Modern Drama

Article	Citations
Matters of the Heart: The Poetics of Trauma in Harold Pinter’sAshes to Ashes	4
Space, Symbols, and Speech in Gurpreet Kaur Bhatti’sBehztiand Its Reception	2
Distributed Agencies in Dramatic Form: A Posthuman Perspective on Lucy Prebble’sThe Sugar Syndromeand Sarah Ruhl’sDead Man’s Cell Phone	2
The Domestic Sphere as Counter-Surveillance in Lorraine Hansberry’s A Raisin in the Sun	1
Migrant Deaths and European Revenants in Thomas Köck’santigone. a requiem(2019): Sophocles’ Tragedy Recomposed and Decomposed	1
Narrating Arab-American Transnational Identity in Leila Buck’s Hkeelee [Talk to Me]	1
S.N. Behrman, Comedy, and the Extermination of the Jews: Broadway, Christmas Eve, 1934	1
Ashley E. Lucas, Prison Theatre and the Global Crisis of Incarceration	1
Contemporary African-American Drama at Visuality’s Limits	1
Shattering Normalcy: Disability and Queerness in Tennessee Williams’s One Arm	1
“These People in This House”: Intermedial Approaches to Decentring the Domestic in Harold Pinter’s A Slight Ache and The Homecoming	1
Performing the Other: Post-Humanism and Mediatized Senses in The Wooster Group’s Production of The Room	1
Stacy Wolf. Beyond Broadway: The Pleasure and Promise of Musical Theatre across America.	1
Femi Osofisan’s Evolving Global Consciousness in Four Adaptations	1
Medals and Metals: Speculating Freedom in Suzan-Lori Parks’sFather Comes Home from the Wars	1
Intimacy and Isolation in Jen Silverman’s Gothic Worlds	1
A Mother’s Touch: Ethics and Maternal Corporeality in Harold Pinter’s Mountain Language	1
The Concept of the Concept Musical: Love Life, Cabaret, Company	1
An Invitation from the Displaced: Refuge Restaged in The Jungle and As Far as My Fingertips Take Me	1
New Approaches to Harold Pinter	0
Julius B. Fleming, Jr. Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation	0
Patricia Gaborik, Mussolini’s Theatre: Fascist Experiments in Art and Politics	0
Camilla Stevens, Aquí and Allá: Transnational Dominican Theater and Performance	0
Soyica Diggs Colbert, Radical Vision: A Biography of Lorraine Hansberry	0
The “Nature of Theatre”: Herder’s Pursuit of a Human Theatre	0

“A Positive Statement of a Negative Thing”: Nietzschean Eternal Recurrence as Dramatic Form in Samuel Beckett’s Waiting for Godot	0
Meredith Conti and Kevin J. Wetmore, Jr. eds. Theatre and the Macabre	0
Lisa Woynarski. Ecodramaturgies: Theatre, Performance and Climate Change	0
The Kindness of Strangers: Eugenics and Tennessee Williams’s A Streetcar Named Desire	0
Lars Bernaerts and Jarmila Mildorf, eds. Audionarratology: Lessons from Radio Drama	0
Pausing on a Sunday: Sondheim and the Composition of the Secular in the American Musical	0
“Those Who Wait, Burn”: New Penelopes in Plays by Sarah Ruhl, Suzan-Lori Parks, and Naomi Wallace	0
Babak Rahimi, ed. Theater in the Middle East: Between Performance and Politics.	0
Christopher Morash, Yeats on Theatre	0
Ric Knowles. International Theatre Festivals and 21st-Century Interculturalism	0
Bradley Rogers. This Song Is You: Musical Theatre and the Politics of Bursting into Song and Dance	0
Destined to Hope or Remorse: T.S. Eliot, Francis Bacon, and Their Furies	0
The Politics and Ethics of Collective Memory and Forgetting in Christina Reid’s My Name, Shall I Tell You My Name?	0
Jesse Gardiner. Soviet Theatre during the Thaw: Aesthetics, Politics and Performance	0
Patrick Lonergan, Irish Drama and Theatre since 1950	0
Founding Pedagogies of Modern Drama	0
Martin Revermann. Brecht and Tragedy: Radicalism, Traditionalism, Eristics	0
Bess Rowen. The Lines Between the Lines: How Stage Directions Affect Embodiment	0
A New Feminist Absurd?: Women’s Protest, Fury, and Futility in Contemporary American Theatre	0
Christopher Bigsby. Staging America: Twenty-First Century Dramatists	0
Decolonizing Curriculum: Teaching the Twenty-First-Century Dramatic Canon	0
Drew Lichtenberg. The Piscatorbühne Century: Politics and Aesthetics in the Modern Theater after 1927	0
Takeo Rivera. Model Minority Masochism: Performing the Cultural Politics of Asian American Masculinity	0
Maria Shevtsova, Rediscovering Stanislavsky	0
Renata Kobetts Miller, The Victorian Actress in the Novel and on the Stage	0
Hana Worthen, Humanism, Drama, and Performance: Unwriting Theatre	0
Shana Redmond. Everything Man: The Form and Function of Paul Robeson.	0
Ruhls of the House: Surreal Spaces for Queer Homes in the Plays of Sarah Ruhl	0
Onnagata, Grotesque Beauty, and Aging: Reading Tennessee Williams’s Kabuki-Inspired Plays	0
Mary Mcavoy, Rehearsing Revolutions: The Labor Drama Experiment and Radical Activism in the Early Twentieth Century	0
Tavia Nyong’o. Afro-Fabulations: The Queer Drama of Black Life.	0
Toward a Progressive Ethics of Shamelessness: Heresy and Affect in Bernard Shaw’s Saint Joan	0
Marcus Cheng Chye Tan and Charlene Rajendran, eds., Performing Southeast Asia: Performance, Politics and the Contemporary	0
Michelle Granshaw, Irish on the Move: Performing Mobility in American Variety Theatre	0
Brandon Woolf, Institutional Theatrics: Performing Arts Policy in Post-Wall Berlin	0
Hannah Simpson. Samuel Beckett and the Theatre of Witness: Pain in Postwar Francophone Drama	0
Stacie Selmon McCormick, Staging Black Fugitivity	0
Marcus Nevitt and Tanya Pollard, eds., Reader in Tragedy: An Anthology of Classical Criticism to Contemporary Theory	0
Juliet Guzzetta, The Theater of Narration: From the Peripheries of History to the Main Stages of Italy	0
Staging Socrates: The Public Intellectual and Democracy in Maxwell Anderson’sBarefoot in Athens	0
Max Shulman and J. Chris Westgate, eds., Performing the Progressive Era: Immigration, Urban Life, and Nationalism on Stage	0
Sarah Mackenzie. Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization	0
Denise Varney, Patrick White’s Theatre: Australian Modernism on Stage, 1960–2018	0
Joseph Cermatori. Baroque Modernity: An Aesthetics of Theater	0
Daphne P. Lei, Uncrossing the Borders: Performing Chinese in Gendered (Trans)Nationalism	0
Aparna Bhargava Dharwadker, ed.A Poetics of Modernity: Indian Theatre Theory, 1850 to the Present.	0
David Clare, Fiona Mcdonagh, and Justine Nakase, eds. The Golden Thread: Irish Women Playwrights, 1716–2016	0
Sarah Balkin, Spectral Characters: Genre and Materiality on the Modern Stage	0
Jennifer Buckley. Beyond Text: Theater and Performance in Print after 1900.	0
Nic Leonhardt. Theatre Across Oceans: Mediators of Transatlantic Exchange (1890–1925).	0

Dance Nationand Its Representational Challenges	0
Jesse Rae Archibald-Barber, Kathleen Irwin, and Moira J. Day, eds., Performing Turtle Island: Indigenous Theatre on the World Stage	0
Jewish Immigrant Theatre and the Argentinean Avant-Gardes: The Case ofIbergusin 1926 Buenos Aires	0
Teaching Ayad Akhtar’s Disgraced: Navigating Islamophobia and Orientalism in the Drama Classroom	0
Evert Sprinchorn. Ibsen’s Kingdom: The Man and His Works.	0
The Circumstances of Colour: The Jim Crow Translation of Jonny spielt auf	0
Katrina M. Phillips, Staging Indigeneity: Salvage Tourism and the Performance of Native American History	0
Exhibiting the Nation: Identity and (Post)colonial Aesthetics in Hannah Khalil’s A Museum in Baghdad	0
Milija Gluhovic and Jisha Menon, eds., Performing the Secular: Religion, Representation, and Politics	0
Liesbeth Groot Nibbelink. Nomadic Theatre: Mobilizing Theory and Practice on the European Stage.	0
Ibsen Postcards / Postcard Ibsens: Domesticating Modernism	0
Ian Ward. The Play of Law in Modern British Theatre	0
The Mathematical Heart of Tom Stoppard	0
Xiaomei Chen, Tarryn Li-Min Chun, and Siyuan Liu, eds. Rethinking Chinese Socialist Theatres of Reform: Performance Practice and Debate in the Mao Era	0
Bonnie Marranca. Timelines: writings and conversations	0
Yeats’s Doll and Donkey: Alienating theUpanishadsinThe Herne’s Egg	0
Paul Rae, Real Theatre: Essays in Experience	0
“The Point Is, You Don’t Seem to Have Learnt Anything”: Reimagining J.B. Priestley’sAn Inspector Callsas a BrechtianLehrstückfor the Middle Classes	0
Marcia Noe. Three Midwestern Playwrights: How Floyd Dell, George Cram Cook, and Susan Glaspell Transformed American Theatre	0
Shannon Walsh, Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout	0
Shepard’s Political Economy: Curse of the Starving Class in Neoliberal Capitalism	0
Understanding Drama as Performance Texts: Teaching Gao Xingjian’s Plays of the 1980s	0
Outstanding Article Award for 2022	0
Gustavo Rodríguez Martín, ed. Bernard Shaw and the Spanish-Speaking World	0
Between Paper and Performance: Suspicion, Race, and Casting inThe Piano Teacher	0
Katarzyna Fazan, Michal Kobialka, and Bryce Lease, eds. A History of Polish Theatre	0
In Memoriam: Eric Bentley (1916–2020)	0
Alice Brown Takes on Social Insecurity:Joint Owners in Spain	0
Barry Day, ed. Noël Coward on (and in) Theatre	0
W.B. Yeats and the Delegated Voice:The Words upon the Window-PaneandA Full Moon in March	0
Nicholas Ridout, Scenes from Bourgeois Life	0
Theresa J. May. Earth Matters on Stage: Ecology and Environment in American Theater.	0
Transculturation, Reclamation, and Adaptation: Approaches to Teaching Father Comes Home from the Wars	0
Revisiting HIV/AIDS Theatre: Black and Queer Spatio-Temporalities in Cheryl L. West’s Before It Hits Home	0
Olga Taxidou. Greek Tragedy and Modernist Performance: Hellenism as Theatricality	0
Patricia Herrera. Nuyorican Feminist Performance: From the Café to Hip Hop Theater	0
David Kornhaber. Theatre & Knowledge	0
Catherine Cole. Performance and the Afterlives of Injustice	0
“A Terrible Art of Sharp-Shooting at the Audience”: Teaching the Shock of Modernist Drama via the Play of Ideas	0
Touching Back while Black: Self-Defence and the Politics of Black US Citizenship in Paul Green’s In Abraham’s Bosom	0
Clifford Mason, Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun	0
Michael Mckinnie. Theatre in Market Economies	0
Corey Wakeling. Beckett’s Laboratory: Experiments in the Theatre Enclosure	0
Candice Amich. Precarious Forms: Performing Utopia in the Neoliberal Americas.	0
Listening to Los Angeles in the Theatre of Anna Deavere Smith and Gabriel Kahane	0
Hermione Lee, Tom Stoppard: A Life	0
Yana Meerzon, ed., Theatre and (Im)migration. New Essays on Canadian Theatre Series	0
Jennifer Wallace, Tragedy since 9/11: Reading a World Out of Joint	0
Liz Tomlin, Political Dramaturgies and Theatre Spectatorship: Provocations for Change	0
Ubu Roi in W.B. Yeats’s The Green Helmet and The Player Queen	0
Outstanding Article Award for 2021	0
Front Matter	0
Lisa Biggs. The Healing Stage: Black Women, Incarceration, and the Art of Transformation	0
Note	0
Marlis Schweitzer. Bloody Tyrants and Little Pickles: Stage Roles of Anglo-American Girls in the Nineteenth Century	0
Christin Essin, Working Backstage: A Cultural History and Ethnography of Technical Theater Labor	0
The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre	0
“Heredity, Heredity!”: Recovering Henry James’s The Reprobate in Its Scientific and Theatrical Contexts	0
Soyica Diggs Colbert, Douglas A. Jones, Jr., and Shane Vogel, eds. Race and Performance after Repetition.	0
Miguel Escobar Varela, Theater as Data: Computational Journeys into Theater Research	0
Writing and Staging Our Latinx Stories: The Utopian Performative in Teatro Luna	0
Carolyn Williams, ed., The Cambridge Companion to English MelodramaChristine Gledhill and Linda Williams, eds., Melodrama Unbound: Across History, Media, and National Cultures	0
Matthew Sturgis. Oscar Wilde: A Life	0
The Dialectical Image of White Masochism and the Fugitive Spectator: On Claudia Rankine’s The White Card	0
Hélène Lecossois. Performance, Modernity and the Plays of J.M. Synge	0
Kareem Khubchandani. Ishtyle: Accenting Gay Indian Nightlife.	0
Elizabeth Brewer Redwine. Gender, Performance, and Authorship at the Abbey Theatre	0
Kirsten E. Shepherd-Barr, ed., The Cambridge Companion to Theatre and Science	0
Performing the Elements in Indian Eco-Theatre: Deepan Sivaraman’s The Legends of Khasak	0
Foregrounding (Lost) Rituals in the Irish and Harlem Renaissances: John Millington Synge, Zora Neale Hurston, and the Transatlantic Gesture	0
Artaud’s Surgical Theatre: War, Medicine, and Regeneration	0
Bertolt Brecht’s “Niobes”: Example, Interruption, and Model	0
Lindsay Brandon Hunter, Playing Real: Mimesis, Media and Mischief	0
Teaching The Colored Museum and Its Doubles: Black Queer Theatrical Aesthetics in Bootycandy and Ain’t No Mo’	0
Deadly Pinter: Ghostly Precedents and New Possibilities for Staging	0
Jessica Nakamura. Transgenerational Remembrance: Performance and the Asia-Pacific War in Contemporary Japan.	0
Michael Malek Najjar, Middle Eastern American Theatre: Communities, Cultures, and Artists	0
Peter P. Reed. Staging Haiti in Nineteenth-Century America: Revolution, Race and Popular Performance	0
Black Indigeneity and Anti-Colonial Rebellion in Eugene O’Neill’sThe Emperor Jones	0
“Africa Claiming Her Own”: Unveiling Natural Hair and African Diasporic Identity in Lorraine Hansberry’s UnabridgedA Raisin in the Sun	0

La Donna L. Forsgren, Sistuhs in the Struggle: An Oral History of Black Arts Movement Theater and Performance	0
Post-Auschwitz Dramaturgy: Toward the Later Edward Bond	0
Gendered Violence and NeoliberalDesaparecidosin Luis Cano’sSocavón	0
John Lahr. Arthur Miller: American Witness	0
David Bisaha. American Scenic Design and Freelance Professionalism	0
Andrés Pérez-Simón, Baroque Lorca: An Archaist Playwright for the New Stage	0
“Something Is Happening”: Medical Realism and the Problem of Acting in Harold Pinter’sA Kind of Alaska	0
Sergio Blanco’s Tebas Land: Staging an Authentic Fiction	0
Zander Brietzke, Magnum Opus: The Cycle Plays of Eugene O’Neill	0
Joanne Tompkins, Julie Holledge, Jonathan Bollen, and Liyang Xia. Visualising Lost Theatres: Virtual Praxis and the Recovery of Performance Spaces	0
Shannon Jackson. Back Stages: Essays across Art, Performance, and Public Life	0
Josephine Lee. Oriental, Black, and White: The Formation of Racial Habits in American Theater	0
“As Inspiring as the Muses, as Righteous as the Supreme Court”: The Trial of the Catonsville Nine and Jurisprudential Drama	0
Learning to Love Medea: The Hungry Woman, Mojada, and the Pedagogy of Adaptation	0
Dispute in the Diaspora: Metaphor and Contradiction in Twenty-First-Century Arab American Family Dramas	0
Thrill Me: Queerness, Spectatorship, and the Utopian Performative in South Korean Musical Theatre	0
Loren Kruger, A Century of South African Theatre	0
“Imagination Is Now the World”: W.B. Yeats and the Staging of Visionary Experience	0
Barry Houlihan. Theatre and Archival Memory: Irish Drama and Marginalised Histories, 1951–1977	0
Rashna Darius Nicholson, The Colonial Public and the Parsi Stage: The Making of the Theatre of Empire (1853–1893)	0
Christine Bold. “Vaudeville Indians” on Global Circuits, 1880s–1930s	0
Sunny Stalter-Pace. Imitation Artist: Gertrude Hoffmann’s Life in Vaudeville and Dance	0
A Fan through the Ages: Layers of Adaptation in SITI Company’s Hanjo	0
Sean Metzger, The Chinese Atlantic: Seascapes and the Theatricality of Globalization	0
Diana Looser. Moving Islands: Contemporary Performance and the Global Pacific	0
Finding T.S. Eliot’s “Little Devils”: Marionettes and Sweeney Agonistes	0
Magda Romanska and Kathleen Cioffi, eds., Theatermachine: Tadeusz Kantor in Context	0
Sharell D. Luckett, David Román, and Isaiah Matthew Wooden, eds. Tarell Alvin McCraney: Theater, Performance, and Collaboration	0
Michael D’alessandro. Staged Readings: Contesting Class in Popular American Theater and Literature, 1835–75	0
Patrick Maley, After August: Blues, August Wilson, and American Drama	0
Jean-Michel Rabaté, ed. The New Samuel Beckett Studies.	0
Kristin Gjesdal, The Drama of History: Ibsen, Hegel, Nietzsche	0
Interface Theatre: Watching Ourselves Disappear	0
Revision, Analogy, and the “Problem of Reality” in Michael Frayn’s Copenhagen and Human Touch	0
Mala Renganathan and Arnab Bhattacharya, eds. Rabindranath Tagore’s Drama in the Perspective of Indian Theatre	0
“American Homespun Fascists”: Seán O’Casey and the Returning Veteran at the American Negro Theatre	0
Galina Kiryushina, Einat Adar & Mark Nixon, Samuel Beckett and Technology	0
Unwriting the Future: Russell Hoban’s Stage Adaptation of Riddley Walker	0
Diana Taylor, ¡Presente!: The Politics of Presence	0
Katelyn Hale Wood, Cracking Up: Black Feminist Comedy in the Twentieth and Twenty-First Century United States	0
Penny Farfan and Lesley Ferris, eds. Critical Perspectives on Contemporary Plays by Women: The Early Twenty-First Century.	0
Rethinking the Refugee Experience in Verbatim Theatre: Hospitality and Translation in Jessica Blank and Erik Jensen’s Aftermath	0
Examining Martin Crimp’s Political Aesthetic inThe CountryandThe City	0
Macelle Mahala. Black Theater, City Life: African American Arts Institutions and Urban Cultural Ecologies	0
“Tangled Passions”: Realism and Lyricism in the Plays of Peter Gill	0
Kate Dossett. Radical Black Theatre in the New Deal	0
S.E. Jackson, The Problem of the Actress in Modern German Theatre and Thought	0
Alex Ferrone, Stage Business and the Neoliberal Theatre of London	0
Sonali Pahwa, Theaters of Citizenship: Aesthetics and Politics of Avant-Garde Performance in Egypt	0
Esther Kim Lee. Made-Up Asians: Yellowface During the Exclusion Era	0
The Indian in the Kitchen: Colonialism, Cultural Identity, and Food inAugust: Osage County	0
Rohan McWilliam. London’s West End: Creating the Pleasure District, 1800–1914.	0
Matthew Franks. Subscription Theater: Democracy and Drama in Britain and Ireland, 1880–1939	0
Julia A. Walker. Performance and Modernity: Enacting Change on the Globalizing Stage	0
Lawrence La Fountain-Stokes, Translocas: The Politics of Puerto Rican Drag and Trans Performance	0
Jeffrey K. Coleman. The Necropolitical Theater: Race and Immigration on the Contemporary Spanish Stage.	0
April Sizemore-Barber. Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation	0
Brent Salter. Negotiating Copyright in the American Theatre: 1856–1951	0
“This Could Go On Forever”: Rethinking the End in Suzan-Lori Parks’s Apocalyptic Dramas	0