Leonardo

Papers
(The median citation count of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-05-01 to 2026-05-01.)
ArticleCitations
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War11
Leonardo Volume 5610
The Lab Book: Situated Practices in Media Studies9
Life in the Posthuman Condition: Critical Responses to the Anthropocene8
Tending to the Life Web7
See the Change7
Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges7
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20205
Applied Systems Aesthetics: Jack Burnham and Contemporary Video Game Art4
Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures4
Leonardo@Djerassi 2024: A Decade of Innovation at the Intersection of Art and Science4
Paris Pataphysique—L’Art des Solutions Imaginaires4
Temporal Dynamics of the “Living Picture” and Its Interference in the Photographic Medium: Unveiling the Impact of Cinemagraphs on Time Perception4
The Physical Weight of Sound: In Memory Of Phill Niblock4
Coenesthetic Defragmentation: An Artistic Installation Exploring the Relationship Between Sound, Movement, and Self-Awareness4
Freak Pictures, Fly Fishers, and Optical Illusions: Historical Antecedents of the Science of Fish Vision4
Into the Here and Now: Explorations within a New Acoustic Virtual Reality4
Primitive way country come look inside3
Handling Electric Light: Piotr Kowalski’s Illuminating Mesures à prendre3
The Politics of Visual Indeterminacy in Abstract AI Art3
The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–19753
Entangled Poetics: Two Bioartists in the Anthropocene3
Saint Ghetto of the Loans: Grimoire2
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide2
Remembering Dick Land (1932–2024)2
Language Is Leaving Me: An AI Exploration of Epigenetic or Inherited Trauma of Cultures of Diaspora2
Measuring Is Making: The Radical Indeterminacy of Music2
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video2
Roman Verostko, Digital Art Pioneer2
Le Temps de L’Écrivain2
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency2
In Search for the Rarest Plant: Art, Drones, and AI2
Poems as Musical Instruments: an AI Music Performance Interface Based on the Concepts of Chinese Qin Songs2
Atmospheres of Projection: Environmentality in Art and Screen Media2
Sentience: The Invention of Consciousness2
Navigating the Ineffable2
Living Capsules: Reflections on an Ongoing Art-Sociology Collaboration2
The Soundscape of Johannesburg: Field Recording as Creative Cartography.2
BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer1
Latent Ecologies of the Mind : Laying Down the Path for Ecopoietic Hyperfeedback Systems1
An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio1
Leonardo Reviews Online1
Against Interaction Design1
Artificial Intelligence and the Technological Imaginary1
Interactive Cinema: The Ambiguous Ethics of Media Participation1
Listening Through Bones, Opening Surroundings, and the Body1
Epigenetics and Intergenerational Trauma: An Interdisciplinary Exploration of the Afterlives of Famine in War1
The Weirdness of the World; The Science of Weird Shit: Why our Minds Conjure the Paranormal1
Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances1
Codified Sonic Territories: Understanding Ubiquitous Music through Critical Spatial Theory1
Auro Lecci’s Algorithmic Art: Toward the Computer as a Thinking Machine1
Frank Malina: Light Art and Scientific Abstraction1
Slow AI1
Promoting Unfamiliar Music Through Data Science: MARS, the Music Affect Recommender System for Digital Library Engagement1
The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram1
Being Good Ancestors1
A Lesson with Francis Bacon Forced Me to See Outside the Software Box1
Experimental Environments and the Aesthetic Experience of Metabolic Processes1
The Art of Scientific Observation: An Art-Science Project on the Legacy of Barbara McClintock1
Exploring the Materiality of Augmented Reality Markers through Arts-Led Cocreation: Drawing, Weaving, and Tiling1
PlantConnect1
Voices of Climate Change1
Criptech and the Art of Access: Introduction to Special Issue1
LOL, a Sonic Détournement of the CCTV Surveillance Network1
Men of Letters: Perspectives on Multisensory Environments in the Hall-McLuhan Correspondence, 1961–19771
Tipping the Scales: The Harrisons and the Force Majeure1
Visualizing Spatial Gaze Data in the Perception of 3D Objects1
An Ecological Oracle1
Historic Avant-Garde Work on Paper1
Theorizing the Intersection of Science and Art: A Case Study of an Online SciArt Exhibition in the Context of Science and Technology Studies (STS)1
Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist1
Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought through Play1
The Ecology of Knowledge: How the Complexity Sciences Can Explain the Peculiar Alliance between Art and Philosophy1
Deep Permutation Design: A New Potential Artificial Intelligence-Based Design Methodology1
’Pataphysics Unrolled1
Memorial Art for All: Supporting Marginalized Communities in Collective Healing1
Leonardo Graduate Abstracts: Top-Rated LABS Abstracts 20241
Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements1
A Shift in Artistic Practices through Artificial Intelligence1
Performing by the Book? Musical Negotiations Between Text and Act1
Leonardo@Djerassi 2022: Introduction1
From Virtual to Physical: AIGC-Driven Human–Computer Collaboration in Miao Costume Design1
Para Ser Eterno Basta Ser Um Livro—Editorial e Design do Livro em Portugal no Século XX1
The Smartness Mandate1
Scalar Wave Paintings: A New Approach to Postdigital Art1
Selected Writings on Visual Arts and Culture: Detour to the Imaginary1
Posthuman Subjectivity: The Interactive Art Installation Countdown X Hours1
Leonardo Volume 581
Making AI-Infused Products and Services More Legible1
Code: From Information Theory to French Theory0
The Belgian Photonovel, 1954–1985: An Introduction0
De tripas corazón (From Guts to Heart) : A Generative Art Audiovisual Exploration of the Gut-Brain Axis0
Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture0
A History of Fireworks: From their Origins to the Present Day0
Art, Science, and the Politics of Knowledge0
“Tint and Form”: The Geometric Philosophy Underlying Oliver Byrne’sElements0
Diversified Perspectives: Modes of Attention in Algorithmic Information Processing0
Inside the Spiral: The Passions of Robert Smithson0
SoundRunner: Out of the Starting Blocks0
Experimental Practices in Interdisciplinary Art: Engaging the Margins0
Diffractive Rendezvous0
An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave Rhythm0
The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film0
Artists for the Utopia of Peace and Justice0
Wabi-Sabi in Virtual Reality Sketching: Toward a Digital Creator’s Posture Change0
A Collaborative Approach in Mechanistic Music-Based Intervention and Pain Research: NCCIH Research Networks0
Artistic Defamiliarization in the Age of Algorithmic Prediction0
gOd, mOther and sOldier: A Story of Oppression, Told through the Lens of AI0
The Power of Poor AI: Exploring the Potential for Defiance and the Nature of Disruption0
New Ways of Reading Drones in Art: Drones as Existential Technologies0
On Hope and Creatives for Earth0
Audible Garden : Transcoding Literati Traditions in Landscape Representation Through a Multimodal Approach0
Illustration. A Theoretical and Contextual Perspective (3rd Edition)0
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology0
The Hroswitha Club and the Impact of Women Book Collectors0
Experimental Afters: On Meaning-Making with Collective Visual Fieldnotes0
Self-Reference Design: A New Potential Design Methodology in the Age of Artificial Intelligence0
Neuroarts: At the Intersection of the Arts, Research, Technology, and Practice0
Our Monsters0
Unearthing the Underworld: A Natural History of Rocks0
Fragile Freedoms: Memory and Medium, a Curated Dialogue0
Reporting Guidelines for Music-Based Interventions: The Importance of Reporting Quality to Advances in Arts and Health Research0
Memory in the Life of a Cajun Prairie0
An Image Dispute Resulting from Pareidolia?0
Novelty and Utility: How the Arts May Advance Question Creation in Contemporary Research0
A Revolution in Music: The History of the Groupe de Recherches Musicales0
Against Interaction Design0
Immersive Synthetic Memories: Transforming AI-Generated 2D Memories into Virtual Environments0
Right Amygdala Synchronization and the Risk of Social Rejection: A Neurocinematic Study Using the Cinegraph0
Unveiling the Unspoken and Invisible: Analyzing Artistic Responses to Radiophobia0
A World Full of Creativity0
Exploring the Synergy of Scientific Data and Music: Multifaceted Approaches to the Sounds of Biological Active Compounds0
The Music of Heart Rate Variability0
Artificial Intelligence: the paradox of a victorious retreat0
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats0
Frieder Nake and the Ethics of Cold War Computer Art0
Histories, Legacies, and Futures of Image-Processing0
From Recommendations to Generation: Tools Without Interfaces0
The Arrogant Ape: The Myth of Human Exceptionalism and why it Matters0
Navigating Critical Zones: Indeterminate and Intimate Geographies0
Urban Intonation: Listening to the Rats of New York City0
ImproVision: Visual Communication and Human-Computer Interactions for Musical Creativity0
Intr/Ansitif. Poétique De L’Interstice0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
Mythical Mushrooms: Hybrid Perspectives on Transcendental Matters0
Game Forms of the Possible: A Personal Obituary of Leonardo Contributor and Co-Founder of Computer Art Herbert W. Franke, 1927–20220
Resonant Realms: Cross-Disciplinary Exploration of Sound0
How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence0
On Developing Enhancement Artefacts for Musical Instruments via 3D-Printing: A Case Study on the Euphonium0
The Passing of Newton Harrison0
The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene0
Human’ and ConversationN: Exploring Mirrored Human-AI Identities Through Dialogue Installations0
Hollis Frampton: Navigating the Infinite Cinema0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
Against Reason: Tony Smith, Sculpture, and other Modernisms, Vol. 10
Reimagining Creativity: Gaussian Splatting as an Organological Extension of Imagination in Artistic Processes0
Transformed Strangely: Lyotardian Indeterminacy in John Cage’sChild of Tree0
Molds, Mushrooms, and Medicines: Our Lifelong Relationship with Fungi0
Electric Echoes: Conserving Chryssa’s Black-Light Sculptures0
Boundary Images0
Metabolic Arts Gathering: Curatorial Notes0
By the Bedside of The Patient: Lessons for the Twenty-First-Century Physician0
Leonardo Gallery: Experiments in Art, Access and Technology0
Algorithms of Oppression: How Search Engines Reinforce Racism0
La bande dessinée en France à la Belle époque. 1880–19140
The Little Database: A Poetics of Media Formats0
On Pedantry: A Cultural History of the Know-it-all0
Experiments in Art, Access and Technology0
The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV0
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe0
Wound Man: The Many Lives of a Surgical Image0
Basic Artistic Research: The Foundations of Science and the Future of Art0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
Exploring Past Images in a Digital Age: Reinventing the Archive0
From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown0
Reclaiming Wisdom in the Algorithmic Age0
Mark: Sonya Kelliher-Combs0
A Teaching Experiment on the Generation of AI-Assisted Interior Renderings0
Simulated Environments and Environmental Consciousness: Extending Ecoacoustic Monitoring into Sound Art0
The Night Albums: Visibility and the Ephemeral Photograph0
Introduction to Graphic Design: A Guide to Thinking, Process, and Style0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
Indeterminacy after AI: Introduction to Special Section0
The Unification of the Arts: A Framework for Understanding What the Arts Share and Why0
A Piano for Visuals: Affordances of Scan Processing Instruments0
Remediating the Individual and the Collective0
“Carlos Trilnick: an electronic image-processing pioneer from Argentina”0
A Piano for Visuals: Affordances of Scan Processing Instruments0
The Source of Novelty: Exploring semiotic and poetic mechanisms in biological systems0
Marguerite’s Theorem (Le Théorème de Marguerite)0
Difference and Repetition in the Robotic Art of Sisyphus0
Creative Simulations: George Mallen and the Early Computer Arts Society0
Dynamics of Generative Cinematography: Virtual Cameras in Game Engine–Based 3D Real-Time Environments0
The Cult of Creativity: A Surprisingly Recent History0
The Network0
Analysis of the Potential of Telematic Chamber Music: Focusing on Korean Performances0
Generative Sonification of Synthetic Virology Data with Waveshaping and Granular Synthesis Techniques0
Top-Rated LGA Abstracts 20230
Neural Networks0
Crip-Techno-Tinkerism: A Neurodivergent Learning Style Meets Machine Learning0
The Creative Lives of Animals0
The Epistemic Case for Sci-Art: Toward a Posthuman Praxis0
Leonardo@Djerassi 2022: Gallery0
Listening through bones, opening surroundings and body0
Poetic Cinema and the Spirit of the Gift in the Films of Pabst, Parajanov, Kubrick and Ruiz0
Video as World Mandala: The Role of Nakajima Kō’s Animaker and Aniputer in Defining a Cosmic Vision of Video0
Experiential AI: Between Arts and Explainable AI0
“Dancing with Atoms”: A Tribute to Sheila Tinney0
Conflict as Catalyst : Cross-Disciplinary Perspectives on Art, Science, and Technology0
Literature’s Elsewheres: On the Necessity of Radical Literary Practices0
The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative Artwork UKON0
Forgotten Pioneers of Media Art: Laboratory of Presentation Techniques0
The Chapter: A Segmented History from Antiquity to the Twenty-First Century0
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool0
DNA Dance Revolution0
Programmable Analogue Drawing Machines, 1952–20230
Typophoto: New Typography and the Reinvention of Photography0
On the Anarchic Organization of Cinematic Spaces0
Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques0
Lessons from the Harrisons0
Before Superman: Superhumans of the Radium Age0
Scientists as “Specialist Audience” for Art that Addresses Climate Change: Weather Engines at Onassis, Athens, 20220
Erratum0
The Network0
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures0
The Network0
Art as Inquiry: Theoretical Perspectives on Research in Art and Science0
Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking0
Nonhuman Companionship: Practicing Free Improvisation Through Interaction with Machines0
Embracing Fragility: Exploring Vulnerability0
The Anthology of Black Mountain College Poetry0
Responsivity and Responsibility in Responsive Environments: Art and Interactivity on a Rupturing Planet0
Parallel Public: Experimental Art in Late East Germany0
MindClay : From Interactive Installations to a Digital Platform for Therapeutic Creative Arts0
Tales of Militant Chemistry: The Film Factory in a Century of War0
Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–19680
The Edge of Beginning Again0
Environing Media0
Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context0
Trafficking | Transmission | Translation: Exploring Embodiment as a Mode of Knowledge Construction in Science Art Installations0
LOVEWEAR: haptic clothing that allows intimate exploration for movement-impaired0
La Résidence D’auteurs Littérature, Territorialité et Médiations Culturelles0
Raster Manipulations0
Towards a Cosmotechnical AI: Planetary Futures and Artificial Wisdom from Latin American Imagination0
The Extinction of Experience: Being Human in a Disembodied World0
Shanshui Journey: Using AI to Reproduce the Experience of Chinese Literati Ink Paintings0
Operational Images: From the Visual to the Invisual0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
Architecture of Life: Soviet Modernism and the Human Sciences0
A Book of Noises: Notes on the Auraculous0
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