Music & Letters

Article	Citations
The Cambridge Companion to Rhythm. Ed. by Russell Hartenberger and Ryan McClelland	4
Brahms’s Violin Sonatas: Style, Structure, Performance Joel Lester	3
Haydn’s Last Creative Period. Federico Gon.	2
Resounding the Sublime: Music in English and German Literature and Aesthetic Theory Miranda Eva Stanyon.	2
Early English Composers and the Credo: Emphasis as Interpretation in Sixteenth-Century Music. Wendy J Porter	1
Haydn and the Aesthetics of Naivety	1
The Westrup Prize	1
Jean Sibelius’s Violin Concerto Tina K Ramnarine	1
Music, Morality and Social Reform in Nineteenth-Century Britain. By Paul Watt	1
Songs for a Revolution: The 1848 Protest Song Tradition in Germany Eckhard John and David Robb	1
Bizet in Italy: Letters and Journals, 1857–1860 Hugh Macdonald	1
The Fashioning of French Opera (1672–1791): Identity, Production, Networks. Ed. by Barbara Nestola Benoît Dratwicki Julien Dubruque, and Thomas Leconte	1
Authors of Articles in this Issue	1
Beethoven and Bohemia: Dramaturgical and Political Aspects of ‘Fidelio’ Reception in Prague	0
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950 Abby Anderton	0
Mahler’s Symphony No. 1 in the Centre and on the Periphery	0
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 Sarah Ann Long.	0
Jazz Places: How Performance Spaces Shape Jazz HistoryKimberly Hannon Teal	0
Beethoven and Greco-Roman Antiquity Jos van der Zanden	0
Music Performance Encounters: Collaborations and Confrontations. John Koslovsky and Michiel Schuijer	0
William Byrd: Eight Fragmentary SongsAndrew Johnstone	0
Authors of Articles in this Issue	0
Beethoven’s Conversation Books Theodore Albrecht	0
The Consolations of History: Themes of Progress and Potential in Richard Wagner’s Götterdämmerung Alexander H Shapiro	0
Songs at the Docks: Nicolas-Claude Fabri de Peiresc and Musical Entanglements in Seventeenth-Century Marseille	0

Madama Butterfly/Madamu Batafurai: Transpositions of a ‘Japanese Tragedy’. Arthur Groos	0
Times A-Changin’: Flexible Meter as Self-Expression in Singer-Songwriter Music. Nancy Murphy	0
Rethinking Mendelssohn. Ed. by Benedict Taylor	0
Gerald Finzi’s Letters, 1915–1956Diana McVeagh	0
Understanding the Old Hispanic Office: Texts, Melodies, and Devotion in Early Medieval Iberia. By Kati Ihnat Raquel Rojo Carrillo Emma Hornby, and Rebecca Maloy	0
The Law and the Profits: Lewis Granom and the Royal Licence as a Form of Music Copyright Protection	0
Ludwig van Beethoven: A Very Short Introduction. Mark Evan Bonds	0
Instructions To Authors	0
Genre beyond Borders: Reassessing Operetta. Ed. by Bruno Bower Elisabeth Honn Hoegberg, and Sonja Starkmeth	0
The Way of the Moderns: Six Perspectives on Modernism in Music Antoni Piza	0
Kitty Clive, or the Fair Songster Berta Joncus	0
Unbinding Gentility: Women Making Music in the Nineteenth-Century South Candace Bailey.	0
Experimenting the Human: Art, Music, and the Contemporary Posthuman. By G. Douglas Barrett	0
‘Formalistic Freaks in Music’: ‘Ilya Golovin’, Shostakovich, and Zhdanovshchina for the Masses	0
From ‘L’Orlando Furioso’ to ‘Roland’: Lully and Quinault Reading Ariosto	0
The Malmariée in the Thirteenth-Century Motet. Dolores Pesce	0
Magician of Sound: Ravel and the Aesthetics of Illusion Jessie Fillerup	0
Music and Instruments of the Elizabethan Age: The Eglantine Table Michael Fleming and Christopher Page	0
The Oxford Handbook of Music and Advertising Siu-Lan Tan Ron Rodman	0
Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain. Edited Roberta Montemorra Marvin	0
Music’s Monisms: Disarticulating Modernism. Daniel Albright	0
Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp. Ed Jared C Hartt	0
The Operetta Empire: Music Theater in Early Twentieth-Century Vienna Micaela Baranello	0
Liszt in Context Joanne Cormac	0
The Museum of Renaissance Music: A History in 100 Exhibits. Ed. by Vincenzo Borghetti and Tim Shephard	0
Colonial Mobility and the Cultural Replication of British Music: Granville Bantock’s Australian Tour, 1938–1939	0
The Cambridge Companion to Amy Beach. E Douglas Bomberger	0
Borrowing from the Past: Scarlattian Phrase Structure, Type 2 Sonatas, and Phrygian Tonality in Isaac Albéniz’s Works	0
Controlling Voices in Fourteenth-Century Salzburg: Singing and Identity in the ‘MÖnch von Salzburg’ Songs	0
Ancient and Modern in Eighteenth-Century British Music Criticism: The Contradictory Case of Henry Purcell’s Te Deum and Jubilate	0
Knowledge Building in Early Modern English Music Katie Bank	0
Music, Dance and Drama in Early Modern English Schools Winkler Amanda Eubanks	0
Thinking in and about Music: Analytical Reflections on Milton Babbitt’s Music and Thought Zachary Bernstein	0
‘Music & Letters’ Awards	0
Richard Strauss in Context Morten Kristiansen and Joseph E. Jones.	0
Music and Philosophy in the Roman Empire Francesco Pelosi and Federico M Petruccci	0
Instructions to authors	0
Recent Titles	0
‘Music & Letters’ Awards	0
Henry Purcell (attrib.), Oh that my Grief was Throughly Weigh’dRebecca Herissone	0
Verdi and the Art of Italian Opera: Conventions and Creativity. Steven Huebner	0
The Strasbourg Cantiones of 1539: Protestant City, Catholic Music. Daniel Trocmé-Latter	0
Thomas Adès Studies. Edward Venn and Philip Stoecker	0
Prima Donna: The Psychology of Maria Callas Paul Wink	0
The Oxford Handbook of Western Music and Philosophy Tomás McAuley Nanette Nielsen Jerrold Levinson and Associate Editor Ariana Phillips-Hutton	0
The Etymology of the ‘English’ Cadence	0
Not just a Fairy Tale: Parody, Late Fascism, and Ghedini’s ‘La pulce d’oro’ (1940)	0
‘Music & Letters’ Awards	0
Writing about Polyphony, Talking about Civilization: Charles Burney’s Musical ‘Corns and Acorns’	0
Musical Topics and Musical Performance. Ed. Julian Hellaby	0

Singers, Scores and Sounds: Making New Connections and Transforming Voices. Ellen Hooper	0
Music and Politics: An Introduction. By James Garratt	0
Performing ‘Art for the People’: Politics, Spectatorship, and Schoenberg’s Music at the Berlin VolksbÜhne	0
What the Ballad Knows: The Ballad Genre, Memory Culture, and German Nationalism. Adrian Daub	0
A Stuart Musician’s Conversion to Catholicism: Richard Dering and the Venerable English College, Rome	0
Quarrels on Harmonic Theories in the Venetian Enlightenment. Patrizio Barbieri.	0
String Virtuosi in Eighteenth-Century Naples: Culture, Power, and Music Institutions. By Guido Olivieri	0
Musicology Without Heroes	0
Christoph Willibald Gluck: Bilder, Mythen, Diskurse. Ed. by Thomas Betzwieser, Michele Calella, and Klaus Pietschmann	0
‘Music & Letters’ Awards	0
Hidden Treasures: Cultural, Social, and Political Commentary in Mahler’s Songs from. Molly M Breckling	0
Noise as a Constructive Element in Music: Theoretical and Music-Analytical Perspectives. Mark Delaere	0
The Portuguese Court’s Acquisition of Musical Scores from Italy in the Late Eighteenth and Early Nineteenth Centuries and the Fundo do Conde de Redondo	0
Musical Solidarities: Political Action and Music in Late Twentieth-Century Poland. Andrea F Bohlman	0
Shakespeare: Songs & Sonnets	0
Singing Repentance In Lutheran Germany During The Thirty Years War (1618–1648)	0
Recent Titles	0
String Quartets in Beethoven’s Europe Nancy November	0
The Folk: Music, Modernity, and the Political ImaginationRoss Cole	0
‘Music & Letters’ Awards	0
Recent Titles	0
George Herbert and Early Modern Musical Culture. Simon Jackson	0
Schoenberg as Analyst	0
The Cambridge Companion to Video Game Music Melanie Fritsch and Tim Summers.	0
Instructions to authors	0
Ars Antiqua: Music and Culture in Europe, c. 1150–1330. Ed.Gregorio Bevilacqua and Thomas B. Payne.	0
The Life and Music of Elizabeth Maconchy. Erica Siegel	0
The Joy of Playing, the Joy of Thinking: Conversations about Art and Performance. By Charles Rosen and Catherine Temerson; trans. by Catherine Zerner	0
Songs of Sacrifice: Chant, Identity, and Christian Formation in Early Medieval Iberia Rebecca Maloy	0
Mahler in Context. Ed.Charles Youmans.	0
‘Music & Letters’ Awards	0
From Servant to Savant: Musical Privilege, Property, and the French Revolution. Rebecca Dowd Geoffroy-Schwinden	0
Fragments notés: Paris, Archives Nationales et Solesmes, Abbaye Saint-Pierre. Laura Albiero and Christian Meyer	0
Critical Exchanges: Handel and Slave-Trading Companies	0
Inca Music Reimagined: Indigenist Discourses in Latin American Art Music, 1910–1930. Vera Wolkowicz	0
Plagiarism and the Napoleonic Potpourri	0
Instrumental Teaching in Nineteenth-Century Britain. David Golby.	0
Interconfessional Implications: Printed Plainchant in the Wake of the Reformation	0
Devotional Refrains in Medieval Latin Song. By Mary Channen Caldwell	0
The Music of Frederick Delius: Style, Form and Ethos. Jeremy Dibble	0
The Musical Conductors’ Association: Collective Podium Power in Wartime Britain?	0
Recipients of ‘music & letters’ awards	0
Stories of Tonality in the Age of François-Joseph Fétis Thomas Christensen	0
The Operas of Rameau: Genesis, Staging, Reception Graham Sadler Shirley Thompson Jonathan Williams	0
Capturing the Zeitgeist: Dvořák’s Prague Debut and the Politics of Patriotism	0
Mozart’s Operas and National Politics: Canon Formation in Prague from 1791 to the Present. By Martin Nedbal	0
‘Music & Letters’ Awards	0
Ludwig van Beethoven: Streichquartett B-Dur Op. 130: Grande Fugue B-Dur Op. 133: Autograph. Ulrich Konrad.	0
Instructions to Authors	0
Alien Listening: Voyager’s Golden Record and Music from Earth Daniel K. L Chua and Alexander Rehding	0
La Musique religieuse en France au XIXe siècle: Le sentiment religieux entre profane et sacré (1830–1914) Nicolas Dufetel	0
Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds. Bonnie Gordon	0
The Domestic Music Market and Musical Circulation in Two Late-Georgian Binders’ Volumes from the North-East of England	0
Thomas Adès in Five Essays. Drew Massey.	0
Changing Tunes: Narratives of Nation in South African Music-Themed Postage Stamps (1961–2015)	0
Music and the Sonorous Sublime in European Culture, 1680–1880 Sarah Hibberd and Miranda Stanyon	0
The Origins and Ascendancy of the Concert Mass Stephanie Rocke.	0
Debussy’s Critics: Sound, Affect, and the Experience of Modernism. Alexandra Kieffer	0
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception. By Simon P Keefe	0
‘Somewhat of an affectation’: Bach, Vivaldi, and the Early Films of Pier Paolo Pasolini	0
Opera after the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany Emily Richmond Pollock.	0
Monteverdi and the Marvellous: Poetry, Sound, and Representation. Roseen Giles	0
The Karl Muck Scandal: Classical Music and Xenophobia in World War I America Melissa D Burrage	0
Béla Bartók in Italy: The Politics of Myth-Making. Nicolò Palazzetti	0
Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera across Europe Tatiana Korneeva	0
Ce que la musique fait à l’hypnose: Une relation spectaculaire au XIXe siècle. By Céline Frigau Manning	0
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Sarah Justina Eyerly.	0
The Songs of Fanny Hensel Stephen Rodgers	0
Book Review	0
From ‘Chinese Music’ to ‘Guoyue’: Shanghai Musicians and Translated Traditionality, 1919–1937	0
Modes of Communication in Stravinsky’s Works: Sign and Expression. By Per Dahl	0
Gustav Mahler: The Arduous Road to Vienna (1860–1897). H.-L. de La Grange	0
Minstrels and Minstrelsy in Late Medieval England. Richard Rastall with Andrew Taylor	0
Schubert’s String Quartets: The Teleology of Lyric Form. Anne M Hyland	0
Recent Titles	0
The Music of Leoš Janáček: Motive, Rhythm, Structure Zdeněk Skoumal Eastman Studies in Music	0
The Poetics of the Wise Fool in the Music and Letters of Ignatius Sancho	0
Both from the Ears and Mind: Thinking about Music in Early Modern England. By Linda Phyllis Austern	0
La sonata veneziana (1615–1655). Aurelio Bianco and Massimo Di Sandro.	0
Aux origines des collections musicales de la Bibliothèque nationale de France (1680–1815). Ed. Laurence Decobert and Denis Herlin	0

Brahms’s Hungarian Dances and the Early ‘Csárdás’ Recordings	0
Fruits of the Cross: Passiontide Music Theater in Habsburg Vienna Robert L Kendrick	0
Sound Heritage: Making Music Matter in Historic Houses. Jeanice Brooks Matthew Stephens and Wiebke Thormählen	0
Authors of Articles in this Issue	0
‘MUSIC & LETTERS’ awards	0
The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy. Jessica Gabriel Peritz	0
D’Oyly Carte: The Decline and Fall of an Opera Company Paul Seeley	0
Text, Liturgy, and Music in the Hispanic Rite: The Vespertinus Genre. Raquel Rojo Carrillo	0
New Orleans and the Creation of Transatlantic Opera, 1819–1859. Charlotte Bentley	0
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London. By Cheryll Duncan	0
Sondheim in Our Time and His W. Anthony Sheppard	0
Popular Song in the Nineteenth Century Derek B Scott	0
Recent Titles	0
Bach Studies: Liturgy, Hymnology, and Theology Robin A Leaver	0
The Art of Mbira: Musical Inheritance and Legacy Paul F. BerlinerMbira’s Restless Dance: An Archive of ImprovisationPaul F. Berliner and Cosmas Magaya	0
Sundanese Reverberances: Untangling Contradictions about the Gamelan Spectacle at the 1889 Paris World’s Fair	0
Representing Russia’s Orient: From Ethnography to Art Song Adalyat Issiyeva.	0
After Debussy: Music, Language, and the Margins of PhilosophyJulian Johnson	0
Contextualizing Melodrama in the Czech Lands in Concert and on Stage Judith A Mabary	0
Computing Taste: Algorithms and the Makers of Music Recommendation. By Nick Seaver	0
Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah	0
Recipients of ‘Music & Letters Awards’	0
Instructions to Authors	0
L’Air italien sur la scène des théâtres parisiens (1687–1715) Barbara Nestola	0
Maurice Ravel and the Poetics of Originality, 1907–14	0
Awangarda: Tradition and Modernity in Postwar Polish Music. Lisa Cooper Vest.	0
Authors of Articles in This Issue	0
Mozart’s Requiem in Pamplona (1844): Study and Music Edition / El Réquiem de Mozart en Pamplona (1844): Studio y edición musical. By Miguel Ángel Marín. Music edition by Aurelio Sagaseta	0
Piano-Playing Revisited: What Modern Players Can Learn from Period Instruments. David Breitman.	0
From Ancient to Modern: Identifying Anglicanism in an Anglo-Jewish Hymnal	0
Early Sound Recordings: Academic Research and Practice. Edited Eva Moreda Rodríguez and Inja Stanović	0
The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions Serena Facci Michela Garda	0
Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848 Mary Ann Smart	0
Boulez’s Formative Years: Two Labyrinths	0
Iannis Xenakis’s Persepolis. By Aram Yardumian	0
E. M. Forster and MusicTsung-Han Tsai	0
Authors of Articles in This Issue	0
Marimbo Chimes And The Wizard’s Monster Band: Music In Theatrical Magic Shows	0
Sounds, Ecologies, Musics. Aaron S Allen and Jeff Todd Titon	0
The Cambridge Companion to Music and Romanticism Benedict Taylor	0
Songs Lost and Found: Katherine Philips’s ‘Pompey’s Ghost’	0
A New Polyphonic Source from Sixteenth-Century Scotland	0
The Cambridge Companion to the Eroica Symphony. Ed. by Nancy November	0
The Ballad-Singer in Georgian and Victorian London Oskar Cox Jensen	0
Jewish difference and recovering ‘commedia’: erich w. korngold’s ‘die tote stadt’ in post-first world war austria	0
Cardew’s Lessons: The Scratch Orchestra’s Amateur Democracy (1967–1973)	0
To the Editors of ‘Music & Letters’	0
Vaughan Williams. Eric Saylor	0
Roberto Gerhard: Re-appraising a Musical Visionary in Exile. Monty Adkins and Rachel E Mann	0
Instructions to Authors	0
Authors of Articles in this issue	0
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera Sean M Parr	0
Sounding Latin Music, Hearing the Americas. Jairo Moreno	0
‘Mad Men’ as a Sonic Symptomatology of Consumer Capitalism	0
Canonic Repertories and the French Musical Press: Lully to WagnerWilliam Weber Beverly Wilcox	0
Networking Operatic Italy Francesca Vella	0
The Comedians of the King: ‘Opéra-Comique’ and the Bourbon Monarchy on the Eve of Revolution Julia Doe	0
Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea. Keith Waters.	0
Recent Titles	0
Schoenberg’s Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function Jack Boss	0
Song, Dance, and Sex: The Social Role of the Carole in Thirteenth-Century Clerical Thought and Vernacular Literature	0
Isaac Bickerstaff and Edward TomsLove in a Village: A Comic OperaBerta Joncus with Žak Ozmo and Vanessa L Rogers.	0
Edward J. Dent: A Life of Words and Music. Karen Arrandale	0
Socialist Laments: Musical Mourning in the German Democratic Republic Martha Sprigge	0
Le Métier du maître de musique d’Église (XVIIe–XVIIIe siècles): Activités, sociologie, carrières. Ed.Bernard Dompnier and Jean Duron.	0
Musics with and after Tonality: Mining the Gap Paul Fleet	0
The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy. Larry Wolff	0
Mélodies en vogue au XVIIIe siècle: Le répertoire des timbres de Patrice Coirault. Marlène Belly and Georges Delarue	0
Charles Ives and the Lied: Modelling in Ives’s Early German Song Repertory	0
Bach-Werke-Verzeichnis (BWV). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian BachChristine Blanken, Christoph Wolff, and Peter Wollny	0
‘Music & Letters’ Awards	0
The World of Sound as a Prison: Ideal and Actual Concepts of Music in the Writings of Huldrych Zwingli	0
The Event of Music HistoryJ. P. E Harper-Scott	0
Sounding the Past: Music as History and Memory. Ed.Karl Kügle.	0
Requiems by Giovanni Croce and Giovanni Rovetta: The Requiem Mass at St. Mark’s, Venice, in the Seventeenth Century. Jonathan R. J Drennan	0
Instructions To Authors	0
Georges Auric: A Life in Music and Politics Colin Roust	0
With a Grace Not to Be Captured: Representing the Georgian Theatrical Dancer, 1760–1830 Michael Burden and Jennifer Thorp	0
Granville Bantock (1868–1946): A Guide to Research. By John C. Dressler	0
Instructions To Authors	0
Bringing Heavenly Music Down to Earth: Global Exchange and Local Devotion at Segovia Cathedral, 1678	0
Music and Change in the Eastern Baltics before and after 1989. Rūta Stanevičiūtė	0
Lieder in America: On Stages and in Parlors. Heather Platt	0
Musical Exchange between Britain and Europe, 1500–1800: Essays in Honour of Peter Holman	0
We Have always Been Minimalist: The Construction and Triumph of a Musical Style Levaux Christophe	0
Living Intimately with Loss: Embodied Memory in Nadia Boulanger’s Post-1918 Work of Mourning	0
Music, Politics and Society in Ancient Rome. Harry Morgan	0
Henry Purcell: Dido and Aeneas. Robert Shay	0
Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception Tereza Havelková	0
Concerts and Cures at the Crichton Royal Institution, 1840–1860	0
Music As Extended Agency: On Notation And Entextualization IN Improvised Music	0
‘Music & Letters’ Awards	0
The Invention of Latin American Music: A Transnational History Pablo Palomino	0
Beethoven Studies 4 Keith Chapin and David Wyn Jones	0
Recipients of ‘Music & Letters Awards’	0