Screen

Papers
(The median citation count of Screen is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Stefano Baschiera and Miriam De Rosa (eds), Film and Domestic Space: Architectures, Representations, Dispositif5
Projecting Cavell: new contexts, new questions Introduction4
Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinema3
Dr Mabuse today: the centennial of Fritz Lang’s Dr Mabuse, the Gambler. Introduction2
The Subversive Film Festival as a field of resonance2
Framing VR1
The spirit of the local in translocal film collaboration in Asia: From Ten Years Hong Kong to the Ten Years International Project1
Disaffection-images: Bruno Dumont and the sullen atheists of art cinema1
Laura McMahon, Animal Worlds: Film, Philosophy and Time1
The origins, evolution and failure of the cultural vision for the Sheffield Media and Exhibition Centre1
Kim Akass, Mothers on American Television: From Here to Maternity1
Maggie Hennefeld, Death by Laughter: Female Hysteria and Early Cinema1
Brian R. Jacobson (ed.), In the Studio: Visual Creation and its Material Environments1
Filming-gardening in the neoliberal age: ambivalences in the life and work of Anne Charlotte Robertson1
Daniel Fairfax, The Red Years of Cahiers du cinéma (1968–1973)1
Iron patriotism, xuexing-masculinism, wode-ism: from Iron Soldiers to Wolf Warriors1
Towards a new model for approaching conflict images: glimpsing war through Hito Steyerl’s political cinema1
Born pink? Born queer!: The convergence of global TV formats and East Asian idol girl group cultures in contemporary China1
Screenwriting, poetics, horror: Full Circle: The Haunting of Julia1
Scott W. Klein and Michael Valdez Moses (eds), A Modernist Cinema: Film Art from 1914 to 19411
Feminist histories of costuming film: Gordon Conway, 1930s British cinema and the collaborative world of Mayfair sewing1
Screening vulnerability in the Anthropocene: Island of The Hungry Ghosts and the eco-ethics of refugee cinema1
Metamodern pastiche Introduction1
The Marcusian moment: sound, film, and the body of a woman1
Colour-as-hue and colour-as-race: early Technicolor, ornamentalism and The Toll of the Sea (1922)1
To cut a long story short: the featurization of American sound serials1
Cinematic ideorealm and cinema following Dao: theorizing film aesthetics through Daoism1
Pamela Robertson Wojcik, Unhomed: Cycles of Mobility and Placelessness in American Cinema1
Incest, affect and ambiguous politics in two films by Claire Denis1
Catherine O’Rawe, The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Federico Vitella, Maggiorate: Divismo e celebrità in Italia1
‘Precision is key’: appreciating the labour of performance in RuPaul’s Drag Race0
Glyn Davis and Jaap Kooijman (eds), The Richard Dyer Reader0
Registers of the melodramatic mode: the 1980s heroic bloodshed cycle in the history of the Hong Kong crime film0
Parichay Patra and Michael Kho Lim (eds), Sine Ni Lav Diaz: A Long Take on the Filipino Auteur0
Remediating Sápmi: hypermediacy, the global Indigenous Arctic, and Samisk audiovisuell samling (2018–23)0
‘Nothing else besides a father’: Logan and the paternal melodrama0
(Don’t) hold my hand: narratives of adoption and refusals in Lamb0
Photography, postmemory and touch in Pedro Almodóvar’s Madres paralelas0
Cinematic faces and hands0
A flor, o fim do mundo: sensual media, lost futures and the end of cinema in Kleber Mendonça Filho’s Aquarius0
Ed Atkins’s dildonic hand0
Philippa Gates and Katherine Spring (eds), Resetting the Scene: Classical Hollywood Revisited0
Post-war girlhoods: Jill Craigie, British social realism and local stardom0
Gil Z. Hochberg, Becoming Palestine: Toward an Archival Imagination of the Future0
From one who went forth to learn what ‘cinema’ was. What the Prussian Staatsbibliothek knows about film0
Holly Chard, Mainstream Maverick: John Hughes and the New Hollywood CinemaTimothy Shary and Frances Smith (eds), Refocus: The Films of John Hughes0
Manus ludens. Mabuse’s playful hands0
Contributors0
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television0
The gag after #MeToo: feminist approaches to sex and humour in film and television0
Peter Snowdon, The People Are Not the Image Vernacular Video After The Arab Spring0
Visibility displaced: lesbian aurality and disruptive self-naming in Sukkar banat/Caramel and Three Centimetres0
Amy Holdsworth, On Living with Television0
Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s0
Curating the Godardian institution: agency and critique in film and contemporary art0
Grace Lavery, Closures: Heterosexuality and the American Sitcom0
Tracing the Anthropocene in Southeast Asian film and artists’ moving image0
The digital human something; or, the case of Miquela0
Producing a future on a wandering Earth0
The corruption of non-professional performance: Pasolini and Salò0
A camera in the water: reframing the migrant image in documentary film0
Mark Nash, Curating the Moving Image0
Between unity and fragmentation: the highly choreographed long take0
Contributors0
Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series)0
Three responses to ‘Bazin's third hand’0
Green fingers: Jean Genet’s hands and flowers0
‘All the inside “dope”’: studio relay and textual analysis0
Contributors0
Queer TV Asia: emerging studies of queer TV in a globalising Asia Introduction0
Navigating place, space and land: Hong Kong social activist documentary film in the era of post-colonial neoliberal developmentalism0
A voice for elephants: Kirsten Tan’s Pop Aye and environmental dialogue in Southeast Asia0
Fortress television: closed circuit television in the American home0
Kevin Sanson, Mobile Hollywood: Labor and the Geography of Production0
‘The Great Unknown’: Thea von Harbou’s script for Dr Mabuse, der Spieler0
The shudder-image: psyche-soma, sex and knowledge in Hannibal0
Katharina Loew, Special Effects and German Silent Film: Techno-Romantic Cinema0
(Un)moving images of the Third World War: nuclear narrative and nuclear aesthetic of Chris Marker’s La Jetée0
Making conjunctions: thinking topologically with contemporary artists’ moving images0
Apichatpong Weerasethakul’s planetary cinema0
Contributors0
Ageing, personhood and care in Chie Hayakawa’s Plan 75 (2022)0
The Eastern Western: formation, problems, paradigms0
Contributors0
Projecting Maoist China: the PRC’s transnational film distribution, 1949 to 19660
Lesbian cinema without lesbians: portraits, lovers, siblings0
More than law and order: film regulations and the control of Chinese theatres in colonial Hong Kong0
Jihoon Kim, Activism and Post-activism: Korean Documentary Cinema, 1981–20220
Designing the ideal film studio in Britain0
Jie Li, Cinematic Guerrillas: Propaganda, Projectionists and Audiences in Socialist China0
Justin Owen Rawlins, Imagining the Method: Reception, Identity, and American Screen Performance0
Hollywood’s white privacy: Stanley Cavell and James Baldwin0
Italian anti-colonial cinema: global liberation movements and the third-worldist films of the long ’680
Contributors0
Fluctuating layers: Scott Barley’s Sleep Has Her House and Simondon’s philosophy of individuation0
Sarah Keller, Barbara Hammer: Pushing Out of the Frame0
In defence of F. W. Murnau0
Contesting screens of energy: Gaia, the commons and infrastructure0
Malte Hagener and Yvonne Zimmermann (eds), How Film Histories Were Made: Materials, Methods, Discourses0
Parody, pastiche and millennial socialism in the YouTube video essay0
The prophet of the screen: the legacy of Bill Viola0
Queering BL televisuality across Asia: queer polylocality across Thailand, Hong Kong and South Korea0
Stuart Hall, Writings on Media: History of the Present, ed. Charlotte Brunsdon0
Trauma collage, disturbing pastiche0
Lee Wallace, Reattachment Theory: Queer Cinema of Remarriage (a Camera Obscura book)0
Rethinking the family melodrama: Thomas Elsaesser, Mildred Pierce and the business of family0
Techno-flowers: entwinements of technology and nature in The Birth of a Flower and Little Joe0
Genre pastiche and Community0
Foraging in the ruins: Nguyễn Trinh Thi’s mycological moving-image practice0
David Martin-Jones, Columbo: Paying Attention 24/70
Richard Rushton, Modern European Cinema and Love0
Games archcriminals play: Mabuse vs Fantômas0
‘If I can change’: multigenerational cinematic franchises, retconning, and the spectre of Rocky IV0
Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair’s The Namesake0
Cinematic animism and contemporary Southeast Asian artists’ moving-image practices0
Three responses to ‘Bazin's third hand’0
In a sea of binary algae: Marker’s Level Five as non-representational documentary0
Three responses to ‘Bazin's third hand’0
Orders from an unborn baby: maternal scepticism, vengeance and voicelessness in Alice Lowe’s Prevenge0
Mackenzie Crook’s biosemiotic television0
Contributors0
Coercive cinema: police film in schools, 1966–750
Fingernail screen theory: women nail bloggers and their hands as media producers and screens0
Kartik Nair, Seeing Things: Spectral Materialities of Bombay Horror0
A life in pictures: trans visibility, invisible labour and the film career of Robert Allen0
Lifeboat films: cinematic responses to resource scarcity0
Contributors0
Haidee Wasson, Everyday Movies: Portable Projectors and the Transformation of American Culture0
Contributors0
Contributors0
Contributors0
Modern rhythms and resonant connection: Laura Marcus on sound, literature and cinema0
Making a home (from) afar through gender and sexuality: the turn to China and Chinese diaspora in the Thai ‘Boys’ Love’ drama0
The sartorial Islamic Baroque: folded feminisms in the experimental cinema of Mania Akbari and Ana Nyma (Anonyme)0
Hideaki Fujiki and Alastair Phillips (eds), The Japanese Cinema Book0
Between audience and community: exploring emergent questions of collective patrimony and cultural continuity at the 2021 Folk Film Gathering0
Rehearing modernity: the black religious voice across media landscapes0
The rise and fall of set design0
Through the looking-glass: Lotte H. Eisner and Éric Rohmer on Murnau0
Disordering archives: Onyeka Igwe and Black feminist speculative histories0
Chris Grosvenor, Cinema on the Front Line: British Soldiers and Cinema in World War One0
Contributors0
Translating grace, magnifying glass: reframing spectatorship in Like Someone in Love0
Affective pastiche in teen dramas0
Cinematography, choreography and cultural influence: rethinking Maya Deren’s The Very Eye of Night0
Close Up: Laura0
The legacy of Laura Marcus in film studies Introduction0
(De)queering Elena Ferrante: the screen adaptations of Troubling Love, The Days of Abandonment and My Brilliant Friend0
Out and about: Lotte Eisner at the Film-Kurier 1927–330
Found footage at the receding of the world0
Odile Goerg, Tropical Dream Palaces: Cinema in Colonial West Africa, trans. Melissa Thackway0
White lies: in defence of plot twists in contemporary documentaries0
Timothy Corrigan, Describing Cinema0
Engendering ethnographic filmmaking in Francoist Spain: hysteria and the queer forest of Far from the Trees (1970)0
Outside television: Federico Fellini on exposure and attention in the age of abundance0
Rashna Wadia Richards, Cinematic TV: Serial Drama Goes to the Movies0
Bazin’s third hand0
‘Women with careers should be shot!’: Bette Davis and the unwomaning threat of female stardom0
Ivo Blom, Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology0
Contributors0
Lotte Eisner: pioneer of the art and craft of collecting0
Fritz Lang’s cinema of interruption and the narrative of modernity0
Screening hands Introduction0
Lotte Eisner: a reappraisal Introduction0
Archiving the live music spectacle: Woodstock ’99 and MTV pay-per-view0
Erratum to: Designing the ideal film studio in Britain0
Zimbabwe: cinema exhibition and consumption in a shadow economy0
Mary Harrod, Suzanne Leonard and Diane Negra (eds), Imagining ‘We’ in the Age of ‘I’: Romance and Social Bonding in Contemporary Culture0
Cinematic theatricality, queer anachronism and The Favourite0
New legibilities: rethinking post-war French film with Nicole Vedrès’s La Vie commence demain0
The transnational homoroman-tivist: charting queer televisual Asiascapes in Handsome Stewardess and Getaway0
Resisting modernist primitivism: Dr Mabuse’s exclusionary aesthetics0
Bliss Cua Lim, The Archival Afterlives of Philippine Cinema0
Jinying Li, Anime’s Knowledge Cultures: Geek-Otaku-Zhai0
Adrian Martin, Mise en Scène and Film Style: From Classical Hollywood to New Media Art. Adrian Martin, Mysteries of Cinema: Reflections on Film Theory, History and Culture0
Robert Dassanowsky, Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–19380
The motorcycle diaries of a topolect cinema0
Paul Frosh, The Poetics of Digital Media0
A knowledge of horror or the horror of knowledge? Frightfully insightful directors’ commentaries on Blu-rays and DVDs0
Eugenie Brinkema, Life-Destroying Diagrams0
Moving-image mixtape: on Pixelvision film and video art0
Stanley Cavell and the queer thought of movies0
Michael Winterbottom, Dark Matter: Independent Filmmaking in the 21st Century0
Drawing on his image: amputated sounds, sonic simulacra, and the death of Bill Robinson0
James Leggott, In Fading Light: The Films of the Amber Collective0
Action at a distance, or, props for an ecological age0
The informal spread of queer Asian TV in translation0
Contributors0
Contributors0
Mary Ann Doane, Bigger Than Life: The Close-Up and Scale in the Cinema0
Up-close and personal: millennial screen trauma and the 2004 Tsunami’s spectacle of the real0
‘Better a bad image than no image’: interview with Richard Dyer on organizing the UK’s first lesbian and gay film season0
Richard Koszarski, Keep ’Em in the East: Kazan, Kubrick, and the Postwar New York Film Renaissance0
Contributors0
Jing Meng, Fragmented Memories and Screening Nostalgia for the Cultural Revolution0
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