Journal of Aesthetics and Art Criticism

Papers
(The median citation count of Journal of Aesthetics and Art Criticism is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Toward a Communitarian Theory of Aesthetic Value13
Kant on Aesthetic Ideas, Rational Ideas and the Subject-Matter of Art8
Artistic (Counter) Speech6
Science Fiction as a Genre6
Seeing Through Photographs: Photography as a Transparent Visual Medium5
Why the Sublime Is Aesthetic Awe5
Some Considerations Regarding Adornment, the Gender “Binary,” and Gender Expression5
What Is the Monumental?5
Invisible Images and Indeterminacy: Why We Need a Multi-stage Account of Photography4
What Makes Kant an Aesthetic Cognitivist about Fine Art? A Response to Young4
How Statues Speak4
Learning Implicit Biases from Fiction4
The Role of Teleological Thinking in Judgments of Persistence of Musical Works4
Two Concepts of Groove: Musical Nuances, Rhythm, and Genre4
Poetry and the Possibility of Paraphrase4
Creative Agency as Executive Agency: Grounding the Artistic Significance of Automatic Images3
Modeling Culinary Value3
Nested Types and Musical Versions: Replying to Davies’s Challenges3
Authorship and Creation3
Kant on Form or Design3
The Fable and the Novel: Rethinking History of Korean Fiction from the Perspective of Narrative Aesthetics2
Bearing Witness and Creative Activism2
Looking for Profundity (in All the Wrong Places)2
Aesthetic Realism and Manifest Properties2
On the Aesthetic Appreciation of Damaged Environments2
Predelli on Fictional Discourse2
Debates on Culinary Norms2
Fiction, Philosophy, and Television: The Case of Law and Order: Special Victims Unit2
Resisting Tiny Heroes: Kant on the Mechanism and Scope of Imaginative Resistance2
On Resisting Art2
Sonic Pictures2
Relief and the Structure of Intentions in Late Palaeolithic Cave Art2
Musical works, types and modal flexibility reconsidered2
What Is Acting?2
How Empathy with Fictional Characters Differs from Empathy with Real Persons2
What Makes Heavy Metal ‘Heavy’?2
Aesthetic Value: The View from Here1
Adorning Intentions1
Iconoclasm, Speculative Realism, and Sympathetic Magic1
Action and Relation: Toward a New Theory of the Image1
Thinking Through Music: Wittgenstein’s Use of Musical Notation1
DAVIES, STEPHEN. Adornment: What Self-Decoration Tells Us About Who We Are1
Mental Imagery and Poetry1
Nested Types and Musical Flexibility1
Street Art, the Discontinuity Thesis, and the Artworld1
Guilty Pleasures Revisited1
The Heritage Value of Culinary Items: A Rather Skeptical Tale1
Artistic Motives in Korean Art Traditions: Self-Cultivation, Self-Enjoyment, and Self-Forgetting1
Artistic, Artworld, and Aesthetic Disobedience1
Making Space for Creativity: Niche Construction and the Artist’s Studio1
Te heahea me ngā toi, te hikohiko: Productive Idiocy, mātauranga Māori and Art-activism Strategies in Aotearoa/New Zealand1
Photographic Registers Are Latent Images1
Art Criticism in the Contracted Field1
Beauty, Anger, and Artistic Activism1
Graffiti Writing as Creative Activism: Getting Up, Sheeplike Subversion, and Everyday Resistance1
Paintings of Music1
What History Feels Like1
Two Kinds of “Bad” Musical Performance: Musical and Moral Mistakes1
Time to Revisit Classical Film Theory1
Supplementing Herder’s Naturalism: Expanding the Senses and Transcending Cultures1
Puy on ‘Nested Types’1
The Poetic as an Aesthetic Category1
Kivy’s Mystery: Absolute Music and What the Formalist Can (or Could) Hear1
A Theory of Change for Artistic Activism1
Field Recording and the Re-enchantment of the World: An Intercultural and Interdisciplinary Approach1
Julian Dodd. Being True to Works of Music1
Rethinking Low, Middle, and High Art1
Sculpture in Herder’s Naturalist Aesthetics1
Stakeholders and Experts in Culinary Cultural Heritage1
Artistic Exceptionalism and the Risks of Activist Art1
Cosmopolitanism and the Creative Activism of Public Art1
Cheap Art and Creative Activism1
Rethinking Veridicality: Motor Response, Empirical Evidence, and Dance Appreciation1
Marking Radical Aesthetics in the Time of Racial Capitalism1
Merely Methodological Naturalism in Aesthetics: A Proposed Revision of Zuckert’s Herder Interpretation1
Metaphors in Neo-Confucian Korean philosophy1
The Real Reasons Why Gamers Are not Performers—A Reply to Kania1
Horror and Its Affects1
Drawing the Line: What to Do with the Work of Immoral Artists from Museums to the Movies1
Korean Aesthetic Ideals: “Jayeon1
A Simple Theory of Aesthetic Value1
Performative Activism Redeemed1
A Philosopher Looks at Architecture1
Existential Aesthetics1
The Ambiguity of Aesthetic Value1
Figurative Shaping of Peaks and Rocks on Geumgang Mountain: The Korean Temperament and Vision1
Contributors0
The Aesthetic Analysis of a Garden0
Dadlez E.M., ed., Jane Austen's Emma: Philosophical Perspectives (Oxford University Press, 2018), xviii + 246 pp., $99.00 cloth, $29.95 paper0
Dewey and the Aesthetic Unconscious:The Vital Depths of Experience0
Game: Animals, Video Games and Humanity0
On Experiencing Music from Within0
Journal of Aesthetics and Art Criticism | Call for Proposals for Special Issues 2025 and 20260
On the Adorning Arts; An Argument for Artistic Adornment0
Quatremère de Quincy’s Moral Considerations on the Place and Purpose of Works of Art: Introduction and Translation0
The Truthful Portrait: Can Posing Be a Tool for Authenticity in Portraiture?0
Frissons in Dance0
Blackening Aesthetic Experience0
Artistic Manner as Autonomy: Creative Freedom and the Constraint of Rules in Vasari, Bellori and Kant0
Erratum to: Kant on Form or DesignErratum to: Authorship and Creation0
The Genre View of Public Lands: The Case of National Monuments0
Correction: Strong Comic Immoralism0
Correction to: Thinking Through Music: Wittgenstein’s Use of Musical Notation0
Harlequin Resistance? Romance Novels as a Model for Resisting Objectification0
KANIA, ANDREW. Philosophy of Western Music: A Contemporary Introduction0
The Routledge Companion to Music and Human Rights0
Contributors0
Motion Metaphors in Music Criticism0
Racialized Disgust, Embodied Affect, and the Portrayal of Native Americans in Classic Hollywood Westerns0
Harold, James. Dangerous Art: On Moral Criticism of Artworks0
Contributors0
The Primacy of Form over Color: On the Discussion of Primary and Secondary Qualities in Herder’s Pygmalion0
The Fictional Road Not Taken: A Weak Anti-realist Theory of Fiction0
An Aesthetics of (Popular) Music Radio0
Wittgenstein’s Artillery: Philosophy as Poetry0
Red Sea–Red Square–Red Thread. A Philosophical Detective Story0
A History of Western Philosophy of Music0
The Art of Environmental Law, Governing with Aesthetics0
Maoilearca Ó., Cull Laura and Lagaay Alice, eds., The Routledge Companion to Performance Philosophy (Routledge, 2020), xxv + 463 pp., 36 b&w illus., $236.64 cloth0
Being in a Horror Movie0
Nested Types, Modal Claims and Musical Works. Another Go0
What Is a Photographic Register?0
Taste: A Philosophy of Food0
Contributors0
Aesthetics of the Narrative Climax in Contemporary TV Serials0
Big Tent Aesthetics0
Thinking the Sculpture Garden: Art, Plant, Landscape0
David Lloyd, Under Representation: The Racial Regime of Aesthetics (Fordham University Press, 2018), 328 pp., $28.00 paper0
Books of Interest0
‘Beauty’ and the ‘Beautiful’: a Computational Analysis of the Company They Kept Across the Eighteenth-century Corpus0
Henrik Høgh-Olesen, The Aesthetic Animal (Oxford University Press), 2019, 167 pp., 27 color illus. + 3 b&w illus., $36.95 clothRichard A. Richards, The Biology of Art (Cambridge University Press),0
Correction to: Taste: A Philosophy of Food0
Two Thumbs Up: How Critics Aid Appreciation.0
The Possibility of Paraphrase0
Empathy’s Role in Different Levels of Understanding Literature: Empirical and Philosophical Perspectives0
Rita Felski, Hooked: Art and Attachment0
Ars Erotica: Sex and Somaesthetics in the Classical Arts of Love0
Contributors0
Arts of Address, Being Alive to Language and the World0
Empathy in Appreciation: An Axiological Account0
Pluralism About Artwork Completeness0
Aesthetic Values in Everyday Life: Collaborating with the World through Action0
Notes from the Editors0
Experiencing Atmospheres in Paintings0
Notes From the Editors0
Aesthetic Value as a Relational Value0
Aesthetic Cognitivism and Serialized Television Fiction0
Introduction: Symposium on the Role of Aesthetics in Debating Culinary Cultural Heritage0
A Dual-Process Model of Xunzi’s Philosophy of Music0
Fumi Okiji, Jazz as Critique: Adorno and Black Expression Revisited (Stanford University Press) 2018, 160 pp., $70.00 cloth0
Notes from the Editors0
Ready Player One? A Response to Ricksand0
Books of Interest0
Authenticity and Implicature0
Toward a Responsible Artistic Agency: Mindful Representation of Fat Communities in Popular Media0
The Politics of Perception and the Aesthetics of Social Change0
Landscape Appreciation: Theories since the Cultural Turn0
Notes from the Editors0
Contributors0
Fictional Creations0
PAKES, ANNA. Choreography Invisible: The Disappearing Work of Dance0
Nine Explananda in Search of an Explanans0
CATHARINE, ABELL. Fiction: A Philosophical Analysis0
Contributors0
Canon and Cultural Negotiation0
Imagining Dinosaurs0
Contributors0
Autonomy and Community in Kant’s Theory of Taste0
The Aesthetics of Creative Activism: Introduction0
Hybridized, Influenced, or Evolved? A Typology to Aid the Categorization of New and Developing Arts0
Literary Indiscernibles, Referential Forgery, and the Possibility of Allographic Art0
Apophatic Beauty in the Hippias Major and the Symposium0
When (Imagined) Evidence Explains Fictionality0
Contributors0
Young, James O., Radically Rethinking Copyright in the Arts: A Philosophical Approach (Routledge, 2021), 184 pp., $155.00 cloth0
Response to Currie and Robson, “Authenticity and Implicature”0
Descriptive Formalism and Evaluative Formalism in Kant’s Theory of Music: A Response to Young0
The Philosophy of Mixed Martial Arts0
Iconological Dualism Re-Thought: A New Variation on Two Old Theories0
Art Scents: Exploring the Aesthetics of Smell and the Olfactory Arts0
Three books about the philosophy of Marcel Proust0
How Empathy With Fictional Characters Undermines Moral Self-Trust0
The Perceived Fit Between Music and Movement: A Multisensory Account of Dance as a Novel Feature Type0
Tattoos Can Sometimes Be Art: A Modest Embellishment of Stephen Davies’sAdornment0
Image in the Making: Digital Innovation and the Visual Arts0
Gayraud Agnès, Diaectic of Pop, Urbanomic/Mono Series (MIT Press, 2020), 456 pp., $29.950
WILLARD, MARY BETH. Why It’s OK to Enjoy the Work of Immoral Artists0
Aesthetic Values Are Distal Versions of Practical Values0
A Comedian and a Fascist Walk into Freud's Bar: On the Mass Character of Stand‐Up Comedy0
The Selectivity of Aesthetic Explanation0
EVANS, THOMAS. The Outwardness of Art: Selected Writings of Adrian StokesZWEITE, ARMIN. Gerhard Richter: Life and Work: In Painting Thinking is Painting0
Jonathan Gilmore, Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind0
The Separability Thesis0
0
Douglas Sirk: Filmmaker and Philosopher0
Soliciting Essay Submissions for the John Fisher Memorial Prize of 20250
Player Engagement with Games: Formal Reliefs and Representation Checks0
Introduction: Symposium on Aesthetic Value0
Contributors0
Melting the Archive: The Irreconcilable Cover Song and Rock’s Recorded History0
Author’s Reply forHerder’s Naturalistic Aesthetics0
Philosophy of Comics: An Introduction0
Aesthetic Value: Why Pleasure Counts0
Musical Exdurantism0
Type Realism Reconsidered0
High Art, High Artists0
Robin James, The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics0
MAES, HANS and KATRIEN SCHAUBROECK, eds. Before Sunrise, Before Sunset, Before Midnight: A Philosophical Exploration0
The Engagement Account of Aesthetic Value0
Art by Proxy0
Take a Chance on Me: Aleatory Poetry, Generative AI, and the External Demarcation Problem0
The Argument from Extreme Difficulty in Video Games0
Seeing in Mirrors0
Contributors0
The Aesthetics of Virtual Reality.0
0
Nonfiction Theater0
Counterfactual Reasoning in Art Criticism0
Aesthetic Life and Why it Matters0
PENNER, NINA. Storytelling in Opera and Musical Theater0
Too Close to Nature: On the Representational Problems of Death Masks and Life Casts0
An Unnatural Attitude: Phenomenology in Weimar Musical Thought0
Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings0
Philosophy and the Art of Writing0
The Case of (Digital) Wagner0
Strong Comic Immoralism0
Kant’s (Moderate) Musical Antiformalism: A Reply to Sousa0
Contributors0
Contributors0
Introduction to the Symposium on Korean Aesthetics: The Beginning is Half0
How Do You Solve a Problem like DALL-E 2?0
What Makes Value Aesthetic?0
Wittgenstein and Literary Studies0
Ethical Flaws in Artworks: An Argument for Contextual Conjunctivism0
Why It’s OK to Love Bad Movies0
Attentional Engines: A Perceptual Theory of the Arts0
Improvisation and Stand‐Up Comedy0
PIPPIN, ROBERT B. Philosophy by Other Means: The Arts in Philosophy and Philosophy in the Arts0
Nguyen, C. THI. Games: Agency as Art0
Adornment Defended0
The Problems of Viewing Performance: Epistemology and Other Minds0
Correction to: A Dual-Process Model of Xunzi’s Philosophy of Music0
Notes on Aesthetic Value0
A Philosophy of Cover Songs0
Nanay, Bence. Aesthetics: A Very Short Introduction0
Introduction: The Peter Kivy Prize Symposium0
Erratum to: Relief and the Structure of Intentions in Late Palaeolithic Cave ArtErratum to: Toward a Communitarian Theory of Aesthetic Value0
Books of Interest0
By What Criteria Are Pictorial Styles Individuated?0
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