Ethnomusicology

Papers
(The median citation count of Ethnomusicology is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)
ArticleCitations
From the Editor15
Un disparo en la noche 24
Praise Singing, Proxemics, and the Feelingful Iconization of State Relations in Omani ‘Āzī3
Music, Shared Histories, and Futures in Toyama City, Japan: Owara Kaze no Bon and Celebrating a New Tram Connection in the Early Pandemic3
Mizrahi Rap in Israel: Ethnicity and Intertextuality in the Cosmopolitan Post-Genre Era2
Encountering Publicness and Multiculture: Public Pedagogy with a Multilingual Community Choir2
Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean2
Singers’ Realizations of Linguistic Tone in Chaozhou Song2
Melancholic Modalities: Affect, Islam, and Turkish Classical Musicians1
Music and Incitement to Violence: Anti-Muslim Hate Music in Burma/Myanmar1
Roots in Reverse: Senegalese Afro-Cuban Music and Tropical Cosmopolitanism1
Carnival Brass Bands in New Orleans and Rio de Janeiro: Disinheritance, Alternative Whiteness, and Musical Eclecticism1
“So Let's Bang on Some Pots”: Sound, Intimacy, and the Public Life of Affect in Brazil's Panelaços1
Rímur in the Nuclear Age: Sveinbjörn Beinteinsson and Icelandic Traditional Music1
Notes on Contributing Authors1
Depiction and Empowerment of Women in Indigenous Igbo Music1
Chinese Dance: In the Vast Land and Beyond1
Buganda Royal Music Revival1
Teaching Talent: Beginning and/as Method in Two American Violin Studios1
The Voice and Its Doubles: Media and Music in Northern AustraliaMaking Aboriginal Men and Music in Central Australia0
Sweet Tassa: Music of the Indian Caribbean Diaspora0
Gendhing Sekaten. (2010) 2020Gendhing Pahargyan. (2012) 2020Gendhing Kurmat Dalem. 2020Gendhing Gati. (2015) 2020Gendhing Gati Volume 2. 2020Gendhing Soran Volume 1. 20210
Playable Bodies: Dance Games and Intimate Media0
The Hidden Music of a Hidden People: The Case of Amakhuwa of Northern Mozambique0
A Season of Singing: Creating Feminist Jewish Music in the United States0
Improvisation and Social Aesthetics0
Hindi Film Songs in the Home: Gendered Experiences of Singing Popular Songs in Tamale, Northern Ghana0
Singing the Congregation: How Contemporary Worship Music Forms Evangelical Community0
“Now We're Actually Playing Music”: Sones and Parental Transformation in Mexican Chicago0
Deep Polyphony in the Hymns of Julien Jouga0
From the Editor0
River City Drumbeat0
Gitara0
Posthuman Rap0
Notes on Contributing Authors0
Networking Global Hip Hop Knowledges: The CIPHER Method0
Arching over the Atlantic: Exploring Links between Brazilian and Angolan Musical Bows0
Goze: Women, Musical Performance, and Visual Disability in Traditional Japan0
Ethnomusicology, Ayε Kradow?0
On the Decolonial Otherwise of Translation: Alexander J. Ellis, Mário de Andrade, and the Contingency of Form0
Following the People, Refracting Hindustani Music, and Critiquing Genre-Based Research0
Summer of Soul0
Soundscapes of Uyghur Islam0
Studies on a Global History of Music: A Balzan Musicology Project0
Remapping Sound Studies0
Lions of the North: Sounds of the New Nordic Radical Nationalism0
Ugandan Music in the Marketing Era: The Branded Arena0
Notes on Contributing Authors0
Music from Barotseland: Recordings in Zambia’s Western Province—Lozi, Mbunda, Nkoya, Luvale0
Ritual Speech in the Himalayas: Oral Texts and Their Contexts0
Undaunted: Into the Open, Raging Asian Womxn Taiko Drummers0
A Tale of Two Cities (and Two Ways of Being Inauthentic): The Politics of College Jazz in “Official Cleveland” and in the “Other Cleveland”0
Sour Solidarities: Musicians, Academics, and Precarity in the Pandemic's Wake0
The Crowd in Flux: Atmosphere and the Governance of Public Affects at FC Union Berlin0
“The War Songs Continue ’til They Find Peace”: Music and the Politics of Death on the Ethio-South Sudanese Border0
Gagaku, Ensemble OnoTeruhisa Fukuda, maître de shakuhachi. Offrande musicale0
“Systems Are Changeable”: Reading Moments through Movements0
From the Editor0
Congregational Music, Conflict and Community0
Religious Conflict, Ritual Embodiment, and Music in the Twentieth-Century Guatemalan Highlands0
From Clave Ethnotheory to Clave Theories: A Path Toward Decolonizing Musical Analysis0
Notes on Contributing Authors0
From the Editor0
The Musicolonial Politics of the Category of Man: The Case of Suriname0
Resonances of Chindon-ya: Sounding Space and Sociality in Contemporary Japan0
Music and Capitalism: A History of the Present0
Latin Jazz: The Other Jazz0
Jump Up! Caribbean Carnival Music in New York0
Polyphonic Lullabies of Kakheti0
Ugly Publics0
The Last Repair Shop0
“Some Rooms Make You Whisper”: The Art of Isolation and the Racial Politics of Quiet in a Concert Hall Built for Jazz0
Travels with Frances Densmore: Her Life, Work, and Legacy in Native American Studies0
The Scholarly Ustad: Hindustani Music's Muslim Hereditary Professionals and Their Textual Traditions0
Remembering Palghat Raghu0
Sounding Modern-nite: Tabaski in Senegal and the Sonic Production of the Human0
Yi Suyong and the Quiet of “Korea’s Hiroshima”0
Matrix Listening; or, What and How We Can Learn from Historical Sound Recordings0
The Female Voice of Iran0
From the Editor0
Say Amen, Somebody0
Playing the Flute in Shanghai: The Musical Life of Dai Shuhong0
The Magic of Beverly Sills0
Listening to Kora in New York City: Constructing Africa and Blackness in the United States0
From the Editor0
Singing the Rite to Belong: Music, Ritual, and the New Irish0
On Race, Value, and the Need to Reimagine Ethnomusicology for the Future0
Singing Our Way to Freedom0
Notes on Contributing Authors0
A Queerly Joyful Noise: Choral Musicking for Social JusticeFocus: Choral Music in Global Perspective0
College Music Curricula for a New Century0
Seeger Lecture, Society for Ethnomusicology Virtual Meeting 20210
Diversity and Contact among Singer-Poet Traditions in Eastern Anatolia0
Serrano del Corazón Featuring Guillermo Velázquez y Los Leones de la Sierra de Xichú0
Moving Bodies, Navigating Conflict: Practicing Bharata Natyam in Colombo, Sri Lanka0
What She Go Do: Women in Afro-Trinidadian Music0
Issues in African American Music: Power, Gender, Race, Representation0
Poetry Writing as Transgressive Ethnography0
Local Fusions: Folk Music Experiments in Central Europe at the Millennium0
From the Editor0
From the Editor0
Global Perspectives on Orchestras: Collective Creativity and Social Agency0
Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines0
Singing a Great Dream: The Revolutionary Songs and Life of Khusiram Pakhrin0
Audible States: Socialist Politics and Popular Music in Albania0
From the Editor0
Riff Culture: Spontaneous Solo Performances in Private Rock Music Schools0
Ann Flood, Mairéad Farrell, and the Representation of Armed Femininity in Irish Republican Ballads0
Tabom in Bahia0
The Pearl of Muğam Philosophy: Qəzəl Poetry and Musical Hermeneutics in Independent Azerbaijan0
Music under the Ground: Ethnomusicological Research on the Ground-Bow in Africa0
Gamelan Girls: Gender, Childhood, and Politics in Balinese Music Ensembles0
Cool Running: The Story of Ghana's Honk Horn Lorries and Por Por Music0
American Music Documentary: Five Case Studies of Ciné-Ethnomusicology0
Song King: Connecting People, Places, and Past in Contemporary China0
Flip the Script: European Hip Hop and the Politics of Postcoloniality0
Musical Evolution and the Other: From State-Sponsored Musical Evolutionism in the USSR to Post-Soviet Crimean Tatar Indigenous Music0
Notes on Contributing Authors0
COVID-Era Online Collective Research Initiatives in Yiddish Traditional Music0
Modernizing Composition: Sinhala Song, Poetry, and Politics in Twentieth Century Sri Lanka0
The Mountain Minor0
Notes on Contributing Authors0
Jazzing: New York City's Unseen Scene0
“The Leaves of Our Flag Surrounding the World”: Barbara B. Smith and the Sovereign Voices of a Pacific Trust Territory, 1958–19640
Notes on Contributing Authors0
Voices of the Rainforest: A Day in the Life of Bosavi Papua New Guinea0
The Social Spaces of Music Traditions in Baghdad before and after Destruction0
Embodied Ritual, Efficacious Song: Marcel Mauss and the Limits of Anthropology0
The Revolution’s Echoes: Music, Politics, and Pleasure in Guinea0
Chimichagua and the Musical Ecosystem of the Tambora in the Depresión Momposina0
From the Editor0
A Humble Blind Singer's Autobiographical Song: Oral Creation Facing a Hong Kong Teahouse Audience0
Music, Education, and Diversity: Building Cultures and Communities0
More than Gold: Embodying the Human Cost of Mining in Maroon Popular Music0
Bertsolari0
Kulintang Kultura: Danongan Kalanduyan and Gong Music of the Philippine Diaspora0
Echoes of Ethnicity: Popular Music and the Resurgence of Igbo Nationalism in Democratic Nigeria0
Inside Arabic Music: Arabic Maqam Performance and Theory in the 20th Century0
Sound, Gentrification, and Ephethereal Justice0
The Race of Sound: Listening, Timbre, and Vocality in African American Music0
Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture0
“We Should Be Louder”: Rastafari, Amplified Spirituality, and Spacemaking in Shashemene, Ethiopia0
Music, Sound, and Architecture in Islam0
Government-Mandated Coolness: Education Policy, the Koto, and Music Teacher Retraining in Japan0
From the Editor0
Authority, Deference, and Disregard in Catholic Liturgical Music in Central Cameroon0
The Pacific Festivals of Aotearoa New Zealand: Negotiating Place and Identity in a New Homeland0
Notes on Contributing Authors0
Curtain Up0
When Silence Is Heard: Embodied Listening in Medical Facilities’ Competing Sonic Epistemes0
“Really, We Should Have Been Playing Saz in a Little Room”: “New Wave” Turkish Migrants, Performance, and Counterpathways of Incorporation in Berlin0
Some Notes on Tuning Up0
Motivating Traditional Musicians to Learn a Heritage Language in Gaelic Nova Scotia0
Whale Calling0
Recitations on the Threshold: The Ethics and Virtue Affects of Pakistani ShiʿiQaṣīda0
The Art of Mbira: Musical Inheritance and LegacyMbira's Restless Dance: An Archive of Improvisation, Vols. 1 & 20
Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins0
Echoes from the East: The Javanese Gamelan and Its Influence on the Music of Claude Debussy0
The Oxford Handbook of Musical Repatriation0
Beyoncé: At Work, On Screen, and Online0
Notes on Contributing Authors0
Music of Azerbaijan: From Mugham to Opera0
Postwar Europe and the Eurovision Song Contest0
The Sound of Navajo Country: Music, Language, and Diné Belonging0
From the Editor0
FromSatsaṅgto Stage: Negotiating Aesthetic Theologies and Aspirational Subjectivities in a North IndianBhajanCompetition0
Let No Man Judge: Remembering the Calypsonian and Containing Risk0
Music, Seduction, and New Beginnings: The Ikorodo Maiden Dance of Nsukka0
Styling Blackness in Chile0
Musik auf Kreta: Traditionen einer Mittelmeerinsel / Music on Crete: Traditions of a Mediterranean Island0
“Out of Time” and “Out of Tune”: Reflections of an Oud Apprentice in Somaliland0
On Survival0
The Legacy of Tanzanian Musicians Muhidin Gurumo and Hassan Bitchuka: Rhumba Kiserebuka!0
Post-Tarab: Music and Affective Politics in the US SWANA Diaspora0
Tawaifnama (The courtesan chronicles)0
Sonic Space-Making on the Margins of Power: Electronic Music, Agency, and Alternative Belonging in the Republic of Macedonia (2011–2014)0
Louder and Faster: Pain, Joy, and the Body Politic in Asian American Taiko0
The Voice in the Drum: Music, Language, and Emotion in Islamicate South Asia0
Walking as Fieldwork Method in Ethnomusicology0
Sentimental Orientation: Listening and Musical Value in Kaapse Klopse Practice0
Notes on Contributing Authors0
When the Trees Resound: Collaborative Media Research on an Italian Festival0
Notes on Contributing Authors0
Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities0
The Transformation of Black Music: The Rhythms, the Songs, and the Ships of the African Diaspora0
Community in Syntony: TheorizingAxéin Capoeira Angola and Rural Samba of Backland Bahia, Brazil0
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