Modern Drama

Article	Citations
Translating and Imaging China: Anthologies of Modern Chinese Drama in English Translation	2
Louise Owen. Restaging the Future: Neoliberalization, Theater, and Performance in Britain	1
Staging Socrates: The Public Intellectual and Democracy in Maxwell Anderson’sBarefoot in Athens	1
Adrienne Kennedy. Collected Plays & Other Writings	1
Christin Essin, Working Backstage: A Cultural History and Ethnography of Technical Theater Labor	1
S.N. Behrman, Comedy, and the Extermination of the Jews: Broadway, Christmas Eve, 1934	1
Priscilla Dionne Layne and Lily Tonger-Erk, eds. Staging Blackness: Representations of Race in German-Speaking Drama and Theater	1
Katie N. Johnson. Racing the Great White Way: Black Performance, Eugene O’Neill, and the Transformation of Broadway	1
Teaching The Colored Museum and Its Doubles: Black Queer Theatrical Aesthetics in Bootycandy and Ain’t No Mo’	1
Finding T.S. Eliot’s “Little Devils”: Marionettes and Sweeney Agonistes	1
Babak Rahimi, ed. Theater in the Middle East: Between Performance and Politics.	1
A Fan through the Ages: Layers of Adaptation in SITI Company’s Hanjo	1
The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre	1
Ric Knowles. International Theatre Festivals and 21st-Century Interculturalism	1
Ryan Donovan. Broadway Bodies: A Critical History of Conformity	1
Matthew Sturgis. Oscar Wilde: A Life	1
Jordana Cox. Staged News: The Federal Theatre Project’s Living Newspapers in New York	0
“Those Who Wait, Burn”: New Penelopes in Plays by Sarah Ruhl, Suzan-Lori Parks, and Naomi Wallace	0
Brandon Woolf, Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin	0
New Approaches to Harold Pinter	0
Michael D’alessandro. Staged Readings: Contesting Class in Popular American Theater and Literature, 1835–75	0
Tarryn Li-Min Chun. Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China	0
Artaud’s Surgical Theatre: War, Medicine, and Regeneration	0
J. Paul Halferty and Cathy Leeney, eds. Analysing Gender in Performance	0
David Clare, Fiona Mcdonagh, and Justine Nakase, eds. The Golden Thread: Irish Women Playwrights, 1716–2016	0

Drew Lichtenberg. The Piscatorbühne Century: Politics and Aesthetics in the Modern Theater after 1927	0
Why Natasha Can’t Sing: Rethinking Cross-Genre Adaptation with Natasha, Pierre & the Great Comet of 1812	0
Founding Pedagogies of Modern Drama	0
Cosmos and History in Wole Soyinka’s Death and the King’s Horseman	0
Arnold Aronson. Fifty Key Theatre Designers	0
Bradley Rogers. This Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance	0
Emotionally Uninhabitable? Dramatizing Environmental Destruction and Contamination	0
Shattering Normalcy: Disability and Queerness in Tennessee Williams’s One Arm	0
All the Vulnerable Boys: Child-Saving Conjured in Henrik Ibsen’s Little Eyolf and Hiro Kanagawa’s Indian Arm	0
Diana Looser. Moving Islands: Contemporary Performance and the Global Pacific	0
Onnagata, Grotesque Beauty, and Aging: Reading Tennessee Williams’s Kabuki-Inspired Plays	0
Specialization on Stage: The Formation and Deformation of Knowledge in Hedda Gabler and A Dream Play	0
Stephen J. Scott-Bottoms. Incarceration Games: A History of Role-Play in Psychology, Prisons, and Performance	0
Shannon Jackson. Back Stages: Essays across Art, Performance, and Public Life	0
Hana Worthen, Humanism, Drama, and Performance: Unwriting Theatre	0
Theresa J. May. Earth Matters on Stage: Ecology and Environment in American Theater.	0
Michelle Liu Carriger. Theatricality of the Closet: Fashion, Performance and Subjectivity Between Victorian Britain and Meiji Japan	0
Adrian Curtin, Nicholas Johnson, Naomi Paxton, and Claire Warden, eds. The Edinburgh Companion to Modernism in Contemporary Theatre	0
The Politics and Ethics of Collective Memory and Forgetting in Christina Reid’s My Name, Shall I Tell You My Name?	0
Tank Man as Icon and “Crisis Actor” in Lucy Kirkwood’sChimericaand Lauren Yee’sThe Great Leap	0
Kristin Gjesdal, The Drama of History: Ibsen, Hegel, Nietzsche	0
Lindsay Goss. F*ck the Army! How Soldiers and Civilians Staged the GI Movement to End the Vietnam War	0
Transculturation, Reclamation, and Adaptation: Approaches to Teaching Father Comes Home from the Wars	0
Catherine Hindson. Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville, 1900–1935	0
Macelle Mahala. Black Theater, City Life: African American Arts Institutions and Urban Cultural Ecologies	0
Teaching Ayad Akhtar’s Disgraced: Navigating Islamophobia and Orientalism in the Drama Classroom	0
David Román and Sean F. Edgecomb, eds. The Taylor Mac Book: Ritual, Realness, and Radical Performance	0
Destined to Hope or Remorse: T.S. Eliot, Francis Bacon, and Their Furies	0
May Summer Farnsworth. Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico	0
Shepard’s Political Economy: Curse of the Starving Class in Neoliberal Capitalism	0
Michael Malek Najjar, Middle Eastern American Theatre: Communities, Cultures, and Artists	0
Alex Ferrone, Stage Business and the Neoliberal Theatre of London	0
Katrina M. Phillips, Staging Indigeneity: Salvage Tourism and the Performance of Native American History	0
Christopher Morash, Yeats on Theatre	0
Gustavo Rodríguez Martín, ed. Bernard Shaw and the Spanish-Speaking World	0
Soyica Diggs Colbert, Douglas A. Jones, Jr., and Shane Vogel, eds. Race and Performance after Repetition.	0
Bonnie Marranca. Timelines: writings and conversations	0
John Lahr. Arthur Miller: American Witness	0
Candice Amich. Precarious Forms: Performing Utopia in the Neoliberal Americas.	0
Learning to Love Medea: The Hungry Woman, Mojada, and the Pedagogy of Adaptation	0
Stephen Abbott. The Proof Stage: How Theater Reveals the Human Truth of Mathematics	0
Post-Auschwitz Dramaturgy: Toward the Later Edward Bond	0
Rohan McWilliam. London’s West End: Creating the Pleasure District, 1800–1914.	0
Joseph Cermatori. Baroque Modernity: An Aesthetics of Theater	0
Denise Varney, Patrick White’s Theatre: Australian Modernism on Stage, 1960–2018	0
Bertolt Brecht’s “Niobes”: Example, Interruption, and Model	0
Touching Back while Black: Self-Defence and the Politics of Black US Citizenship in Paul Green’s In Abraham’s Bosom	0
Evert Sprinchorn. Ibsen’s Kingdom: The Man and His Works.	0
The Kindness of Strangers: Eugenics and Tennessee Williams’s A Streetcar Named Desire	0
Tracy C. Davis. Liberal Lives and Activist Repertoires: Political Performance and Victorian Social Reform	0

Jesse Gardiner. Soviet Theatre during the Thaw: Aesthetics, Politics and Performance	0
“A Positive Statement of a Negative Thing”: Nietzschean Eternal Recurrence as Dramatic Form in Samuel Beckett’s Waiting for Godot	0
Dorothy Chansky. Losing It: Staging the Cultural Conundrum of Dementia and Decline in American Theatre	0
Ashley E. Lucas, Prison Theatre and the Global Crisis of Incarceration	0
“You Are against UK Law”: Clean Break Theatre Company’s Carceral Dramaturgy	0
Brent Salter. Negotiating Copyright in the American Theatre: 1856–1951	0
Elizabeth Brewer Redwine. Gender, Performance, and Authorship at the Abbey Theatre	0
Takeo Rivera. Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity	0
Michelle Castañeda. Disappearing Rooms: The Hidden Theaters of Immigration Law	0
Pausing on a Sunday: Sondheim and the Composition of the Secular in the American Musical	0
“This Could Go On Forever”: Rethinking the End in Suzan-Lori Parks’s Apocalyptic Dramas	0
Beth Wynstra. Vows, Veils, and Masks: The Performance of Marriage in the Plays of Eugene O’Neill	0
Soyica Diggs Colbert, Radical Vision: A Biography of Lorraine Hansberry	0
Lindsay Brandon Hunter, Playing Real: Mimesis, Media and Mischief	0
Jeffery Kennedy. Staging America: The Artistic Legacy of the Provincetown Players	0
Outstanding Article Award for 2023	0
Outstanding Article Award for 2022	0
Hermione Lee, Tom Stoppard: A Life	0
Dispute in the Diaspora: Metaphor and Contradiction in Twenty-First-Century Arab American Family Dramas	0
Martin Wagner. A Stage for Debate: The Political Significance of Vienna’s Burgtheater, 1814–1867	0
“Tangled Passions”: Realism and Lyricism in the Plays of Peter Gill	0
Annie Holt. Modernizing Costume Design, 1820–1920	0
Max Shulman. The American Pipe Dream: Performance of Drug Addiction, 1890–1940	0
The Freedom Mythology of Father Comes Home from the Wars	0
Esther Kim Lee. Made-Up Asians: Yellowface During the Exclusion Era	0
Outstanding Article Awards for 2024	0
Julia A. Walker. Performance and Modernity: Enacting Change on the Globalizing Stage	0
Marlis Schweitzer. Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century	0
Monique Mojica and Brenda Farnell. Chocolate Woman Dreams the Milky Way: Mapping Embodied Indigenous Performance	0
Lisa Woynarski. Ecodramaturgies: Theatre, Performance and Climate Change	0
Front Matter	0
Contested Memories: Neoliberal Hegemony and British Postdramatic Theatre in the Late Twentieth Century	0
Ulf Otto. The Theater of Electricity: Technology and Spectacle in the Late 19th Century	0
Patricia Gaborik, Mussolini’s Theatre: Fascist Experiments in Art and Politics	0
Lawrence La Fountain-Stokes, Translocas: The Politics of Puerto Rican Drag and Trans Performance	0
Sergio Blanco’s Tebas Land: Staging an Authentic Fiction	0
Catherine Cole. Performance and the Afterlives of Injustice	0
Labour of Love: Alienation, Race, and Family in Julia Cho’s Aubergine	0
Thrill Me: Queerness, Spectatorship, and the Utopian Performative in South Korean Musical Theatre	0
“The Point Is, You Don’t Seem to Have Learnt Anything”: Reimagining J.B. Priestley’sAn Inspector Callsas a BrechtianLehrstückfor the Middle Classes	0
Cold War Diva: Medea, 1947	0
Kirsten E. Shepherd-Barr, ed., The Cambridge Companion to Theatre and Science	0
S.E. Jackson, The Problem of the Actress in Modern German Theatre and Thought	0
Decolonizing Curriculum: Teaching the Twenty-First-Century Dramatic Canon	0
Julius B. Fleming, Jr. Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation	0
Hershini Bhana Young. Falling, Floating, Flickering: Disability and Differential Movement in African Diasporic Performance	0
Penny Farfan and Lesley Ferris, eds. Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century.	0
Martin Revermann. Brecht and Tragedy: Radicalism, Traditionalism, Eristics	0
Ian Ward. The Play of Law in Modern British Theatre	0
Zosia Kuczyńska. Brian Friel’s Models of Influence	0
David Bisaha. American Scenic Design and Freelance Professionalism	0
Interface Theatre: Watching Ourselves Disappear	0
Shannon Walsh, Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout	0
Peter P. Reed. Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance	0
Migrant Deaths and European Revenants in Thomas Köck’santigone. a requiem(2019): Sophocles’ Tragedy Recomposed and Decomposed	0
Josephine Lee. Oriental, Black, and White: The Formation of Racial Habits in American Theater	0
Ubu Roi in W.B. Yeats’s The Green Helmet and The Player Queen	0
Michael Mckinnie. Theatre in Market Economies	0
Unwriting the Future: Russell Hoban’s Stage Adaptation of Riddley Walker	0
Barry Houlihan. Theatre and Archival Memory: Irish Drama and Marginalised Histories, 1951–1977	0
Social Reform in the Plays of Mohan Rakesh	0
Xiaomei Chen, Tarryn Li-Min Chun, and Siyuan Liu, eds. Rethinking Chinese Socialist Theatres of Reform: Performance Practice and Debate in the Mao Era	0
Utpal Dutt’s Political Jatra and Modern Indian Drama: Marxist Reinventions of Theatrical Tradition	0
The Mathematical Heart of Tom Stoppard	0
Anna-Sophie Jürgens and Mirjam Hildbrand, eds. Circus and the Avant-Gardes: History, Imaginary, Innovation	0
Katarzyna Fazan, Michal Kobialka, and Bryce Lease, eds. A History of Polish Theatre	0
Ibsen Postcards / Postcard Ibsens: Domesticating Modernism	0
Katelyn Hale Wood, Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States	0
The “Miracle” of the Russian Revolution: The Mystery Play in Early Soviet Culture	0
Corey Wakeling. Beckett’s Laboratory: Experiments in the Theatre Enclosure	0
Rashna Darius Nicholson, The Colonial Public and the Parsi Stage: The Making of the Theatre of Empire (1853–1893)	0
“They Do Need You, Don’t They?”: Disability, Gender, and Care Work in World War I Conscription Dramas	0
Pandemic Remembered: Kevin Kerr’s Unity (1918) Remedied	0
Martin Kagel and David Z. Saltz, eds. Open Wounds: Holocaust Theater and the Legacy of George Tabori	0
Revisiting HIV/AIDS Theatre: Black and Queer Spatio-Temporalities in Cheryl L. West’s Before It Hits Home	0
Meredith Conti and Kevin J. Wetmore, Jr. eds. Theatre and the Macabre	0
Joanne Tompkins, Julie Holledge, Jonathan Bollen, and Liyang Xia. Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance Spaces	0
Life in the Huddle: Risk, Representation, and the Labour of Athletic Practice in Sarah DeLappe’s The Wolves	0
Black Queer Cosmologies, Sonic Geographies, and Embodied Entanglement in Tarell Alvin McCraney’s The Brother/Sister Plays	0
Challenging the “Puritan Dread of the Theatre”: The Forgotten Legacy of Henry Arthur Jones’s Saints and Sinners (1884)	0

Juliet Guzzetta, The Theater of Narration: From the Peripheries of History to the Main Stages of Italy	0
Foregrounding (Lost) Rituals in the Irish and Harlem Renaissances: John Millington Synge, Zora Neale Hurston, and the Transatlantic Gesture	0
Listening to Los Angeles in the Theatre of Anna Deavere Smith and Gabriel Kahane	0
Galina Kiryushina, Einat Adar & Mark Nixon, Samuel Beckett and Technology	0
Performing the Other: Post-Humanism and Mediatized Senses in The Wooster Group’s Production of The Room	0
The Haunting of the Antebellum South: Branden Jacobs-Jenkins’s Appropriate as a Gothic Memory Archive	0
Femi Osofisan’s Evolving Global Consciousness in Four Adaptations	0
Leah Sidi. Sarah Kane’s Theatre of Psychic Life: Theatre, Thought, and Mental Suffering	0
La Donna L. Forsgren, Sistuhs in the Struggle: An Oral History of Black Arts Movement Theater and Performance	0
“Nobody Loves Me and the Sun’s Going to Kill Me”: Toward a Darker Ecodramaturgy	0
“Something Is Happening”: Medical Realism and the Problem of Acting in Harold Pinter’sA Kind of Alaska	0
Outstanding Article Award for 2021	0
Debating Decolonization: The Use of Postcolonial Metatheatre in Murray Carlin’s Not Now, Sweet Desdemona	0
Xiaomei Chen. Performing the Socialist State: Modern Chinese Theater and Film Culture	0
Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality	0
Alice Brown Takes on Social Insecurity: Joint Owners in Spain	0
Kareem Khubchandani. Ishtyle: Accenting Gay Indian Nightlife.	0
Understanding Drama as Performance Texts: Teaching Gao Xingjian’s Plays of the 1980s	0
Jon D. Rossini. Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama	0
Exhibiting the Nation: Identity and (Post)colonial Aesthetics in Hannah Khalil’s A Museum in Baghdad	0
Marcia Noe. Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre	0
Deadly Pinter: Ghostly Precedents and New Possibilities for Staging	0
Barry Day, ed. Noël Coward on (and in) Theatre	0
Zander Brietzke, Magnum Opus: The Cycle Plays of Eugene O’Neill	0
A New Feminist Absurd?: Women’s Protest, Fury, and Futility in Contemporary American Theatre	0
A Mother’s Touch: Ethics and Maternal Corporeality in Harold Pinter’s Mountain Language	0
Miguel Escobar Varela, Theater as Data: Computational Journeys into Theater Research	0
Lars Bernaerts and Jarmila Mildorf, eds. Audionarratology: Lessons from Radio Drama	0
Sarah Mackenzie. Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization	0
Alisa Zhulina. Theater of Capital: Modern Drama and Economic Life	0
Stefka Mihaylova. Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the Twenty-First Century	0
Hélène Lecossois. Performance, Modernity and the Plays of J.M. Synge	0
The “Nature of Theatre”: Herder’s Pursuit of a Human Theatre	0
Gendered Violence and Neoliberal Desaparecidos in Luis Cano’s Socavón	0
Bess Rowen. The Lines Between the Lines: How Stage Directions Affect Embodiment	0
Ryan Claycomb. In the Lurch: Verbatim Theatre and the Crisis of Democratic Deliberation	0
“These People in This House”: Intermedial Approaches to Decentring the Domestic in Harold Pinter’s A Slight Ache and The Homecoming	0
Nic Leonhardt. Theatre Across Oceans: Mediators of Transatlantic Exchange (1890–1925).	0
Tina Post. Deadpan: The Aesthetics of Black Inexpression	0
Christine Bold. “Vaudeville Indians” on Global Circuits, 1880s–1930s	0
Grief Unspoken in Martyna Majok’s Cost of Living	0
Lisa Biggs. The Healing Stage: Black Women, Incarceration, and the Art of Transformation	0
The Dialectical Image of White Masochism and the Fugitive Spectator: On Claudia Rankine’s The White Card	0
Shana Redmond. Everything Man: The Form and Function of Paul Robeson.	0
Censorship Public and Censorship Private: Authority, Authenticity, and Acceptability in the Early Production History of Brian Friel’s Philadelphia, Here I Come!	0
Moira S. Fortin Cornejo. Rapa Nui Theatre: Staging Indigenous Identities in Easter Island	0
Hannah Simpson. Samuel Beckett and the Theatre of Witness: Pain in Postwar Francophone Drama	0
Jonas Tinius. State of the Arts: An Ethnography of German Theatre and Migration	0
“A Terrible Art of Sharp-Shooting at the Audience”: Teaching the Shock of Modernist Drama via the Play of Ideas	0