Screen

Article	Citations
Projecting Cavell: new contexts, new questions Introduction	4
Stefano Baschiera and Miriam De Rosa (eds), Film and Domestic Space: Architectures, Representations, Dispositif	4
Towards a natural history of film form: silver salts and the aesthetics of early studio-era Hollywood cinema	3
Born pink? Born queer!: The convergence of global TV formats and East Asian idol girl group cultures in contemporary China	2
The Subversive Film Festival as a field of resonance	2
Feminist histories of costuming film: Gordon Conway, 1930s British cinema and the collaborative world of Mayfair sewing	1
Scott W. Klein and Michael Valdez Moses (eds), A Modernist Cinema: Film Art from 1914 to 1941	1
Filming-gardening in the neoliberal age: ambivalences in the life and work of Anne Charlotte Robertson	1
Cinematic ideorealm and cinema following Dao: theorizing film aesthetics through Daoism	1
Dr Mabuse today: the centennial of Fritz Lang’s Dr Mabuse, the Gambler. Introduction	1
Laura McMahon, Animal Worlds: Film, Philosophy and Time	1
Towards a new model for approaching conflict images: glimpsing war through Hito Steyerl’s political cinema	1
To cut a long story short: the featurization of American sound serials	1
Pamela Robertson Wojcik, Unhomed: Cycles of Mobility and Placelessness in American Cinema	1
Incest, affect and ambiguous politics in two films by Claire Denis	1
Catherine O’Rawe, The Non-Professional Actor: Italian Neorealist Cinema and Beyond, Federico Vitella, Maggiorate: Divismo e celebrità in Italia	1
Iron patriotism, xuexing-masculinism, wode-ism: from Iron Soldiers to Wolf Warriors	1
Screenwriting, poetics, horror: Full Circle: The Haunting of Julia	1
Kim Akass, Mothers on American Television: From Here to Maternity	1
The Marcusian moment: sound, film, and the body of a woman	1
The spirit of the local in translocal film collaboration in Asia: From Ten Years Hong Kong to the Ten Years International Project	1
Brian R. Jacobson (ed.), In the Studio: Visual Creation and its Material Environments	1
Maggie Hennefeld, Death by Laughter: Female Hysteria and Early Cinema	1
Colour-as-hue and colour-as-race: early Technicolor, ornamentalism and The Toll of the Sea (1922)	1
The origins, evolution and failure of the cultural vision for the Sheffield Media and Exhibition Centre	1

Disaffection-images: Bruno Dumont and the sullen atheists of art cinema	1
Engendering ethnographic filmmaking in Francoist Spain: hysteria and the queer forest of Far from the Trees (1970)	0
Odile Goerg, Tropical Dream Palaces: Cinema in Colonial West Africa, trans. Melissa Thackway	0
Moving-image mixtape: on Pixelvision film and video art	0
White lies: in defence of plot twists in contemporary documentaries	0
Timothy Corrigan, Describing Cinema	0
Making a home (from) afar through gender and sexuality: the turn to China and Chinese diaspora in the Thai ‘Boys’ Love’ drama	0
Rashna Wadia Richards, Cinematic TV: Serial Drama Goes to the Movies	0
(Un)moving images of the Third World War: nuclear narrative and nuclear aesthetic of Chris Marker’s La Jetée	0
The Eastern Western: formation, problems, paradigms	0
Richard Rushton, Modern European Cinema and Love	0
Cinematography, choreography and cultural influence: rethinking Maya Deren’s The Very Eye of Night	0
The gag after #MeToo: feminist approaches to sex and humour in film and television	0
The legacy of Laura Marcus in film studies Introduction	0
Contributors	0
Parichay Patra and Michael Kho Lim (eds), Sine Ni Lav Diaz: A Long Take on the Filipino Auteur	0
Contributors	0
Found footage at the receding of the world	0
Fritz Lang’s cinema of interruption and the narrative of modernity	0
Registers of the melodramatic mode: the 1980s heroic bloodshed cycle in the history of the Hong Kong crime film	0
Grace Lavery, Closures: Heterosexuality and the American Sitcom	0
Justin Owen Rawlins, Imagining the Method: Reception, Identity, and American Screen Performance	0
Contributors	0
The digital human something; or, the case of Miquela	0
The sartorial Islamic Baroque: folded feminisms in the experimental cinema of Mania Akbari and Ana Nyma (Anonyme)	0
Producing a future on a wandering Earth	0
Affective pastiche in teen dramas	0
Games archcriminals play: Mabuse vs Fantômas	0
More than law and order: film regulations and the control of Chinese theatres in colonial Hong Kong	0
‘Women with careers should be shot!’: Bette Davis and the unwomaning threat of female stardom	0
Contributors	0
Stuart Hall, Writings on Media: History of the Present, ed. Charlotte Brunsdon	0
Curating the Godardian institution: agency and critique in film and contemporary art	0
Adrian Martin, Mise en Scène and Film Style: From Classical Hollywood to New Media Art. Adrian Martin, Mysteries of Cinema: Reflections on Film Theory, History and Culture	0
Screening hands Introduction	0
Fortress television: closed circuit television in the American home	0
Modern rhythms and resonant connection: Laura Marcus on sound, literature and cinema	0
Mark Nash, Curating the Moving Image	0
Coercive cinema: police film in schools, 1966–75	0
Making conjunctions: thinking topologically with contemporary artists’ moving images	0
Kartik Nair, Seeing Things: Spectral Materialities of Bombay Horror	0
James Leggott, In Fading Light: The Films of the Amber Collective	0
A camera in the water: reframing the migrant image in documentary film	0
Framing VR	0
Drawing on his image: amputated sounds, sonic simulacra, and the death of Bill Robinson	0
Visibility displaced: lesbian aurality and disruptive self-naming in Sukkar banat/Caramel and Three Centimetres	0
Up-close and personal: millennial screen trauma and the 2004 Tsunami’s spectacle of the real	0
Kevin Sanson, Mobile Hollywood: Labor and the Geography of Production	0
Paul Frosh, The Poetics of Digital Media	0
Jie Li, Cinematic Guerrillas: Propaganda, Projectionists and Audiences in Socialist China	0

Mary Ann Doane, Bigger Than Life: The Close-Up and Scale in the Cinema	0
Between unity and fragmentation: the highly choreographed long take	0
Contributors	0
Resisting modernist primitivism: Dr Mabuse’s exclusionary aesthetics	0
Cinematic faces and hands	0
‘Precision is key’: appreciating the labour of performance in RuPaul’s Drag Race	0
‘All the inside “dope”’: studio relay and textual analysis	0
(Don’t) hold my hand: narratives of adoption and refusals in Lamb	0
Haidee Wasson, Everyday Movies: Portable Projectors and the Transformation of American Culture	0
Through the looking-glass: Lotte H. Eisner and Éric Rohmer on Murnau	0
Philippa Gates and Katherine Spring (eds), Resetting the Scene: Classical Hollywood Revisited	0
A voice for elephants: Kirsten Tan’s Pop Aye and environmental dialogue in Southeast Asia	0
Post-war girlhoods: Jill Craigie, British social realism and local stardom	0
Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair’s The Namesake	0
Bliss Cua Lim, The Archival Afterlives of Philippine Cinema	0
From one who went forth to learn what ‘cinema’ was. What the Prussian Staatsbibliothek knows about film	0
Trauma collage, disturbing pastiche	0
Between audience and community: exploring emergent questions of collective patrimony and cultural continuity at the 2021 Folk Film Gathering	0
Jihoon Kim, Activism and Post-activism: Korean Documentary Cinema, 1981–2022	0
The rise and fall of set design	0
‘Nothing else besides a father’: Logan and the paternal melodrama	0
New legibilities: rethinking post-war French film with Nicole Vedrès’s La Vie commence demain	0
Contributors	0
(De)queering Elena Ferrante: the screen adaptations of Troubling Love, The Days of Abandonment and My Brilliant Friend	0
Lesbian cinema without lesbians: portraits, lovers, siblings	0
Ed Atkins’s dildonic hand	0
Lotte Eisner: a reappraisal Introduction	0
Action at a distance, or, props for an ecological age	0
‘If I can change’: multigenerational cinematic franchises, retconning, and the spectre of Rocky IV	0
Out and about: Lotte Eisner at the Film-Kurier 1927–33	0
Richard Koszarski, Keep ’Em in the East: Kazan, Kubrick, and the Postwar New York Film Renaissance	0
Cinematic animism and contemporary Southeast Asian artists’ moving-image practices	0
Apichatpong Weerasethakul’s planetary cinema	0
The motorcycle diaries of a topolect cinema	0
Outside television: Federico Fellini on exposure and attention in the age of abundance	0
Ivo Blom, Quo Vadis?, Cabiria and the ‘Archaeologists’: Early Italian Cinema’s Appropriation of Art and Archaeology	0
Lee Wallace, Reattachment Theory: Queer Cinema of Remarriage (a Camera Obscura book)	0
Caetlin Benson-Allott, The Stuff of Spectatorship: Material Cultures of Film and Television	0
David Martin-Jones, Columbo: Paying Attention 24/7	0
Contributors	0
A life in pictures: trans visibility, invisible labour and the film career of Robert Allen	0
Navigating place, space and land: Hong Kong social activist documentary film in the era of post-colonial neoliberal developmentalism	0
Cutting their cloth, counting their coupons: clothes rationing and British film production in the 1940s	0
Contributors	0
In defence of F. W. Murnau	0
Queer TV Asia: emerging studies of queer TV in a globalising Asia Introduction	0
Metamodern pastiche Introduction	0
A knowledge of horror or the horror of knowledge? Frightfully insightful directors’ commentaries on Blu-rays and DVDs	0
Katharina Loew, Special Effects and German Silent Film: Techno-Romantic Cinema	0
Gil Z. Hochberg, Becoming Palestine: Toward an Archival Imagination of the Future	0
Richard Maltby, Decoding the Movies: Hollywood in the 1930s (Exeter Studies in Film History Series)	0
Screening vulnerability in the Anthropocene: Island of The Hungry Ghosts and the eco-ethics of refugee cinema	0
The shudder-image: psyche-soma, sex and knowledge in Hannibal	0
Foraging in the ruins: Nguyễn Trinh Thi’s mycological moving-image practice	0
Chris Grosvenor, Cinema on the Front Line: British Soldiers and Cinema in World War One	0
The corruption of non-professional performance: Pasolini and Salò	0
‘The Great Unknown’: Thea von Harbou’s script for Dr Mabuse, der Spieler	0
Amy Holdsworth, On Living with Television	0
Ageing, personhood and care in Chie Hayakawa’s Plan 75 (2022)	0
Contributors	0
Glyn Davis and Jaap Kooijman (eds), The Richard Dyer Reader	0
Contributors	0
Sarah Keller, Barbara Hammer: Pushing Out of the Frame	0
Italian anti-colonial cinema: global liberation movements and the third-worldist films of the long ’68	0
Lifeboat films: cinematic responses to resource scarcity	0
Contributors	0
Fluctuating layers: Scott Barley’s Sleep Has Her House and Simondon’s philosophy of individuation	0
Contesting screens of energy: Gaia, the commons and infrastructure	0
Malte Hagener and Yvonne Zimmermann (eds), How Film Histories Were Made: Materials, Methods, Discourses	0
Contributors	0
Green fingers: Jean Genet’s hands and flowers	0
Michael Winterbottom, Dark Matter: Independent Filmmaking in the 21st Century	0
Jing Meng, Fragmented Memories and Screening Nostalgia for the Cultural Revolution	0
Queering BL televisuality across Asia: queer polylocality across Thailand, Hong Kong and South Korea	0
Manus ludens. Mabuse’s playful hands	0
‘Better a bad image than no image’: interview with Richard Dyer on organizing the UK’s first lesbian and gay film season	0
Eugenie Brinkema, Life-Destroying Diagrams	0
A flor, o fim do mundo: sensual media, lost futures and the end of cinema in Kleber Mendonça Filho’s Aquarius	0
Hollywood’s white privacy: Stanley Cavell and James Baldwin	0
Techno-flowers: entwinements of technology and nature in The Birth of a Flower and Little Joe	0

Designing the ideal film studio in Britain	0
Archiving the live music spectacle: Woodstock ’99 and MTV pay-per-view	0
Remediating Sápmi: hypermediacy, the global Indigenous Arctic, and Samisk audiovisuell samling (2018–23)	0
Mackenzie Crook’s biosemiotic television	0
Zimbabwe: cinema exhibition and consumption in a shadow economy	0
Cinematic theatricality, queer anachronism and The Favourite	0
Mary Harrod, Suzanne Leonard and Diane Negra (eds), Imagining ‘We’ in the Age of ‘I’: Romance and Social Bonding in Contemporary Culture	0
Peter Snowdon, The People Are Not the Image Vernacular Video After The Arab Spring	0
Translating grace, magnifying glass: reframing spectatorship in Like Someone in Love	0
The prophet of the screen: the legacy of Bill Viola	0
Rehearing modernity: the black religious voice across media landscapes	0
Holly Chard, Mainstream Maverick: John Hughes and the New Hollywood CinemaTimothy Shary and Frances Smith (eds), Refocus: The Films of John Hughes	0
Projecting Maoist China: the PRC’s transnational film distribution, 1949 to 1966	0
Three responses to ‘Bazin's third hand’	0
Rethinking the family melodrama: Thomas Elsaesser, Mildred Pierce and the business of family	0
Contributors	0
Genre pastiche and Community	0
Orders from an unborn baby: maternal scepticism, vengeance and voicelessness in Alice Lowe’s Prevenge	0
Erratum to: Designing the ideal film studio in Britain	0
The informal spread of queer Asian TV in translation	0
Contributors	0
Three responses to ‘Bazin's third hand’	0
Contributors	0
Daniel Fairfax, The Red Years of Cahiers du cinéma (1968–1973)	0
Photography, postmemory and touch in Pedro Almodóvar’s Madres paralelas	0
Lotte Eisner: pioneer of the art and craft of collecting	0
Hideaki Fujiki and Alastair Phillips (eds), The Japanese Cinema Book	0
Tracing the Anthropocene in Southeast Asian film and artists’ moving image	0
Fingernail screen theory: women nail bloggers and their hands as media producers and screens	0
Stanley Cavell and the queer thought of movies	0
Bazin’s third hand	0
The transnational homoroman-tivist: charting queer televisual Asiascapes in Handsome Stewardess and Getaway	0
Parody, pastiche and millennial socialism in the YouTube video essay	0
In a sea of binary algae: Marker’s Level Five as non-representational documentary	0
Contributors	0
Three responses to ‘Bazin's third hand’	0
Disordering archives: Onyeka Igwe and Black feminist speculative histories	0
Robert Dassanowsky, Screening Transcendence: Film under Austrofascism and the Hollywood Hope, 1933–1938	0
Close Up: Laura	0
Jinying Li, Anime’s Knowledge Cultures: Geek-Otaku-Zhai	0