Leonardo

Papers
(The TQCC of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-08-01 to 2026-08-01.)
ArticleCitations
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War16
Leonardo Volume 5612
The Lab Book: Situated Practices in Media Studies11
Life in the Posthuman Condition: Critical Responses to the Anthropocene9
Tending to the Life Web7
See the Change7
Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges7
Freak Pictures, Fly Fishers, and Optical Illusions: Historical Antecedents of the Science of Fish Vision5
Temporal Dynamics of the “Living Picture” and Its Interference in the Photographic Medium: Unveiling the Impact of Cinemagraphs on Time Perception5
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20205
Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures5
Into the Here and Now: Explorations within a New Acoustic Virtual Reality4
The Physical Weight of Sound: In Memory Of Phill Niblock4
The Scores Project: Essays on Experimental Notation in Music, Art, Poetry, and Dance, 1950–19754
Applied Systems Aesthetics: Jack Burnham and Contemporary Video Game Art4
Paris Pataphysique—L’Art des Solutions Imaginaires4
Handling Electric Light: Piotr Kowalski’s Illuminating Mesures à prendre4
Leonardo@Djerassi 2024: A Decade of Innovation at the Intersection of Art and Science4
Primitive way country come look inside4
The Politics of Visual Indeterminacy in Abstract AI Art4
Entangled Poetics: Two Bioartists in the Anthropocene3
Coenesthetic Defragmentation: An Artistic Installation Exploring the Relationship Between Sound, Movement, and Self-Awareness3
Technoetic Ecologies of Another AI: Play, Process, and the Post-Biological Imagination3
Living Capsules: Reflections on an Ongoing Art-Sociology Collaboration2
Measuring Is Making: The Radical Indeterminacy of Music2
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency2
Language Is Leaving Me: An AI Exploration of Epigenetic or Inherited Trauma of Cultures of Diaspora2
SORAURUSHI as Space Art: Reflecting Earth and Cosmos on Urushi Lacquer through a High-Altitude Balloon Experiment2
Experimental Environments and the Aesthetic Experience of Metabolic Processes2
Saint Ghetto of the Loans: Grimoire2
Atmospheres of Projection: Environmentality in Art and Screen Media2
Sentience: The Invention of Consciousness2
Le Temps de L’Écrivain2
In Search for the Rarest Plant: Art, Drones, and AI2
Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist2
The Ecology of Knowledge: How the Complexity Sciences Can Explain the Peculiar Alliance between Art and Philosophy2
Roman Verostko, Digital Art Pioneer2
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide2
Remembering Dick Land (1932–2024)2
Poems as Musical Instruments: an AI Music Performance Interface Based on the Concepts of Chinese Qin Songs2
The Soundscape of Johannesburg: Field Recording as Creative Cartography2
’Pataphysics Unrolled2
Navigating the Ineffable2
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video2
Exploring the Materiality of Augmented Reality Markers through Arts-Led Cocreation: Drawing, Weaving, and Tiling1
LASER Nomad: Road Maps for Art and Science Research into Ancestral Knowledge1
Leonardo Volume 571
Visualizing Spatial Gaze Data in the Perception of 3D Objects1
Interactive Cinema: The Ambiguous Ethics of Media Participation1
The Weirdness of the World; The Science of Weird Shit: Why our Minds Conjure the Paranormal1
Epigenetics and Intergenerational Trauma: An Interdisciplinary Exploration of the Afterlives of Famine in War1
PlantConnect1
Making AI-Infused Products and Services More Legible1
Weaving Joy Through the Power of Touch: Interactive Art Installation Using Knitted Sensors1
The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram1
From Virtual to Physical: AIGC-Driven Human–Computer Collaboration in Miao Costume Design1
Interspecies Translation Technologies: Designing Interpretation Interfaces Referencing Simple to Poetically Complex Semiotic Frameworks1
Against Interaction Design1
Memorial Art for All: Supporting Marginalized Communities in Collective Healing1
Tipping the Scales: The Harrisons and the Force Majeure1
A Shift in Artistic Practices through Artificial Intelligence1
Historic Avant-Garde Work on Paper1
Deep Permutation Design: A New Potential Artificial Intelligence-Based Design Methodology1
Scalar Wave Paintings: A New Approach to Postdigital Art1
An Ecological Oracle1
Leonardo@Djerassi 2023: Gallery Introduction1
Technology as Resistance: Pioneers of Korean Media Art from the 1960s to the 1990s1
Energy Is Never Lost: A Portrait of Swiss Artist Margrit Fischer-Hotz1
Men of Letters: Perspectives on Multisensory Environments in the Hall-McLuhan Correspondence, 1961–19771
Voices of Climate Change1
Transforming the Future: An Interview with Lining Yao on Morphing Matter and AI1
Selected Writings on Visual Arts and Culture: Detour to the Imaginary1
Slow AI1
LOL, a Sonic Détournement of the CCTV Surveillance Network1
Sinicization of Electronic Music Instruments: Tian Jinqin’s Pioneering Inventions and Designing Ideas1
Leonardo@Djerassi 2022: Introduction1
Codified Sonic Territories: Understanding Ubiquitous Music through Critical Spatial Theory1
A Lesson with Francis Bacon Forced Me to See Outside the Software Box1
An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio1
Leonardo Volume 581
Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances1
Flourishing as Ongoingness and Collectivity in Form and Process: A Dialectical Encounter1
Spatial Transcriptions – Harnessing Reflections as a Spatial Medium to Transcribe Micro-topographies into Lightscapes1
Listening Through Bones, Opening Surroundings, and the Body1
Auro Lecci’s Algorithmic Art: Toward the Computer as a Thinking Machine1
Posthuman Subjectivity: The Interactive Art Installation Countdown X Hours1
Aesthetic Experience of Metabolic Processes1
Curating the Moving Image1
Relationships Between Arts Participation, Social Cohesion, and Well-Being in 18 US Communities: A New Theory of Change1
The Smartness Mandate1
Performing by the Book? Musical Negotiations Between Text and Act1
Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements1
The Art of Scientific Observation: An Art-Science Project on the Legacy of Barbara McClintock1
Artificial Intelligence and the Technological Imaginary1
Leonardo Graduate Abstracts: Top-Rated LABS Abstracts 20241
Criptech and the Art of Access: Introduction to Special Issue1
The Nature of Information: The Leonardo LASER, Telluride, 20241
Theorizing the Intersection of Science and Art: A Case Study of an Online SciArt Exhibition in the Context of Science and Technology Studies (STS)1
Frank Malina: Light Art and Scientific Abstraction1
Latent Ecologies of the Mind : Laying Down the Path for Ecopoietic Hyperfeedback Systems1
BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer1
Promoting Unfamiliar Music Through Data Science: MARS, the Music Affect Recommender System for Digital Library Engagement1
Para Ser Eterno Basta Ser Um Livro—Editorial e Design do Livro em Portugal no Século XX1
Leonardo Reviews Online1
Being Good Ancestors1
Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought through Play1
Histories, Legacies, and Futures of Image-Processing0
Issue Welcome0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
Living Surfaces0
Marguerite’s Theorem (Le Théorème de Marguerite)0
From Recommendations to Generation: Tools Without Interfaces0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
The Splendor of Plainness: A Transformation of the Process of Qi as Expressed in the Generative Artwork UKON0
MindClay : From Interactive Installations to a Digital Platform for Therapeutic Creative Arts0
The Arrogant Ape: The Myth of Human Exceptionalism and why it Matters0
Dynamics of Generative Cinematography: Virtual Cameras in Game Engine–Based 3D Real-Time Environments0
A Piano for Visuals: Affordances of Scan Processing Instruments0
Scientists as “Specialist Audience” for Art that Addresses Climate Change: Weather Engines at Onassis, Athens, 20220
One Never Knows0
Character Creation in Drone Puppetry: Integrating Tradition and Technology in Isabella’s Flight0
Listening through bones, opening surroundings and body0
Responsivity and Responsibility in Responsive Environments: Art and Interactivity on a Rupturing Planet0
Human’ and ConversationN: Exploring Mirrored Human-AI Identities Through Dialogue Installations0
How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence0
De tripas corazón (From Guts to Heart) : A Generative Art Audiovisual Exploration of the Gut-Brain Axis0
Transdisciplinarity, Composition, Expression: Reflections on a Spherical Way of Thinking0
Electric Echoes: Conserving Chryssa’s Black-Light Sculptures0
Hollis Frampton: Navigating the Infinite Cinema0
An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave Rhythm0
Our Bodies Demand Their Turn!: Live Synthesizer in Shigeko Kubota’s Riverrun—Video Water Poem0
SoundRunner: Out of the Starting Blocks0
Molds, Mushrooms, and Medicines: Our Lifelong Relationship with Fungi0
Indeterminacy after AI: Introduction to Special Section0
Unveiling the Unspoken and Invisible: Analyzing Artistic Responses to Radiophobia0
AI-assisted Embodied Painting Therapy: Exploring New Approaches to Artistic Healing Through Delving into the Subconscious0
Algorithms of Oppression: How Search Engines Reinforce Racism0
Leonardo Gallery: Experiments in Art, Access and Technology0
The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV0
New Ways of Reading Drones in Art: Drones as Existential Technologies0
Diffractive Rendezvous0
Immersive Synthetic Memories: Transforming AI-Generated 2D Memories into Virtual Environments0
Experiential AI: Between Arts and Explainable AI0
Sand: An Assay —Observations on a Collaboration0
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe0
Artistic Defamiliarization in the Age of Algorithmic Prediction0
Nonhuman Companionship: Practicing Free Improvisation Through Interaction with Machines0
Parallel Public: Experimental Art in Late East Germany0
La bande dessinée en France à la Belle époque. 1880–19140
Typophoto: New Typography and the Reinvention of Photography0
The Extinction of Experience: Being Human in a Disembodied World0
A Teaching Experiment on the Generation of AI-Assisted Interior Renderings0
Exploring Past Images in a Digital Age: Reinventing the Archive0
The Belgian Photonovel, 1954–1985: An Introduction0
A Book of Noises: Notes on the Auraculous0
The Chapter: A Segmented History from Antiquity to the Twenty-First Century0
Video as World Mandala: Nakajima Ko’s Animaker, Aniputer, and Cosmic Video0
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats0
The Chimeric Entity: Narratives and Algorithms in Hybrid Ecology0
Environing Media0
Mobilizing Creativity to Build a Culture of Peace0
The Edge of Beginning Again0
Metabolic Arts Gathering: Curatorial Notes0
Visibilis 433: Sensory Extension and Audiovisual Reinterpretation of 4′33″0
Embracing Fragility: Exploring Vulnerability0
The Traveling Gallery of Fluid Motion: The Coexistence of Order and Chaos0
Neural Networks0
A Piano for Visuals: Affordances of Scan Processing Instruments0
A History of Fireworks: From their Origins to the Present Day0
Top-Rated LGA Abstracts 20230
Exploring the Synergy of Scientific Data and Music: Multifaceted Approaches to the Sounds of Biological Active Compounds0
Basic Artistic Research: The Foundations of Science and the Future of Art0
Illustration. A Theoretical and Contextual Perspective (3rd Edition)0
Leonardo@Djerassi 2022: Gallery0
ImproVision: Visual Communication and Human-Computer Interactions for Musical Creativity0
A Revolution in Music: The History of the Groupe de Recherches Musicales0
Diversified Perspectives: Modes of Attention in Algorithmic Information Processing0
The Source of Novelty: Exploring semiotic and poetic mechanisms in biological systems0
Transformed Strangely: Lyotardian Indeterminacy in John Cage’sChild of Tree0
Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–19680
Conflict as Catalyst : Cross-Disciplinary Perspectives on Art, Science, and Technology0
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool0
Neuroarts: At the Intersection of the Arts, Research, Technology, and Practice0
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures0
On Developing Enhancement Artifacts for Musical Instruments via 3D Printing: A Case Study on the Euphonium0
“Tint and Form”: The Geometric Philosophy Underlying Oliver Byrne’sElements0
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology0
On the Anarchic Organization of Cinematic Spaces0
Architecture of Life: Soviet Modernism and the Human Sciences0
Lessons from the Harrisons0
Reimagining Creativity: Gaussian Splatting as an Organological Extension of Imagination in Artistic Processes0
Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques0
The Network0
Against Technoableism: Rethinking who Needs Improvement, The Double Bind of Disability: How Medical Technology Shapes Bodily Authority0
The Network0
Exploring the Artful Mind: Introducing Leonardo’s Focus on Neuroarts, Healing, and Innovation0
Memory in the Life of a Cajun Prairie0
Against Interaction Design0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
The Anthology of Black Mountain College Poetry0
DNA Dance Revolution0
On Pedantry: A Cultural History of the Know-it-all0
Creative Simulations: George Mallen and the Early Computer Arts Society0
Shamans and Robots: On Ritual, the Placebo Effect, and Artificial Consciousness0
The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film0
Streams in the Veins : Harmonic Cycle of Multimodal Signals for Interspecies Interactive Composing0
Towards a Cosmotechnical AI: Planetary Futures and Artificial Wisdom from Latin American Imagination0
Remediating the Individual and the Collective0
Vermeer’s Afterlives0
An Image Dispute Resulting from Pareidolia?0
INTR/ANSITIF. Poétique de L’Interstice0
A World Full of Creativity0
Trafficking | Transmission | Translation: Exploring Embodiment as a Mode of Knowledge Construction in Science Art Installations0
Sound of Ikebana: Fluid Artwork Created under Zero-G Using Parabolic Flight0
Simulated Environments and Environmental Consciousness: Extending Ecoacoustic Monitoring into Sound Art0
Composing Interwoven Sound Spaces: on writing for networked halls, interactive textiles, and musicians0
Introduction to Graphic Design: A Guide to Thinking, Process, and Style0
Reporting Guidelines for Music-Based Interventions: The Importance of Reporting Quality to Advances in Arts and Health Research0
Our Monsters0
Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture0
Camilla_Horde : A Thermo-Artistic Device for Hauntological Computing0
Reclaiming Wisdom in the Algorithmic Age0
The Epistemic Case for Sci-Art: Toward a Posthuman Praxis0
Inside the Spiral: The Passions of Robert Smithson0
Generative Sonification of Synthetic Virology Data with Waveshaping and Granular Synthesis Techniques0
Into the Deep: AI, Monsters, and Mapping the Unknown0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
“Dancing with Atoms”: A Tribute to Sheila Tinney0
gOd, mOther and sOldier: A Story of Oppression, Told through the Lens of AI0
LOVEWEAR: haptic clothing that allows intimate exploration for movement-impaired0
Artists for the Utopia of Peace and Justice0
The Power of Poor AI: Exploring the Potential for Defiance and the Nature of Disruption0
Self-Reference Design: A New Potential Design Methodology in the Age of Artificial Intelligence0
A Collaborative Approach in Mechanistic Music-Based Intervention and Pain Research: NCCIH Research Networks0
Interspecies Interfaces in Artistic Contexts: Forest Signals as the Basis for Ecosystemic Intelligence0
The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene0
Artificial Intelligence: the paradox of a victorious retreat0
Experiments in Art, Access and Technology0
Mark: Sonya Kelliher-Combs0
The Hroswitha Club and the Impact of Women Book Collectors0
Forgotten Pioneers of Media Art: Laboratory of Presentation Techniques0
Raster Manipulations0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
Slow Technology Reader: A Tool for Shaping Divergent Futures0
Unearthing the Underworld: A Natural History of Rocks0
By the Bedside of The Patient: Lessons for the Twenty-First-Century Physician0
Words and Lights : A Poetic Installation Embodying the Collective Creativity of the Generation of 270
Resonant Realms: Cross-Disciplinary Exploration of Sound0
Urban Intonation: Listening to the Rats of New York City0
The Cult of Creativity: A Surprisingly Recent History0
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