OOIR: Observatory of International Research

Papers

(The TQCC of Essays in Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)

Article	Citations
The New Eighteenth Century Poetry?	2
Hopkins and the Commonwealth	1
Samuel Richardson, Ford Madox Ford, and How to End a Novel	1
Organic Form and Creative Impotence in Golding’s The Spire	1
Criticism in ‘A Centrifugal Age’	0
In Translation	0
The Comedian as Wallace Stevens	0
Whistler and the ‘Poetry’ of Pictures	0
An Intuition about Kipling: New Annotations for Eliot	0
Does This Sound Write?	0
NEW IMPRESSIONS XXI The Meaning of Shakespeare	0
Walter Pater’s European Imagination. By Lene Østermark-Johansen	0
Printing Thomas Hardy’s Pronouns	0
Falling Over with Frances Burney	0
The Final Simile of ‘The Scholar-Gypsy’	0
‘Depleted Fury’: The Poetry of Keith Douglas	0
Roger Lonsdale	0
The World as It Is	0
Lyric Philosophy	0
Defoe’s Deist Masterpiece?	0
Two Poems	0
Thomas Pringle and ‘Kubla Khan’	0
Reading for Attention: The Good Soldier in the Method Wars	0
Covering The Necessity of Atheism	0
A Will to Believe	0

Ends and Elisions in Wordsworth’s Counting Songs	0
Composing ‘The Nightfishing’	0
Yes No: Form and Content in The Third Policeman	0
Interpretation and Authority in Marvell’s ‘The Nymph Complaining’	0
Lewis Carroll’s Usefulness	0
From The Morlocks: A Fantasia	0
Struck in Gold	0
Doubleness in Percival Everett’s James	0
Is Timon of Athens?	0
The Well of Dreams	0
Basil Bunting’s Persians	0
Sidney and Herbert on Failure: Modesty Topos or Writer’s Block?	0
Correction to: Robert Frost: Teaching and the Pleasure of Ulteriority	0
That’s Me All Right!	0
Morality and the Novelist in James: ‘The Author of Beltraffio’ and ‘The Lesson of the Master’	0
Austen and Death	0
Real Magic in Sir Gawain and the Green Knight	0
Worldly Tenancy: Amit Chaudhuri, The Immortals , and the Novel	0
Inevitable Rhyme in Geoffrey Hill	0
Henry James and Charisma	0
The Foreign Connection	0
AND TAAK A WYF, FOR HYE GODDES SAKE!	0
Airy Invigilating: George Herbert and Seamus Heaney	0
Beckett’s Dante Marginalia: To Heaven and Back	0
Voice and Judgement in Mansfield Park	0
A Valediction for Saskia Hamilton: 5 May 1967 – 7 June 2023	0
A Rational Mystic	0
Affinities: On Art and Fascination. By Brian Dillon	0
Genre, Motifs, and the Failure of Hellenism in Jacob’s Room	0
New Impressions XX Seven Types of Ambiguity	0
The Comic’s Last Supper	0
The Teasing Realism of Penelope Fitzgerald	0
Displayed Quotation in Edward Thomas’s Short Fiction	0
Silence in Shakespeare’s Comedies	0
‘Catching the very note and trick’: James’s Browning	0
Late Stevens	0
TRYING UNCERTAINTY	0
Haunting the Revolution	0
Innocence as Harmlessness in Blake’s Songs	0
Barbara Pym at War (So Very Secret)	0
Past and Present: An Autobiography. By Edward Greenwood	0
If Memory Serves	0
Bright Knots of Apparitions: Meeting the Dead in Modern Poetry	0
The Form of Samuel Johnson’s Letters	0
The Pentangle and the Scales: Sir Gawain and the Green Knight and Measure for Measure	0
Shelley’s Poet-Birds	0
Kisses and Comedy in Astrophil and Stella	0
Death and Betrayal in The Book of the Duchess	0
Jane Austen Remembering and Forgetting	0
QUAQUA	0

Charlotte Brontë’s Shirley and the ‘Panoramic’ Novel	0
Sailing to Byzantium: After W. B. Yeats	0
Evolution, Ideology, and Emergence in The Cantos	0
Churchill’s Nervousness	0
Barbara Pym’s Last Title	0
Larkin’s ‘Suppressed Betjeman Period’	0
Henry James’s Pony	0
History in Understanding Poetry	0
A Romance with Words	0
Poetry and the Police State	0
Talking Modernism: Donald Hall’s Paris Review Interviews	0
‘le temps de l’insurrection’: Robespierre to Wordsworth	0
Brunette Coleman Revisited	0
Double Parts: Eliot, ‘Little Gidding’, and the Approach to Joyce	0
Edmund Gosse’s Aesthetic Antinomianism	0
Behind The Times	0
Robert Frost: Teaching and the Pleasure of Ulteriority	0
Wyatt: Satirist in Secret	0
T. S. Eliot: The Collected Prose. Edited by Archie Burnett	0
In A Tremble Ever Since	0
Late Romance: Anthony Hecht, a Poet’s Life. By David Yezzi	0
Freedom, Responsibility, and Fable in Golding’s Darkness Visible	0
Euripides in T. S. Eliot’s Marina	0
The Gravity and Levity of the Reverend Sydney Smith	0
Barbara Pym and Her Sisters	0