Modern Drama

Article	Citations
Priscilla Dionne Layne and Lily Tonger-Erk, eds. Staging Blackness: Representations of Race in German-Speaking Drama and Theater	2
Dick Higgins. Alchemies of Theater: Plays, Scores, Writings. Edited by Bonnie Marranca	2
Translating and Imaging China: Anthologies of Modern Chinese Drama in English Translation	2
The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre	1
Louise Owen. Restaging the Future: Neoliberalization, Theater, and Performance in Britain	1
Ric Knowles. International Theatre Festivals and 21st-Century Interculturalism	1
Adrienne Kennedy. Collected Plays & Other Writings	1
Pioneering Feminist Realism in Minna Canth’s Työmiehen Vaimo [The Worker’s Wife] (1885)	1
Teaching The Colored Museum and Its Doubles: Black Queer Theatrical Aesthetics in Bootycandy and Ain’t No Mo’	1
Debra Caplan and Rachel Merrill Moss, eds. The Dybbuk Century: The Jewish Play That Possessed the World	1
Ryan Donovan. Broadway Bodies: A Critical History of Conformity	1
Finding T.S. Eliot’s “Little Devils”: Marionettes and Sweeney Agonistes	1
Katherine Brewer Ball. The Only Way Out: The Racial and Sexual Performance of Escape	1
Staging Socrates: The Public Intellectual and Democracy in Maxwell Anderson’sBarefoot in Athens	1
Katie N. Johnson. Racing the Great White Way: Black Performance, Eugene O’Neill, and the Transformation of Broadway	1
Matthew Sturgis. Oscar Wilde: A Life	1
A Cancelled Lesson in Plurality: Hannah Arendt and The Situation	1
Christin Essin, Working Backstage: A Cultural History and Ethnography of Technical Theater Labor	1
Patrick Mckelvey. Disability Works: Performance after Rehabilitation	0
Onnagata, Grotesque Beauty, and Aging: Reading Tennessee Williams’s Kabuki-Inspired Plays	0
Macelle Mahala. Black Theater, City Life: African American Arts Institutions and Urban Cultural Ecologies	0
Jonas Barish. The Antitheatrical Prejudice	0
Censorship Public and Censorship Private: Authority, Authenticity, and Acceptability in the Early Production History of Brian Friel’s Philadelphia, Here I Come!	0
The Politics and Ethics of Collective Memory and Forgetting in Christina Reid’s My Name, Shall I Tell You My Name?	0
Xiaomei Chen. Performing the Socialist State: Modern Chinese Theater and Film Culture	0

Patricia Gaborik, Mussolini’s Theatre: Fascist Experiments in Art and Politics	0
Outstanding Article Awards for 2024	0
“Those Who Wait, Burn”: New Penelopes in Plays by Sarah Ruhl, Suzan-Lori Parks, and Naomi Wallace	0
Conrad Alexandrowicz. Performing the Nonhuman: Towards a Theatre of Transformation	0
Labour of Love: Alienation, Race, and Family in Julia Cho’s Aubergine	0
Pausing on a Sunday: Sondheim and the Composition of the Secular in the American Musical	0
Bonnie Marranca. Timelines: writings and conversations	0
Diana Looser. Moving Islands: Contemporary Performance and the Global Pacific	0
Julia A. Walker. Performance and Modernity: Enacting Change on the Globalizing Stage	0
Takeo Rivera. Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity	0
Katrina M. Phillips, Staging Indigeneity: Salvage Tourism and the Performance of Native American History	0
Erratum	0
Outstanding Article Award for 2023	0
Interface Theatre: Watching Ourselves Disappear	0
Lawrence La Fountain-Stokes, Translocas: The Politics of Puerto Rican Drag and Trans Performance	0
Leah Sidi. Sarah Kane’s Theatre of Psychic Life: Theatre, Thought, and Mental Suffering	0
Front Matter	0
Decolonizing Curriculum: Teaching the Twenty-First-Century Dramatic Canon	0
Emotionally Uninhabitable? Dramatizing Environmental Destruction and Contamination	0
Outstanding Article Award for 2022	0
Zander Brietzke, Magnum Opus: The Cycle Plays of Eugene O’Neill	0
Lindsay Goss. F*ck the Army! How Soldiers and Civilians Staged the GI Movement to End the Vietnam War	0
Ian Ward. The Play of Law in Modern British Theatre	0
New Approaches to Harold Pinter	0
Alex Ferrone, Stage Business and the Neoliberal Theatre of London	0
William A. Everett. The Year that Made the Musical: 1924 and the Glamour of Musical Theatre	0
Exhibiting the Nation: Identity and (Post)colonial Aesthetics in Hannah Khalil’s A Museum in Baghdad	0
Denise Varney, Patrick White’s Theatre: Australian Modernism on Stage, 1960–2018	0
Michael Shane Boyle. The Arts of Logistics: Artistic Production and Supply Chain Capitalism	0
Bess Rowen. The Lines Between the Lines: How Stage Directions Affect Embodiment	0
Tank Man as Icon and “Crisis Actor” in Lucy Kirkwood’sChimericaand Lauren Yee’sThe Great Leap	0
Ashley E. Lucas, Prison Theatre and the Global Crisis of Incarceration	0
Stefka Mihaylova. Viewers in Distress: Race, Gender, Religion, and Avant-Garde Performance at the Turn of the Twenty-First Century	0
Corey Wakeling. Beckett’s Laboratory: Experiments in the Theatre Enclosure	0
Adrian Curtin, Nicholas Johnson, Naomi Paxton, and Claire Warden, eds. The Edinburgh Companion to Modernism in Contemporary Theatre	0
Stephen Abbott. The Proof Stage: How Theater Reveals the Human Truth of Mathematics	0
Cosmos and History in Wole Soyinka’s Death and the King’s Horseman	0
The “Miracle” of the Russian Revolution: The Mystery Play in Early Soviet Culture	0
The Kindness of Strangers: Eugenics and Tennessee Williams’s A Streetcar Named Desire	0
Max Shulman. The American Pipe Dream: Performance of Drug Addiction, 1890–1940	0
Transculturation, Reclamation, and Adaptation: Approaches to Teaching Father Comes Home from the Wars	0
Josephine Lee. Oriental, Black, and White: The Formation of Racial Habits in American Theater	0
Bertolt Brecht’s “Niobes”: Example, Interruption, and Model	0
The Mathematical Heart of Tom Stoppard	0
Jordana Cox. Staged News: The Federal Theatre Project’s Living Newspapers in New York	0
Rashna Darius Nicholson, The Colonial Public and the Parsi Stage: The Making of the Theatre of Empire (1853–1893)	0
Katelyn Hale Wood, Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States	0
Tina Post. Deadpan: The Aesthetics of Black Inexpression	0
Grief Unspoken in Martyna Majok’s Cost of Living	0
“This Could Go On Forever”: Rethinking the End in Suzan-Lori Parks’s Apocalyptic Dramas	0

“They Do Need You, Don’t They?”: Disability, Gender, and Care Work in World War I Conscription Dramas	0
Elizabeth Rodriguez Fielder. The Revolution Will Be Improvised: The Intimacy of Cultural Activism	0
Hannah Simpson. Samuel Beckett and the Theatre of Witness: Pain in Postwar Francophone Drama	0
Zosia Kuczyńska. Brian Friel’s Models of Influence	0
The Tragedy of Extinction: Miranda Rose Hall’s A Play for the Living	0
Foregrounding (Lost) Rituals in the Irish and Harlem Renaissances: John Millington Synge, Zora Neale Hurston, and the Transatlantic Gesture	0
Galina Kiryushina, Einat Adar & Mark Nixon, Samuel Beckett and Technology	0
The Dialectical Image of White Masochism and the Fugitive Spectator: On Claudia Rankine’s The White Card	0
Jeffery Kennedy. Staging America: The Artistic Legacy of the Provincetown Players	0
Shepard’s Political Economy: Curse of the Starving Class in Neoliberal Capitalism	0
Tracy C. Davis. Liberal Lives and Activist Repertoires: Political Performance and Victorian Social Reform	0
All the Vulnerable Boys: Child-Saving Conjured in Henrik Ibsen’s Little Eyolf and Hiro Kanagawa’s Indian Arm	0
Kristin Gjesdal, The Drama of History: Ibsen, Hegel, Nietzsche	0
Soyica Diggs Colbert, Radical Vision: A Biography of Lorraine Hansberry	0
Cognitive Ecology in Chantal Bilodeau’s Climate Change Theatre	0
Understanding Drama as Performance Texts: Teaching Gao Xingjian’s Plays of the 1980s	0
Deadly Pinter: Ghostly Precedents and New Possibilities for Staging	0
Draperies and Reveries: W.B. Yeats and the Aesthetic of the Background	0
Dispute in the Diaspora: Metaphor and Contradiction in Twenty-First-Century Arab American Family Dramas	0
Ibsen Postcards / Postcard Ibsens: Domesticating Modernism	0
Katarzyna Fazan, Michal Kobialka, and Bryce Lease, eds. A History of Polish Theatre	0
Joanne Tompkins, Julie Holledge, Jonathan Bollen, and Liyang Xia. Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance Spaces	0
Catherine Hindson. Theatre in the Chocolate Factory: Performance at Cadbury’s Bournville, 1900–1935	0
Revisiting HIV/AIDS Theatre: Black and Queer Spatio-Temporalities in Cheryl L. West’s Before It Hits Home	0
“A Leasing of Bodies”: Race, Medicine, and Radical Care in Jamie Lloyd’s Revival of Lucy Prebble’s The Effect	0
(Re)Playing Kidwell and Sheppard’s Underground Railroad Game	0
Miguel Escobar Varela, Theater as Data: Computational Journeys into Theater Research	0
Pandemic Remembered: Kevin Kerr’s Unity (1918) Remedied	0
Elizabeth T. Craft. Yankee Doodle Dandy: George M. Cohan and the Broadway Stage	0
Peter P. Reed. Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance	0
Annie Holt. Modernizing Costume Design, 1820–1920	0
Michael D’alessandro. Staged Readings: Contesting Class in Popular American Theater and Literature, 1835–75	0
Jon D. Rossini. Pragmatic Liberation and the Politics of Puerto Rican Diasporic Drama	0
Hana Worthen, Humanism, Drama, and Performance: Unwriting Theatre	0
Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality	0
Lars Bernaerts and Jarmila Mildorf, eds. Audionarratology: Lessons from Radio Drama	0
Challenging the “Puritan Dread of the Theatre”: The Forgotten Legacy of Henry Arthur Jones’s Saints and Sinners (1884)	0
Post-Auschwitz Dramaturgy: Toward the Later Edward Bond	0
Esther Kim Lee. Made-Up Asians: Yellowface During the Exclusion Era	0
Julia Jarcho. Throw Yourself Away: Writing and Masochism	0
The “Nature of Theatre”: Herder’s Pursuit of a Human Theatre	0
Stephen J. Scott-Bottoms. Incarceration Games: A History of Role-Play in Psychology, Prisons, and Performance	0
Juliet Guzzetta, The Theater of Narration: From the Peripheries of History to the Main Stages of Italy	0
Debating Decolonization: The Use of Postcolonial Metatheatre in Murray Carlin’s Not Now, Sweet Desdemona	0
Kirsten E. Shepherd-Barr, ed., The Cambridge Companion to Theatre and Science	0
Jonathan Shandell. Readying the Revolution: African American Theater and Performance from Post-World War II to the Black Arts Movement	0
Broderick D.V. Chow. Muscle Works: Physical Culture and the Performance of Masculinity	0
Brandon Woolf, Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin	0
Family, Community, Country, and Race: The State of the Nation Plays of Roy Williams and Clint Dyer	0
Utpal Dutt’s Political Jatra and Modern Indian Drama: Marxist Reinventions of Theatrical Tradition	0
Tarryn Li-Min Chun. Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China	0
Michael Malek Najjar, Middle Eastern American Theatre: Communities, Cultures, and Artists	0
Contested Memories: Neoliberal Hegemony and British Postdramatic Theatre in the Late Twentieth Century	0
Touching Back while Black: Self-Defence and the Politics of Black US Citizenship in Paul Green’s In Abraham’s Bosom	0
Life in the Huddle: Risk, Representation, and the Labour of Athletic Practice in Sarah DeLappe’s The Wolves	0
The Crucible of Art: Poetry, Ritual, and Parable in Arthur Miller	0
“A Terrible Art of Sharp-Shooting at the Audience”: Teaching the Shock of Modernist Drama via the Play of Ideas	0
Beth Wynstra. Vows, Veils, and Masks: The Performance of Marriage in the Plays of Eugene O’Neill	0
S.E. Jackson, The Problem of the Actress in Modern German Theatre and Thought	0
Moira S. Fortin Cornejo. Rapa Nui Theatre: Staging Indigenous Identities in Easter Island	0
Joseph Cermatori. Baroque Modernity: An Aesthetics of Theater	0
David Román and Sean F. Edgecomb, eds. The Taylor Mac Book: Ritual, Realness, and Radical Performance	0
Elizabeth Brewer Redwine. Gender, Performance, and Authorship at the Abbey Theatre	0
David Clare, Fiona Mcdonagh, and Justine Nakase, eds. The Golden Thread: Irish Women Playwrights, 1716–2016	0
Bethany Hughes. Redface: Race, Performance, and Indigeneity	0
Migrant Deaths and European Revenants in Thomas Köck’santigone. a requiem(2019): Sophocles’ Tragedy Recomposed and Decomposed	0
David Bisaha. American Scenic Design and Freelance Professionalism	0
Meredith Conti and Kevin J. Wetmore, Jr. eds. Theatre and the Macabre	0
Arnold Aronson. Fifty Key Theatre Designers	0
Theron Schmidt. The Theatricalists: Making Politics Appear	0
Martin Kagel and David Z. Saltz, eds. Open Wounds: Holocaust Theater and the Legacy of George Tabori	0
The Astonishing Lives of the Ballets Russes in J.M. Barrie’s The Truth about the Russian Dancers	0
Imagining and Reflecting Israel/Palestine in Naomi Wallace’s A State of Innocence	0
Jackie Sibblies Drury and the Violence of Repetition	0
Anna-Sophie Jürgens and Mirjam Hildbrand, eds. Circus and the Avant-Gardes: History, Imaginary, Innovation	0
Brent Salter. Negotiating Copyright in the American Theatre: 1856–1951	0
Performing the Other: Post-Humanism and Mediatized Senses in The Wooster Group’s Production of The Room	0
J. Paul Halferty and Cathy Leeney, eds. Analysing Gender in Performance	0
Shannon Jackson. Back Stages: Essays across Art, Performance, and Public Life	0
Hershini Bhana Young. Falling, Floating, Flickering: Disability and Differential Movement in African Diasporic Performance	0

Martin Revermann. Brecht and Tragedy: Radicalism, Traditionalism, Eristics	0
Specialization on Stage: The Formation and Deformation of Knowledge in Hedda Gabler and A Dream Play	0
Thrill Me: Queerness, Spectatorship, and the Utopian Performative in South Korean Musical Theatre	0
“Forever Unliving and Yet Never Dead”: The Queerly Ecological Hauntings of Nathalie Claude’s The Salon Automaton	0
Ulf Otto. The Theater of Electricity: Technology and Spectacle in the Late 19th Century	0
Cold War Diva: Medea, 1947	0
Peter W. Marx. Max Reinhardt: From Bourgeois Theater to Metropolitan Culture. Translated by Robert E. Goodwin	0
“These People in This House”: Intermedial Approaches to Decentring the Domestic in Harold Pinter’s A Slight Ache and The Homecoming	0
Dorothy Chansky. Losing It: Staging the Cultural Conundrum of Dementia and Decline in American Theatre	0
Julius B. Fleming, Jr. Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation	0
Founding Pedagogies of Modern Drama	0
John Ireland. Theater, War, and Memory in Crisis: Vichy, Algeria, the Aftermath	0
Drew Lichtenberg. The Piscatorbühne Century: Politics and Aesthetics in the Modern Theater after 1927	0
Rebecca Benzie. Feminism, Dramaturgy, and the Contemporary British History Play	0
The Freedom Mythology of Father Comes Home from the Wars	0
“Nobody Loves Me and the Sun’s Going to Kill Me”: Toward a Darker Ecodramaturgy	0
Jesse Gardiner. Soviet Theatre during the Thaw: Aesthetics, Politics and Performance	0
Michelle Liu Carriger. Theatricality of the Closet: Fashion, Performance and Subjectivity Between Victorian Britain and Meiji Japan	0
Barry Houlihan. Theatre and Archival Memory: Irish Drama and Marginalised Histories, 1951–1977	0
Daniel Sack. Cue Tears: On the Act of Crying	0
Ryan Claycomb. In the Lurch: Verbatim Theatre and the Crisis of Democratic Deliberation	0
Teaching Ayad Akhtar’s Disgraced: Navigating Islamophobia and Orientalism in the Drama Classroom	0
OTAKAR ZICH. Aesthetics of the Dramatic Art: Theoretical Dramaturgy	0
A Mother’s Touch: Ethics and Maternal Corporeality in Harold Pinter’s Mountain Language	0
Gustavo Rodríguez Martín, ed. Bernard Shaw and the Spanish-Speaking World	0
The Haunting of the Antebellum South: Branden Jacobs-Jenkins’s Appropriate as a Gothic Memory Archive	0
Alisa Zhulina. Theater of Capital: Modern Drama and Economic Life	0
Sergio Blanco’s Tebas Land: Staging an Authentic Fiction	0
Nic Leonhardt. Theatre Across Oceans: Mediators of Transatlantic Exchange (1890–1925).	0
“Something Is Happening”: Medical Realism and the Problem of Acting in Harold Pinter’sA Kind of Alaska	0
Jessica Nakamura and Katherine Saltzman-Li, Eds. Realisms in East Asian Performance	0
Monique Mojica and Brenda Farnell. Chocolate Woman Dreams the Milky Way: Mapping Embodied Indigenous Performance	0
Out of Place, Out of Control: Transgression in Pearl Cleage’s Bourbon at the Border and Flyin’ West	0
Penny Farfan and Lesley Ferris, eds. Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century.	0
May Summer Farnsworth. Feminist Rehearsals: Gender at the Theatre in Early Twentieth-Century Argentina and Mexico	0
Marcia Noe. Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre	0
Christine Bold. “Vaudeville Indians” on Global Circuits, 1880s–1930s	0
Shannon Walsh, Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout	0
Jonas Tinius. State of the Arts: An Ethnography of German Theatre and Migration	0
Lisa Biggs. The Healing Stage: Black Women, Incarceration, and the Art of Transformation	0
“The Point Is, You Don’t Seem to Have Learnt Anything”: Reimagining J.B. Priestley’sAn Inspector Callsas a BrechtianLehrstückfor the Middle Classes	0
Destined to Hope or Remorse: T.S. Eliot, Francis Bacon, and Their Furies	0
Xiaomei Chen, Tarryn Li-Min Chun, and Siyuan Liu, eds. Rethinking Chinese Socialist Theatres of Reform: Performance Practice and Debate in the Mao Era	0
John Lahr. Arthur Miller: American Witness	0
Why Natasha Can’t Sing: Rethinking Cross-Genre Adaptation with Natasha, Pierre & the Great Comet of 1812	0
“You Are against UK Law”: Clean Break Theatre Company’s Carceral Dramaturgy	0
Shattering Normalcy: Disability and Queerness in Tennessee Williams’s One Arm	0
Christopher Morash, Yeats on Theatre	0
“A Positive Statement of a Negative Thing”: Nietzschean Eternal Recurrence as Dramatic Form in Samuel Beckett’s Waiting for Godot	0
Learning to Love Medea: The Hungry Woman, Mojada, and the Pedagogy of Adaptation	0
Teaching Six Characters in Search of an Author in the Age of #MeToo	0
Carrie J. Preston. Complicit Participation: The Liberal Audience for Theater of Racial Justice	0
Barry Day, ed. Noël Coward on (and in) Theatre	0
Michelle Castañeda. Disappearing Rooms: The Hidden Theaters of Immigration Law	0
Lindsay Brandon Hunter, Playing Real: Mimesis, Media and Mischief	0
Anita Gonzalez. Shipping Out: Race, Performance, and Labor at Sea	0
Hermione Lee, Tom Stoppard: A Life	0
Martin Wagner. A Stage for Debate: The Political Significance of Vienna’s Burgtheater, 1814–1867	0
Unwriting the Future: Russell Hoban’s Stage Adaptation of Riddley Walker	0
Black Queer Cosmologies, Sonic Geographies, and Embodied Entanglement in Tarell Alvin McCraney’s The Brother/Sister Plays	0
Social Reform in the Plays of Mohan Rakesh	0
M. Myrta Leslie Santana Transformismo: Performing Trans/Queer Cuba	0