Journal of Modern Literature

Papers
(The median citation count of Journal of Modern Literature is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-01-01 to 2025-01-01.)
ArticleCitations
Technological Paranoia: A Review of Andrew Gaedtke's <em>Modernism and the Machinery of Madness</em>2
Scaling Holy Mountains: Mountaineering, Religion, and the Politics of Literature in Auden and Empson2
The Insider's View of Beckett's Re-Generating Art2
The Unbearable Affects of Being2
Negotiating the <em>eruv</em>2
Beckett's Insistent Bodies1
On Borders, Race, and Infinite Hospitality: Foucault, Derrida, and Camus1
Hot Spinsters: Revisiting Barbara Pym's Virtuous Style1
Modern Chinese Literature under the Russian-Soviet Influence1
Inadequate Compensation: Economic Agency against the Plantation System in Faulkner's <em>Go Down, Moses</em>1
The Hispanic World in the Multilingual Fiction of Colm Tóibín1
Re-Visions of the End: Christine Brooke-Rose and the Post-Literary1
Modern Chinese Literature and World Literature from a European Perspective0
Between Modern and Postmodern: Contemporary Chinese Poetry from the Outside in0
The National and Cosmopolitan Significance of Jia Pingwa's Fiction0
<em>Fortress Besieged</em>: Cynicism and Qian Zhongshu's Narrative of the Modern Chinese “Self”0
Transvaluing the New Culture Movement: Toward the Construction of a Cosmo-Humanism0
Modernism at the Bar: Robert Spoo's <em>Modernism and the Law</em>0
Intertexts of <em>Intertextuality</em>0
Zora Neale Hurston and the Limits of the Will to Humanize0
Hong Kong Literature: Colonialism, Cosmopolitanism, Consumption0
Transports, Earthbound0
White Supremacy and the Multicultural Imagination in Ray Bradbury's Afrofuturist Stories of Mars0
Back Matter0
Back Matter0
Rising Stars and Fallen Women: Writing Lives in Emily Hahn's China0
“The man's a man if he is black”: Conrad, Modernism, and Race (Again)0
Front Matter0
<em>Impassagenwerk</em>: Jean Rhys's Interwar Fiction and the Modernist Impasse0
Editor's Introduction: Modern Chinese Literature from Local to Global0
Re-invention in a Globalized World: (Mis)reading and Metafictional Strategies in Tash Aw's <em>Five Star Billionaire</em>0
Freedom as a Mirage: Sexual Commodification in Harold Pinter's Films0
Illumination, Transformation, and Nihilism: T. S. Eliot's Empty Spaces0
Rethinking Modernism, Sex and Gender0
“Like a dry-skin itching for growth on our bodies”: Katherine Mansfield's and Una Marson's Modernist Fantasies of Objecthood0
Logic of Missed Encounters: A Review of Arka Chattopadhyay's <em>Beckett, Lacan, and the Mathematical Writing of the Real</em>0
Intersectional Feminism, Black Love, and the Transnational Turn: Rereading Guillén, Hughes, and Roumain0
Lu Xun and Modern Chinese Literature in the Context of World Literature0
Blanchot in Infinite Conversation(s) with Beckett0
<em>Orlando</em>: A Fanfiction; or, Virginia Woolf in the Archive of Our Own0
Toward a New Narrative About China's Anti-Japanese War: Reading Bodily Anxiety in Ba Jin's <em>Cold Nights</em>0
Drama as Political Commentary: Women and the Legacy of the May Fourth Movement in Cao Yu's Plays0
Front Matter0
Emerging Improvisations: A Review of <em>Writing in Real Time | Emergent Poetics from Whitman to the Digital</em>0
The Work of Art and the Art of Work0
Searching Pragmatism in Marilynne Robinson0
The Rationale of Realism in Yu Hua's <em>To Live</em> (1993)0
Front Matter0
“He Proves by Algebra”: James Joyce's Post-Literary Incest Machines0
The Ugly Politics of (Im)passivity, or Why Conrad's Anarchists are Fat0
Back Matter0
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