Nottingham French Studies

Papers
(The median citation count of Nottingham French Studies is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
The Gospel According to Maryse Condé: Black Feminist Literary Ethic in L’Évangile du nouveau monde (2021) and What’s Love and Laughter Got to Do with It2
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Marivaux empiriste: la fiction comme expérience de pensée1
Women’s Fiction in Postfeminist France: Léonora Miano, Camille Laurens, and Chick-Lit or Romances urbaines1
Mémoire de fille (dé)rangée: relire Ernaux à la lumière de Beauvoir1
Front matter1
Translating ‘Le Pagnol des Comores’: Ali Zamir's Anguille Sous Roche in English Translation1
Sartre and Bourdieu on Flaubert’s Authorship between the Two Versions of L’Éducation sentimentale1
Attention Seeking: Tristan Tzara's Art Critical Prose Poetry1
Nostalgia, Melancholy, Trauma: Backlash Postfeminism in Contemporary French Screen Romance0
Introduction: Early-Career Voices in French Studies – The Articles0
Maurice Blanchot: ‘Theorist’ of the Diary?0
Le Journal romain 1985–1986 de Renaud Camus et la fétichisation du Journal0
Introduction0
Front matter0
The Baby and the Bathwater? Bourdieu’s Critique of ‘Jacobin Ideology’ and the Neo-liberal Assault on Education0
Notes on Contributors0
L’Enfant entre soi-même et l’autre: l’écriture de la maladie et de la mort de l’enfant dans la littérature française contemporaine0
City Escapes: Around the World in Eight Free DaysRemembering Nick Hewitt0
Jean Rollin and Terroir: Return to Les Raisins de la mort0
Kamel Daoud's Meursault, contre-enquête (2013) and Camus's L’Étranger (1942): from Postcolonial Remake to De-Narration0
‘Les objets plus ou moins déformés’: Émile Zola’s Screen Theory of Representation and the Rougon-Macquart Cycle0
Guillaume des Autelz et Antoine Perrenot de Granvelle: l’exemple du Sonnet pour Estreine, un poème inédit0
Inspiration, Creation and Memory in Linda Lê’s Autres jeux avec le feu0
Precolonial Remains: Michèle Rakotoson and the Neo-Andevo Narrative0
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Front matter0
Le Malheur de Sophie et des autres: violences contre les petites filles dans l’œuvre romanesque de la comtesse de Ségur0
Jean-Luc Nancy and the Hospital: Imagining Clinical Environments of Strangeness and Multiplicity0
Red Threads: a ‘Left-Melancholic’ Walk Through Paris in Joseph Andras’s Au loin le ciel du sud (2021)0
Notes on Contributors0
Demythologizing de Gaulle: History as Myth and Myth as Hermeneutic in France after Vichy and Algerian Independence0
Annie Ernaux’s ‘Photojournal’ in Écrire la vie: Photo-Diaristic Archives as a Model of Life Writing0
Notes on Contributors0
Émile Zola and the Literary Language of Climate Change0
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Performing the Paradox in the Theatre of Tristan Tzara0
‘Quels sont les moyens de rendre plus politique un texte qui ne l’est pas assez?’ Nathalie Quintane’s Revolution as Game and Double-bind0
Gisèle Pineau, or the Literary Voice of a Caregiver0
Introduction0
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Vampiric Masculinity. Rachilde's Le grand saigneur (1922) and the Writing of Gender Violence in Post-War France0
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Vanessa Springora, Gabriel Matzneff and the Problem of Consent0
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Reading Subjects Amidst Subjection in Jean D’Amérique’s Soleil à Coudre (2021) and Emmelie Prophète’s Les Villages de Dieu (2020)0
Renoir's La Règle du jeu between Automata and the Phantasmagoria, or How to Show the Collapse of the European Enlightenment Project when Rational Truth-telling becomes Impossible0
Notes on contributors0
‘Sans offenser l'ordre’: Voice, Order, and Gender in Les Caquets de l'accouchée (1622)0
Winged Things: Insects and Birds as Flying Messengers in Céline Arnauld's Poetry0
Voltaire, Derrida et les ruses de la raison0
An Oral History of the BUMIDOM0
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La Séparation tragique: les lieux et l’espace dans Médée, Bérénice et Ariane0
The Child Protagonist: Children’s Agency in International Children’s Rights Law and in Four Francophone African Novels0
Open Your Ears, Paris Dada! Where Is Your Music Coming From?0
La Critique et le dépassement de la « méthode expérimentale » dans Thérèse Raquin0
Le Défi des diaristes maghrébins: situations, contraintes et horizons de l’écriture journalière au Maghreb0
Zola and the Science of Painting0
Back matter0
Reeling: Violence, Exploitation and Artistic Labour in Lola Lafon’s Chavirer (2020)0
Pulling It Out of a Hat: Picabia, Lanson and Man Ray's Cover for Littérature0
Sex Workers, Thinkers and Activists in France Today: A ‘Real’ Feminist Vanguard0
Visual Cultures of the Banlieues: Precarious Peripheries or Creative Centres?0
Slavery with a Smile: Comedy, Memory and Historical Terror in Case départ (2011)0
Introduction: Keith Reader, 1945–20220
Between Poetry and Music: Delavigne, Lamartine, De Musset and the Poetic Cantata0
La Foi expérimentale: Lourdes d'Émile Zola0
Introduction: Diaries and the Question of Literature0
Hiding in Plain Sight: Intersectional Violence and Postfeminism in Chanson douce (2016) by Leïla Slimani0
Becoming Édouard Louis and the Transmedial Social Novel0
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Obéir pour se libérer: stratégies d’héroïsation dans le film Indigènes de Rachid Bouchareb0
Notes on Contributors0
Man Spekeþ, bere brayeþ’: The Zoopoetics of Bear Roaring and Silence in the Middle Ages0
Stepping into the Void? Examining the Political Trajectories of Cinema and Bande Dessinée in France0
Decidedly For and Against the Future: Dada and Other Arts for Life0
Where Heaven Meets Hell: A Literary Representation of a Postcolonial Society in Priya Hein’s Riambel (2023)0
Introduction0
Back matter0
Notes on Contributors0
Artaud et l’expérience des langues: les glossolalies comme performance thérapeutique0
Réinventer le toucher dans La Démangeaison de Laurence Nobécourt0
Writing Paris0
Les Écrivaines qui font recettes: discours critique par le livre pratique0
Back matter0
Introduction0
Faire is the Heaven: Action and Utopia in Simone de Beauvoir’s Pyrrhus et Cinéas0
Le Mariage heureux du féminisme et du néolibéralisme: pistes pour analyser une union récente0
‘Unhinged Women’: Violence and Gender in Rachilde’s La Marquise de Sade (1887) and Eliza Clark’s Boy Parts (2020)0
Sabine Macher et le chantier du poème0
Medical Humanism or Scientia Sexualis? Building a Sexological Concept in Fécondité0
Notes on Contributors0
Back matter0
Revisiting the Abject Phallus in a Post-#metoo/#balancetonporc World0
The Impossibility of Logging Off: Technological Disconnection in Jean-Philippe Toussaint’s La Clé USB (2019)0
Conceptualizing Linguistic and Cultural Identity among Breton and Arabic Users in Brittany0
Notes on Contributors0
Le Journal avec et après Barthes: de l’écriture désœuvrée à l’écriture exposée0
‘Il nous présenta de la liqueur’: An Alimentary Reading of Drinking, Manipulation and Education in Le Rideau levé, ou L’Éducation de Laure (1786)0
Introduction: The Twenty-First Century Social Novel in French0
Notes on Contributors0
Front matter0
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Croient or Croivent: French Language Commentary on Twitter0
De L'œil du savant au regard impudique dans La Curée0
English Fiction in France: A Cross-Channel Dialogue at the Turn of the Twenty-First Century0
The Long Twilight of French Marxism0
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Notes on Contributors0
Le Loup et les spectres: souverain et justice chez Derrida0
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Catulle Mendès: écrivain du monstre, écrivain monstrueux0
Rétif de La Bretonne's Lettre d’un singe (1781): Challenging Slavery through Hybridity and ‘spéculation imaginative’0
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Condé, Creation, Consumption and Cannibalism0
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« Exposer les tabous au grand jour » – théâtre politique (?) de Céline Delbecq0
‘Working Girl’: Sex Work and Intersubjectivity in Georges Bataille's Madame Edwarda0
‘Dans le tissage de la vie’: The Poetic Notebook as an Ecological Form of Exploration0
Le Roman graphique face aux tragédies contemporaines: le cas de Lamia Ziadé et de Zeina Abirached0
Notes on Contributors0
Notes on Contributors0
Foreword: Hope Labour, Precarious Research, and the Future of French Studies0
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