Music & Letters

Article	Citations
How Sonata Forms: A Bottom-up Approach to Musical Form Yoel Greenberg	6
Instructions to Authors	3
Beethoven’s Conversation Books, iv: Nos. 32 to 43 (May 1823 to September 1823). Theodore Albrecht	2
Instructions to Authors	1
Authors of articles in this issue	1
Michael Custodis and Arnulf Mattes (eds.), The Nordic Ingredient: European Nationalisms and Norwegian Music since 1905.Ina Rupprecht (eds.), Persecution, Collaboration, Resistance: Music in	1
Brahms’s Violin Sonatas: Style, Structure, Performance Joel Lester	1
Nikolay Myaskovsky: A Composer and his Times Patrick Zuk	1
The Indicative Mood: A Response to Margaret Bent	1
Songs for a Revolution: The 1848 Protest Song Tradition in Germany Eckhard John and David Robb	1
The Routledge Companion to Global Film Music in the Early Sound Era Ed. by Jeremy Barham	0
French Music in Britain 1830–1914 Paul J Rodmell	0
The Culture of the Lauda in Early Modern Milan	0
Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds. Bonnie Gordon	0
From Ancient to Modern: Identifying Anglicanism in an Anglo-Jewish Hymnal	0
Critical Exchanges: Handel and Slave-Trading Companies	0
Songs Lost and Found: Katherine Philips’s ‘Pompey’s Ghost’	0
Transitions in Mid-Baroque Music: Style, Genre and Performance. Ed. by Carrie Churnside	0
Renaissance Polyphony Fabrice Fitch	0
Edward J. Dent: A Life of Words and Music. Karen Arrandale	0
Key Constellations: Interpreting Tonality in Film. By Táhirih Motazedian	0
Le Métier du maître de musique d’Église (XVIIe–XVIIIe siècles): Activités, sociologie, carrières. Ed.Bernard Dompnier and Jean Duron.	0
The Guitar: Tracing the Grain Back to the Tree. By Chris Gibson and Andrew Warren	0
Music and Instruments of the Elizabethan Age: The Eglantine Table Michael Fleming and Christopher Page	0
Recipients of ‘music & letters’ awards	0

Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence. By Tim Carter and Francesca Fantappiè	0
Instructions to authors	0
On Minimalism: Documenting a Musical Movement. Kerry O’Brien and William Robin	0
Singing Repentance In Lutheran Germany During The Thirty Years War (1618–1648)	0
Authors of Articles in this Issue	0
La Maturation artistique de Debussy dans son contexte historique (1884–1902) François de Médicis	0
Borrowing from the Past: Scarlattian Phrase Structure, Type 2 Sonatas, and Phrygian Tonality in Isaac Albéniz’s Works	0
Pietro Metastasio’s Operatic Storm: Texts and Musics for Metastasio’s Didone abbandonata, Alessandro nell’Indie, Artaserse, Demofoonte, and Adriano in Siria. Ed. by Ana Llorens	0
Opera in the Viennese Home from Mozart to Rossini. By Nancy November	0
Verdi and the Art of Italian Opera: Conventions and Creativity. Steven Huebner	0
Return to Riemann: Tonal Function and Chromatic Music. By J. P. E. Harper-Scott and Oliver Chandler	0
‘YOU Get Words, You Play the Blues’: Towards A Melopoetics of Mercy Dee Walton’s ‘Have You Ever Been Out In the Country?’	0
On African Music: Techniques, Influences, Scholarship. Kofi Agawu	0
Networking Operatic Italy Francesca Vella	0
Plagiarism and the Napoleonic Potpourri	0
The Bloomsbury Handbook of Music and Art Ed. by Sarah Mahler Kraaz and Charlotte de Mille	0
Liszt in Context Joanne Cormac	0
Mozart, Genius, and the Possibilities of Art. By Edmund J. Goehring	0
Kunst, Klang, Musik: Die Festkultur der europäischen Mächte im barocken Rom. Tobias C Weißmann	0
Interwar Symphonies and the Imagination: Politics, Identity, and the Sound of 1933. By Emily MacGregor	0
The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute. Patrick Nickleson	0
The Way of the Moderns: Six Perspectives on Modernism in Music Antoni Piza	0
Authors of articles in this Issue	0
E. M. Forster and MusicTsung-Han Tsai	0
The Evolution of Music: Human and Non-Human	0
Medieval Polyphony and Song. Helen Deeming and Frieda van der Heijden	0
Monteverdi and the Marvellous: Poetry, Sound, and Representation. Roseen Giles	0
Tonality: An Owner’s Manual. By Dmitri Tymoczko	0
Piano-Playing Revisited: What Modern Players Can Learn from Period Instruments. David Breitman.	0
‘Artes Novae’	0
Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History. By Jennifer Saltzstein	0
Black Heritage and English Song: Amanda Ira Aldridge, ‘Domestic’ Music, and Transatlantic Networks (1866–1956)	0
Gustav Mahler: The Arduous Road to Vienna (1860–1897). H.-L. de La Grange	0
Extreme Exoticism: Japan in the American Musical Imagination W. Anthony Sheppard.	0
From Modes to Keys in Early Modern Music Theory. By Michael R. Dodds	0
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950 Abby Anderton	0
George Frederick Bristow Katherine Preston	0
Claiming Wagner for France: Music and Politics in the Parisian Press, 1933–1944. By Rachel Orzech	0
Sounding the Past: Music as History and Memory. Ed.Karl Kügle.	0
Antoine Reicha and the Making of the Nineteenth-Century Composer Fabio Morabito and Louise Bernard de Raymond	0
Troubadour Texts and Contexts: Essays in Honor of Wendy Pfeffer. Edited by Courtney Joseph Wells, Lisa Shugert Bevevino, and Sarah-Grace Heller	0
Handling Tovey’s Bach	0
Instructions To Authors	0
Towards a History of the Eccentric Artist: Beethoven’s Bad Manners and the Lure of the Anecdote	0
The Custodial History of the Sadler Partbooks (Oxford, Bodleian Library MSS Mus. e. 1–5)	0
Schubert’s String Quartets: The Teleology of Lyric Form. Anne M Hyland	0
The Cambridge Companion to Video Game Music Melanie Fritsch and Tim Summers.	0
Non guardare nei miei Lieder! Mahler compositore orchestratore interpreteAnna Ficarella	0
Programming New Music against the Odds: Gabriel Pierné and the Concerts Colonne in Interwar Paris	0
Beethoven and Bohemia: Dramaturgical and Political Aspects of ‘Fidelio’ Reception in Prague	0

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Correction to: The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music	0
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The Museum of Renaissance Music: A History in 100 Exhibits. Vincenzo Borghetti and Tim Shephard	0
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Computing Taste: Algorithms and the Makers of Music Recommendation. By Nick Seaver	0
Experiencing Sound: The Sensation of Being By Lawrence Kramer	0
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Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah	0
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Opera and British Print Culture in the Long Nineteenth Century. Ed. by Christina Fuhrmann and Alison Mero	0
Vincenzo Bellini on Stage and Screen, 1935–2020. Ed. by Emilio Sala, Graziella Seminara and Emanuele Senici	0
La sonata veneziana (1615–1655). Aurelio Bianco and Massimo Di Sandro.	0
Chinese Whispers: Contextualizing the Finale of Messiaen’s Et exspecto	0
The Oxford Handbook of Jewish Music Studies. Ed. by Tina Frühauf	0
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Beethoven’s Dedications: Stories behind the Tributes Artur Pereira	0
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Vivre de la musique à Rome au XVIIIe siècle. Élodie Oriol	0
The Operetta Empire: Music Theater in Early Twentieth-Century Vienna Micaela Baranello	0
George Frideric Handel Collected Documents Donald Burrows, Helen Coffey, John Greenacombe, and Anthony Hicks	0
Shakespeare: Songs & Sonnets	0
The Cambridge Companion to Music and Romanticism Benedict Taylor	0
The Recorder. David Lasocki and Robert Ehrlich	0
The Gothic Imagination in the Music of Franz Schubert. By Joe Davies	0
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To the Editors of ‘Music & Letters’	0

Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture Anthony R DelDonna	0
The Oxford Handbook of Music in China and the Chinese Diaspora	0
Bizet in Italy: Letters and Journals, 1857–1860 Hugh Macdonald	0
Beethoven: Variations on a Life Mark Evan Bonds	0
Les Modes du plain-chant. Daniel Saulnier	0
Gaston Crunelle and Flute Playing in Twentieth-Century France	0
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‘Formalistic Freaks in Music’: ‘Ilya Golovin’, Shostakovich, and Zhdanovshchina for the Masses	0
Congreve’s The Judgment of Paris: A New Source and a New Reading	0
Liszt Recomposed: Exploring Intertextual Fluidity in Song. By Nicolás J F Puyané	0
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The Cambridge Companion to Serialism. Ed. by Martin Iddon	0
Reading Creativity Forwards and Backwards: Process and Product Revisited with Herbert Von Karajan’s Legato Aesthetic and Hypermasculinity	0
An Opera of Convenience: Musical Diplomacy and Nationalist Politics at the Barcelona Premiere of Amaya in 1934	0
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A New Polyphonic Source from Sixteenth-Century Scotland	0
Experimenting the Human: Art, Music, and the Contemporary Posthuman. By Douglas Barrett	0
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Ancient and Modern in Eighteenth-Century British Music Criticism: The Contradictory Case of Henry Purcell’s Te Deum and Jubilate	0
Classical Music Futures: Practices of Innovation. Ed. by Neil Thomas Smith, Peter Peters, and Karoly Molina	0
Unbinding Gentility: Women Making Music in the Nineteenth-Century South Candace Bailey.	0
Jules Massenet. By Jean-Christophe Branger	0
Ars Antiqua: Music and Culture in Europe, c. 1150–1330. Ed.Gregorio Bevilacqua and Thomas B. Payne.	0
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Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848 Mary Ann Smart	0
Mauro Giuliani at the Congress of Vienna: Musical Representations of Political Power and Conversation	0
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Hobrecht and His Singers Robert Nosow	0
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Music, Medicine and Religion at the Ospedale di Santo Spirito in Rome: 1550–1750 By Naomi J. Barker	0
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Reviewing the Situation: The British Musical from Noël Coward to Lionel Bart	0
A Stuart Musician’s Conversion to Catholicism: Richard Dering and the Venerable English College, Rome	0
Music of Exile: The Untold Story of the Composers who Fled Hitler. By Michael Haas	0
Kitty Clive, or the Fair Songster Berta Joncus	0
Socialist Laments: Musical Mourning in the German Democratic Republic Martha Sprigge	0
Music in the Flesh: An Early Modern Musical Physiology. Bettina Varwig	0
‘Innocent social delight’: Glee club life in Bath, 1782–1853	0
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Mahler in Context. Ed.Charles Youmans.	0
England’s Folk Revival and the Problem of Identity in Traditional Music. Joseph Williams	0
Requiems by Giovanni Croce and Giovanni Rovetta: The Requiem Mass at St. Mark’s, Venice, in the Seventeenth Century. Jonathan R. J Drennan	0
Cardew’s Lessons: The Scratch Orchestra’s Amateur Democracy (1967–1973)	0
Writing about Polyphony, Talking about Civilization: Charles Burney’s Musical ‘Corns and Acorns’	0
Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music Julia Dokter.	0
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The Comedians of the King: ‘Opéra-Comique’ and the Bourbon Monarchy on the Eve of Revolution Julia Doe	0
Gallus Dressler: Complete Latin Motets. Ed. by Robert Forgács	0
Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle TonalityKenneth M Smith	0
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Humour and Caricature in Nielsen’s Symphonies	0
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