Journal of Aesthetics and Art Criticism

Papers
(The TQCC of Journal of Aesthetics and Art Criticism is 1. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
CATHARINE, ABELL. Fiction: A Philosophical Analysis29
On Experiencing Music from Within16
Landscape Appreciation: Theories since the Cultural Turn14
Is AI a Threat to Human Music? (a neo-Deweyan Perspective)8
Autonomy and Community in Kant’s Theory of Taste8
On the Aesthetic Appreciation of Damaged Environments6
What Makes Heavy Metal ‘Heavy’?6
Ethical Flaws in Artworks: An Argument for Contextual Conjunctivism6
Reconsidering Mood and Narrative Cinema5
Black and Latinx hermeneutical resources, hip hop music and white supremacy5
Nietzsche in The Office: the aesthetic justification of capitalist realism5
What Is a Photographic Register?5
Hard to watch: how to fall in love with difficult movies5
Between the Lines: A Philosophy of Theatre5
Foucault’s Aesthetics of Existence and Shusterman’s Somaesthetics: Ethics, Politics, and the Art of Living5
Rational Sentimentalism4
Contributors4
Te heahea me ngā toi, te hikohiko: Productive Idiocy, mātauranga Māori and Art-activism Strategies in Aotearoa/New Zealand4
Perplexing Plots: Popular Storytelling and the Poetics of Murder4
Notes from the Editors4
Introduction: Symposium on Aesthetic Value3
Resisting Tiny Heroes: Kant on the Mechanism and Scope of Imaginative Resistance3
Take a Chance on Me: Aleatory Poetry, Generative AI, and the External Demarcation Problem3
A Simple Theory of Aesthetic Value3
Image in the Making: Digital Innovation and the Visual Arts3
Creative Agency as Executive Agency: Grounding the Artistic Significance of Automatic Images3
Pluralism About Artwork Completeness2
The Art of Environmental Law, Governing with Aesthetics2
Supplementing Herder’s Naturalism: Expanding the Senses and Transcending Cultures2
The Fictional Road Not Taken: A Weak Anti-realist Theory of Fiction2
The Unseen Truth: When Race Changed Sight in America2
The Fable and the Novel: Rethinking History of Korean Fiction from the Perspective of Narrative Aesthetics2
Bearing Witness and Creative Activism2
Philosophical Skepticism as the Subject of Art: Maria Bussmann’s Drawings2
A Dual-Process Model of Xunzi’s Philosophy of Music2
Correction: Strong Comic Immoralism2
The Aesthetic Value of Diverse Beliefs2
The Aesthetics of Creative Activism: Introduction2
The Separability Thesis2
Philosophy and the Art of Writing2
Authenticity and Implicature2
Artistic creativity and whimsy: a reply to Costello2
Contributors2
Aesthetic Values Are Distal Versions of Practical Values2
The Engagement Account of Aesthetic Value1
Author’s Reply forHerder’s Naturalistic Aesthetics1
Journal of Aesthetics and Art Criticism | Call for Proposals for Special Issues 2025 and 20261
On the Adorning Arts; An Argument for Artistic Adornment1
Notes from the Editors1
Walking the Path of Taste: On the Kantian Roots of José Vasconcelos’s Aesthetics1
The Politics of Perception and the Aesthetics of Social Change1
Aesthetic Blight, Aesthetic Agency, and Justice1
The Heritage Value of Culinary Items: A Rather Skeptical Tale1
Aesthetic Normies and Aesthetic Communities1
By What Criteria Are Pictorial Styles Individuated?1
Counterfactual Reasoning in Art Criticism1
Literary Indiscernibles, Referential Forgery, and the Possibility of Allographic Art1
Horror and Its Affects1
How Do You Remember What You Don’t Remember? Other Stories/Historias Bravas by Koyoltzintli1
High Art, High Artists1
Why It’s OK to Love Bad Movies1
Merely Methodological Naturalism in Aesthetics: A Proposed Revision of Zuckert’s Herder Interpretation1
Two Concepts of Groove: Musical Nuances, Rhythm, and Genre1
The Possibility of Paraphrase1
Debunking taste1
Comic objectification1
Contributors1
Aesthetic Value as a Relational Value1
Adornment Defended1
Hybridized, Influenced, or Evolved? A Typology to Aid the Categorization of New and Developing Arts1
Adorning Intentions1
Note from the Editors1
Introduction to Symposium on Latinx Aesthetics1
Photographic Registers Are Latent Images1
The Genre View of Public Lands: The Case of National Monuments1
Player Engagement with Games: Formal Reliefs and Representation Checks1
Contributors1
Hardcore Music Ontologies1
Game: Animals, Video Games and Humanity1
Attentional Engines: A Perceptual Theory of the Arts1
Magic, Alief, and Make-Believe1
Contributors1
Street Art, the Discontinuity Thesis, and the Artworld1
Overwhelming Perfection: A Defense of Addison’s Account of the Sublime1
Quatremère de Quincy’s Moral Considerations on the Place and Purpose of Works of Art: Introduction and Translation1
Artistic Exceptionalism and the Risks of Activist Art1
Making Space for Creativity: Niche Construction and the Artist’s Studio1
Nested Types and Musical Flexibility1
Musical Meaning and Authentic Work Performance: Three Dilemmas for the Interpretive Authenticist1
Artistic Manner as Autonomy: Creative Freedom and the Constraint of Rules in Vasari, Bellori and Kant1
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