OOIR: Observatory of International Research

Papers

(The TQCC of Music & Letters is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
Michael Custodis and Arnulf Mattes (eds.), The Nordic Ingredient: European Nationalisms and Norwegian Music since 1905.Ina Rupprecht (eds.), Persecution, Collaboration, Resistance: Music in	4
Songs for a Revolution: The 1848 Protest Song Tradition in Germany Eckhard John and David Robb	3
Brahms’s Violin Sonatas: Style, Structure, Performance Joel Lester	2
The Indicative Mood: A Response to Margaret Bent	1
Instructions to Authors	1
Instructions to Authors	1
Nikolay Myaskovsky: A Composer and his Times Patrick Zuk	1
Beethoven’s Conversation Books, iv: Nos. 32 to 43 (May 1823 to September 1823). Theodore Albrecht	1
Authors of articles in this issue	1
How Sonata Forms: A Bottom-up Approach to Musical Form Yoel Greenberg	1
The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music. Ed. Naomi Graber and Marida Rizzuti	1
La Maturation artistique de Debussy dans son contexte historique (1884–1902) François de Médicis	0
Music and Moral Management in the Nineteenth-Century English Lunatic Asylum Rosemary Golding	0
Thomas Adès in Five Essays. Drew Massey.	0
Schubert’s String Quartets: The Teleology of Lyric Form. Anne M Hyland	0
The Operas of Rameau: Genesis, Staging, Reception Graham Sadler Shirley Thompson Jonathan Williams	0
Recent Titles	0
Authors of Articles in This Issue	0
REVIEWS: INDEX	0
Resounding the Sublime: Music in English and German Literature and Aesthetic Theory Miranda Eva Stanyon.	0
The Oxford Handbook of Sound and Imagination Mark Grimshaw-Aagaard, Mads Walther-Hansen, and Martin Knakkergaard	0
Vivre de la musique à Rome au XVIIIe siècle. Élodie Oriol	0
L’Air italien sur la scène des théâtres parisiens (1687–1715) Barbara Nestola	0
Authors of articles in this Issue	0
Authors of Articles in This Issue	0

Ancient and Modern in Eighteenth-Century British Music Criticism: The Contradictory Case of Henry Purcell’s Te Deum and Jubilate	0
Refiguring the Poetic Elegy in Music: The Rhetoric of Mourning in Parry’s Elegy for Brahms	0
Mozart’s Operas and National Politics: Canon Formation in Prague from 1791 to the Present. Martin Nedbal	0
Recipients of ‘music & letters’ awards	0
The Songs of Clara Schumann. Stephen Rodgers	0
Recent Titles	0
Recent Titles	0
George Frideric Handel Collected Documents Donald Burrows, Helen Coffey, John Greenacombe, and Anthony Hicks	0
Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik Michele Calella and Benedikt Lessmann	0
Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815–1848 Mary Ann Smart	0
Musics with and after Tonality: Mining the Gap Paul Fleet	0
Music and Change in the Eastern Baltics before and after 1989. Rūta Stanevičiūtė	0
Recipients of ‘Music & Letters Awards’	0
Oral and Written Transmission in the Early Jeu-Parti	0
Recent Titles	0
The Italian Opera Singers in Mozart’s Vienna. Dorothea Link	0
Genealogies of Music and Memory: Gluck in the 19th-Century Parisian Imagination. Mark Everist	0
Recipients of ‘Music & Letters Awards’	0
Le Métier du maître de musique d’Église (XVIIe–XVIIIe siècles): Activités, sociologie, carrières. Ed.Bernard Dompnier and Jean Duron.	0
Music’s Monisms: Disarticulating Modernism. Daniel Albright	0
The Fauré Song Cycles: Poetry and Music, 1861–1921Stephen Rumph	0
Instrumental Teaching in Nineteenth-Century Britain. David Golby.	0
The Performance of Friendship: Paschal de L’estocart and His Circle at the University of Basel, 1581–1583	0
From Ancient to Modern: Identifying Anglicanism in an Anglo-Jewish Hymnal	0
Musical Topics and Musical Performance. Ed. Julian Hellaby	0
Antoine Reicha and the Making of the Nineteenth-Century Composer Fabio Morabito and Louise Bernard de Raymond	0
Instructions to Authors	0
Transformation or Conformation? The English Broadside Ballad and the Playhouse, 1797–1844	0
Julius Korngold: Atonale Götzendämmerung: Kritische Beiträge zur Geschichte der Neumusik-Ismen (Wien 1937). Erstveröffentlichung. Faksimile, mit Vorwort, Kommentar und Anmerkungen Arn	0
Choreographing Sensibility: Innocence and Politeness in Haydn’s Hob. XVI: 40 and 42	0
Concerts and Cures at the Crichton Royal Institution, 1840–1860	0
The Way of the Moderns: Six Perspectives on Modernism in Music Antoni Piza	0
Music in the Flesh: An Early Modern Musical Physiology. Bettina Varwig	0
THE WESTRUP PRIZE	0
Musical Genre and Romantic Ideology: Belonging in the Age of Originality. Matthew Gelbart	0
Monteverdi and the Marvellous: Poetry, Sound, and Representation. Roseen Giles	0
Schoenberg’s Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function Jack Boss	0
Instructions To Authors	0
Rubble Music: Occupying the Ruins of Postwar Berlin, 1945–1950 Abby Anderton	0
The Evolution of Music: Human and Non-Human	0
Sounding the Past: Music as History and Memory. Ed.Karl Kügle.	0
The Karl Muck Scandal: Classical Music and Xenophobia in World War I America Melissa D Burrage	0
Delius and the Sound of Place. Daniel M. Grimley	0
Not just a Fairy Tale: Parody, Late Fascism, and Ghedini’s ‘La pulce d’oro’ (1940)	0
‘I have just written a song which came out of my soul’: Lay Music Production and the Death of President John F. Kennedy	0
Singing Repentance In Lutheran Germany During The Thirty Years War (1618–1648)	0
Beethoven’s Dedications: Stories behind the Tributes Artur Pereira	0
The Female Voice in the Twentieth Century: Material, Symbolic and Aesthetic Dimensions Serena Facci Michela Garda	0
Instructions to Authors	0
From Servant to Savant: Musical Privilege, Property, and the French Revolution. Rebecca Dowd Geoffroy-Schwinden	0

Liszt in Context Joanne Cormac	0
Ludwig van Beethoven: Streichquartett B-Dur Op. 130: Grande Fugue B-Dur Op. 133: Autograph. Ulrich Konrad.	0
Music, Subjectivity, and Schumann Benedict Taylor	0
Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle TonalityKenneth M Smith	0
The Oxford Handbook of the Hollywood Musical. Dominic Broomfield-McHugh	0
Song, Dance, and Sex: The Social Role of the Carole in Thirteenth-Century Clerical Thought and Vernacular Literature	0
Sondheim in Our Time and His W. Anthony Sheppard	0
E. M. Forster and MusicTsung-Han Tsai	0
Music and Postwar Transitions in the 19th and 20th Centuries. Anaïs Fléchet, Martin Guerpin, Philippe Gumplowicz, and Barbara L. Kelly	0
String Quartets in Beethoven’s Europe Nancy November	0
Jules Massenet. By Jean-Christophe Branger	0
The Names of Minimalism: Authorship, Art Music, and Historiography in Dispute. Patrick Nickleson	0
Vaughan Williams. Eric Saylor	0
‘Formalistic Freaks in Music’: ‘Ilya Golovin’, Shostakovich, and Zhdanovshchina for the Masses	0
Songs Lost and Found: Katherine Philips’s ‘Pompey’s Ghost’	0
La sonata veneziana (1615–1655). Aurelio Bianco and Massimo Di Sandro.	0
Critical Exchanges: Handel and Slave-Trading Companies	0
Die verwitwete Frau Capellmeisterin Bach: Studie über die Verteilung des Nachlasses von Johann Sebastian Bach Eberhard Spree	0
Recipients of ‘Music & Letters’ Awards	0
Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception Tereza Havelková	0
Beethoven: Variations on a Life Mark Evan Bonds	0
Bizet in Italy: Letters and Journals, 1857–1860 Hugh Macdonald	0
Thomas Adès Studies. Edward Venn and Philip Stoecker	0
The Etymology of the ‘English’ Cadence	0
Instructions to Authors	0
Critical Exchanges: Handel and Slave-Trading Companies	0
Brahms’s Hungarian Dances and the Early ‘Csárdás’ Recordings	0
City of Song: Music and the Making of Modern Jerusalem. Michael A Figueroa	0
Instructions To Authors	0
Times A-Changin’: Flexible Meter as Self-Expression in Singer-Songwriter Music. Nancy Murphy	0
Music and the Making of Medieval Venice. By Jamie L Reuland	0
Manuscripts, Music, Machaut: Essays in Honor of Lawrence Earp. Jared C. Hartt, Tamsyn Mahoney-Steel, and Benjamin lbritton	0
Edward J. Dent: A Life of Words and Music. Karen Arrandale	0
Instructions to Authors	0
Unbinding Gentility: Women Making Music in the Nineteenth-Century South Candace Bailey.	0
Requiems by Giovanni Croce and Giovanni Rovetta: The Requiem Mass at St. Mark’s, Venice, in the Seventeenth Century. Jonathan R. J Drennan	0
Experimenting the Human: Art, Music, and the Contemporary Posthuman. By Douglas Barrett	0
Socialist Laments: Musical Mourning in the German Democratic Republic Martha Sprigge	0
‘Artes Novae’	0
Arthur Sullivan: A Life of Divine Emollient Ian Bradley	0
Recent Titles	0
Instrumental Music in Late Eighteenth-Century Naples: Politics, Patronage and Artistic Culture Anthony R DelDonna	0
Music, Morality and Social Reform in Nineteenth-Century Britain. By Paul Watt	0
Postbop Jazz in the 1960s: The Compositions of Wayne Shorter, Herbie Hancock and Chick Corea. Keith Waters.	0
Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera across Europe Tatiana Korneeva	0
Borrowing from the Past: Scarlattian Phrase Structure, Type 2 Sonatas, and Phrygian Tonality in Isaac Albéniz’s Works	0
The Politics of Princely Entertainment: Music and Spectacle in the Lives of Lorenzo Onofrio and Maria Mancini Colonna. Valeria De Lucca.	0
Recent Titles	0
Music and Instruments of the Elizabethan Age: The Eglantine Table Michael Fleming and Christopher Page	0
Lieder in America: On Stages and in Parlors. Heather Platt	0
Haydn’s Last Creative Period. Federico Gon.	0
A Stuart Musician’s Conversion to Catholicism: Richard Dering and the Venerable English College, Rome	0
‘Music & Letters’ Awards	0
French Music in Britain 1830–1914 Paul J Rodmell	0
Charles Ives and the Lied: Modelling in Ives’s Early German Song Repertory	0
Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music Julia Dokter.	0
Ars Antiqua: Music and Culture in Europe, c. 1150–1330. Ed.Gregorio Bevilacqua and Thomas B. Payne.	0
Songs of Sacrifice: Chant, Identity, and Christian Formation in Early Medieval Iberia Rebecca Maloy	0
Networking Operatic Italy Francesca Vella	0
An Opera of Convenience: Musical Diplomacy and Nationalist Politics at the Barcelona Premiere of Amaya in 1934	0
Mahler’s Symphony No. 1 in the Centre and on the Periphery	0
The Partimenti of Giovanni Paisiello: Pedagogy and Practice Nicoleta Paraschivescu Chris Walton	0
Mediated Community and Participatory Blackface in Gillette Original Community Sing (CBS, 1936–1937)	0
The Museum of Renaissance Music: A History in 100 Exhibits. Vincenzo Borghetti and Tim Shephard	0
Mahler in Context. Ed.Charles Youmans.	0
Medieval Polyphony and Song. Helen Deeming and Frieda van der Heijden	0
Music at Social Meals in Greek and Roman Antiquity: From the Archaic Period to the Age of Augustine. By Charles H. Cosgrove	0
Mozart’s Requiem in Pamplona (1844): Study and Music Edition / El Réquiem de Mozart en Pamplona (1844): Studio y edición musical. By Miguel Ángel Marín. Music edition by Aurelio Sagaseta	0
Chinese Whispers: Contextualizing the Finale of Messiaen’s Et exspecto	0
Computing Taste: Algorithms and the Makers of Music Recommendation. By Nick Seaver	0
Staging Euridice: Theatre, Sets, and Music in Late Renaissance Florence. By Tim Carter and Francesca Fantappiè	0
Recent Titles	0
Schubert’s Workshop, i: Towards an Early Maturity. By Brian Newbould	0
Verdi and the Art of Italian Opera: Conventions and Creativity. Steven Huebner	0
Instructions to authors	0
The Cambridge Companion to Video Game Music Melanie Fritsch and Tim Summers.	0
Plagiarism and the Napoleonic Potpourri	0
Shakespeare: Songs & Sonnets	0
Haydn and Mozart in the Long Nineteenth Century: Parallel and Intersecting Patterns of Reception. By Simon P Keefe	0
The Cambridge Companion to Wagner’s Der Ring des Nibelungen	0

Early English Composers and the Credo: Emphasis as Interpretation in Sixteenth-Century Music. Wendy J Porter	0
Music and the Sonorous Sublime in European Culture, 1680–1880 Sarah Hibberd and Miranda Stanyon	0
To the Editors of ‘Music & Letters’	0
From ‘L’Orlando Furioso’ to ‘Roland’: Lully and Quinault Reading Ariosto	0
Hobrecht and His Singers Robert Nosow	0
Instructions to authors	0
Authors of Articles in this Issue	0
Recipients of ‘Music & Letters Awards’	0
The Invention of Latin American Music: A Transnational History Pablo Palomino	0
The Cambridge Companion to Music and Romanticism Benedict Taylor	0
Writing about Polyphony, Talking about Civilization: Charles Burney’s Musical ‘Corns and Acorns’	0
Interconfessional Implications: Printed Plainchant in the Wake of the Reformation	0
The Operetta Empire: Music Theater in Early Twentieth-Century Vienna Micaela Baranello	0
Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 Sarah Ann Long.	0
Non guardare nei miei Lieder! Mahler compositore orchestratore interpreteAnna Ficarella	0
Roberto Gerhard: Re-appraising a Musical Visionary in Exile. Monty Adkins and Rachel E Mann	0
Controlling Voices in Fourteenth-Century Salzburg: Singing and Identity in the ‘MÖnch von Salzburg’ Songs	0
Instructions to Authors	0
Alien Listening: Voyager’s Golden Record and Music from Earth Daniel K. L Chua and Alexander Rehding	0
‘Music & Letters’ Awards	0
Reading Creativity Forwards and Backwards: Process and Product Revisited with Herbert Von Karajan’s Legato Aesthetic and Hypermasculinity	0
The Oxford Handbook of Jewish Music Studies. Ed. by Tina Frühauf	0
Jean Sibelius’s Violin Concerto Tina K Ramnarine	0
George Frederick Bristow Katherine Preston	0
Renaissance Polyphony Fabrice Fitch	0
The World of Sound as a Prison: Ideal and Actual Concepts of Music in the Writings of Huldrych Zwingli	0
Fragmenting Monumentality: Discontinuity and Incompleteness in Mahler’S ‘Der Abschied’	0
Music and Death: Funeral Music, Memory, and Re-Evaluating Life. Ed. Wolfgang Marx	0
Authors of Articles in This Issue	0
Recent Titles	0
The Comedians of the King: ‘Opéra-Comique’ and the Bourbon Monarchy on the Eve of Revolution Julia Doe	0
The Music of Leoš Janáček: Motive, Rhythm, Structure Zdeněk Skoumal Eastman Studies in Music	0
Brahms’s A German Requiem: Reconsidering its Biblical, Historical, and Musical Contexts R. Allen Lott	0
German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. Ed.Natasha Loges and Laura Tunbridge.	0
Les Modes du plain-chant. Daniel Saulnier	0
Handling Tovey’s Bach	0
Capturing the Zeitgeist: Dvořák’s Prague Debut and the Politics of Patriotism	0
Music in Twentieth-Century Oxford: New Directions. Robin Darwall-Smith and Susan Wollenberg	0
Inca Music Reimagined: Indigenist Discourses in Latin American Art Music, 1910–1930. Vera Wolkowicz	0
England’s Folk Revival and the Problem of Identity in Traditional Music. Joseph Williams	0
Between Copyist and Editor: Away From Typologies of Error and Variance in Trouvère Song	0
Changing Tunes: Narratives of Nation in South African Music-Themed Postage Stamps (1961–2015)	0
The Westrup Prize	0
Authors of Articles in this Issue	0
The Lyric Myth of Voice: Civilizing Song in Enlightenment Italy. Jessica Gabriel Peritz	0
Performing ‘Art for the People’: Politics, Spectatorship, and Schoenberg’s Music at the Berlin VolksbÜhne	0
George Herbert and Early Modern Musical Culture. Simon Jackson	0
Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing Emily Zazulia	0
Music Patronage in Italy Galliano Ciliberti	0
On Minimalism: Documenting a Musical Movement. Kerry O’Brien and William Robin	0
Hidden Treasures: Cultural, Social, and Political Commentary in Mahler’s Songs from. Molly M Breckling	0
The Culture of the Lauda in Early Modern Milan	0
Sundanese Reverberances: Untangling Contradictions about the Gamelan Spectacle at the 1889 Paris World’s Fair	0
The Custodial History of the Sadler Partbooks (Oxford, Bodleian Library MSS Mus. e. 1–5)	0
Songs at the Docks: Nicolas-Claude Fabri de Peiresc and Musical Entanglements in Seventeenth-Century Marseille	0
Extreme Exoticism: Japan in the American Musical Imagination W. Anthony Sheppard.	0
Liszt and Virtuosity Robert Doran	0
‘Somewhat of an affectation’: Bach, Vivaldi, and the Early Films of Pier Paolo Pasolini	0
The Ballad-Singer in Georgian and Victorian London Oskar Cox Jensen	0
‘Music & Letters’ Awards	0
Marchitelli, Mascitti e la musica strumentale napoletana fra Sei e Settecento. Guido Olivieri	0
Genre beyond Borders: Reassessing Operetta. Bruno Bower, Elisabeth Honn Hoegberg, and Sonja Starkmeth	0
Humour and Caricature in Nielsen’s Symphonies	0
Authors of Articles in this issue	0
Kunst, Klang, Musik: Die Festkultur der europäischen Mächte im barocken Rom. Tobias C Weißmann	0
Piano-Playing Revisited: What Modern Players Can Learn from Period Instruments. David Breitman.	0
Correcting the ‘grossest faults’: Charles Jennens and the Composition of Handel’s Messiah	0
Instructions to authors	0
Gerald Finzi’s Letters, 1915–1956Diana McVeagh	0
Xenakis Creates in Architecture and Music: The Reynolds Desert House. Roger Reynolds and Karen Reynolds	0
Authors of Articles in This Issue	0
Revisiting the Historiography of Postwar Avant-Garde Music. Anne-Sylvie Barthel-Calvet and Christopher Brent Murray	0
Knowledge Building in Early Modern English Music Katie Bank	0
‘Music & Letters’ Awards	0
Devotional Refrains in Medieval Latin Song. By Mary Channen Caldwell	0
The Art of Mbira: Musical Inheritance and Legacy Paul F. BerlinerMbira’s Restless Dance: An Archive of ImprovisationPaul F. Berliner and Cosmas Magaya	0
Jazz Places: How Performance Spaces Shape Jazz HistoryKimberly Hannon Teal	0
Music and Encounter at the Mediterranean Crossroads: A Sea of Voices Ruth F Davis and Brian Oberlander	0
Haydn and the Aesthetics of Naivety	0
Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution. David Charlton	0
Claiming Wagner for France: Music and Politics in the Parisian Press, 1933–1944. By Rachel Orzech	0
Beethoven and Bohemia: Dramaturgical and Political Aspects of ‘Fidelio’ Reception in Prague	0
Ce que la musique fait à l’hypnose: Une relation spectaculaire au XIXe siècle. By Céline Frigau Manning	0
A New Polyphonic Source from Sixteenth-Century Scotland	0
Kitty Clive, or the Fair Songster Berta Joncus	0
On African Music: Techniques, Influences, Scholarship. Kofi Agawu	0
Cardew’s Lessons: The Scratch Orchestra’s Amateur Democracy (1967–1973)	0
Correction to: The Works of Kurt Weill: Transformations and Reconfigurations in 20th-Century Music	0
The Recorder. David Lasocki and Robert Ehrlich	0
Voice Machines: The Castrato, the Cat Piano, and Other Strange Sounds. Bonnie Gordon	0
The Life and Music of Elizabeth Maconchy. Erica Siegel	0
Gustav Mahler: The Arduous Road to Vienna (1860–1897). H.-L. de La Grange	0
‘Music & Letters’ Awards	0
The Voice of Virtue: Moral Song and the Practice of French Stoicism, 1574–1652. By Melinda Latour	0
Towards a History of the Eccentric Artist: Beethoven’s Bad Manners and the Lure of the Anecdote	0