OOIR: Observatory of International Research

Papers

(The TQCC of German Life and Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
UNDOING THE OCULAR: POETIC SENSE IN PAUL CELAN'S ‘ORTSWECHSEL’ AND ‘SPRACHGITTER’*	4
OTHERTONGUES: MULTILINGUALISM, NATALITY AND EMPOWERMENT IN SHARON DODUA OTOO'S ADAS RAUM	4
ʻEIN ENGEL SPIELTE SANFT AUF BLAUEN TASTENʼ: ELSE LASKER‐SCHÜLERS LYRISCHE MUSIKPOETIK	3
INTRODUCTION: IMAGINING THE BELIEFS OF OTHERS IN GERMAN LITERATURE FROM THE ENLIGHTENMENT TO THE PRESENT	1
INTRODUCTION: ERNST TOLLER IN EXILE	1
CONSTRUCTION, DEMOLITION, EXTIRPATION? THE PALAST DER REPUBLIK AND THE CONFLICTING DESIRES OF GERMAN UNIFICATION	1
QUEER ADOLESCENCE IN MÄDCHEN IN UNIFORM	1
KOLONIALE GEOGRAFIE BEI DÖBLIN: DIE GRÜNDUNG DES BUNDES DER WAHRHAFT SCHWACHEN IM ZEICHEN DER KOHLE IM CHINESISCHEN ROMAN DIE DREI SPRÜNGE DES WANG‐LUN	1
THE CRISIS OF SOCIABILITY AND LAUGHTER IN THOMAS MANN'S DER ZAUBERBERG	1
MOTHERS AND OTHERS IN FICTION BY SHARON DODUA OTOO AND OLIVIA WENZEL	1
Issue Information	1
HERESY AND ORTHODOXY: A TEXTUAL VARIANT IN THOMAS MANN'S DOKTOR FAUSTUS	1
Issue Information	0
INTRODUCTION. LETTERS IN THE WEB OF LIFE: TOWARDS AN ECOLOGICAL PHILOLOGY	0
THE GERMAN MUSEUM AND THE EARLY RECEPTION OF GERMAN LETTERS IN BRITAIN, 1800–1801¹	0
ZWEI ‘ACHTUNDVIERZIGER VON ALTEM SCHROT UND KORNʼ SCHREIBEN ÜBER DEN VÖLKERFRÜHLING: LOUISE ASTON, MAX RING UND IHRE DARSTELLUNG DER MÄRZREVOLUTION	0
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WHO SOUNDS MOST WORTHY OF HUMAN RIGHTS? AURAL CULTURAL DIVERSITY, THE CONCEPT OF HUMANITY AND THEIR RELIGIOUS INVESTMENTS IN GERMAN LANGUAGE IDEOLOGIES	0
‘LIKE SHEEP TO THE SLAUGHTER’: ANIMAL AGENCY AND ECHOES OF THE HOLOCAUST IN WOLFDIETRICH SCHNURRE'S WRITING	0
ERNST TOLLER'S FILM PROJECTS	0
Issue Information	0
FREEDOM TIME: TEMPORAL INSURRECTIONS IN OLIVIA WENZEL'S 1000 SERPENTINEN ANGST AND SHARON DODUA OTOO'S ADAS RAUM	0
NACH DEM SCHICKSAL: NAPOLEON BEI HEINE UND TOLSTOJ	0
WINNETOU, WHITE INNOCENCE, AND SETTLER TIME	0
THE LATE ARRIVAL OF ‘DER DEUTSCHE PROUST’: TRANSLATING A LA RECHERCHE DU TEMPS PERDU INTO GERMAN	0

FROM TRASH TO TREASURE: RILKE AND VENICE REVISITED	0
DISORIENTING EASTERN EUROPE: JUDITH HERMANN'S AFFECTIVE GEOGRAPHY	0
GHANAIAN FOLK THOUGHT, AKAN RELIGION AND AN ETHIC OF CARE IN SHARON DODUA OTOO'S ADAS RAUM^*	0
J. M. R. LENZ AND THE PROBLEM OF SOLDIERS: BETWEEN MODERATE AND RADICAL STURM UND DRANG IN LENZ'S MILITARY REFORMS	0
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OBITUARY: JOHN LEWIS FLOOD (1938–2021)	0
Issue Information	0
‘RECLUSION IS NO MORE POSSIBLE WHILE OUR WORLD STANDS IN FLAMES’: EMERGING POLITICAL SUBTEXTS IN THE GENESIS OF STEFAN ZWEIG'S UNGEDULD DES HERZENS	0
GERMAN COLONIALISM IN EAST AFRICA AND ITS AFTERMATH IN ABDULRAZAK GURNAH'S NOVELS PARADISE AND AFTERLIVES AND IN CONTEMPORARY GERMAN LITERATURE	0
EIN INTERVIEW MIT DEM LYRIKER UND THEOLOGEN CHRISTIAN LEHNERT: GESPRÄCH ÜBER DICHTUNG, RELIGION, NATURMYSTIK UND SEINEN LYRIKBAND OPUS 8. IM FLECHTWERK (2022). MIT ZWEI UNVERÖFFENTLICHTEN GEDIC	0
‘GRADE, WEIL ICH MICH ALS DEUTSCHEN FÜHLE’: THE PROGRESSIVE PATRIOTISM OF DIE WELTBÜHNE	0
INTRODUCTION: SHARON DODUA OTOO – LITERATURE, POLITICS, POSSIBILITY	0
TWO POEMS	0
BÜCHNER, BORDERS AND THE CONVERGING OF ‘CROWDS’: JACK THORNE'S WOYZECK (2017)	0
VOICING VULNERABILITY: MEDIATING VIOLENCE, VICTIMISATION AND FEMALE SUBJECTIVITY IN NORA GOMRINGER'S MONSTER POETRY^*	0
‘VISIONEN VOM IDEALEN GESCHICHTE‐SCHREIBEN UND GESCHICHTE‐MACHENʼ: EPISTEMIC (IN)JUSTICE AND INSURRECTION IN SHARON DODUA OTOO'S HISTORICAL AND MEMORY ACTIVISM	0
SELF‐IDENTITY AND THE JEWISH BODY: ASSIMILATED GERMAN‐SPEAKING JEWISH AUTHORS ON TRADITIONAL JUDAISM	0
Issue Information	0
Issue Information	0
SPEAKING YOUR MIND: THE TRANSLATION OF ORALITY IN MARLEN HAUSHOFER'S PROSE	0
‘PAST‐PAST TIME’: ANTHROPOCENE ARRHYTHMIA AND REPARATIVE PHILOLOGY IN ULRIKE DRAESNER'S DOGGERLAND (2021)	0
REFUGE AND THE WILDED CLASSROOM: FIGURE, PRACTICE, SPACE	0
FILIAL DEPENDENCE AND AUTONOMY IN THE STURM UND DRANG: READING KLINGER, WAGNER AND MÜLLER WITH ROUSSEAU	0
LITURGICAL POLITICS IN THE POETRY OF PAUL CELAN^*	0
DIE ‘GOTTESRECHTE DES MENSCHEN’: HUMAN RIGHTS AS SECULARISED RIGHTS IN HEINRICH HEINE'S ESSAYS	0
THE ‘DUNKELMÄNNER’ OF DOKTOR FAUSTUS: HUMANISTS VERSUS THEOLOGIANS	0
‘NICHTS ALS DIE HÖLLENFAHRT DER SELBSTERKÄNNTNIS BAHNT UNS DEN WEG ZUR VERGÖTTERUNG.’ HAMANN'S CONCEPT OF LITERATURE AS SELF‐REFLECTION	0
Issue Information	0
PATHS TO OTHERS: THE NOMADIC SUBJECT IN INGEBORG BACHMANN'S ‘SIMULTAN’ AND ‘DREI WEGE ZUM SEE’	0
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KARL MOOR'S FAILED REVOLUTION: RADICAL CRITIQUE AND MODERATE POLITICS IN SCHILLER'S DIE RÄUBER	0
MANNHEIM AND COMPANY: GENDER, ECONOMICS AND MODERATE STURM UND DRANG IN J. M. R. LENZ'S DER LANDPREDIGER (1777)¹	0
FAMILIES, SIMILARITIES AND MULTI‐FAITH FUTURES: RE‐IMAGINING ISLAM AND MUSLIMS IN LESSING AND NOVALIS	0
ENGAGEMENT IN BRIEFEN: FANNY TARNOWS TEILHABE AN DEN EREIGNISSEN VON 1848/49 ANHAND IHRER KORRESPONDENZ AUS DEN 1830ER UND 1840ER JAHREN	0
‘DAS JUNGE DEUTSCHLAND INTERESSIRT MICH SEHRʼ: ROSA MARIA ASSING UND DER GENERATIONELLE UMBRUCH UM 1830 IM SPIEGEL IHRER BRIEFE UND DIARISTIK AUS DER SAMMLUNG VARNHAGEN	0
NEUE MENSCHEN, NEUE POETEN: EXPRESSIONISMUS, GENIE UND ARBEITERDICHTUNG	0
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Issue Information	0
ERTRÄUMTE RÄUME DER FREIHEIT: LUISE MÜHLBACHS PROTAGONISTINNEN ZWISCHEN REALITÄT UND WUNSCHVORSTELLUNG	0
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THE BOY APPEARING (AS) THE SISTER: GENDER AND SILENCE IN GEORG TRAKL^*	0
ENDOWED BY THEIR CREATOR: HUMAN RIGHTS AND RELIGION IN THE EIGHTEENTH AND NINETEENTH CENTURIES – INTRODUCTION	0
SAUL FITELBERG'S FAILED SEDUCTION: WORLDLINESS IN DOKTOR FAUSTUS	0
INTRODUCTION: PRE‐ROMANTIC AND POST‐ROMANTIC GENIUS	0
Issue Information	0
INTRODUCTION: RADICAL AND MODERATE STURM UND DRANG	0
WILHELM VON HUMBOLDT AND HEINRICH VON KLEIST: IMAGINING THE STATE IN THE WAKE OF THE FRENCH REVOLUTION	0
PROTECTING THE PUBLIC SPHERE(S): THE CAMPAIGN FOR PETER‐PAUL ZAHL	0
(UN)EINIG? GENERATIONEN VON SCHRIFTSTELLERINNEN IM DIALOG ÜBER DIE EMANZIPATION VON FRAUEN: HELMINA VON CHÉZY, AMALIA SCHOPPE UND AMALIE STRUVE^*	0
CONCEPTUALISING THE PEDAGOGUE AS WANDERER: WILHELM GENAZINO'S WENN WIR TIERE WÄREN (2011) AND FELICITAS HOPPE'S PIGAFETTA (1999)	0

MADE BY HISTORY: HEINRICH VON TREITSCHKE'S HERO AND THE ANXIETIES OF NINETEENTH‐CENTURY GERMAN HISTORIOGRAPHY	0
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BETWEEN FIGHTING SPIRIT AND DESPAIR: THE GROWING DISTRUST OF LANGUAGE IN ERNST TOLLER'S WORK IN EXILE	0
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Issue Information	0
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HUMAN RIGHTS IN A GLOBAL WORLD: RACIALISATION AND RELIGION IN RATHLEF'S DIE MOHRINN ZU HAMBURG AND ZIEGLER'S DIE MOHRINN¹	0
EINFÜHRUNG. DYNAMIKEN DES ÜBERGANGS IM WERK VON SCHRIFTSTELLERINNEN DER GENERATION UM 1800 UND DES VORMÄRZ: KONTINUITÄTEN UND BRÜCHE	0
VOCABULARY FOR AN UNTHINKABLE GRAMMAR: SHARON DODUA OTOO'S SYNCHRONICITY	0
Issue Information	0
EDUARD TRAUTNER (1890–1978): AN ELUSIVE LATE‐EXPRESSIONIST WRITER	0
GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART	0
WHAT IS RADICAL? BÜCHNER AND BRECHT READ LENZ	0
THE FREEDOM OF A PLAYWRIGHT: STURM UND DRANG AESTHETIC INNOVATION THROUGH A LUTHERAN LENS	0
LITERARISCHE VISIONEN EMANZIPIERTEN HANDELNS: EMANZIPATIONSPOLITISCHE ZUSAMMENHÄNGE IM WERK LOUISE ASTONS	0
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PRIVATE RELIGION AS RESISTANCE IN ANNA SEGHERS’ DER PROZESS DER JEANNE D'ARC ZU ROUEN 1431 (1937) AND BERTOLT BRECHT'S 1952 STAGE ADAPTATION	0
‘ES IST EINE DESOLATE IDEE, GENIE WERDEN ZU WOLLEN’: ZUM BÖRSENWERT DES BEGRIFFS GENIE BEI NESTROY	0
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REWILDING GERMAN STUDIES: NOTES FROM AN EXPERIMENT	0
Issue Information	0
DIE GEDICHTE IN DÖBLINS DIE DREI SPRÜNGE DES WANG‐LUN: ZEICHEN EINER CHINESISCHEN POETOLOGIE	0
HUGO BALL'S RELIGIOUS CONVERSION	0
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GENIE UND KLASSE: ROBERT BURNS UND DIE WIENER SOZIALDEMOKRATIE UM 1900	0
THE (QUEER) AESTHETICS OF JEAN PAUL'S SIEBENKÄS	0
‘DIE MENSCHENRECHTE HABEN KEIN GESCHLECHT’: HEDWIG DOHM'S FEMINIST CONCEPTION OF HUMAN RIGHTS	0
DOPPELTE BRECHUNGEN: DAS ‘DURCHS‐FERNGLAS‐SCHAUEN’ IN STIFTERS FRÜHEN ERZÄHLUNGEN	0
ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER	0
‘ICH HATTE BEFEHLE’: MULTIDIRECTIONAL MEMORY AND THE VIETNAM WAR IN HEYNOWSKI AND SCHEUMANN'S PILOTEN IM PYJAMA (1968)^*	0
POETICS AND POLITICS OF CLIMATE: STURM UND DRANG AND ENLIGHTENMENT‐ERA CLIMATE THEORY	0
ERNST TOLLER'S LETTERS FROM EXILE, 1933–1939	0
LOST AT SEA: MARITIME MODERNITY AND THE NEGOTIATION OF IDENTITY IN THEODOR STORM'S ‘HANS UND HEINZ KIRCH’	0
‘LUMEN SUPERNATURALE ’ VS ‘LUMEN NATURALE ’: HUMAN RIGHTS AND THEIR RELIGIOUS IMPLICATIONS IN NATURAL LAW IN THE EARLY ENLIGHTENMENT (PUFENDORF – THOMASIUS – WOLFF)	0
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ERNST TOLLER SPEAKS AT THE WORLD CONGRESS OF WRITERS IN NEW YORK, 8–10 MAY 1939	0
THE LATENT RADICALISM OF ARISTOTLE AND J. M. R. LENZ	0
THE LEGACY OF TOLERATION: J. G. HERDER AND MOSES MENDELSSOHN'S DEFENCE OF PLURALISM	0
ANTI‐FASCISM AND FREE SPEECH ON CAMPUS: ERNST TOLLER'S QUEENS COLLEGE AFFAIR¹	0
THE DISCREPANCIES OF THE ‘ANTHROPOZOIC AGE’ IN ERNST HAECKEL'S INDISCHE REISEBRIEFE (1882)	0
INSECT LIFE AND LETTERS: THE STUDIES OF HANNS HEINZ EWERS AND OTTO AND ROSE HECHT	0
AMBIVALENTE LYRISCHE PERSPEKTIVEN AUF DIE INDUSTRIELLE REVOLUTION BY LOUISE OTTO‐PETERS	0
‘KEINE ZEIT ZU VERLIEREN’: TIME AND CARE IN INGEBORG BACHMANN'S ‘DAS GEBELL’ AND DAS BUCH FRANZA	0
THE OTHER DEMOSTHENES. ON POSSIBLE FORMS OF PHILIATION BETWEEN ECOLOGY AND PHILOLOGY	0
‘DAS MÖRDERISCHE GESETZ DES LEBENS’: ABORTION, EUGENICS AND SOCIAL DARWINISM IN DOLOROSA'S UNFRUCHTBARKEIT (1905) AND DIE STARKEN (1907)	0
‘SCHÖNE JUGENDLICHE MÄDCHENKÖPFE’: GENDER AND ‘GENIE’ IN LOU ANDREAS‐SALOMÉ’S MENSCHENKINDER	0
BETWEEN THE ORBITS: TRANSLATING SHARON DODUA OTOO'S ADAS RAUM	0
DAS GENIE IM SCHAFFEN NIETZSCHES	0
THE SINS OF THE FATHERS: LEONARD FORSTER'S REPLY TO AN EARLY CRITIC OF THE PENGUIN BOOK OF GERMAN VERSE¹	0
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INFERNAL MATTER(S) AND THE POWER OF THE WORD IN FERIDUN ZAIMOGLU'S EVANGELIO	0
MICROHISTORIES OF HEIMAT IN THE THIRD REICH	0
SEARCH MOVEMENTS: LITERATURE AND POLITICS BETWEEN THE WARS AND A CASE STUDY OF ERNST TOLLER'S I WAS A GERMAN (1934)	0
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DIE ARBEIT DES ÜBERSETZENS: RILKE UND MICHELANGELO („SE ’L MIE ROZZO MARTELLO‘‘)	0
THE VIEW FROM 1933: ERNST TOLLER'S EINE JUGEND IN DEUTSCHLAND AS EXILE LITERATURE – ON THE FINAL AMENDMENTS BEFORE PUBLICATION OF THE BOOK EDITION	0
‘TAT UND ARBEIT, STATT PUBLICITY UND TRÄUMEREI’: ERNST TOLLER AND THE AMERICAN GUILD FOR GERMAN CULTURAL FREEDOM	0
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SCHATTEN‐ UND LICHTSEITEN DER GENIETHEORIE OTTO WEININGERS	0
VON DER ‘MACHT, WELT ZU MACHEN’: RADIKALE DEMOKRATIE IN SHARON DODUA OTOOS ADAS RAUM*	0
THE GOTTSCHEERS: FROM A CENTRAL EUROPEAN ENCLAVE TO ASSIMILATION IN NORTH AMERICA	0
THE ‘I’ OF SHAME AND RAGE: CONFESSION AND RUMINATION AT EITHER END OF A MILLENNIUM	0
BLACKNESS AND DIS/ABILITY IN THE AFROFUTURIST CHRISTMAS NOVELLA SYNCHRONICITY (2015) BY SHARON DODUA OTOO*	0
WORDS THAT MIGHT SAVE NECKS: PHILIPP KHABO KOEPSELL, EPISTEMIC MURDER AND POETIC JUSTICE¹	0
THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN	0
ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT	0
MAKING THE CASE AGAINST PARAGRAPH 218: NARRATIVE AND DISCURSIVE STRATEGIES IN ELSE KIENLE'S FRAUEN: AUS DEM TAGEBUCH EINER ÄRZTIN^★	0
ROOM AT THE INN? WERTHER IN WAHLHEIM	0
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‘KULTURKRIEG’ BEHIND BARBED WIRE: GERMAN THEATRE IN AN AUSTRALIAN FIRST‐WORLD‐WAR INTERNMENT CAMP	0
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EVERYDAY UTOPIAS: RE‐NEGOTIATIONS OF BELONGING AND IDENTITY IN TOMER GARDI'S BROKEN GERMAN AND SASHA MARIANNA SALZMANN'S AUßER SICH	0
‘HERKUNFT IST ZUFALL’: ZU OFFENEN HERKUNFTS‐ UND HEIMATKONZEPTEN IN DER LITERATUR DER DEUTSCHEN POSTMIGRANTISCHEN GENERATION	0
Issue Information	0
AN UPDATED CHRONOLOGY OF ERNST TOLLER'S LIFE AND WORKS	0
WHO DO WE SEE IN THE PROTAGONIST OF THE CAPTAIN (2017)?	0