OOIR: Observatory of International Research

Papers

(The TQCC of German Life and Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)

Article	Citations
FREEDOM TIME: TEMPORAL INSURRECTIONS IN OLIVIA WENZEL'S 1000 SERPENTINEN ANGST AND SHARON DODUA OTOO'S ADAS RAUM	2
‘HERKUNFT IST ZUFALL’: ZU OFFENEN HERKUNFTS‐ UND HEIMATKONZEPTEN IN DER LITERATUR DER DEUTSCHEN POSTMIGRANTISCHEN GENERATION	1
EDUARD TRAUTNER (1890–1978): AN ELUSIVE LATE‐EXPRESSIONIST WRITER	1
MACRO TRAKL: STRUCTURAL PARALLELS BETWEEN ‘HELIAN’ AND SEBASTIAN IM TRAUM	1
GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE	1
POLEN ALS NEGATIVFOLIE FÜR SELBSTENTWÜRFE IN DER DEUTSCHSPRACHIGEN GEGENWARTSLITERATUR	1
HUMBOLDT IN VENEZUELA AND CUBA: THE ‘SECOND SLAVERY’	1
‘ANNIVERSARY CAPITAL’: INTRODUCTION	1
HUMBOLDT AND METABIOGRAPHY	1
NARRATIVE AND EMPATHY: THE 2015 ‘REFUGEE CRISIS’ IN VLADIMIR VERTLIB'S VIKTOR HILFT AND OLGA GRJASNOWA'S GOTT IST NICHT SCHÜCHTERN	1
THE ANNIVERSARY POLITICS OF 17 JUNE 1953 SINCE 1990	1
CHRISTIAN ART, MASCULINE CRISIS, AND THE THREAT OF JEWISH CONVERSION IN BERTHA PAPPENHEIM'S SHORT STORIES	1
THE NEW PRUSSIAN RENAISSANCE: LITERARY COMMEMORATIONS OF QUEEN LUISE	1
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POETICS AND POLITICS OF CLIMATE: STURM UND DRANG AND ENLIGHTENMENT‐ERA CLIMATE THEORY	0
INTRODUCTION: ERNST TOLLER IN EXILE	0
INTRODUCTION: THE LEGACY OF ALEXANDER VON HUMBOLDT (1769–1859). A CRITICAL REAPPRAISAL 250 YEARS ON	0
INTRODUCTION: THE POLITICS AND POETICS OF REFUSAL. TOWARDS A THEORY OF PRIMARY REJECTION¹	0
DORA AND HER SISTERS: FEMALE TROUBLEMAKERS AND THE CULTURAL POLITICS OF DETACHMENT1	0
VOICING VULNERABILITY: MEDIATING VIOLENCE, VICTIMISATION AND FEMALE SUBJECTIVITY IN NORA GOMRINGER'S MONSTER POETRY^*	0
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DER VERWEIGERTE KNIEFALL EINES BUCHBINDERS: EINE ‘PRIMARY REJECTION’ AM 31. MAI 1839 IN INGOLSTADT	0

OBITUARY: PROFESSOR ROY ALBERT WISBEY (1929–2020)	0
DAS GENIE IM SCHAFFEN NIETZSCHES	0
STANDING OUTSIDE ONESELF: TRANSGENDER GAZING IN ANTJE RÁVIK STRUBEL'S KÄLTERE SCHICHTEN DER LUFT (2007) AND IN DEN WÄLDERN DES MENSCHLICHEN HERZENS (2016)	0
HERESY AND ORTHODOXY: A TEXTUAL VARIANT IN THOMAS MANN'S DOKTOR FAUSTUS	0
DAS SUBJEKT DER LYRIK ODER: FÜR EINE PHILOLOGIE DER DUNKELHEIT – LYRIK ALS (EIN) PARADIGMA DER MODERNE	0
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SCHILLER GOES TRANSNATIONAL: JULIE PAUCKER AND ROBERT SCHUSTER'S ‘MALALAI – DIE AFGHANISCHE JUNGFRAU VON ORLEANS’ (2017)	0
‘GRADE, WEIL ICH MICH ALS DEUTSCHEN FÜHLE’: THE PROGRESSIVE PATRIOTISM OF DIE WELTBÜHNE	0
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INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO	0
THE EVENTISATION OF ANNIVERSARY ACTIVITY: INVESTING IN 1989	0
GHANAIAN FOLK THOUGHT, AKAN RELIGION AND AN ETHIC OF CARE IN SHARON DODUA OTOO'S ADAS RAUM^*	0
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THE VIEW FROM 1933: ERNST TOLLER'S EINE JUGEND IN DEUTSCHLAND AS EXILE LITERATURE – ON THE FINAL AMENDMENTS BEFORE PUBLICATION OF THE BOOK EDITION	0
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ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT	0
WHAT IS RADICAL? BÜCHNER AND BRECHT READ LENZ	0
THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS	0
THE ‘DUNKELMÄNNER’ OF DOKTOR FAUSTUS: HUMANISTS VERSUS THEOLOGIANS	0
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‘TAT UND ARBEIT, STATT PUBLICITY UND TRÄUMEREI’: ERNST TOLLER AND THE AMERICAN GUILD FOR GERMAN CULTURAL FREEDOM	0
BETWEEN THE ORBITS: TRANSLATING SHARON DODUA OTOO'S ADAS RAUM	0
ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER	0
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BLACKNESS AND DIS/ABILITY IN THE AFROFUTURIST CHRISTMAS NOVELLA SYNCHRONICITY (2015) BY SHARON DODUA OTOO*	0
ʻDIE GESCHICHTE HÄLT ZUR BETONUNG INNEʼ (NACH BEN LERNER: ʻHISTORY PAUSES / FOR EMPHASISʼ, AUS THE LICHTENBERG FIGURES)^*	0
CONTEMPLATION AND EMPATHY: ON THE JOY OF NATURE (‘NATURGENUSS’) AND FEELING FOR NATURE (‘NATURGEFÜHL’) IN ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE	0
‘ES IST EINE DESOLATE IDEE, GENIE WERDEN ZU WOLLEN’: ZUM BÖRSENWERT DES BEGRIFFS GENIE BEI NESTROY	0
MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY	0
KOLONIALE GEOGRAFIE BEI DÖBLIN: DIE GRÜNDUNG DES BUNDES DER WAHRHAFT SCHWACHEN IM ZEICHEN DER KOHLE IM CHINESISCHEN ROMAN DIE DREI SPRÜNGE DES WANG‐LUN	0
WINNETOU, WHITE INNOCENCE, AND SETTLER TIME	0
THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–1801¹	0
‘BIG DATA’ AND ALEXANDER VON HUMBOLDT'S APPROACH TO SCIENCE	0
J. M. R. LENZ AND THE PROBLEM OF SOLDIERS: BETWEEN MODERATE AND RADICAL STURM UND DRANG IN LENZ'S MILITARY REFORMS	0
OBITUARY: JOHN LEWIS FLOOD (1938–2021)	0
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TALKING BACK: SHARON DODUA OTOO'S HERR GRÖTTRUP SETZT SICH HIN AND THE EPISTEMOLOGY OF RESISTANCE	0
VOCABULARY FOR AN UNTHINKABLE GRAMMAR: SHARON DODUA OTOO'S SYNCHRONICITY	0
MÜSSIGGANG IST ALLER LASTER ANFANG? LITERARISCHE UND FILMISCHE TYPEN DER VERWEIGERUNG IM MILIEU DER DEUTSCHEN GEGENKULTUR DER 1960ER/70ER JAHRE	0
THE POLITICS OF ‘PRIMARY REJECTION’ IN HERMAN MELVILLE'S BARTLEBY AND HITO STEYERL'S HOW NOT TO BE SEEN: RACISM, (IL)LEGIBILITY, SURVEILLANCE, AND DETERMINATE NEGATION	0
‘NACH UND NACH MÜSSEN WIR ALLES ABLEHNEN’: HYPERBOLISCHE NEGATIVITÄT BEI THOMAS BERNHARD	0
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THE DISCREPANCIES OF THE ‘ANTHROPOZOIC AGE’ IN ERNST HAECKEL'S INDISCHE REISEBRIEFE (1882)	0
NACH DEM SCHICKSAL: NAPOLEON BEI HEINE UND TOLSTOJ	0
TOWARDS A TENTATIVE TYPOLOGY OF THE LITERARY REFUSENIK	0
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‘KULTURKRIEG’ BEHIND BARBED WIRE: GERMAN THEATRE IN AN AUSTRALIAN FIRST‐WORLD‐WAR INTERNMENT CAMP	0
CHALLENGING THE POLITICS OF GERMAN VICTIMHOOD: MEMORY ACTIVISM AND THE CONTESTED ANNIVERSARY OF THE DRESDEN BOMBINGS SINCE 2005	0
COMMEMORATIONS AND NATIONAL IDENTITY: THE 1967 CENTENARY OF KÄTHE KOLLWITZ IN THE GDR	0
DOPPELTE BRECHUNGEN: DAS ‘DURCHS‐FERNGLAS‐SCHAUEN’ IN STIFTERS FRÜHEN ERZÄHLUNGEN	0
ON FINDING AND FABRICATING: MEMORY AND FAMILY HISTORY IN KATJA PETROWSKAJA'S VIELLEICHT ESTHER	0
INTRODUCTION: SHARON DODUA OTOO – LITERATURE, POLITICS, POSSIBILITY	0
MAKING THE CASE AGAINST PARAGRAPH 218: NARRATIVE AND DISCURSIVE STRATEGIES IN ELSE KIENLE'S FRAUEN: AUS DEM TAGEBUCH EINER ÄRZTIN^★	0
ANNIVERSARIES, THE PUBLIC, AND ACADEMIA	0
ERNST TOLLER SPEAKS AT THE WORLD CONGRESS OF WRITERS IN NEW YORK, 8–10 MAY 1939	0
WORDS THAT MIGHT SAVE NECKS: PHILIPP KHABO KOEPSELL, EPISTEMIC MURDER AND POETIC JUSTICE¹	0
EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDIC	0
MOBILISING DISGUST AND COMPASSION: ELPIS MELENA'S GEMMA; ODER, TUGEND UND LASTER (1877) AND THE ANTI‐VIVISECTION MOVEMENT	0
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‘VISIONEN VOM IDEALEN GESCHICHTE‐SCHREIBEN UND GESCHICHTE‐MACHENʼ: EPISTEMIC (IN)JUSTICE AND INSURRECTION IN SHARON DODUA OTOO'S HISTORICAL AND MEMORY ACTIVISM	0
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‘RECLUSION IS NO MORE POSSIBLE WHILE OUR WORLD STANDS IN FLAMES’: EMERGING POLITICAL SUBTEXTS IN THE GENESIS OF STEFAN ZWEIG'S UNGEDULD DES HERZENS	0
ERNST TOLLER'S FILM PROJECTS	0
FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU	0
AN UPDATED CHRONOLOGY OF ERNST TOLLER'S LIFE AND WORKS	0
CONSTRUCTION, DEMOLITION, EXTIRPATION? THE PALAST DER REPUBLIK AND THE CONFLICTING DESIRES OF GERMAN UNIFICATION	0
THE SINS OF THE FATHERS: LEONARD FORSTER'S REPLY TO AN EARLY CRITIC OF THE PENGUIN BOOK OF GERMAN VERSE¹	0
SAUL FITELBERG'S FAILED SEDUCTION: WORLDLINESS IN DOKTOR FAUSTUS	0
OTHERTONGUES: MULTILINGUALISM, NATALITY AND EMPOWERMENT IN SHARON DODUA OTOO'S ADAS RAUM	0
PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION	0
WILHELM VON HUMBOLDT AND HEINRICH VON KLEIST: IMAGINING THE STATE IN THE WAKE OF THE FRENCH REVOLUTION	0
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BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)	0
GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART	0
‘MAN KANN DER VERANTWORTUNG NICHT ENTRINNEN’: REMEMBERING ROSENSTRASSE SEVENTY‐FIVE YEARS ON	0
INTRODUCTION: IMAGINING THE BELIEFS OF OTHERS IN GERMAN LITERATURE FROM THE ENLIGHTENMENT TO THE PRESENT	0
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THE BOY APPEARING (AS) THE SISTER: GENDER AND SILENCE IN GEORG TRAKL^*	0
ALEXANDER VON HUMBOLDT'S CLIMATOLOGICAL WRITINGS	0
MICROHISTORIES OF HEIMAT IN THE THIRD REICH	0
THE GOTTSCHEERS: FROM A CENTRAL EUROPEAN ENCLAVE TO ASSIMILATION IN NORTH AMERICA	0
HUMBOLDT AND THE AMERICAN WEST: DEFENDING OR DEFEATING THE ‘MANIFEST DESTINY’?1	0
‘TIEF / IN DER ZEITENSCHRUNDE’: READING TIME IN PAUL CELAN'S POETICS	0
KARL MOOR'S FAILED REVOLUTION: RADICAL CRITIQUE AND MODERATE POLITICS IN SCHILLER'S DIE RÄUBER	0
BETWEEN FIGHTING SPIRIT AND DESPAIR: THE GROWING DISTRUST OF LANGUAGE IN ERNST TOLLER'S WORK IN EXILE	0
FAMILIES, SIMILARITIES AND MULTI‐FAITH FUTURES: RE‐IMAGINING ISLAM AND MUSLIMS IN LESSING AND NOVALIS	0
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BETWEEN ‘URBILD’ AND ‘ABBILD’: THE CONCEPTION OF THE IMAGE IN CELAN'S POEMS ‘BEI WEIN UND VERLORENHEIT’, ‘TENEBRAE’, AND ‘HALBZERFRESSENER’	0
THE SLOTHFUL PROTEST: ACEDIA IN TERÉZIA MORA'S DARIUS‐KOPP TRILOGY AND IRIS HANIKA'S DAS EIGENTLICHE	0
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TO ACTIVELY NOT DO OR NOT TO DO: REFLECTIONS ON THE DOUBLE COMMANDMENT TO AVOID ACTION ON THE SHABBAT DAY AS A FORM OF PRIMARY REJECTION¹	0
SUCCEEDING BY FAILING: THE BERNAUER STRASSE WALL MEMORIAL AS PERFORMATIVE MEMORIAL	0
SCHATTEN‐ UND LICHTSEITEN DER GENIETHEORIE OTTO WEININGERS	0
THE LATE ARRIVAL OF ‘DER DEUTSCHE PROUST’: TRANSLATING A LA RECHERCHE DU TEMPS PERDU INTO GERMAN	0
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‘SCHÖNE JUGENDLICHE MÄDCHENKÖPFE’: GENDER AND ‘GENIE’ IN LOU ANDREAS‐SALOMÉ’S MENSCHENKINDER	0
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NEUE MENSCHEN, NEUE POETEN: EXPRESSIONISMUS, GENIE UND ARBEITERDICHTUNG	0
ROMANTIC NATIONALISM OR ROMANTIC RETREAT? RE‐EVALUATING THE POLITICS OF ARNIM AND BRENTANO'S DES KNABEN WUNDERHORN (1805/1808)	0
SELF‐IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN‐SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM	0
STAGING FAILURE? BERTA LASK'S THOMAS MÜNZER (1925) AND THE 400TH ANNIVERSARY OF THE GERMAN PEASANTS’ WAR	0
EVERYDAY UTOPIAS: RE‐NEGOTIATIONS OF BELONGING AND IDENTITY IN TOMER GARDI'S BROKEN GERMAN AND SASHA MARIANNA SALZMANN'S AUßER SICH	0
ERNST TOLLER'S LETTERS FROM EXILE, 1933–1939	0
DER KOBOLD DER EROTISCHEN IRONIE – PLATON‐LEKTÜREN MIT THOMAS MANN	0
‘KEINE ZEIT ZU VERLIEREN’: TIME AND CARE IN INGEBORG BACHMANN'S ‘DAS GEBELL’ AND DAS BUCH FRANZA	0
THINKING THE DEATH DRIVE BEYOND DEATH IN DER FLIEGENDE HOLLÄNDER^*	0
THE LATENT RADICALISM OF ARISTOTLE AND J. M. R. LENZ	0
SEARCH MOVEMENTS: LITERATURE AND POLITICS BETWEEN THE WARS AND A CASE STUDY OF ERNST TOLLER'S I WAS A GERMAN (1934)	0
INTRODUCTION: RADICAL AND MODERATE STURM UND DRANG	0
WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)?	0
ANTI‐FASCISM AND FREE SPEECH ON CAMPUS: ERNST TOLLER'S QUEENS COLLEGE AFFAIR¹	0
ʻEIN ENGEL SPIELTE SANFT AUF BLAUEN TASTENʼ: ELSE LASKER‐SCHÜLERS LYRISCHE MUSIKPOETIK	0
MANNHEIM AND COMPANY: GENDER, ECONOMICS AND MODERATE STURM UND DRANG IN J. M. R. LENZ'S DER LANDPREDIGER (1777)¹	0
TWO POEMS	0
MOTHERS AND OTHERS IN FICTION BY SHARON DODUA OTOO AND OLIVIA WENZEL	0
THE FREEDOM OF A PLAYWRIGHT: STURM UND DRANG AESTHETIC INNOVATION THROUGH A LUTHERAN LENS	0
PROTECTING THE PUBLIC SPHERE(S): THE CAMPAIGN FOR PETER‐PAUL ZAHL	0
VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*	0
INTRODUCTION: PRE‐ROMANTIC AND POST‐ROMANTIC GENIUS	0
QUEER ADOLESCENCE IN MÄDCHEN IN UNIFORM	0
GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 1900	0
‘ICH HATTE BEFEHLE’: MULTIDIRECTIONAL MEMORY AND THE VIETNAM WAR IN HEYNOWSKI AND SCHEUMANN'S PILOTEN IM PYJAMA (1968)^*	0
HUGO BALL'S RELIGIOUS CONVERSION	0

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ROOM AT THE INN? WERTHER IN WAHLHEIM	0
BULWARK AGAINST RACISM? HUMBOLDT'S INFLUENCE ON THE RACIAL NOTIONS OF GERMAN WRITERS IN MEXICO (1920s–1940s)	0