Modern Language Quarterly

Article	Citations
An Appreciation of Marshall Brown	7
Close, but No Cigar	2
The Words on the Screen: I. A. Richards as Media Theorist	1
The Difference an Editor Makes	1
Climate and the Making of Worlds: Toward a Geohistorical Poetics	1
Infinite Variety: Literary Invention, Theology, and the Disorder of Kinds, 1688–1730	1
The Ends of Meter in Modern Japanese Poetry: Translation and Form	1
Serial Forms: The Unfinished Project of Modernity, 1815–1848	1
Coming To: Consciousness and Natality in Early Modern England	1
The Queerness of Character-Details	1
The Confessional Rite as an Apology for the Theater in Marivaux’s Utopian Plays	1
Aerial Environments on the Early Modern Stage: Theatres of the Air, 1576–1609	1
Lu Xun’s Heteromodal Realism	1
How to Talk about Religion and Literature: A Modest Proposal	0
The Surface of the World: W. H. Auden and the Umwelt	0
Unfelt: The Language of Affect in the British Enlightenment	0
Vagrancy in the Victorian Age: Representing the Wandering Poor in Nineteenth-Century Literature and Culture	0
Weak Planet: Literature and Assisted Survival	0
Evil in Exile: Fiction, Franzen, Faust	0
“Almost Worthless”: Edward Upward’s Failures	0
To Detail a Dollhouse	0
George Gissing Goes Out in Style: The Syntax of Class after 1890	0
Joseph Brodsky’s Borrowed Chinese Voice	0
How to See Global Religion: Comparativism, Connectivity, and the Undisciplining of Victorian Literary Studies	0
Proust, Typical Novelist: Literary Context as Type	0

Recontextualizing “Radical Dislocation”	0
Ovid and the Liberty of Speech in Shakespeare’s England	0
Scripts of Blackness: Early Modern Performance Culture and the Making of Race	0
The Detail of Place and the Place of Detail	0
Scorning the Gaze	0
Unsettling Ethnic Detail in Asian American Metafiction	0
The Aesthetic Commonplace: Wordsworth, Eliot, Wittgenstein, and the Language of Every Day	0
Reading and Not Reading “The Faerie Queene”: Spenser and the Making of Literary Criticism	0
Did God WriteMoby-Dick?	0
The Role of Religious Thought in Interdisciplinary “Law and Literature” Studies	0
Population Thinking and Narrative Networks: Dickens, Joyce, andThe Wire	0
Holy Digital Grail: A Medieval Book on the Internet	0
Toward a Realism of the World-System: John Lanchester’sCapitaland the Global City	0
Deep Time: A Literary History	0
Culture and Language at Crossed Purposes: The Unsettled Records of American Settlement	0
Figures of the World: The Naturalist Novel and Transnational Form	0
New Ecological Realisms: Post-apocalyptic Fiction and Contemporary Theory	0
Obsessed with Translation: Bovaristic Reading of Translated Love Stories in Early Twentieth-Century China	0
Comparing the Literatures: Literary Studies in a Global Age	0
Talking about Religion in Eighteenth- and Nineteenth-Century Studies	0
Working Critics	0
Heroines and Local Girls: The Transnational Emergence of Women’s Writing in the Long Eighteenth Century	0
Communities of Care: The Social Ethics of Victorian Fiction	0
To Make Negro Literature: Writing, Literary Practice, and African American Authorship	0
Medical Storyworlds: Health, Illness, and Bodies in Russian and European Literature at the Turn of the Twentieth Century	0
Pascal without Apology	0
Virginia Woolf, David Jones, and the Parenthetical Space of War	0
The Dynastic Imagination: Family and Modernity in Nineteenth-Century Germany	0
Structures All the Way Down: Literary Methods and the Detail	0
Whose Resistance Theory?	0
Unmoored: The Search for Sincerity in Colonial America	0
Domestic Georgic: Labors of Preservation from Rabelais to Milton	0
Dynamic Form: How Intermediality Made Modernism	0
Botanical Poetics: Early Modern Plant Books and the Husbandry of Print	0
Stranger Fictions: A History of the Novel in Arabic Translation	0
Shameful Specters: Remembering Spanish Slavery in Àngels Aymar’s La Indiana	0
The Activist Humanist: Form and Method in the Climate Crisis	0
Justifying Sex in Arcadia	0
Fair Copy: Relational Poetics and Antebellum American Women’s Poetry	0
Extinction Panic: C. S. Lewis and Planetary Nihilism	0
Translation Effects: Language, Time, and Community in Medieval England	0
Everybody’s Autotheory	0
The Environmental Unconscious: Ecological Poetics from Spenser to Milton	0
Queer Allusion: Wilde, Housman, Cullen	0
The Autonomy of Art and the Legitimization of Biofiction: An Aesthetic Turning Point in Twentieth-Century Literature	0
Read Until You Understand: The Profound Wisdom of Black Life and Literature	0
There’s Something about Murray: Victorian Literary Societies and Alfred Forman’s Translation of Richard Wagner’sDer Ring des Nibelungen	0
Resounding the Sublime: Music in English and German Literature and Aesthetic Theory, 1670–1850	0
Present Tense: Literary History in Our Time	0
Who’s Afraid of Italo Svevo? Routes of European Modernism between Trieste and Virginia Woolf’s London	0

Uncertainty and Understanding in the Early Modern English Theater	0
“Knowing Our Difference”: Class and the Literary Zombie	0
The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century	0
Scaling the Detail: Woolfian Proportions	0
The Anglophone and the Anthropocene: Postcolonial in the Present Tense	0
Introduction: Criticism Now	0
The Revolutionary Romanticisms of Mo Yan and Yan Lianke	0
The Age of the Author: Print and Precocity in the English Renaissance	0
Fathers, Mothers, Saints, Martyrs: Religion as a Lineage of Belief	0
Unmaking Sex: The Gender Outlaws of Nineteenth-Century France	0
The Novel and the Problem of New Life	0
When Novels Were Books	0
The Permeable Self: Five Medieval Relationships	0
Inventions of Nemesis: Utopia, Indignation, and Justice	0
From “Gestural Language” to “Language Gesture”: André Jolles, Aby Warburg, and the Morphology of Mass Media	0
Joy of the Worm: Suicide and Pleasure in Early Modern English Literature	0
Domesticating Decadence: Joris-Karl Huysmans, Pierre Louÿs, and Their Invisible English Translators	0
“To Consort with Eccentricities”: Edith Sitwell’s Eighteenth Century	0
In Praise of Idling: Johnson, Austen, and Literary Leisure	0
“Thy Words Do Finde Me Out”: Aaron Kunin’s Love Three	0
Possible Knowledge: The Literary Forms of Early Modern Science	0
Marshall Brown, Editor Extraordinaire	0
The Detail, Revisited: Editorial Introduction	0
MLQ Special Issues since 1990	0
The Experience of Poetry: From Homer’s Listeners to Shakespeare’s Readers	0
Continental England: Form, Translation, and Chaucer in the Hundred Years’ War	0
Queer Angels in Post-1945 American Literature and Culture: Bad Beatitudes	0
Cacaphonies: The Excremental Canon of French Literature	0
Reading Christian Experience	0
Containing the Unnamable	0
Aesthetic Historicism Now	0
King Learand the Irony of Capacity	0
Collective Understanding, Radicalism, and Literary History, 1645–1742	0
Phantom Belief and Belief in Phantoms: The Strange Objects of Literary Study	0
Keeping Faith with Literature	0
Today We Fly, Tomorrow We Fall: William Faulkner’sPylonin Fascist Italy	0
Baroque Modernity: An Aesthetics of Theater	0
At Penpoint: African Literatures, Postcolonial Studies, and the Cold War	0
Networking Print in Shakespeare’s England: Influence, Agency, and Revolutionary Change	0
Schools of Fiction: Literature and the Making of the American Educational System	0
The Quotations We Value	0
Making the Miscellany: Poetry, Print, and the History of the Book in Early Modern England	0
Bad Blood: Staging Race between Early Modern England and Spain	0
Minding Concepts	0
The Shortest Way with Defoe: “Robinson Crusoe,” Deism, and the Novel	0
Biblical and Theological Literacy and Victorian Studies Today	0
Cut/Copy/Paste: Fragments from the History of Bookwork	0
It’s the End of the World and We Know It	0
Modernism at the Beach: Queer Ecologies and the Coastal Commons	0
Notework: Victorian Literature and Nonlinear Style	0
Cotton Mather’s Spanish Lessons: A Story of Language, Race, and Belonging in the Early Americas	0
The Erotics of Materialism: Lucretius and Early Modern Poetics	0
Austen, Gaskell, and the Politics of Domestic Fiction	0
Rewriting the Literary Past: D. H. Lawrence and Geoff Dyer’s Antibiography	0
Beckett and Buddhism	0
The Cambridge Introduction to British Fiction, 1900–1950	0
MLQand Marshall Brown among Their Peers	0
Hildegard von Bingen’s Scivias in Weimar Germany: Media Theory by Hand	0
On the Origins of the Witness-Protagonist	0
Decolonizing Memory: Algeria and the Politics of Testimony	0
Close Reading/Mass Media: I. A. Richards’s Screen Tests	0
The Medium Is Not the Method	0
The Life after Texts, the Life within Them	0
Old “New Media” and Literary Studies before 1960	0
Worlds Woven Together: Essays on Poetry and Poetics	0
The Calamity Form: On Poetry and Social Life	0
The Geological Unconscious: German Literature and the Mineral Imaginary	0
Editor’s Note	0
Wallace Stevens, Music Technology, and the Resonance of Poetry	0
Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England	0
The Mark of the Detail: Universalism, Type, Difference	0
In the Church of Saint Jane: Literature, Lived Religion, and the Descriptive Turn	0
The Science of Character: Human Objecthood and the Ends of Victorian Realism	0
The Economy of Critical Attention: A Computational Analysis of Roland Barthes’s S/Z	0
The Fate of Progress in British Romanticism	0
Philology Goes to the Movies: The Task of the Critic in Kracauer and Auerbach	0
The Decay of Singing: Remembering the Castrato	0
A Useless Pyramid: Figure and Surplus in William Petty’s Treatise of Taxes	0
Late Romanticism and the End of Politics: Byron, Mary Shelley, and the Last Men	0
Modern Humanities and the Ancient Book: Karl Kerényi’s Media Theory	0

The Natural Laws of Plot: How Things Happen in Realist Novels	0
Knowing Fictions: Picaresque Reading in the Early Modern Hispanic World	0
What Was Tragedy during the Haitian Revolution?	0
Subjects of Affection: Rights of Resistance on the Early Modern French Stage	0
Middle English Medical Recipes and Literary Play, 1375–1500	0
The Broom of the System: Literary Sociology, Contemporary Publishing, and Dan Sinykin’s Big Fiction	0
Words about Words	0
The Multiple Simultaneous Temporalities of Global Modernity: Pamuk, Tanpınar, Proust	0
The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata	0
Literary History Writ Large; or, The Multilingual MLQ	0