Screen

Papers
(The TQCC of Screen is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-08-01 to 2025-08-01.)
ArticleCitations
Stefano Baschiera and Miriam De Rosa (eds), Film and Domestic Space: Architectures, Representations, Dispositif5
Projecting Cavell: new contexts, new questions Introduction4
Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinema3
Dr Mabuse today: the centennial of Fritz Lang’s Dr Mabuse, the Gambler. Introduction2
The Subversive Film Festival as a field of resonance2
Cinematic ideorealm and cinema following Dao: theorizing film aesthetics through Daoism1
Pamela Robertson Wojcik, Unhomed: Cycles of Mobility and Placelessness in American Cinema1
Incest, affect and ambiguous politics in two films by Claire Denis1
Catherine O’Rawe, The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Federico Vitella, Maggiorate: Divismo e celebrità in Italia1
Framing VR1
The spirit of the local in translocal film collaboration in Asia: From Ten Years Hong Kong to the Ten Years International Project1
Disaffection-images: Bruno Dumont and the sullen atheists of art cinema1
Laura McMahon, Animal Worlds: Film, Philosophy and Time1
The origins, evolution and failure of the cultural vision for the Sheffield Media and Exhibition Centre1
Kim Akass, Mothers on American Television: From Here to Maternity1
Maggie Hennefeld, Death by Laughter: Female Hysteria and Early Cinema1
Brian R. Jacobson (ed.), In the Studio: Visual Creation and its Material Environments1
Filming-gardening in the neoliberal age: ambivalences in the life and work of Anne Charlotte Robertson1
Daniel Fairfax, The Red Years of Cahiers du cinéma (1968–1973)1
Iron patriotism, xuexing-masculinism, wode-ism: from Iron Soldiers to Wolf Warriors1
Towards a new model for approaching conflict images: glimpsing war through Hito Steyerl’s political cinema1
Born pink? Born queer!: The convergence of global TV formats and East Asian idol girl group cultures in contemporary China1
Screenwriting, poetics, horror: Full Circle: The Haunting of Julia1
Scott W. Klein and Michael Valdez Moses (eds), A Modernist Cinema: Film Art from 1914 to 19411
Feminist histories of costuming film: Gordon Conway, 1930s British cinema and the collaborative world of Mayfair sewing1
Screening vulnerability in the Anthropocene: Island of The Hungry Ghosts and the eco-ethics of refugee cinema1
Metamodern pastiche Introduction1
The Marcusian moment: sound, film, and the body of a woman1
Colour-as-hue and colour-as-race: early Technicolor, ornamentalism and The Toll of the Sea (1922)1
To cut a long story short: the featurization of American sound serials1
A life in pictures: trans visibility, invisible labour and the film career of Robert Allen0
Contributors0
Robert Dassanowsky, Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–19380
Kartik Nair, Seeing Things: Spectral Materialities of Bombay Horror0
Resisting modernist primitivism: Dr Mabuse’s exclusionary aesthetics0
Three responses to ‘Bazin's third hand’0
Contributors0
Contributors0
Moving-image mixtape: on Pixelvision film and video art0
Haidee Wasson, Everyday Movies: Portable Projectors and the Transformation of American Culture0
Michael Winterbottom, Dark Matter: Independent Filmmaking in the 21st Century0
Hideaki Fujiki and Alastair Phillips (eds), The Japanese Cinema Book0
Rehearing modernity: the black religious voice across media landscapes0
Action at a distance, or, props for an ecological age0
The sartorial Islamic Baroque: folded feminisms in the experimental cinema of Mania Akbari and Ana Nyma (Anonyme)0
Contributors0
Fingernail screen theory: women nail bloggers and their hands as media producers and screens0
Translating grace, magnifying glass: reframing spectatorship in Like Someone in Love0
‘Better a bad image than no image’: interview with Richard Dyer on organizing the UK’s first lesbian and gay film season0
Disordering archives: Onyeka Igwe and Black feminist speculative histories0
Contributors0
Making a home (from) afar through gender and sexuality: the turn to China and Chinese diaspora in the Thai ‘Boys’ Love’ drama0
Chris Grosvenor, Cinema on the Front Line: British Soldiers and Cinema in World War One0
(De)queering Elena Ferrante: the screen adaptations of Troubling Love, The Days of Abandonment and My Brilliant Friend0
Registers of the melodramatic mode: the 1980s heroic bloodshed cycle in the history of the Hong Kong crime film0
Odile Goerg, Tropical Dream Palaces: Cinema in Colonial West Africa, trans. Melissa Thackway0
Remediating Sápmi: hypermediacy, the global Indigenous Arctic, and Samisk audiovisuell samling (2018–23)0
Through the looking-glass: Lotte H. Eisner and Éric Rohmer on Murnau0
Close Up: Laura0
Engendering ethnographic filmmaking in Francoist Spain: hysteria and the queer forest of Far from the Trees (1970)0
Photography, postmemory and touch in Pedro Almodóvar’s Madres paralelas0
Rashna Wadia Richards, Cinematic TV: Serial Drama Goes to the Movies0
A flor, o fim do mundo: sensual media, lost futures and the end of cinema in Kleber Mendonça Filho’s Aquarius0
Cinematography, choreography and cultural influence: rethinking Maya Deren’s The Very Eye of Night0
White lies: in defence of plot twists in contemporary documentaries0
Ivo Blom, Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology0
Gil Z. Hochberg, Becoming Palestine: Toward an Archival Imagination of the Future0
Lotte Eisner: pioneer of the art and craft of collecting0
Holly Chard, Mainstream Maverick: John Hughes and the New Hollywood CinemaTimothy Shary and Frances Smith (eds), Refocus: The Films of John Hughes0
Found footage at the receding of the world0
Bazin’s third hand0
Lotte Eisner: a reappraisal Introduction0
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television0
Peter Snowdon, The People Are Not the Image Vernacular Video After The Arab Spring0
Fritz Lang’s cinema of interruption and the narrative of modernity0
Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s0
Archiving the live music spectacle: Woodstock ’99 and MTV pay-per-view0
Zimbabwe: cinema exhibition and consumption in a shadow economy0
Mary Harrod, Suzanne Leonard and Diane Negra (eds), Imagining ‘We’ in the Age of ‘I’: Romance and Social Bonding in Contemporary Culture0
New legibilities: rethinking post-war French film with Nicole Vedrès’s La Vie commence demain0
Tracing the Anthropocene in Southeast Asian film and artists’ moving image0
Adrian Martin, Mise en Scène and Film Style: From Classical Hollywood to New Media Art. Adrian Martin, Mysteries of Cinema: Reflections on Film Theory, History and Culture0
The motorcycle diaries of a topolect cinema0
Between unity and fragmentation: the highly choreographed long take0
Jinying Li, Anime’s Knowledge Cultures: Geek-Otaku-Zhai0
The corruption of non-professional performance: Pasolini and Salò0
Eugenie Brinkema, Life-Destroying Diagrams0
Stanley Cavell and the queer thought of movies0
‘All the inside “dope”’: studio relay and textual analysis0
A knowledge of horror or the horror of knowledge? Frightfully insightful directors’ commentaries on Blu-rays and DVDs0
Contributors0
Bliss Cua Lim, The Archival Afterlives of Philippine Cinema0
James Leggott, In Fading Light: The Films of the Amber Collective0
The informal spread of queer Asian TV in translation0
A voice for elephants: Kirsten Tan’s Pop Aye and environmental dialogue in Southeast Asia0
Drawing on his image: amputated sounds, sonic simulacra, and the death of Bill Robinson0
Kevin Sanson, Mobile Hollywood: Labor and the Geography of Production0
Up-close and personal: millennial screen trauma and the 2004 Tsunami’s spectacle of the real0
Richard Koszarski, Keep ’Em in the East: Kazan, Kubrick, and the Postwar New York Film Renaissance0
(Un)moving images of the Third World War: nuclear narrative and nuclear aesthetic of Chris Marker’s La Jetée0
Mary Ann Doane, Bigger Than Life: The Close-Up and Scale in the Cinema0
Apichatpong Weerasethakul’s planetary cinema0
Paul Frosh, The Poetics of Digital Media0
Parichay Patra and Michael Kho Lim (eds), Sine Ni Lav Diaz: A Long Take on the Filipino Auteur0
Contributors0
‘Precision is key’: appreciating the labour of performance in RuPaul’s Drag Race0
Lesbian cinema without lesbians: portraits, lovers, siblings0
Contributors0
Glyn Davis and Jaap Kooijman (eds), The Richard Dyer Reader0
Cinematic faces and hands0
Designing the ideal film studio in Britain0
Philippa Gates and Katherine Spring (eds), Resetting the Scene: Classical Hollywood Revisited0
Justin Owen Rawlins, Imagining the Method: Reception, Identity, and American Screen Performance0
Jing Meng, Fragmented Memories and Screening Nostalgia for the Cultural Revolution0
(Don’t) hold my hand: narratives of adoption and refusals in Lamb0
From one who went forth to learn what ‘cinema’ was. What the Prussian Staatsbibliothek knows about film0
Fluctuating layers: Scott Barley’s Sleep Has Her House and Simondon’s philosophy of individuation0
Manus ludens. Mabuse’s playful hands0
In defence of F. W. Murnau0
‘Nothing else besides a father’: Logan and the paternal melodrama0
Post-war girlhoods: Jill Craigie, British social realism and local stardom0
The gag after #MeToo: feminist approaches to sex and humour in film and television0
The prophet of the screen: the legacy of Bill Viola0
Visibility displaced: lesbian aurality and disruptive self-naming in Sukkar banat/Caramel and Three Centimetres0
Stuart Hall, Writings on Media: History of the Present, ed. Charlotte Brunsdon0
Ed Atkins’s dildonic hand0
Contributors0
Rethinking the family melodrama: Thomas Elsaesser, Mildred Pierce and the business of family0
Genre pastiche and Community0
Amy Holdsworth, On Living with Television0
Curating the Godardian institution: agency and critique in film and contemporary art0
Grace Lavery, Closures: Heterosexuality and the American Sitcom0
The digital human something; or, the case of Miquela0
Richard Rushton, Modern European Cinema and Love0
Producing a future on a wandering Earth0
Mark Nash, Curating the Moving Image0
Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair’s The Namesake0
Green fingers: Jean Genet’s hands and flowers0
Contributors0
Contributors0
Three responses to ‘Bazin's third hand’0
In a sea of binary algae: Marker’s Level Five as non-representational documentary0
A camera in the water: reframing the migrant image in documentary film0
Navigating place, space and land: Hong Kong social activist documentary film in the era of post-colonial neoliberal developmentalism0
Fortress television: closed circuit television in the American home0
Lifeboat films: cinematic responses to resource scarcity0
Queer TV Asia: emerging studies of queer TV in a globalising Asia Introduction0
Coercive cinema: police film in schools, 1966–750
Katharina Loew, Special Effects and German Silent Film: Techno-Romantic Cinema0
Making conjunctions: thinking topologically with contemporary artists’ moving images0
Contributors0
The shudder-image: psyche-soma, sex and knowledge in Hannibal0
Modern rhythms and resonant connection: Laura Marcus on sound, literature and cinema0
Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series)0
The Eastern Western: formation, problems, paradigms0
Projecting Maoist China: the PRC’s transnational film distribution, 1949 to 19660
Between audience and community: exploring emergent questions of collective patrimony and cultural continuity at the 2021 Folk Film Gathering0
Ageing, personhood and care in Chie Hayakawa’s Plan 75 (2022)0
The rise and fall of set design0
‘The Great Unknown’: Thea von Harbou’s script for Dr Mabuse, der Spieler0
Jie Li, Cinematic Guerrillas: Propaganda, Projectionists and Audiences in Socialist China0
Contributors0
Italian anti-colonial cinema: global liberation movements and the third-worldist films of the long ’680
Affective pastiche in teen dramas0
Contributors0
Jihoon Kim, Activism and Post-activism: Korean Documentary Cinema, 1981–20220
Sarah Keller, Barbara Hammer: Pushing Out of the Frame0
The legacy of Laura Marcus in film studies Introduction0
Malte Hagener and Yvonne Zimmermann (eds), How Film Histories Were Made: Materials, Methods, Discourses0
Out and about: Lotte Eisner at the Film-Kurier 1927–330
More than law and order: film regulations and the control of Chinese theatres in colonial Hong Kong0
Contributors0
Queering BL televisuality across Asia: queer polylocality across Thailand, Hong Kong and South Korea0
Timothy Corrigan, Describing Cinema0
Trauma collage, disturbing pastiche0
Outside television: Federico Fellini on exposure and attention in the age of abundance0
Hollywood’s white privacy: Stanley Cavell and James Baldwin0
Parody, pastiche and millennial socialism in the YouTube video essay0
Techno-flowers: entwinements of technology and nature in The Birth of a Flower and Little Joe0
‘Women with careers should be shot!’: Bette Davis and the unwomaning threat of female stardom0
Foraging in the ruins: Nguyễn Trinh Thi’s mycological moving-image practice0
Contributors0
Contesting screens of energy: Gaia, the commons and infrastructure0
Lee Wallace, Reattachment Theory: Queer Cinema of Remarriage (a Camera Obscura book)0
Screening hands Introduction0
David Martin-Jones, Columbo: Paying Attention 24/70
Games archcriminals play: Mabuse vs Fantômas0
‘If I can change’: multigenerational cinematic franchises, retconning, and the spectre of Rocky IV0
Cinematic animism and contemporary Southeast Asian artists’ moving-image practices0
Erratum to: Designing the ideal film studio in Britain0
Mackenzie Crook’s biosemiotic television0
Three responses to ‘Bazin's third hand’0
The transnational homoroman-tivist: charting queer televisual Asiascapes in Handsome Stewardess and Getaway0
Orders from an unborn baby: maternal scepticism, vengeance and voicelessness in Alice Lowe’s Prevenge0
Cinematic theatricality, queer anachronism and The Favourite0
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