Film Quarterly

Article	Citations
Review: Specworld: Folds, Faults, and Fractures in Embedded Creator Industries, by John Thornton Caldwell	13
Queer Cinema’s Practicing Muslims and Practicing Homosexuals	5
Review: Transatlantic Cinephilia: Film Culture between Latin America and France, 1945–1965, by Rielle Navitski	4
Maestro-Maestra	3
“Kind of Funny, but Not That Funny”	3
Movies under the Influence	3
Review: The Value Gap: Female-Driven Films from Pitch to Premiere, by Courtney Brannon Donoghue	3
It’s About Time	2
The Control Horror of The Boys and Gen V	2
From Asbury Park to the Streets of Minneapolis	2
To Love So Much It Hurts	1
Narrative Plenitude in The Ultimatum: Queer Love	1
The Brand of Peele	1
On the Next Installment	1
Transitions	1
Review: John Williams: A Composer’s Life , by Tim Greiving	1
The Pleasure of the Interval	1
Review: Italian Political Cinema: Figures of the Long ’68, by Mauro Resmini	1
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry	1
Empowerment by Design	1
At San Sebastian, Gloomy Films with Potent Notes of Resilience	1
Reassessing the Butt Shot	1
Cinematic Guerrillas	1
Review: To Be an Actress: Labor and Performance in Anna May Wong’s Cross-Media World, by Yiman Wang	1
Review: The Barrandov Studios: A Central European Hollywood, edited by Bernd Herzogenrath	1

Review: Queer for Fear: Horror Film and the Queer Spectator, by Heather O. Petrocelli	1
Of Lesbians and Werewolves	1
The Hollywood Version	0
To Commune	0
Review: A Theory of Assembly: From Museums to Memes, by Kyle Parry	0
The Art and History of Movie Novelizations	0
Strange Way of Life	0
High Desert Eerie	0
A Path into Filmmaking, the Cayuga Language, and Fancy Dance	0
Editor’s Notebook	0
The Untalented Mr. Ripley	0
Review: Perplexing Plots: Popular Storytelling and the Poetics of Murder, by David Bordwell	0
Infrastructures of Escape	0
“More Than We Were Programmed to Be”	0
Review: Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin	0
Wanda and Beyond	0
Editor’s Notebook	0
Aerobics on Tape	0
Inflection Points	0
Review: How Documentaries Went Mainstream: A History, 1960–2022, by Nora Stone	0
Interactive Cinema	0
Review: Animated Film and Disability: Cripping Spectatorship, by Slava Greenberg	0
Cannes 2023	0
Orlando, Desire Lines	0
The Expansive Pleasures of the New Cinephilia	0
Review: Anteaesthetics: Black Aesthesis and the Critique of Form, by Rizvana Bradley	0
Review: Cinema in the Arab World: New Histories, New Approaches, edited by Ifdal Elsaket, Daniel Biltereyst, and Philippe Meers	0
Review: Hollis Frampton: Navigating the Infinite Cinema, by Michael Zryd	0
Beyond Memory	0
Uncomfortable Television	0
Ruby at the Helm	0
Between Sound and Image	0
Review: Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-liang, by Nicholas de Villiers	0
Interview	0
Review: Celluloid Democracy: Cinema and Politics in Cold War South Korea, by Hieyoon Kim	0
Review: The Oxford Handbook of American Documentary , edited by Joshua Glick and Patricia Aufderheide; The Intellect Handbook of D	0
A Restored Perspective	0
Review: Feminista Frequencies: Community Building through Radio in the Yakima Valley, by Monica De La Torre	0
Review: Projecting Desire: Media Architectures and Moviegoing in Urban India, by Tupur Chatterjee	0
Editor’s Notebook	0
Queering Nostalgia	0
City of Many Worlds	0
Ghosts of Cho	0
Review: Neorealist Architecture: Aesthetics of Dwelling in Postwar Italy, by David Escudero	0
Review: Atmospheres of Projection: Environmentality in Art and Screen Media, by Giuliana Bruno	0
Review: Incomplete: The Feminist Possibilities of the Unfinished Film, edited by Alix Beeston and Stefan Solomon	0
Soft Pleasures	0
Dream Scenario and Postcinematic Celebrity	0
Proximities of Violence	0
Shooting for a Revolution	0

On the Pleasures of Cinema and Daydreaming	0
Evil Does Not Exist	0
Introduction	0
Inflection Points	0
Review: Hollywood Sports Movies and the American Dream, by Grant Wiedenfeld	0
Review: Border Tunnels: A Media Theory of the U.S.–Mexico Underground, by Juan Llamas-Rodriguez	0
Erratum	0
“Something Other Than a Spectator”	0
Global Black Cinema’s Personalized Archive	0
Review: Deadpan: The Aesthetics of Black Inexpression, by Tina Post	0
Review: Reel Freedom: Black Film Culture in Early Twentieth-Century New York City, by Alyssa Lopez	0
Almodóvar Looks Back, translated by Carla Marcantonio	0
“Layers of Capturing Information”	0
Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen	0
Mouths & Mirrors in Ryan Coogler’s Sinners	0
Yugoslav Horror Cinema	0
Review: Mission Unaccomplished: American War Films in the Twenty-First Century , by Alan Nadel	0
Review: Asians on Demand: Mediating Race in Video Art and Activism, by Feng-Mei Heberer	0
A Very Special Episode of Expats	0
Seeing Things	0
An Introduction	0
“You’re my people”	0
Review: The Celluloid Specimen: Moving Image Research into Animal Life, by Benjamin Schultz-Figueroa	0
Review: The Vanishing (Spoorloos) , by Christina Brennan	0
Review: Horror Film and Otherness, by Adam Lowenstein	0
Breaking Boundaries	0
Millennial Messiahs, Female Fixers, and Corporate Boards	0
Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath	0
Specters of Brexit in Recent British Horror	0
Review: Portable Postsocialisms: New Cuban Mediascapes After the End of History, by Paloma Duong	0
Review: Kill the Documentary: A Letter to Filmmakers, Students, and Scholars, by Jill Godmilow	0
Bodies that Persist	0
Greta Gerwig’s Girlhood Trilogy	0
Digital Dilapidation	0
Review: Algorithms of Resistance: The Everyday Fight against Platform Power, by Tiziano Bonini and Emiliano Treré	0
Collaboratrice	0
Alexandra Juhasz’s Please Hold	0
Review: June Mathis: The Rise and Fall of a Silent Film Visionary, by Thomas J. Slater; Mary C. McCall Jr.: The Rise and Fall of Hollywood’s Most Powerful Screenwriter, by J. E. Smyth	0
Civil War’s Unsentimental Imagination	0
Cinema’s Cosmic Shifts	0
Everything Begins in the Middle	0
The Transformers	0
Anticlerical Devotion	0
Review: Shirley Clarke: Thinking Through Movement , by Karen Pearlman	0
Review: Operational Images: From the Visual to the Invisual, by Jussi Parikka	0
Review: World Socialist Cinema: Alliances, Affinities, and Solidarities in the Global Cold War, by Masha Salazkina	0
No Bad Parts	0
Topo-Cinephilia	0
Review: The Time of Laughter: Comedy and the Media Cultures of Japan, by David Humphrey	0
Bad Infinity	0
Editor’s Notebook	0
Review: Black Girl ( La Noire de… ), by Vlad Dima	0
Revisiting the Decade	0
The Human Voice	0
A Grotesque and Inhuman World	0
“A Hand to Your Darkness”	0
“I Have Friends Everywhere”	0
Sembene behind and beyond the Iron Curtain	0
Review: Media Travels: Toward an Atlas of Global Media , edited by Juan Llamas-Rodriguez; The Development Film in the Americas	0
Matthew Rankin on Creative Collaboration and Universal Language	0
Michael Rogge, Amateur Expatriate Cinema, and Hong Kong Cinephilia of the 1950s	0
Things Hold	0
Sembene, Vieyra, and the Making of Xala	0
May December and the Remediation of Tabloid Culture	0
Edith Wharton on Film	0
Review: Networked Bollywood: How Star Power Globalized Hindi Cinema, by Swapnil Rai	0
Review: Crisis Vision: Race and the Cultural Production of Surveillance, by Torin Monahan	0
When Stars Align	0
Defying Tyranny	0
Remembering Lesbians	0
Telluride Turns Fifty in Style, New York Hits Sixty-One	0
A Profound Edge	0
Review: Bootlegging the Airwaves: Alternative Histories of Radio and Television Distribution, by Eleanor Patterson	0
Review: Biopolitical Ethics in Global Cinema, by Seung-hoon Jeong	0
Anime Franchising in Japan	0
Review: Gaza on Screen, edited by Nadia Yaqub	0
Baby Mine	0
Review: Creating the Viewer: Market Research and the Evolving Media Ecosystem, by Justin Wyatt	0
Cannes 2025	0
Introduction	0

Towards a History of Early Experimental Video Practices in Hong Kong	0
“Documentary Filmmaking Is an Absolute Delight”	0
Review: Esfir Shub: Pioneer of Documentary Filmmaking, by Ilana Shub Sharp	0
Editor’s Notebook	0
On Listening, Talking, and Silence	0
Review: Nonhuman Witnessing: War, Data, and Ecology after the End of the World, by Michael Richardson	0
Review: Cinema of/for the Anthropocene: Affect, Ecology, and More-Than-Human Kinship, edited by Katarzyna Paszkiewicz and Andrea Ruthven; Negative Life: The Cinema of Extinction, by Stev	0
Review: Adrian Brunel and British Cinema of the 1920s: The Artist versus the Money Bags, by Josephine Botting	0
Dead Ringers and the Horror of Childbirth on the Small Screen	0
Can’t No Grave Hold My Body Down	0
Ambivalent Masculinities in Contemporary Film and TV	0
“We Have So Many Stories and Not Much Time”	0
Introduction	0
Stepping Up, and Out	0
The New Witch Triad of Longlegs, Bring her Back , and Weapons	0
Review: Man of Taste: The Erotic Cinema of Radley Metzger , by Rob King	0
Hunting for Fairy Tales at the Athens International Film Festival	0
Review: Making Stereo Fit: The History of a Disquieting Film Technology, by Eric Dienstfrey	0
New/Next Film Festival 2025	0
Showgirl	0
Review: Prison Media: Incarceration and the Infrastructures of Work and Technology, by Anne Kaun and Fredrik Stiernstedt	0
New Territories	0
Review: The Channeled Image: Art and Media Politics after Television, by Erica Levin	0
Review: The Documentary Audit: Listening and the Limits of Accountability , by Pooja Rangan	0
Felt Pleasures	0
Review: Feminist Worldmaking and the Moving Image, edited by Erika Balsom and Hila Peleg	0
Bellocchio’s Histories, Personal and Public	0
He Insists! From Apprentice Editor to Elder Statesman of the Black Documentary Tradition	0
The Histories We Tell	0
Almodóvar, Madrid’s Cinematic Laureate	0
Review: Directed by Yasujirō Ozu, by Shiguéhiko Hasumi	0
Playing It by Ear in Halina Reijn’s Babygirl	0
Predators	0
“Live, Laugh, Luminol”	0
Political Camerawork	0
Review: The Two Revolutions: A History of the Transgender Internet, by Avery Dame-Griff	0
Review: The Counterfeit Coin: Videogames and Fantasies of Empowerment, by Christopher Goetz	0
Wake Work	0
Censorship, A Hurt Story	0
Wallmapu in Contemporary Chilean Cinema	0
Review: We Are Having This Conversation Now: The Times of AIDS Cultural Production, by Alexandra Juhasz and Theodore Kerr	0
Suspicious Minds and Dead Bodies	0
Anna May Wong’s Labor and Performance	0
Review: Imagining the Method: Reception, Identity, and American Screen Performance, by Justin Owen Rawlins	0
Corrigendum	0
Review: Ideal Beauty: The Life and Times of Greta Garbo, by Lois W. Banner	0
Review: Revolutionary Becomings: Documentary Media in Twentieth-Century China, by Ying Qian	0
A Conversation with Sandi DuBowski	0
The Surprising Folklore of Analog Horror	0
The Video Revolution, according to the Museum of Modern Art	0
Review: Sirens of Modernity: World Cinema via Bombay, by Samhita Sunya	0
When the Fantastic Meets Reality	0
Everything Everywhere All at Once and the Intimate Public of Asian American Cinema	0
Editor’s Notebook	0
Life-Affirming Horror and the Films of Jane Schoenbrun	0
An Expansive View	0
Faith in Fakes	0
Cinema and Pleasure	0
Review: Digital Lethargy: Dispatches from an Age of Disconnection, by Tung-Hui Hu	0
Review: Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture, by Paul McEwan	0
A Cinematic Salvo from Interwar Austria	0
Mati Diop in NYC	0
Film Festivals in Winter	0
Eephus and a Playwright at Midlife	0
Viola’s Body	0
Hierarchies of Value	0
Must-See Blackness	0
Pema Tseden (1969–2023)	0
Cinephile Culture as Infrastructure	0
The Films of Laura Mulvey and Peter Wollen	0
The Busan International Film Festival	0
Review: Caribes 2.0: New Media, Globalization, and the Afterlives of Disaster, by Jossianna Arroyo	0
Smashing the Patriarchy in Bologna	0
Review: Anthroposcreens: Mediating the Climate Unconscious, by Julia Leyda	0
Review: Technology and the Making of Experimental Film Culture, by John Powers	0
Editor’s Notebook	0
The Radical Power of Gentle Cinema	0
Review: Death by Laughter: Female Hysteria and Early Cinema, by Maggie Hennefeld	0
The Other Replacement Theory	0
Alice Rohrwacher’s Cinema of Poetry	0
Review: Producing Sovereignty: The Rise of Indigenous Media in Canada, by Karrmen Crey	0
Transatlantic Crossings	0
Yolande Zauberman	0
Review: Pleading the Blood: Bill Gunn’s “Ganja & Hess,” by Christopher Sieving	0
Introduction	0
Review: Tracking Loach: Politics, Practices, Production, by David Archibald	0
Blissing Out (Again)	0
A24 and the Asian American Prestige Film	0
Locarno 2024	0
Review: Sovereign Intimacy: Private Media and the Traces of Colonial Violence, by Laliv Melamed	0
Decentering the Narrative	0
The Right to Sit Still	0
Carceral Feminism on Repeat	0
Review: Cinema Is the Strongest Weapon: Race-Making and Resistance in Fascist Italy, by Lorenzo Fabbri	0
Review: Depth Effects: Dimensionality from Camera to Computation, by Brooke Belisle	0