OOIR: Observatory of International Research

Papers

(The median citation count of Konsthistorisk Tidskrift is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
ToC	5
ToC	1
Mosaic “Kyiv Academy” by Mykola Storozhenko in the Context of World and Ukrainian Art	1
Patronage, Collecting, and Critique. Athanasius Raczyński's Encounter with the Artistic Circles of Copenhagen	1
Photography and the Organic Nonhuman: Photographic Art with Light, Chlorophyll, Yeasts, and Bacteria	1
Anna Bortolozzi, Italian Architectural Drawings from the Cronstedt Collection, Nationalmuseum	1
Spiritual transcendence and androgyny within Swedish and Finnish transnational Symbolism	1
Instruments of Devotion in Close Bodily Contact – Jewellery, Costume Details and Other Personal Belongings in Relation to Late Medieval Piety	0
Oskar Nordell, Arenaboom: En arkitekturstudie av idrottsarenor i Sverige under 2000-talets första decennier	0
Göteborgs Konsthall – en hundraårig konsthistoria	0
The Sámi in Two Nordic Art Projects: Mattias Olofsson’s Stor-Stina and Jorma Puranen’s Imaginary Homecoming	0
Institutional Acknowledgements: Introduction to the Special Issue ‘The Art of Nordic Colonialism’	0
Monument, Memory, Museum. The Royal Palace of Stockholm in the Long Twentieth Century	0
Traveling Images: On Carl Rasmussen’s “Greenland Paintings”	0
Exhibition Histories from the Formative Years of Pontus Hultén and Moderna Museet	0
Colonial Objects in Early Modern Sweden and Beyond. From the Kunstkammer to Current Museum Crisis	0
Nordic Women Sculptors at the Turn of the 20th Century. Formation, Visibility, Self-Creation	0
Seeing Red: Menstrual Art and Political Portraiture in the Trump Era	0
Cover-title page	0
Livslång rörelse. En essä om Ola Billgrens konstnärskap	0
Becoming Artists: Self-Portraits, Friendship Images and Studio Scenes by Nordic Women Painters in the 1880sCarina Rech. Becoming Artists: Self-Portraits, Friendship Images and Studio Sc	0
Mobility, materiality, and memory: Silas Sandgreen and the construction of Kalaallit cartography in the 1920s	0
Art in Tights: Tableaux Vivants as Commercial Entertainment in Sweden and Finland, 1840–1860	0
Welfare Art in the Swedish Military: The Changing Roles of State-Commissioned Permanent Artworks from Cold War Neutrality to Postnational Defence	0
Framträdanden: performativitetsteoretiska tolkningar av Tadeusz Kantors konstnärskap	0

An Era in Jinling: Game Interactive Heritage Digital Art Exhibition	0
Estetisk ingenjörskonst och konstens ekologisering: Richard Bergh, Människan och nutiden och Öyvind Fahlström	0
Fashion, Performance, and Performativity. The Complex Spaces of Fashion	0
Magdalena Holdar: Fluxus as a Network of Friends, Strangers, and Things. The Agency of Chance Collaborations	0
Correction	0
Cover-title page	0
La Manfrediana Methodus en Allemagne, au Danemark et en Bohême: réminiscences au-delà des confins caravagesques connus	0
Forging a Language of Lies: Truth, Falsehood and Making in Early Modern England	0
Singapore Art History as a History of Mobilities	0
The Ancient Greek Utopia of C. A. Ehrensvärd’s Drawings of His Life	0
The Flesh of History – Re-Enlivening the History of Textile Industries Through the Work of Kristina Müntzing	0
Itinerant Matters: Rubens and the Itineraries of Painting	0
Cover-title page	0
The Digital U-Turn in Art History	0
Stumme Boten. Jacques de Gheyns schriftliche und zeichnerische Geste	0
Die Kilianslegende des Veit Stoß in der Kirche der hl. Maria Magdalena in Münnerstadt	0
ToC	0
Editorial Board	0
Editorial Board	0
Arresting Actors: A Sámi Drum and its Complex Relations	0
Primary Colors for the Fourth World: The Nonfigurative Sovereignty of Synnøve Persen and Frederik “Kunngi” Kristensen	0
The condottiere prince – A visual rhetoric. Leonello d'Este, Sigismondo Malatesta, Alessandro Sforza, Federico da Montefeltro	0
Correction	0
Nell Walden, Der Sturm, and the Collaborative Cultures of Modern Art	0
The Portrait and the Colonial Imaginary. Photography between France and Africa, 1900–1939	0
Jan Miense Molenaer and His Sources: Prints as Prototypes to His Paintings	0
A Large, Finite Permutation of Specific, Discrete Variants: Dan Graham’s Children’s Pavilion at Chambres d’Amis (1986)	0
The Making of Ways of Being an Artist: The Ethopoetics of J.O. Mallander’s Conceptual Art	0
The Divine Role of the Diadem in Rubens’s Marie de’ Medici Cycle	0
‘Try it with the Tip of a Knife’: Looking Out for Fake Antiquities in Sixteenth-Century Italy	0
Editorial Board	0
An intellectual biography on Felix Horb, a Viennese émigré and art historian in Stockholm	0
Spår, kropp, tid. En undersökning av den måleriska gestens materialitet 1952–1965	0
Från Flux till Fest, Den internationella konsten i Lunds konsthall 1965-1967Katarina Wadstein MacLeod. Från Flux till Fest, Den internationella konsten i Lunds konsthall 1965-1967	0
Prince and Pretender: Marian Iconography and Devotion as Political Rhetoric in the Magnificat Window in Great Malvern Priory Church	0
The Kings’ Lines and Lies: Genealogical Rolls in Mythmaking and Political Rhetoric in the Reign of Henry VII	0
To Size Up the Serenissima Sposa: A Full-Length Portrait of Marguerite-Louise of Orléans by Henri and Charles Beaubrun	0
LiteratureMårten Arndtzén, Konsten är vi . Stockholm, Fri tanke, 2022. 221 s. ISBN 978-91-8952-652-5	0
Menneske og drømmemaskine. Posthumane myteskabelser om AI hos Amalie Smith	0
Mapping Memories Anew in Liselotte Wajstedt’s Sámi Nieida Jojk	0
Kyrkliga kulturarv i en ny tid. Samlade studier och reflektioner	0
A Matter of Amusement. The Material Culture of Philipp Hainhofeŕs Games in Early Princely Collections	0
Horst Bredekamp, Michelangelo	0
Cover-title page	0
From Saintly Shrines to Cabinets of Curiosity – The Fate of Medieval Altarpieces in Post-Reformation Norway	0
Appropriating Antiquity for Modern Chinese Painting	0
Interpreting ArtSam Rose. Interpreting Art , London, UCL Press, 2022. 136 pp, ISBN 978-1-800-08179-6	0
Striving for Close Resemblance or Creative Improvements: On Painted Copies and Workshop Replicas from the Sixteenth and Seventeenth Century in Swedish Art History	0
Fakes matter – as a matter of fakes	0
Portrait Exchange Between Stockholm and Vienna and the Formation of Gustav III’s Round Salon at Gripsholm Castle	0

Toc	0
The Bastard Child of Historicism? Realism's Roots in History Painting	0
Editorial Board	0
Performing Protest in Singapore: Performance Tactics in Brother Cane and Don’t Give Money to the Arts	0