Novel-A Forum on Fiction

Papers
(The median citation count of Novel-A Forum on Fiction is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
Ruth Ozeki's Floating World:A Tale for the Time Being's Spiritual Oceanography21
Anti-individualism in the Victorian Family Chronicle5
Ali Smith's and Olivia Laing's Fictions of Immediacy3
Keywords, Structures of Feeling, and the Novel2
The Legacies of Empire in Nwaubani's I Do Not Come to You by Chance and Mengestu's All Our Names2
The Missing Matter of Revolution: Hydroelectricity and the Terrain of Postcolonial Politics2
In Praise of Happy Endings: Precarity, Sustainability, and the Novel2
“Still There”: (Dis)engaging with Dickens's Minor Characters1
Colson Whitehead's Paranoid Styles1
Reason and Its Others in Coetzee's Jesus Novels1
The Novel's Cybernetic Hypothesis: Coetzee and McCarthy in the Closed World1
Casting Shadows at Chesney Wold: Empty-House-Time and Realism in the British Novel1
Virginia Woolf, Anechoic Architecture, and the Acoustic Hermeneutic1
Revolutionary Violence and the Rise of the Art Novel1
HeathcliffWalks1
Kazuo Ishiguro's Nonactors1
Beckett, Atwood, and Postapocalyptic Tragicomedy1
Liberalism and Inner Life: The Curious Cases of Mansfield Park and Villette1
RecognizingRomola1
Ralph Ellison's Contemporaneity1
Realism and Dialectic: The Speculative Turn and the History of the Nineteenth-Century European Novel1
Postcritique and the Poetics of Disagreement in George Eliot'sRomola1
Not Going Anywhere: Local Protests as Post-global Politics1
Temporality and the Unconfident Heroine in Henry James's The Golden Bowl1
Fiction Cares: J. M. Coetzee's Slow Man1
Representing the Planet: Affect, Scale, and Utopia1
Untimely Love: The Aesthetics and Politics of Anachronism in The Age of Innocence1
“That's How It Is”: Quotidian Violence and Resistance in Olivia Wenzel's 1000 Coils of Fear1
George Sand, Antisex Feminist0
Emma's Choices: Economics and Modern Narratives of Decision-Making0
Jewett in the Systems Epoch0
Listening to “the Squirrel's Heart Beat”0
Scenario Fiction and the Novel Claims of Insurance0
Colonial Power and the Law against Feeling0
“Lusting after Relevance”: The Allegorical Import of the African American Novel0
The Politics of Living Death in Nuruddin Farah's Sweet and Sour Milk0
Introduction0
Possible Futures0
Open-Circuit Narrative: Programmed Reading in Richard Powers0
The End of the World as We Know It0
Live for Me: Vicarious Experience and Aesthetic Education in The Ambassadors and Wilhelm Meister's Apprenticeship0
Form and the Anticolonial Novel: William Gardner Smith'sThe Stone Face0
Prosthetic Grand Synthesis0
Ride-Sharing with Little Nell: The Gig Economy of Charles Dickens'sThe Old Curiosity Shop0
Ticket to a Museum: Reading Orhan Pamuk in Our Times0
A Literary History of the American Smart Home0
Your Money or Your Life!0
Differences that Make No Difference and Ambiguities that Do0
The Matter of Aesthetic Experience0
Print Internationalism's Uneasy Adjacencies0
Reading Angles0
On Not Belonging0
A Modernist Education in Pandemics0
Incalculably Diffusive0
Finding the Center:Mrs Dalloway's Bureaucrats and State Centralization0
The Prosaics of Weak Grammar: Novel Theory at the Crossroads of Linguistic Transformation0
Period, Break, Form0
On Mitigating Islamophobia0
“Supreme Simplicity”: Reading the Child and Childlike Reading in Henry James's What Maisie Knew0
Introduction: The Anagonist0
Contemporary Transnational Historical Fiction: Forging Solidarities in the Global South Novel0
Words, Everyday and Key0
Economic Ecosystems and Postcapitalist Futures in The Professor's House0
Looking into Novel Houses0
The Passionate Fallacy0
Enduring Police0
On Gathering: Or, The Birth of Global Fiction from the Spirit of Tragedy0
A Library of One's Own0
Make It Modern: The Lasting Form of a New Aesthetic0
Mental Reflexes0
Introduction: Form and Medium0
Modernity and a Day0
Beyond Isabel Archer's Door: The Underground Railroad and the Condemned Plot for Freedom0
Narrative, Time, and Disaster0
Suffering with Style0
The Cybernetic Victorians0
Novel Traces of the Qur'an?0
Follow the Hatred: The Production of Negative Feeling in Emily Brontë'sWuthering Heights0
Women's Writing in the Foreground0
Beckett's Big House: Watt, Waste, and the Fiction of Irish Autonomy0
The Privilege of Art0
Zones of Occult Instability: The Birth of the Novel in Africa0
Server the Servants0
Living Reality Right0
Close Reading on a Global Scale0
“If It No Go So, It Go Near So”: Marlon James and Collective Memory0
Always Be Prepared0
Literature Counts: The Feelings of Overwhelmed0
The Mob: J. G. Ballard's Turn to the Collective0
Describe and Narrate0
Spoiler Alert0
Geography, Genre, and Narrative in Kipling's Kim0
The Racial Economy of Perception: Reading Black Sociality in the Nineteenth Century0
Pamela's Complaint: Injury, Rights, and the Politics of Story0
Literature as a Matter of Policy0
Conrad, Lawrence, and the Sabotage and Salvage of Genre0
Grounds for Collective Action0
Genre Fusion and the Origins of the Female Political Bildungsroman0
Joyce in the Fold, the Fold in Joyce0
Making Meaning Meaningful: Intertextuality and Identification in Never Let Me Go and Daniel Deronda0
Melville's Quixoticism and the Modern World-System0
Objects of Empathy0
Trophy Hunters: War Writing in the Twentieth Century0
Cultivating Time0
The Edges of Fiction: Dostoevsky, Merezhkovsky, and the Birth of Novel Theory0
How to Read The Pentagon Papers0
Crazy Rich Asians0
Worlds of Sound0
Telling Readings0
Here Be Monsters0
A Swamp in Name Only: Imagined Geography, Abandonment, and the Archive in W. E. B. Du Bois's The Quest of the Silver Fleece0
Norms of Embodiment and Transgender Recognition: The “Wrong Body” Problem, the Taboo on Translocation, and the Case of Henry James0
Affective Entropy: Cultural Difference and the Decline of Wonder on Ivu'ivu0
Carl Schmitt in Outer Space: On Cixin Liu's “Dark Forest”0
Reality Bites0
Lines of Fracture, Lines of Flight0
Hogarth's Networks and the Eighteenth-Century “Graphic” Novel0
Black Lives Matter and the Contemporary African Novel: Form and the Limits of Solidarity0
Early American Women, the Novel, and God0
Painful Subjects0
Introducing “Virtual Archives”0
Wakefield's Offspring0
Strange Forms0
Capital Fictions in the Age of Fictitious Capital0
Faulkner's Glitches0
The 1960s, Always0
Typicality in the Novel and Novel Theory0
An Accidental Genre0
Showing Your Age0
“Too Domestic to Admit of Calculation”: Jane Austen and Narrative Economics0
Mere Inventions of the Imagination0
Beats Go On0
Sympathetic Vibrations0
Forgetting to Be Nice0
Containing Hoards0
Proust and the Powers of Language0
Experience and Its Discontents0
The Economy of Form: An Introduction0
Marital Realism: Beauty and Pettiness inMiddlemarch0
The Rights of Nature, the Rights of Fiction: Mario Vargas Llosa and the Amazon0
The Scarcities ofUdolpho0
Detox, Binge, Filter, Ghost0
Pen Pals0
Homelessness Revisited0
Nothing Succeeds Like Failure0
To the Victor Go the Potatoes0
Stock or Soil? The Growth of Early American Literature0
Reading the Human through Robots0
Realism and Anachronism0
Novel Spaces0
Notes on the Novella0
Letters and the Contemporary Novel: Materiality and Metaphor in Ian McEwan's The Children Act0
Introduction: The Novel and the Global Reach of Black Lives Matter0
How to Be a Good Reader of World Literature0
The End of the City and the Coming of the Urban: Georges Perec's An Attempt at Exhausting a Place in Paris0
Walter Scott's Loose Leaves: Books, Scraps, and Dispersive Reading0
Growing Up Against Allegory: The Late Works of J. M. Coetzee0
Implication's Implications0
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