Leonardo

Papers
(The TQCC of Leonardo is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Applied Systems Aesthetics: Jack Burnham and Contemporary Video Game Art24
Ferment: Cultural Reincarnations and Reflections12
The Lab Book: Situated Practices in Media Studies8
Tending to the Life Web7
See the Change6
Aesthetics and Politics of Participation in Benoît Maubrey’s Speaker Sculptures5
Life in the Posthuman Condition: Critical Responses to the Anthropocene5
Leonardo Volume 564
Freak Pictures, Fly Fishers, and Optical Illusions: Historical Antecedents of the Science of Fish Vision4
Robert Rauschenberg and Surrealism: Art, “Sensibility” and War4
Primitive way country come look inside4
Paris Pataphysique—L’Art des Solutions Imaginaires3
ACEVEDO in Context: Analog Media 1977–1987 · Digital Media 1983–20203
Temporal Dynamics of the “Living Picture” and Its Interference in the Photographic Medium: Unveiling the Impact of Cinemagraphs on Time Perception3
Into the Here and Now: Explorations within a New Acoustic Virtual Reality3
Musical Scores for Virtual Reality Headsets: Compositional Strategies and Performative Challenges3
Remembering Dick Land (1932–2024)2
Experimental Environments and the Aesthetic Experience of Metabolic Processes2
Realism in the Age of the Simulated Image: Two Black Holes2
In Search for the Rarest Plant: Art, Drones, and AI2
Leonardo@Djerassi 2024: A Decade of Innovation at the Intersection of Art and Science2
The Politics of Visual Indeterminacy in Abstract AI Art2
The Golillas (Collars) in the Final Portraits of King Philip IV of Spain: A Case of Induced Diplopia by Diego Velázquez2
Object-Oriented Ontology in Shaping Perspective on Bacterial Art and Nonhuman Agency2
Navigating the Ineffable2
Leonardo Reviews Online2
Atmospheres of Projection: Environmentality in Art and Screen Media2
Frederik Ruysch and his Thesaurus Anatomicus: A Morbid Guide2
Roman Verostko, Digital Art Pioneer2
Living Capsules: Reflections on an Ongoing Art-Sociology Collaboration2
Philip Mallory Jones’s Electronic Consciousness in Afrodiasporic Video2
Language Is Leaving Me: An AI Exploration of Epigenetic or Inherited Trauma of Cultures of Diaspora2
The Visionary Academy of Ocular Mentality: Atlas of the Iconic Turn2
Sentience: The Invention of Consciousness2
Entangled Poetics: Two Bioartists in the Anthropocene2
The Physical Weight of Sound: In Memory Of Phill Niblock2
Saint Ghetto of the Loans: Grimoire2
Measuring Is Making: The Radical Indeterminacy of Music2
The Art of Scientific Observation: an art-science project on the legacy of Barbara McClintock1
Scalar Wave Paintings: A New Approach to Postdigital Art1
Artificial Intelligence and The Technological Imaginary1
Making AI-Infused Products and Services More Legible1
Eating in Theory1
Leonardo@Djerassi 2022: Introduction1
How to Do Things with SVD: Mathematical Tool-Sharing from Physics to Performative Research1
A Shift in Artistic Practices through Artificial Intelligence1
The Flesh of Imagination: Locating Materiality in Biology-Inspired Visual Art1
Men of Letters: Perspectives on Multisensory Environments in the Hall-McLuhan Correspondence, 1961–19771
Historic Avant-Garde Work on Paper1
BURTYNSKY, A Transformative Mind-Heart Experience: An Interview with Curator Marc Mayer1
Networks, Collaboration and Resistance in/between Portugal and Brazil, 1962–1982: Works from the Arquivo Fernando Aguiar and the Coleção Moraes-Barbosa1
’Pataphysics Unrolled1
A Puzzle for Readers of Arthur Danto’s Aesthetic Theory1
LOL, a Sonic Détournement of the CCTV Surveillance Network1
Wikipedia and the Representation of Reality1
Hope Spots1
Visualizing Spatial Gaze Data in the Perception of 3D Objects1
Para Ser Eterno Basta Ser Um Livro—Editorial e Design do Livro em Portugal no Século XX1
Tipping the Scales: The Harrisons and the Force Majeure1
Beyond Representation in Virtual Reality: The Abstract Art of Jane LaFarge Hamill and Kevin Mack1
A Lesson with Francis Bacon Forced Me to See Outside the Software Box1
Fifty Years Inside an Artist’s Mind: The Journal of Athena Tacha1
PlantConnect1
Criptech and the Art of Access: Introduction to Special Issue1
Auro Lecci’s Algorithmic Art: Toward the Computer as a Thinking Machine1
The Unveiled City: Multicultural Representation of Tokyo by Hashtag Labeling on Instagram1
An Eye-Tracking Study on Viewer Compliance with the Gestalt Closure Principle: Analyzing the Impact of Gap Size and the Golden Ratio1
Promoting unfamiliar music through data science: MARS, the music affect recommender system for digital library engagement1
Against Interaction Design1
Selected Writings on Visual Arts and Culture: Detour to the Imaginary1
Deep Permutation Design: A New Potential Artificial Intelligence-Based Design Methodology1
Leonardo Graduate Abstracts: Top-Rated LABS Abstracts 20241
Curating the Moving Image1
Exploring the Materiality of Augmented Reality Markers through Arts-Led Cocreation: Drawing, Weaving, and Tiling1
Energy Is Never Lost: A Portrait of Swiss Artist Margrit Fischer-Hotz1
Nervous Extensions for Planetary Balance in Nina Sobell’s Collaborative Séances1
Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought through Play1
Performing by the Book? Musical Negotiations Between Text and Act1
The Smartness Mandate1
Collaborations in Art and Medicine: Institutional Critique, Patient Participation, and Emerging Entanglements1
Being Good Ancestors1
Project Metamorphosis: Designing a Dynamic Framework for Converting Musical Compositions into Paintings1
Architecture of the Avant-Apocalypse: Preservation beyond Preservation of the Species1
Voices of Climate Change1
The Weirdness of the World; The Science of Weird Shit: Why our Minds Conjure the Paranormal1
The Ecology of Knowledge: How the Complexity Sciences Can Explain the Peculiar Alliance between Art and Philosophy1
Porous Embodiment and Poetic Knowledge: An Emergent Dialogue Between a Puppetry Artist and a Neuroscientist1
Leonardo Reviews Online1
An Ecological Oracle1
Leonardo Volume 571
Folded Electronic Textiles: Weaving, Knitting, Pleating and Coating Three-Dimensional Sensor Structures1
The New York Digital Salon: A Memoir0
The AI Laocoön: Art and the Artificial Imagination, or Survival Aesthetics in the Anthropocene0
Lessons from the Harrisons0
The Value of Drawing Instruction in the Visual Arts and Across Curricula: Historical and Philosophical Arguments for Drawing in the Digital Age0
Early Image Processing and Computer Animation in Colorado: Pat Lehman’s Video Vitae in Context0
Resonance: A Brain-Computer Interface Assemblage of EEG, Sound, and Therapeutic Clowns for the Detection of Consciousness0
Diversified Perspectives: Modes of Attention in Algorithmic Information Processing0
“Dancing with Atoms”: A Tribute to Sheila Tinney0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
Visibilis 433: Sensory Extension and Audiovisual Reinterpretation of 4′33″0
“Tint and Form”: The Geometric Philosophy Underlying Oliver Byrne’sElements0
Environing Media0
Transdesign: A Prospective Exercise on Design Transformation0
Charles Darwin0
Sound of Ikebana: Fluid Artwork Created under Zero-G Using Parabolic Flight0
The Anthology of Black Mountain College Poetry0
Constructive Friction Creates a Third Space for Art/Science Collaborations0
Design as Democratic Inquiry: Putting Experimental Civics Into Practice0
LASER—An Introduction0
Our Bodies Demand Their Turn!: Live Synthesizer in Shigeko Kubota’s Riverrun—Video Water Poem0
Molds, Mushrooms, and Medicines: Our Lifelong Relationship with Fungi0
LOVEWEAR: haptic clothing that allows intimate exploration for movement-impaired0
The Epistemic Case for Sci-Art: Toward a Posthuman Praxis0
Dopostoria0
Metabolic Arts Gathering: Curatorial Notes0
Art Exists Because the Viewer Exists: How François Morellet’s Triple X Neonly Influences Postural Control and Subjective Aesthetic Appreciation0
Photography off the Scale: Technologies and Theories of the Mass Image0
Raster Manipulations0
The Edge of Beginning Again0
Deceitful Media: Artificial Intelligence and Social Life After the Turing Test0
The Building as Screen: A History, Theory, and Practice of Massive Media0
Audible Garden: Transcoding Literati Traditions In Landscape Representation Through A Multimodal Approach0
The *.* Group’s Contribution to the Development of Technological Art in Brazil0
Biocultural Transformations: Fermentation as Artistic Medium0
Leonardo Reviews Online0
The Leviathan’s Playing: Retrospective on Mediations with Gray Whales in the Ojo de Liebre Lagoon (Mexico)0
A Machine Learning Application Based on Giorgio Morandi Still-Life Paintings to Assist Artists in the Choice of 3D Compositions0
A History of Fireworks: From their Origins to the Present Day0
Top-Rated LGA Abstracts 20230
Indeterminacy after AI: Introduction to Special Section0
Aeroscopics: Media of the Bird’s-Eye View0
The Network0
Symbiosis, Anarchy, and Fermentation0
Staring Back: Hacking Intersectional Oppression through Eco-Crip: Cybotanical Futures0
A Piano for Visuals: Affordances of Scan Processing Instruments0
MindClay: From Interactive Installations to a Digital Platform for Therapeutic Creative Arts0
Artistic Defamiliarization in the Age of Algorithmic Prediction0
New Ways of Reading Drones in Art: Drones as Existential Technologies0
Time, Media, and Visuality in Post-Revolutionary France0
Hofstetter Kurt: Ich Schaue in den Himmel um Mich zu Erden (I Look up to the Sky to Ground Myself)0
A Computational Study of Empty Space Ratios in Chinese Landscape Painting, 618–20110
Forgotten Pioneers of Media Art: Laboratory of Presentation Techniques0
Do It Yourself, Rain! Dabbling Drops, Splashes, and Waves: Experiments in Art and Science0
Leonardo@Djerassi 2022: Gallery0
The Blue Hour of Peder Severin Krøyer0
Advertising and the Transformation of Screen Cultures0
Inverting the Paradigm: From Art to Granular Science0
Histories, Legacies, and Futures of Image-Processing0
Algorithms of Oppression: How Search Engines Reinforce Racism0
Towards a Cosmotechnical AI: Planetary Futures and Artificial Wisdom from Latin American Imagination0
Abstracts from the Spectra 2018 Symposium Part 8: Submolecular0
An Algorithm for Human Embodiment and Computational Realization of Familiar and Novel African/Clave0
Epiphytic Memory: A Cognitive Assemblage of Plant-Human-Technology0
Remediated Sites: The Lumen Prize Virtual Gallery as Site of Memory and Digital Assemblage0
The Multi-Tuned Piano: Keyboard Music without a Tuning System0
Observations on Performing Sine Waves with an Oscillator Ensemble0
Deliberate Maladjustment by Microorganisms: A Medium for Images or Luminous Bacteria0
The Prospect of Art-Science Interplay in Filmmaking as Research: From Abstract to Implicit Film0
1960: When Art and Literature Confronted the Memory of World War II and Remade the Modern0
One Never Knows0
The Creative Lives of Animals0
Unearthing the Underworld: A Natural History of Rocks0
Artificial Intelligence: the paradox of a victorious retreat0
Who (or What) Is an AI Artist?0
The Cult of Creativity: A Surprisingly Recent History0
A World Full of Creativity0
DNA Dance Revolution0
Ruptures and Wrong-Footings: Destabilizing Disciplinary Cultures0
When Image Processing Becomes Image Creation: Gregory Zinman in Conversation with LoVid0
Experimental Practices in Interdisciplinary Art: Engaging the Margins0
Illustration. A Theoretical and Contextual Perspective (3rd Edition)0
Art, Science and Anthropology: Co-Creating Knowledge and Building Peace in Colombia0
The Extinction of Experience: Being Human in a Disembodied World0
The Vanitas of Sound Art0
Rereading Abstract Expressionism: Clement Greenberg and the Cold War0
Our Monsters0
Analysis of the Potential of Telematic Chamber Music: Focusing on Korean Performances0
A Book of Noises: Notes on the Auraculous0
When Do We Stop Being Human? Prefiguring Nonanthropocentric Thinking0
Cold War in the White Cube: U.S. Exhibitions of Latin American Art, 1959–19680
Experiments in Art, Access and Technology0
The Network0
Touching Variables: Decolonial Approaches and New Tools for Ecological Data Visualization0
Reflections on Light: Developing New Methods for Producing Anamorphic Sculpture0
Transformed Strangely: Lyotardian Indeterminacy in John Cage’sChild of Tree0
THE ARTIST AS FERMENT OF THE SOCIAL BODY0
The Network0
How Do We Experience Digital Arts? An Exploration through Latour’s Modes of Existence0
Architecture of Life: Soviet Modernism and the Human Sciences0
Experiential AI: Between Arts and Explainable AI0
Diffractive Rendezvous0
An Infinity of Worlds: Cosmic Inflation and the Beginning of the Universe0
The Zone: A Study of Sound Art as Hyperreality0
Mark: Sonya Kelliher-Combs0
Humanizing Digital Culture with Wisdom VR0
From Thought-Forms to Art Concret: Tracey M. Benson Interviews Paul Brown0
Exploring Past Images in a Digital Age: Reinventing the Archive0
Inside the Spiral: The Passions of Robert Smithson0
Parallel Public: Experimental Art in Late East Germany0
A Better Ape: The Evolution of the Moral Mind and How it Made us Human0
Video as World Mandala: The Role of Nakajima Kō’s Animaker and Aniputer in Defining a Cosmic Vision of Video0
Human’ and ConversationN: Exploring Mirrored Human-AI Identities Through Dialogue Installations0
The Power of Poor AI: Exploring the Potential for Defiance and the Nature of Disruption0
Against Interaction Design0
When the Computer Entered the Music Scene: The Collaboration between the Centro di Sonologia Computazionale and La Biennale di Venezia0
The Chapter: A Segmented History from Antiquity to the Twenty-First Century0
Representing Hierarchies of Visual Regard in Eye-Tracking Analysis0
The Digital Image and Reality: Affect, Metaphysics and Post-Cinema0
Slime Mold and Network Imaginaries: An Experimental Approach to Communication0
By the Bedside of the Patient: Lessons for the Twenty-First Century Physician0
An Image Dispute Resulting from Pareidolia?0
(Nip)ulations: The Nipulator Electronic Bra and the Embodiment of the Image Processing Tool0
Malgré La Ligne Droite : L’Écriture Américaine de Josef Albers0
Video as World Mandala: Nakajima Ko’s Animaker, Aniputer, and Cosmic Video0
Embracing Fragility: Exploring Vulnerability0
Hollis Frampton: Navigating the Infinite Cinema0
Neo-Avant-Gardes: Post-War Literary Experiments Across Borders0
Memory in the Life of a Cajun Prairie0
Tricks of the Light: Essays on Art and Spectacle0
Remediating the Individual and the Collective0
Leonardo Gallery: Experiments in Art, Access and Technology0
Creative Simulations: George Mallen and the Early Computer Arts Society0
Abstracts from the Spectra 2018 Symposium Part 9: Empathy0
Surrealism Beyond Borders0
On the Anarchic Organization of Cinematic Spaces0
La Résidence D’auteurs Littérature, Territorialité et Médiations Culturelles0
Resonant Realms: Cross-Disciplinary Exploration of Sound0
Modernité du livre: De nouvelles maisons d’édition pour de nouveaux lectorats0
Introduction to Graphic Design: A Guide to Thinking, Process, and Style0
The Network0
Operational Images: From the Visual to the Invisual0
Neural Networks0
Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques0
Unveiling the Unspoken and Invisible: Analyzing Artistic Responses to Radiophobia0
Interactive Moiré Patterns Reflecting on the Traditional Nanjing Baiju0
The Belgian Photonovel, 1954–1985: An Introduction0
SoundRunner: Out of the Starting Blocks0
Lead in Modern and Contemporary Art0
Mathematical Inspiration for Color Choices in Oblique, Open-Work Weaving0
gOd, mOther and sOldier: A Story of Oppression, Told through the Lens of AI0
Game Forms of the Possible: A Personal Obituary of Leonardo Contributor and Co-Founder of Computer Art Herbert W. Franke, 1927–20220
La bande dessinée en France à la Belle époque. 1880–19140
Leonardo Reviews Online0
The Defining Role of Spatial Immersive Technologies in the Creation of the Electroacoustic Compositions Moments of Liberty I–IV0
A Teaching Experiment on the Generation of AI-assisted Interior Renderings0
Constructing an Artworld Influencer Network by Mining Social Media0
The Hroswitha Club and the Impact of Women Book Collectors0
The Power of Questions0
White Whale, Black Swan0
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