Style: Narrative Economy and the Novel’s Growth. By Anne Toner	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
TRYING UNCERTAINTY	0
The Selected Letters of John Berryman, edited by Philip Coleman and Calista McRae	0
Poetry and the Police State	0
Late Stevens	0
Shelley and Tennyson under The Rainbow	0
Two Poems	0
Auden and the Infernal Sciences	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Book Traces: Nineteenth-Century Readers and the Future of the Library. By Andrew M. Stauffer	0
Shakespeare’s Love-Triangle Poems	0
Evolution, Ideology, and Emergence in The Cantos	0
Jane Austen and the Wrong Man	0
The Gravity and Levity of the Reverend Sydney Smith	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
Barbara Pym at War (So Very Secret)	0
A Rational Mystic	0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure	0
Death and Betrayal in The Book of the Duchess	0
On Seamus Heaney. By R. F. Foster	0
The Symbolic Sacrifice of Woman in Three Late Stories of Henry James	0
Inevitable Rhyme in Geoffrey Hill	0
Barbara Pym’s Last Title	0
The Well of Dreams	0
Sailing to Byzantium: After W. B. Yeats	0
Kisses and Comedy in Astrophil and Stella	0
Can We Take Pip’s Word For It?	0
THE HAWKS AND THE DOVES: Raptors and Rapture in the Poems of Thom Gunn and Ted Hughes	0
A Will to Believe	0
Shakespeare’s Animals: Is There Anything It Is Like To Be Adonis?	0
‘The Aspern Papers in reverse’: A Note on the Emily Hale Letters	0
Airy Invigilating: George Herbert and Seamus Heaney	0
New Impressions XX Seven Types of Ambiguity	0
Under the Sign of Contradiction: Mandelstam and the Politics of Memory. By Anna Razumnaya	0
Superlative Clough	0
Lionel Trilling’s The Liberal Imagination	0
The Form of Samuel Johnson’s Letters	0

Samuel Richardson, Ford Madox Ford, and How to End a Novel	0
Erratum to: THE EDITORIAL IMAGINATION VII: The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0
Dream-Child: A Life of Charles Lamb. By Eric G. Wilson	0
Austen and Death	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
Purity of Diction in English Verse	0
An Intuition about Kipling: New Annotations for Eliot	0
‘Better a Live Sparrow than a Stuffed Eagle’: On Edward FitzGerald’s ‘Bird-Parliament’	0
The Comedian as Wallace Stevens	0
‘le temps de l’insurrection’: Robespierre to Wordsworth	0
QUAQUA	0
Barbara Pym and Her Sisters	0
Larkin’s ‘Suppressed Betjeman Period’	0
Poetry & Money: A Speculation. By Peter Robinson	0
‘Mr Eliot somewhere says’: The ‘affectation of unaffectedness’ in Seven Types of Ambiguity	0
History in Understanding Poetry	0
Covering The Necessity of Atheism	0
The Foreign Connection	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
Morris’s Dramatic Scenes	0
King Multitude: Browning and Coriolanus	0
Melodrama and Cosmopolitanism in The Trumpet-Major	0
THE EDITORIAL IMAGINATION VIII Theobald Restored	0
The Teasing Realism of Penelope Fitzgerald	0
Wyatt: Satirist in Secret	0
Shelley’s Poet-Birds	0
A Romance with Words	0
Churchill’s Nervousness	0
Defoe’s Deist Masterpiece?	0
If Not Critical. By Eric Griffiths. Edited by Freya Johnston	0
The World as It Is	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
Escaping Impressionism: Titian, Manet, Early Yeats	0
Voice and Judgement in Mansfield Park	0
Haunting the Revolution	0
Silence in Shakespeare’s Comedies	0
Word and Picture in Walter Scott	0
Roger Lonsdale	0
Translation in Love’s Labour’s Lost	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Tennyson’s Poems: New Textual Parallels. Edited by R.H. Winnick	0
Impossible Rhyme in Geoffrey Hill	0
The Life and Poetry of George Darley by Donald J. Lange	0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce	0
THE EDITORIAL IMAGINATION VII The New Conrad: A Reply to Cedric Watts, ‘Conrad in the Cambridge Edition’	0