Leonardo

Papers
(The TQCC of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)
ArticleCitations
Applied Systems Aesthetics: Jack Burnham and Contemporary Video Game Art24
Ferment: Cultural Reincarnations and Reflections12
The Lab Book: Situated Practices in Media Studies8
Tending to the Life Web7
See the Change6
Life in the Posthuman Condition: Critical Responses to the Anthropocene5
Freak Pictures, Fly Fishers, and Optical Illusions: Historical Antecedents of the Science of Fish Vision5
Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures5
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20204
Primitive way country come look inside4
Leonardo Volume 564
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War4
Leonardo@Djerassi 2024: A Decade of Innovation at the Intersection of Art and Science3
Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges3
Into the Here and Now: Explorations within a New Acoustic Virtual Reality3
The Politics of Visual Indeterminacy in Abstract AI Art3
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide3
Paris Pataphysique—L’Art des Solutions Imaginaires3
Temporal Dynamics of the “Living Picture” and Its Interference in the Photographic Medium: Unveiling the Impact of Cinemagraphs on Time Perception3
The Physical Weight of Sound: In Memory Of Phill Niblock3
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency2
Language Is Leaving Me: An AI Exploration of Epigenetic or Inherited Trauma of Cultures of Diaspora2
Experimental Environments and the Aesthetic Experience of Metabolic Processes2
Leonardo Reviews Online2
Living Capsules: Reflections on an Ongoing Art-Sociology Collaboration2
Measuring Is Making: The Radical Indeterminacy of Music2
Roman Verostko, Digital Art Pioneer2
Atmospheres of Projection: Environmentality in Art and Screen Media2
Sentience: The Invention of Consciousness2
Remembering Dick Land (1932–2024)2
Leonardo Reviews Online2
’Pataphysics Unrolled2
Realism in the Age of the Simulated Image: Two Black Holes2
Saint Ghetto of the Loans: Grimoire2
Entangled Poetics: Two Bioartists in the Anthropocene2
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video2
Navigating the Ineffable2
The Visionary Academy of Ocular Mentality: Atlas of the Iconic Turn2
A Shift in Artistic Practices through Artificial Intelligence2
The Golillas (Collars) in the Final Portraits of King Philip IV of Spain: A Case of Induced Diplopia by Diego Velázquez2
In Search for the Rarest Plant: Art, Drones, and AI2
Exquisite Dreams: The Art and Life of Dorothea Tanning1
Karel Nel and COSMOS: A Far-Reaching Artist-in-Residence Collaboration1
Wikipedia and the Representation of Reality1
Hope Spots1
Exploring the Materiality of Augmented Reality Markers through Arts-Led Cocreation: Drawing, Weaving, and Tiling1
Leonardo Graduate Abstracts: Top-Rated LABS Abstracts 20241
Voices of Climate Change1
Selected Writings on Visual Arts and Culture: Detour to the Imaginary1
BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer1
Artificial Intelligence and The Technological Imaginary1
LOL, a Sonic Détournement of the CCTV Surveillance Network1
Fifty Years Inside an Artist’s Mind: The Journal of Athena Tacha1
An Ecological Oracle1
Criptech and the Art of Access: Introduction to Special Issue1
Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements1
Being Good Ancestors1
Promoting unfamiliar music through data science: MARS, the music affect recommender system for digital library engagement1
The Flesh of Imagination: Locating Materiality in Biology-Inspired Visual Art1
Project Metamorphosis: Designing a Dynamic Framework for Converting Musical Compositions into Paintings1
Leonardo@Djerassi 2023: Gallery Introduction1
LASER Nomad: Road Maps for Art and Science Research into Ancestral Knowledge1
Curating the Moving Image1
Visualizing Spatial Gaze Data in the Perception of 3D Objects1
Energy Is Never Lost: A Portrait of Swiss Artist Margrit Fischer-Hotz1
The Weirdness of the World; The Science of Weird Shit: Why our Minds Conjure the Paranormal1
The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram1
Scalar Wave Paintings: A New Approach to Postdigital Art1
Deep Permutation Design: A New Potential Artificial Intelligence-Based Design Methodology1
The Smartness Mandate1
Tipping the Scales: The Harrisons and the Force Majeure1
Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought through Play1
A Puzzle for Readers of Arthur Danto’s Aesthetic Theory1
Eating in Theory1
Architecture of the Avant-Apocalypse: Preservation beyond Preservation of the Species1
An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio1
Performing by the Book? Musical Negotiations Between Text and Act1
Auro Lecci’s Algorithmic Art: Toward the Computer as a Thinking Machine1
Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances1
The Vera Icona Installation and Performance: A Reflection on Face Surveillance in Contemporary Society1
Aesthetic Experience of Metabolic Processes1
Technology as Resistance: Pioneers of Korean Media Art from the 1960s to the 1990s1
Folded Electronic Textiles: Weaving, Knitting, Pleating and Coating Three-Dimensional Sensor Structures1
The Art of Scientific Observation: an art-science project on the legacy of Barbara McClintock1
Leonardo Volume 571
Men of Letters: Perspectives on Multisensory Environments in the Hall-McLuhan Correspondence, 1961–19771
Making AI-Infused Products and Services More Legible1
Para Ser Eterno Basta Ser Um Livro—Editorial e Design do Livro em Portugal no Século XX1
Against Interaction Design1
Leonardo@Djerassi 2022: Introduction1
Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962–1982: Works from the Arquivo Fernando Aguiar and the Coleção Moraes-Barbosa1
Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist1
A Lesson with Francis Bacon Forced Me to See Outside the Software Box1
Historic Avant-Garde Work on Paper1
The Ecology of Knowledge: How the Complexity Sciences Can Explain the Peculiar Alliance between Art and Philosophy1
How to Do Things with SVD: Mathematical Tool-Sharing from Physics to Performative Research1
Beyond Representation in Virtual Reality: The Abstract Art of Jane LaFarge Hamill and Kevin Mack1
PlantConnect1
The Digital Image and Reality: Affect, Metaphysics and Post-Cinema0
“Tint and Form”: The Geometric Philosophy Underlying Oliver Byrne’sElements0
Sound of Ikebana: Fluid Artwork Created under Zero-G Using Parabolic Flight0
The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film0
The Chapter: A Segmented History from Antiquity to the Twenty-First Century0
Urban Intonation: Listening to the Rats of New York City0
Our Bodies Demand Their Turn!: Live Synthesizer in Shigeko Kubota’s Riverrun—Video Water Poem0
Artificial Intelligence: the paradox of a victorious retreat0
Constructive Friction Creates a Third Space for Art/Science Collaborations0
Malgré La Ligne Droite : L’Écriture Américaine de Josef Albers0
Raster Manipulations0
Inside the Spiral: The Passions of Robert Smithson0
Environing Media0
Tricks of the Light: Essays on Art and Spectacle0
Magazines and Modern Identities: Global Cultures of the Illustrated Press, 1880–19450
Transformed Strangely: Lyotardian Indeterminacy in John Cage’sChild of Tree0
Hofstetter Kurt: Ich Schaue in den Himmel um Mich zu Erden (I Look up to the Sky to Ground Myself)0
The Extinction of Experience: Being Human in a Disembodied World0
The Edge of Beginning Again0
The Epistemic Case for Sci-Art: Toward a Posthuman Praxis0
Introduction to Graphic Design: A Guide to Thinking, Process, and Style0
On the Anarchic Organization of Cinematic Spaces0
Biocultural Transformations: Fermentation as Artistic Medium0
A History of Fireworks: From their Origins to the Present Day0
Unveiling the Unspoken and Invisible: Analyzing Artistic Responses to Radiophobia0
A Machine Learning Application Based on Giorgio Morandi Still-Life Paintings to Assist Artists in the Choice of 3D Compositions0
The Network0
Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture0
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures0
The Belgian Photonovel, 1954–1985: An Introduction0
Experiments in Art, Access and Technology0
How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence0
The Network0
Game Forms of the Possible: A Personal Obituary of Leonardo Contributor and Co-Founder of Computer Art Herbert W. Franke, 1927–20220
Indeterminacy after AI: Introduction to Special Section0
The Power of Questions0
New Ways of Reading Drones in Art: Drones as Existential Technologies0
Who (or What) Is an AI Artist?0
Constructing an Artworld Influencer Network by Mining Social Media0
Leonardo Gallery: Experiments in Art, Access and Technology0
Leonardo@Djerassi 2022: Gallery0
The Hroswitha Club and the Impact of Women Book Collectors0
White Whale, Black Swan0
Towards a Cosmotechnical AI: Planetary Futures and Artificial Wisdom from Latin American Imagination0
The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene0
The New York Digital Salon: A Memoir0
The Power of Poor AI: Exploring the Potential for Defiance and the Nature of Disruption0
Creative Simulations: George Mallen and the Early Computer Arts Society0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
Abstracts from the Spectra 2018 Symposium Part 8: Submolecular0
Visibilis 433: Sensory Extension and Audiovisual Reinterpretation of 4′33″0
Representing Hierarchies of Visual Regard in Eye-Tracking Analysis0
Diversified Perspectives: Modes of Attention in Algorithmic Information Processing0
Charles Darwin0
Observations on Performing Sine Waves with an Oscillator Ensemble0
One Never Knows0
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool0
Histories, Legacies, and Futures of Image-Processing0
Reimagining Creativity: Gaussian Splatting as an Organological Extension of Imagination in Artistic Processes0
Shamans and Robots: On Ritual, the Placebo Effect, and Artificial Consciousness0
Molds, Mushrooms, and Medicines: Our Lifelong Relationship with Fungi0
Unearthing the Underworld: A Natural History of Rocks0
LASER—An Introduction0
A Computational Study of Empty Space Ratios in Chinese Landscape Painting, 618–20110
The Cult of Creativity: A Surprisingly Recent History0
DNA Dance Revolution0
The Night Albums: Visibility and the Ephemeral Photograph0
Resonant Realms: Cross-Disciplinary Exploration of Sound0
Deceitful Media: Artificial Intelligence and Social Life After the Turing Test0
Art Exists Because the Viewer Exists: How François Morellet’s Triple X Neonly Influences Postural Control and Subjective Aesthetic Appreciation0
The Vanitas of Sound Art0
A Book of Noises: Notes on the Auraculous0
Leonardo Reviews Online0
The Building as Screen: A History, Theory, and Practice of Massive Media0
Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques0
A Piano for Visuals: Affordances of Scan Processing Instruments0
Audible Garden: Transcoding Literati Traditions in Landscape Representation Through a Multimodal Approach0
The Leviathan’s Playing: Retrospective on Mediations with Gray Whales in the Ojo de Liebre Lagoon (Mexico)0
Lead in Modern and Contemporary Art0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
Aeroscopics: Media of the Bird’s-Eye View0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
Leonardo Reviews Online0
The Network0
Architecture of Life: Soviet Modernism and the Human Sciences0
Resonance: A Brain-Computer Interface Assemblage of EEG, Sound, and Therapeutic Clowns for the Detection of Consciousness0
gOd, mOther and sOldier: A Story of Oppression, Told through the Lens of AI0
Hollis Frampton: Navigating the Infinite Cinema0
An Image Dispute Resulting from Pareidolia?0
Mark: Sonya Kelliher-Combs0
Parallel Public: Experimental Art in Late East Germany0
Forgotten Pioneers of Media Art: Laboratory of Presentation Techniques0
A Teaching Experiment on the Generation of AI-assisted Interior Renderings0
The Value of Drawing Instruction in the Visual Arts and Across Curricula: Historical and Philosophical Arguments for Drawing in the Digital Age0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
Against Interaction Design0
Inverting the Paradigm: From Art to Granular Science0
Advertising and the Transformation of Screen Cultures0
“Dancing with Atoms”: A Tribute to Sheila Tinney0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
Remediated Sites: The Lumen Prize Virtual Gallery as Site of Memory and Digital Assemblage0
When the Computer Entered the Music Scene: The Collaboration between the Centro di Sonologia Computazionale and La Biennale di Venezia0
Slime Mold and Network Imaginaries: An Experimental Approach to Communication0
Transdesign: A Prospective Exercise on Design Transformation0
An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave0
1960: When Art and Literature Confronted the Memory of World War II and Remade the Modern0
Artistic Defamiliarization in the Age of Algorithmic Prediction0
Video as World Mandala: Nakajima Ko’s Animaker, Aniputer, and Cosmic Video0
Design as Democratic Inquiry: Putting Experimental Civics Into Practice0
Embracing Fragility: Exploring Vulnerability0
When Image Processing Becomes Image Creation: Gregory Zinman in Conversation with LoVid0
Neo-Avant-Gardes: Post-War Literary Experiments Across Borders0
Exploring Past Images in a Digital Age: Reinventing the Archive0
Remediating the Individual and the Collective0
The Creative Lives of Animals0
Experiential AI: Between Arts and Explainable AI0
The Zone: A Study of Sound Art as Hyperreality0
The Blue Hour of Peder Severin Krøyer0
Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context0
Do It Yourself, Rain! Dabbling Drops, Splashes, and Waves: Experiments in Art and Science0
Rereading Abstract Expressionism: Clement Greenberg and the Cold War0
Illustration. A Theoretical and Contextual Perspective (3rd Edition)0
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats0
Neural Networks0
Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–19680
Our Monsters0
Top-Rated LGA Abstracts 20230
Mathematical Inspiration for Color Choices in Oblique, Open-Work Weaving0
The Network0
Memory in the Life of a Cajun Prairie0
Symbiosis, Anarchy, and Fermentation0
SoundRunner: Out of the Starting Blocks0
THE ARTIST AS FERMENT OF THE SOCIAL BODY0
Ruptures and Wrong-Footings: Destabilizing Disciplinary Cultures0
Time, Media, and Visuality in Post-Revolutionary France0
La bande dessinée en France à la Belle époque. 1880–19140
The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV0
Diffractive Rendezvous0
MindClay: From Interactive Installations to a Digital Platform for Therapeutic Creative Arts0
Abstracts from the Spectra 2018 Symposium Part 9: Empathy0
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe0
A World Full of Creativity0
LOVEWEAR: haptic clothing that allows intimate exploration for movement-impaired0
From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown0
Humanizing Digital Culture with Wisdom VR0
Algorithms of Oppression: How Search Engines Reinforce Racism0
Lessons from the Harrisons0
When Do We Stop Being Human? Prefiguring Nonanthropocentric Thinking0
Video as World Mandala: The Role of Nakajima Kō’s Animaker and Aniputer in Defining a Cosmic Vision of Video0
A Better Ape: The Evolution of the Moral Mind and How it Made us Human0
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology0
Human’ and ConversationN: Exploring Mirrored Human-AI Identities Through Dialogue Installations0
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