German Life and Letters

Papers
(The TQCC of German Life and Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)
ArticleCitations
OTHERTONGUES: MULTILINGUALISM, NATALITY AND EMPOWERMENT IN SHARON DODUA OTOO'S ADAS RAUM5
Issue Information4
UNDOING THE OCULAR: POETIC SENSE IN PAUL CELAN'S ‘ORTSWECHSEL’ AND ‘SPRACHGITTER’*3
ʻEIN ENGEL SPIELTE SANFT AUF BLAUEN TASTENʼ: ELSE LASKER‐SCHÜLERS LYRISCHE MUSIKPOETIK2
KOLONIALE GEOGRAFIE BEI DÖBLIN: DIE GRÜNDUNG DES BUNDES DER WAHRHAFT SCHWACHEN IM ZEICHEN DER KOHLE IM CHINESISCHEN ROMAN DIE DREI SPRÜNGE DES WANG‐LUN1
HERESY AND ORTHODOXY: A TEXTUAL VARIANT IN THOMAS MANN'S DOKTOR FAUSTUS1
BETWEEN THE ORBITS: TRANSLATING SHARON DODUA OTOO'S ADAS RAUM1
INTRODUCTION: IMAGINING THE BELIEFS OF OTHERS IN GERMAN LITERATURE FROM THE ENLIGHTENMENT TO THE PRESENT1
INTRODUCTION: ERNST TOLLER IN EXILE1
CONSTRUCTION, DEMOLITION, EXTIRPATION? THE PALAST DER REPUBLIK AND THE CONFLICTING DESIRES OF GERMAN UNIFICATION1
OBITUARY: JOHN LEWIS FLOOD (1938–2021)1
THE CRISIS OF SOCIABILITY AND LAUGHTER IN THOMAS MANN'S DER ZAUBERBERG1
CONCEPTUALISING THE PEDAGOGUE AS WANDERER: WILHELM GENAZINO'S WENN WIR TIERE WÄREN (2011) AND FELICITAS HOPPE'S PIGAFETTA (1999)1
MOTHERS AND OTHERS IN FICTION BY SHARON DODUA OTOO AND OLIVIA WENZEL1
‘LIKE SHEEP TO THE SLAUGHTER’: ANIMAL AGENCY AND ECHOES OF THE HOLOCAUST IN WOLFDIETRICH SCHNURRE'S WRITING0
POETICS AND POLITICS OF CLIMATE: STURM UND DRANG AND ENLIGHTENMENT‐ERA CLIMATE THEORY0
WHAT IS RADICAL? BÜCHNER AND BRECHT READ LENZ0
‘VISIONEN VOM IDEALEN GESCHICHTE‐SCHREIBEN UND GESCHICHTE‐MACHENʼ: EPISTEMIC (IN)JUSTICE AND INSURRECTION IN SHARON DODUA OTOO'S HISTORICAL AND MEMORY ACTIVISM0
EVERYDAY UTOPIAS: RE‐NEGOTIATIONS OF BELONGING AND IDENTITY IN TOMER GARDI'S BROKEN GERMAN AND SASHA MARIANNA SALZMANN'S AUßER SICH0
‘DIE MENSCHENRECHTE HABEN KEIN GESCHLECHT’: HEDWIG DOHM'S FEMINIST CONCEPTION OF HUMAN RIGHTS0
PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION0
SPEAKING YOUR MIND: THE TRANSLATION OF ORALITY IN MARLEN HAUSHOFER'S PROSE0
DAS GENIE IM SCHAFFEN NIETZSCHES0
PROTECTING THE PUBLIC SPHERE(S): THE CAMPAIGN FOR PETER‐PAUL ZAHL0
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INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO0
THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS0
INTRODUCTION: THE WAITING ROOM OF WEIMAR HISTORY0
‘RECLUSION IS NO MORE POSSIBLE WHILE OUR WORLD STANDS IN FLAMES’: EMERGING POLITICAL SUBTEXTS IN THE GENESIS OF STEFAN ZWEIG'S UNGEDULD DES HERZENS0
BETWEEN FIGHTING SPIRIT AND DESPAIR: THE GROWING DISTRUST OF LANGUAGE IN ERNST TOLLER'S WORK IN EXILE0
‘DAS JUNGE DEUTSCHLAND INTERESSIRT MICH SEHRʼ: ROSA MARIA ASSING UND DER GENERATIONELLE UMBRUCH UM 1830 IM SPIEGEL IHRER BRIEFE UND DIARISTIK AUS DER SAMMLUNG VARNHAGEN0
FROM MILAN TO WEST BERLIN: SPATIAL ALIENATION AND THE POST‐1945 ANXIOGENIC CITYSCAPE IN ANNA MARIA ORTESE'S SILENZIO A MILANO AND INGEBORG BACHMANN'S ‘EI0
‘GRADE, WEIL ICH MICH ALS DEUTSCHEN FÜHLE’: THE PROGRESSIVE PATRIOTISM OF DIE WELTBÜHNE0
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SELF‐IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN‐SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM0
ZWEI ‘ACHTUNDVIERZIGER VON ALTEM SCHROT UND KORNʼ SCHREIBEN ÜBER DEN VÖLKERFRÜHLING: LOUISE ASTON, MAX RING UND IHRE DARSTELLUNG DER MÄRZREVOLUTION0
BLACKNESS AND DIS/ABILITY IN THE AFROFUTURIST CHRISTMAS NOVELLA SYNCHRONICITY (2015) BY SHARON DODUA OTOO*0
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EINFÜHRUNG. DYNAMIKEN DES ÜBERGANGS IM WERK VON SCHRIFTSTELLERINNEN DER GENERATION UM 1800 UND DES VORMÄRZ: KONTINUITÄTEN UND BRÜCHE0
SEARCH MOVEMENTS: LITERATURE AND POLITICS BETWEEN THE WARS AND A CASE STUDY OF ERNST TOLLER'S I WAS A GERMAN (1934)0
J. M. R. LENZ AND THE PROBLEM OF SOLDIERS: BETWEEN MODERATE AND RADICAL STURM UND DRANG IN LENZ'S MILITARY REFORMS0
VOICING VULNERABILITY: MEDIATING VIOLENCE, VICTIMISATION AND FEMALE SUBJECTIVITY IN NORA GOMRINGER'S MONSTER POETRY*0
PATHS TO OTHERS: THE NOMADIC SUBJECT IN INGEBORG BACHMANN'S ‘SIMULTAN’ AND ‘DREI WEGE ZUM SEE’0
REVOLUTION AND ROMANTICISM — THE MEDIATION OF LATIN AMERICAN POETRY IN DEFA DOCUMENTARY FILM OF THE 1970S0
SAUL FITELBERG'S FAILED SEDUCTION: WORLDLINESS IN DOKTOR FAUSTUS0
WINNETOU, WHITE INNOCENCE, AND SETTLER TIME0
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INTRODUCTION: PRE‐ROMANTIC AND POST‐ROMANTIC GENIUS0
AMBIVALENTE LYRISCHE PERSPEKTIVEN AUF DIE INDUSTRIELLE REVOLUTION BY LOUISE OTTO‐PETERS0
INTRODUCTION: RADICAL AND MODERATE STURM UND DRANG0
THE ‘DUNKELMÄNNER’ OF DOKTOR FAUSTUS: HUMANISTS VERSUS THEOLOGIANS0
THE LATE ARRIVAL OF ‘DER DEUTSCHE PROUST’: TRANSLATING A LA RECHERCHE DU TEMPS PERDU INTO GERMAN0
‘SCHÖNE JUGENDLICHE MÄDCHENKÖPFE’: GENDER AND ‘GENIE’ IN LOU ANDREAS‐SALOMÉ’S MENSCHENKINDER0
MICROHISTORIES OF HEIMAT IN THE THIRD REICH0
WHO SOUNDS MOST WORTHY OF HUMAN RIGHTS? AURAL CULTURAL DIVERSITY, THE CONCEPT OF HUMANITY AND THEIR RELIGIOUS INVESTMENTS IN GERMAN LANGUAGE IDEOLOGIES0
INSECT LIFE AND LETTERS: THE STUDIES OF HANNS HEINZ EWERS AND OTTO AND ROSE HECHT0
GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE0
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AN UPDATED CHRONOLOGY OF ERNST TOLLER'S LIFE AND WORKS0
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‘ES IST EINE DESOLATE IDEE, GENIE WERDEN ZU WOLLEN’: ZUM BÖRSENWERT DES BEGRIFFS GENIE BEI NESTROY0
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SCHATTEN‐ UND LICHTSEITEN DER GENIETHEORIE OTTO WEININGERS0
LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS0
THE OTHER DEMOSTHENES. ON POSSIBLE FORMS OF PHILIATION BETWEEN ECOLOGY AND PHILOLOGY0
THE LEGACY OF TOLERATION: J. G. HERDER AND MOSES MENDELSSOHN'S DEFENCE OF PLURALISM0
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INTRODUCTION: SHARON DODUA OTOO – LITERATURE, POLITICS, POSSIBILITY0
MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY0
FREEDOM TIME: TEMPORAL INSURRECTIONS IN OLIVIA WENZEL'S 1000 SERPENTINEN ANGST AND SHARON DODUA OTOO'S ADAS RAUM0
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EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDIC0
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DOPPELTE BRECHUNGEN: DAS ‘DURCHS‐FERNGLAS‐SCHAUEN’ IN STIFTERS FRÜHEN ERZÄHLUNGEN0
HUMAN RIGHTS IN A GLOBAL WORLD: RACIALISATION AND RELIGION IN RATHLEF'S DIE MOHRINN ZU HAMBURG AND ZIEGLER'S DIE MOHRINN10
‘HERKUNFT IST ZUFALL’: ZU OFFENEN HERKUNFTS‐ UND HEIMATKONZEPTEN IN DER LITERATUR DER DEUTSCHEN POSTMIGRANTISCHEN GENERATION0
ERNST TOLLER'S LETTERS FROM EXILE, 1933–19390
‘NICHTS ALS DIE HÖLLENFAHRT DER SELBSTERKÄNNTNIS BAHNT UNS DEN WEG ZUR VERGÖTTERUNG.’ HAMANN'S CONCEPT OF LITERATURE AS SELF‐REFLECTION0
THE DISCREPANCIES OF THE ‘ANTHROPOZOIC AGE’ IN ERNST HAECKEL'S INDISCHE REISEBRIEFE (1882)0
DER KOMPONIST ALS „VERBRECHER“. BÜLOW CONTRA NIETZSCHE – NIETZSCHE VERSUS WAGNER: EINE RETOURKUTSCHE MIT ADRESSATENWECHSEL?0
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FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED0
REFUGE AND THE WILDED CLASSROOM: FIGURE, PRACTICE, SPACE0
NEUE MENSCHEN, NEUE POETEN: EXPRESSIONISMUS, GENIE UND ARBEITERDICHTUNG0
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THE ‘I’ OF SHAME AND RAGE: CONFESSION AND RUMINATION AT EITHER END OF A MILLENNIUM0
ROOM AT THE INN? WERTHER IN WAHLHEIM0
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HUGO BALL'S RELIGIOUS CONVERSION0
‘ICH HATTE BEFEHLE’: MULTIDIRECTIONAL MEMORY AND THE VIETNAM WAR IN HEYNOWSKI AND SCHEUMANN'S PILOTEN IM PYJAMA (1968)*0
ANTI‐FASCISM AND FREE SPEECH ON CAMPUS: ERNST TOLLER'S QUEENS COLLEGE AFFAIR10
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ENDOWED BY THEIR CREATOR: HUMAN RIGHTS AND RELIGION IN THE EIGHTEENTH AND NINETEENTH CENTURIES – INTRODUCTION0
ERNST TOLLER SPEAKS AT THE WORLD CONGRESS OF WRITERS IN NEW YORK, 8–10 MAY 19390
‘KEINE ZEIT ZU VERLIEREN’: TIME AND CARE IN INGEBORG BACHMANN'S ‘DAS GEBELL’ AND DAS BUCH FRANZA0
FAMILIES, SIMILARITIES AND MULTI‐FAITH FUTURES: RE‐IMAGINING ISLAM AND MUSLIMS IN LESSING AND NOVALIS0
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THE PROVINCIAL GLOBALISM OF WEIMAR CINEMA: POLA NEGRI, FRANZISKA GAAL AND THE FOREIGN ACCENT IN GERMAN SILENT AND SOUND FILM0
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‘LUMEN SUPERNATURALE ’ VS ‘LUMEN NATURALE ’: HUMAN RIGHTS AND THEIR RELIGIOUS IMPLICATIONS IN NATURAL LAW IN THE EARLY ENLIGHTENMENT (PUFENDORF – THOMASIUS – WOLFF)0
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)0
THE BOY APPEARING (AS) THE SISTER: GENDER AND SILENCE IN GEORG TRAKL*0
THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–180110
BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)0
‘TAT UND ARBEIT, STATT PUBLICITY UND TRÄUMEREI’: ERNST TOLLER AND THE AMERICAN GUILD FOR GERMAN CULTURAL FREEDOM0
‘PAST‐PAST TIME’: ANTHROPOCENE ARRHYTHMIA AND REPARATIVE PHILOLOGY IN ULRIKE DRAESNER'S DOGGERLAND (2021)0
INTRODUCTION. LETTERS IN THE WEB OF LIFE: TOWARDS AN ECOLOGICAL PHILOLOGY0
FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU0
THE GOTTSCHEERS: FROM A CENTRAL EUROPEAN ENCLAVE TO ASSIMILATION IN NORTH AMERICA0
GHANAIAN FOLK THOUGHT, AKAN RELIGION AND AN ETHIC OF CARE IN SHARON DODUA OTOO'S ADAS RAUM*0
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DIE ‘GOTTESRECHTE DES MENSCHEN’: HUMAN RIGHTS AS SECULARISED RIGHTS IN HEINRICH HEINE'S ESSAYS0
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KARL MOOR'S FAILED REVOLUTION: RADICAL CRITIQUE AND MODERATE POLITICS IN SCHILLER'S DIE RÄUBER0
THE SINS OF THE FATHERS: LEONARD FORSTER'S REPLY TO AN EARLY CRITIC OF THE PENGUIN BOOK OF GERMAN VERSE10
DIE GEDICHTE IN DÖBLINS DIE DREI SPRÜNGE DES WANG‐LUN: ZEICHEN EINER CHINESISCHEN POETOLOGIE0
VOCABULARY FOR AN UNTHINKABLE GRAMMAR: SHARON DODUA OTOO'S SYNCHRONICITY0
WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)?0
ZWEIGS SAMMLUNG | SAMMLUNG ZWEIG: LITERARY PROVENANCE AND THE STEFAN ZWEIG COLLECTIONS IN BRITAIN0
MANNHEIM AND COMPANY: GENDER, ECONOMICS AND MODERATE STURM UND DRANG IN J. M. R. LENZ'S DER LANDPREDIGER (1777)10
THE VIEW FROM 1933: ERNST TOLLER'S EINE JUGEND IN DEUTSCHLAND AS EXILE LITERATURE – ON THE FINAL AMENDMENTS BEFORE PUBLICATION OF THE BOOK EDITION0
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ERTRÄUMTE RÄUME DER FREIHEIT: LUISE MÜHLBACHS PROTAGONISTINNEN ZWISCHEN REALITÄT UND WUNSCHVORSTELLUNG0
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ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER0
GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 19000
WILHELM VON HUMBOLDT AND HEINRICH VON KLEIST: IMAGINING THE STATE IN THE WAKE OF THE FRENCH REVOLUTION0
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LOST AT SEA: MARITIME MODERNITY AND THE NEGOTIATION OF IDENTITY IN THEODOR STORM'S ‘HANS UND HEINZ KIRCH’0
LITURGICAL POLITICS IN THE POETRY OF PAUL CELAN*0
REWILDING GERMAN STUDIES: NOTES FROM AN EXPERIMENT0
ERNST TOLLER'S FILM PROJECTS0
GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART0
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‘KULTURKRIEG’ BEHIND BARBED WIRE: GERMAN THEATRE IN AN AUSTRALIAN FIRST‐WORLD‐WAR INTERNMENT CAMP0
TWO POEMS0
NACH DEM SCHICKSAL: NAPOLEON BEI HEINE UND TOLSTOJ0
DISORIENTING EASTERN EUROPE: JUDITH HERMANN'S AFFECTIVE GEOGRAPHY0
THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN0
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(UN)EINIG? GENERATIONEN VON SCHRIFTSTELLERINNEN IM DIALOG ÜBER DIE EMANZIPATION VON FRAUEN: HELMINA VON CHÉZY, AMALIA SCHOPPE UND AMALIE STRUVE*0
STADTMITTE UMSTEIGEN? HEINZ KNOBLOCH AND THE ‘ARCHAEOLOGICAL’ TRACES OF BERLIN'S GHOST STATIONS0
THE FREEDOM OF A PLAYWRIGHT: STURM UND DRANG AESTHETIC INNOVATION THROUGH A LUTHERAN LENS0
‘DAS MÖRDERISCHE GESETZ DES LEBENS’: ABORTION, EUGENICS AND SOCIAL DARWINISM IN DOLOROSA'S UNFRUCHTBARKEIT (1905) AND DIE STARKEN (1907)0
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ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT0
THE LATENT RADICALISM OF ARISTOTLE AND J. M. R. LENZ0
ENGAGEMENT IN BRIEFEN: FANNY TARNOWS TEILHABE AN DEN EREIGNISSEN VON 1848/49 ANHAND IHRER KORRESPONDENZ AUS DEN 1830ER UND 1840ER JAHREN0
VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*0
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