Ethnomusicology

Papers
(The median citation count of Ethnomusicology is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
The Pacific Festivals of Aotearoa New Zealand: Negotiating Place and Identity in a New Homeland15
Serrano del Corazón Featuring Guillermo Velázquez y Los Leones de la Sierra de Xichú4
Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins3
From the Editor2
Echoes from the East: The Javanese Gamelan and Its Influence on the Music of Claude Debussy2
Un disparo en la noche 22
Goze: Women, Musical Performance, and Visual Disability in Traditional Japan2
Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines1
From the Editor1
“Systems Are Changeable”: Reading Moments through Movements1
From the Editor1
Encountering Publicness and Multiculture: Public Pedagogy with a Multilingual Community Choir1
Gagaku, Ensemble OnoTeruhisa Fukuda, maître de shakuhachi. Offrande musicale1
Curtain Up1
Lions of the North: Sounds of the New Nordic Radical Nationalism1
A Queerly Joyful Noise: Choral Musicking for Social JusticeFocus: Choral Music in Global Perspective1
Notes on Contributing Authors1
College Music Curricula for a New Century0
Sentimental Orientation: Listening and Musical Value in Kaapse Klopse Practice0
Post-Tarab: Music and Affective Politics in the US SWANA Diaspora0
Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina0
“The War Songs Continue ’til They Find Peace”: Music and the Politics of Death on the Ethio-South Sudanese Border0
“The Leaves of Our Flag Surrounding the World”: Barbara B. Smith and the Sovereign Voices of a Pacific Trust Territory, 1958–19640
Undaunted: Into the Open, Raging Asian Womxn Taiko Drummers0
Community in Syntony: TheorizingAxéin Capoeira Angola and Rural Samba of Backland Bahia, Brazil0
Musik auf Kreta: Traditionen einer Mittelmeerinsel / Music on Crete: Traditions of a Mediterranean Island0
Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles0
From the Editor0
Arching over the Atlantic: Exploring Links between Brazilian and Angolan Musical Bows0
Sounding Modern-nite: Tabaski in Senegal and the Sonic Production of the Human0
Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century0
Song King: Connecting People, Places, and Past in Contemporary China0
Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko0
Roots in Reverse: Senegalese Afro-Cuban Music and Tropical Cosmopolitanism0
Musical Evolution and the Other: From State-Sponsored Musical Evolutionism in the USSR to Post-Soviet Crimean Tatar Indigenous Music0
The Mountain Minor0
From the Editor0
Singing Our Way to Freedom0
Notes on Contributing Authors0
“Out of Time” and “Out of Tune”: Reflections of an Oud Apprentice in Somaliland0
Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon0
Jump Up! Caribbean Carnival Music in New York0
Music, Sound, and Architecture in Islam0
Audible States: Socialist Politics and Popular Music in Albania0
Listening to Kora in New York City: Constructing Africa and Blackness in the United States0
When the Trees Resound: Collaborative Media Research on an Italian Festival0
The Magic of Beverly Sills0
Religious Conflict, Ritual Embodiment, and Music in the Twentieth-Century Guatemalan Highlands0
Praise Singing, Proxemics, and the Feelingful Iconization of State Relations in Omani ‘Āzī0
Sour Solidarities: Musicians, Academics, and Precarity in the Pandemic's Wake0
Government-Mandated Coolness: Education Policy, the Koto, and Music Teacher Retraining in Japan0
Whale Calling0
Motivating Traditional Musicians to Learn a Heritage Language in Gaelic Nova Scotia0
The Art of Mbira: Musical Inheritance and LegacyMbira's Restless Dance: An Archive of Improvisation, Vols. 1 & 20
Recitations on the Threshold: The Ethics and Virtue Affects of Pakistani ShiʿiQaṣīda0
Flip the Script: European Hip Hop and the Politics of Postcoloniality0
Some Notes on Tuning Up0
Chinese Dance: In the Vast Land and Beyond0
Moving Bodies, Navigating Conflict: Practicing Bharata Natyam in Colombo, Sri Lanka0
Improvisation and Social Aesthetics0
Notes on Contributing Authors0
Soundscapes of Uyghur Islam0
“Now We're Actually Playing Music”: Sones and Parental Transformation in Mexican Chicago0
The Pearl of Muğam Philosophy: Qəzəl Poetry and Musical Hermeneutics in Independent Azerbaijan0
Music from Barotseland: Recordings in Zambia’s Western Province—Lozi, Mbunda, Nkoya, Luvale0
Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean0
Yi Suyong and the Quiet of “Korea’s Hiroshima”0
Ritual Speech in the Himalayas: Oral Texts and Their Contexts0
Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research0
Networking Global Hip Hop Knowledges: The CIPHER Method0
“We Should Be Louder”: Rastafari, Amplified Spirituality, and Spacemaking in Shashemene, Ethiopia0
Jazzing: New York City's Unseen Scene0
Remapping Sound Studies0
Let No Man Judge: Remembering the Calypsonian and Containing Risk0
From Clave Ethnotheory to Clave Theories: A Path Toward Decolonizing Musical Analysis0
Notes on Contributing Authors0
The Transformation of Black Music: The Rhythms, the Songs, and the Ships of the African Diaspora0
Embodied Ritual, Efficacious Song: Marcel Mauss and the Limits of Anthropology0
On Race, Value, and the Need to Reimagine Ethnomusicology for the Future0
Notes on Contributing Authors0
The Hidden Music of a Hidden People: The Case of Amakhuwa of Northern Mozambique0
A Tale of Two Cities (and Two Ways of Being Inauthentic): The Politics of College Jazz in “Official Cleveland” and in the “Other Cleveland”0
Summer of Soul0
Styling Blackness in Chile0
Issues in African American Music: Power, Gender, Race, Representation0
Ugandan Music in the Marketing Era: The Branded Arena0
From the Editor0
Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora0
Seeger Lecture, Society for Ethnomusicology Virtual Meeting 20210
Riff Culture: Spontaneous Solo Performances in Private Rock Music Schools0
The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia0
Diversity and Contact among Singer-Poet Traditions in Eastern Anatolia0
The Female Voice of Iran0
On Survival0
River City Drumbeat0
The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka: Rhumba Kiserebuka!0
“Some Rooms Make You Whisper”: The Art of Isolation and the Racial Politics of Quiet in a Concert Hall Built for Jazz0
Walking as Fieldwork Method in Ethnomusicology0
From the Editor0
Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism0
Singing the Rite to Belong: Music, Ritual, and the New Irish0
Postwar Europe and the Eurovision Song Contest0
Resonances of Chindon-ya: Sounding Space and Sociality in Contemporary Japan0
Depiction and Empowerment of Women in Indigenous Igbo Music0
From the Editor0
Local Fusions: Folk Music Experiments in Central Europe at the Millennium0
Say Amen, Somebody0
Studies on a Global History of Music: A Balzan Musicology Project0
The Last Repair Shop0
Ann Flood, Mairéad Farrell, and the Representation of Armed Femininity in Irish Republican Ballads0
Poetry Writing as Transgressive Ethnography0
The Sound of Navajo Country: Music, Language, and Diné Belonging0
Notes on Contributing Authors0
Bertsolari0
Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar0
Rímur in the Nuclear Age: Sveinbjörn Beinteinsson and Icelandic Traditional Music0
Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)0
Playing the Flute in Shanghai: The Musical Life of Dai Shuhong0
Echoes of Ethnicity: Popular Music and the Resurgence of Igbo Nationalism in Democratic Nigeria0
Singers’ Realizations of Linguistic Tone in Chaozhou Song0
Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture0
Beyoncé: At Work, On Screen, and Online0
Tawaifnama (The courtesan chronicles)0
Mizrahi Rap in Israel: Ethnicity and Intertextuality in the Cosmopolitan Post-Genre Era0
Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana0
Notes on Contributing Authors0
Remembering Palghat Raghu0
From the Editor0
Gitara0
The Musicolonial Politics of the Category of Man: The Case of Suriname0
Deep Polyphony in the Hymns of Julien Jouga0
Travels with Frances Densmore: Her Life, Work, and Legacy in Native American Studies0
Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities0
Notes on Contributing Authors0
Music, Shared Histories, and Futures in Toyama City, Japan: Owara Kaze no Bon and Celebrating a New Tram Connection in the Early Pandemic0
FromSatsaṅgto Stage: Negotiating Aesthetic Theologies and Aspirational Subjectivities in a North IndianBhajanCompetition0
Music and Capitalism: A History of the Present0
The Revolution’s Echoes: Music, Politics, and Pleasure in Guinea0
A Season of Singing: Creating Feminist Jewish Music in the United States0
“Really, We Should Have Been Playing Saz in a Little Room”: “New Wave” Turkish Migrants, Performance, and Counterpathways of Incorporation in Berlin0
The Scholarly Ustad: Hindustani Music's Muslim Hereditary Professionals and Their Textual Traditions0
The Oxford Handbook of Musical Repatriation0
The Crowd in Flux: Atmosphere and the Governance of Public Affects at FC Union Berlin0
Singing a Great Dream: The Revolutionary Songs and Life of Khusiram Pakhrin0
American Music Documentary: Five Case Studies of Ciné-Ethnomusicology0
When Silence Is Heard: Embodied Listening in Medical Facilities’ Competing Sonic Epistemes0
Latin Jazz: The Other Jazz0
Buganda Royal Music Revival0
COVID-Era Online Collective Research Initiatives in Yiddish Traditional Music0
Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth Century Sri Lanka0
Music under the Ground: Ethnomusicological Research on the Ground-Bow in Africa0
The Race of Sound: Listening, Timbre, and Vocality in African American Music0
Notes on Contributing Authors0
Ethnomusicology, Ayε Kradow?0
Music of Azerbaijan: From Mugham to Opera0
Matrix Listening; or, What and How We Can Learn from Historical Sound Recordings0
Notes on Contributing Authors0
Tabom in Bahia0
What She Go Do: Women in Afro-Trinidadian Music0
Sound, Gentrification, and Ephethereal Justice0
Music, Education, and Diversity: Building Cultures and Communities0
Teaching Talent: Beginning and/as Method in Two American Violin Studios0
More than Gold: Embodying the Human Cost of Mining in Maroon Popular Music0
Sweet Tassa: Music of the Indian Caribbean Diaspora0
On the Decolonial Otherwise of Translation: Alexander J. Ellis, Mário de Andrade, and the Contingency of Form0
From the Editor0
Ugly Publics0
Melancholic Modalities: Affect, Islam, and Turkish Classical Musicians0
Voices of the Rainforest: A Day in the Life of Bosavi Papua New Guinea0
The Social Spaces of Music Traditions in Baghdad before and after Destruction0
Playable Bodies: Dance Games and Intimate Media0
“So Let's Bang on Some Pots”: Sound, Intimacy, and the Public Life of Affect in Brazil's Panelaços0
From the Editor0
Notes on Contributing Authors0
From the Editor0
The Voice and Its Doubles: Media and Music in Northern AustraliaMaking Aboriginal Men and Music in Central Australia0
Music, Seduction, and New Beginnings: The Ikorodo Maiden Dance of Nsukka0
A Humble Blind Singer's Autobiographical Song: Oral Creation Facing a Hong Kong Teahouse Audience0
Polyphonic Lullabies of Kakheti0
Notes on Contributing Authors0
Posthuman Rap0
Congregational Music, Conflict and Community0
Global Perspectives on Orchestras: Collective Creativity and Social Agency0
Gendhing Sekaten. (2010) 2020Gendhing Pahargyan. (2012) 2020Gendhing Kurmat Dalem. 2020Gendhing Gati. (2015) 2020Gendhing Gati Volume 2. 2020Gendhing Soran Volume 1. 20210
Cool Running: The Story of Ghana's Honk Horn Lorries and Por Por Music0
Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community0
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