Seminar-A Journal of Germanic Studies

Article	Citations
Shuang Xu. Prekäre Kollektive: Das Gemeinschafts-Denken bei Kafka und Derrida	2
Barbara Hales and Valerie Weinstein, editors. Rethinking Jewishness in Weimar Cinema	1
“Fliehen. Flüchten. Davon. Eilen. Stürmen”: Stumbling towards the Future in Marlene Streeruwitz’s Die Schmerzmacherin.	1
Thomas O. Haakenson. Grotesque Visions: The Science of Berlin Dada.	1
White Noise and Black Boxes: Social Justice Discourses and Social Media Practices	1
Collecting for the Basement? Colonial Sound Recordings, Academic Archives, and Contemporary Decolonization	1
Theatre Meets Quantum Physics: René Pollesch’s Theatre for the Age of Technoscience	1
Between Stalin and Coca-Cola: Postsocialist Geopolitics and Utopian Ambivalence at Castorf’s Volksbühne	1
The New Fascism Syllabus: Networked Knowledge in the Digital Public Sphere	1
Erica Tortolani and Martin F. Norden, editors. Refocus: The Films of Paul Leni	1
Valentina Glajar. The Secret Dossier of Herta Müller: A “File Story” of Cold War Surveillance	1
Willi Goetschel. Heine and Critical Theory	1
Undoing the Human in the Films of Maren Ade	1
Martin Wagner. The Narratology of Observation. Studies in a Technique of European Literary Realism. Paradigms: Literature and the Human Sciences	0
Utopian Spaces and Their Everyday Traces in Thomas Stuber’s In den Gängen (2018)	0
ReclaimingHeimat, Uprooting National Socialism in Anna Seghers’s “Das Ende”	0
Geoff Boucher. Habermas and Literature: The Public Sphere and the Social Imaginary	0
Das Geschichtsbild Walter Benjamins und die Inszenierung von Erinnerung in Regina Scheers Roman Machandel	0
Erol M. Boran. Die Geschichte des türkisch-deutschen Theaters und Kabaretts. Vier Jahrzehnte Migrantenbühne in der Bundesrepublik (1961–2004)	0
German Studies in the Era of Climate Change: The Value of Historical Perspectives	0
August Sander’s Portfolio “The Doctor and the Pharmacist”: German Patients between Professional and Lay Medicine	0
Jelscha Schmid. The Methods of Metaphilosophy: Kant, Maimon, and Schelling on How to Philosophize about Philosophy	0
„Sterben Sie weise!”—Dramatisierungen der Hypochondrie in Fallerzählungen des 18. Jahrhunderts	0
The Art of Acting Up: Johann Friedrich Löwen and the Genesis of German Theatre Historiography	0
Embedded Mental States, Literariness, and the Mutual Cross-Disciplinary Benefits of Cognitive-Literary Analysis	0

Olivia Landry’s A Decolonizing Ear in the Inaugural Seminar Book Forum	0
Linda Leskau, Tanja Nusser, and Katherine Sorrels, editors. Disability in German-Speaking Europe: History, Memory, Culture	0
For a Justice-to-Come: Milo Rau’s Utopian Realism	0
Stefan Höppner. Goethes Bibliothek. Eine Sammlung und ihre Geschichte.	0
“Troublesome Performers, Beautiful Fighters”: Bringing to Life the Kolonial-Ausstellung of 1896 at the Museum and Beyond	0
Dawid Kasprowicz and Stefan Rieger, editors. Handbuch Virtualität	0
Nicole Coleman. The Right to Difference: Interculturality and Human Rights in Contemporary German Literature	0
Multicultural Politics at the Stratford Festival: Birgit Schreyer Duarte’ Nathan the Wise and Antoni Cimolino’s Birds of a Kind	0
Relating through Opacity: The Versatorium Translation Collective and Elfriede Jelinek’s Die Schutzbefohlenen	0
Becoming Queer In/Human in Sasha Marianna Salzmann’s Außer sich (2017)	0
Chronic Crisis Novels and the Quest for “the Good-Enough Life”: Kathrin Röggla’sdie alarmbereiten, Kristine Bilkau’sDie Glücklichen, and Thorsten Nagelschmidt’sArbeit	0
Andrew Piper. Enumerations: Data and Literary Study	0
Lauren Berlant. On the Inconvenience of Other People	0
Simon Spiegel. Utopias in Non-Fiction Film	0
Michael Stolberg. Gelehrte Medizin und ärztlicher Alltag in der Renaissance	0
Ann Marie Rasmussen. Medieval Badges: Their Wearers and Their Worlds.	0
Reading Minds	0
Understanding Irony in Literary Texts: A Cognitive Approach	0
Regine Criser and Ervin Malakaj, editors. Diversity and Decolonization in German Studies	0
Claudia Lauer, Uta Störmer-Caysa, and Anna Sara Lahr, eds. Handbuch Frauenlob	0
Birgit Nemec. Norm und Reform: Anatomische Körperbilder in Wien um 1925	0
John T. Hamilton. France/Kafka: An Author in Theory	0
Playful Distance: On the Relationship between Fossils and Time in Eduard Mörike’s “Göttliche Reminiscenz”	0
Diversity, Social Justice, and Accessibility in Grenzenlos Deutsch: Reflections on Digital Curation	0
Book Forum on A Decolonizing Ear: Documentary Film Disrupts the Archive	0
Jörg Echternkamp and Stephan Jaeger, eds. Views of Violence: Representing the Second World War in German and European Museums and Memorials. Spektrum: Publications of the German Studies Associa	0
Lars Schmeink and Ingo Cornils, editors. New Perspectives on Contemporary German Science Fiction	0
Adam A. Blackler. An Imperial Homeland: Forging German Identity in Southwest Africa	0
“Stars in the Water”: Hermann Broch’s Die Unbekannte Größe and the Language of Interwar Experience	0
Listening Back: A Return to A Decolonizing Ear: Documentary Film Disrupts the Archive	0
Leila Mukhida. Sensitive Subjects: The Political Aesthetics of Contemporary German and Austrian Cinema	0
Introduction: In Touch with the In/Human	0
Ingo Börner, Wolfgang Straub, Christian Zolles, editors. Germanistik digital: Digital Humanities in der Sprach- und Literaturwissenschaft	0
Introduction: Thinking the Future Today	0
Patricia Allmer. The Traumatic Surreal. Germanophone Women Artists and Surrealism after the Second World War.	0
Paul Michael Lützeler. Hermann Broch und die Menschenrechte: Anti-Versklavung als Ethos der Welt.	0
We Are All Curators Now	0
Waiting to Be Human: The Cruel Optimism of Christian Petzold’s Transit	0
Louise Nuttall. Mind Style and Cognitive Grammar: Language and Worldview in Speculative Fiction	0
Paola Mayer. The Aesthetics of Fear in German Romanticism	0
The Kids Are All Right: Futurity and Black German Childhood in SchwarzRund’s Biskaya (2017)	0
Valences of the Human: Grief and Queer Utopia in Olga Grjasnowa’s Der Russe ist einer, der Birken liebt and Olivia Wenzel’s 1000 Serpentinen Angst	0
Glass Houses and Astral Societies as Models for a New Culture: Paul Scheerbart and Walter Benjamin	0
Babylon Berlin: Bargaining with Shadows	0
Textual Infection: Syphilis in Grimmelshausen’s Courasche	0
Anne Fuchs. Precarious Times: Temporality and History in Modern German Culture	0
Erin McGlothlin. The Mind of the Holocaust Perpetrator in Fiction and Nonfiction	0
Rick McCormick. Sex, Politics, and Comedy: The Transnational Cinema of Ernst Lubitsch	0
The Evil of Colonial Listening	0
Of Mutts and Mann: The Mischling Theme in Herr und Hund	0

Introduction: Digital Curation in German Studies	0
John Zilcosky. The Language of Trauma: War and Technology in Hoffmann, Freud, and Kafka	0
The Global Medieval Sourcebook: Creating a Sustainable Digital Anthology of Medieval Texts and Translations	0
Tiffany N. Florvil and Vanessa D. Plumly, eds. Rethinking Black German Studies: Approaches, Interventions and Histories	0
“Hollow Men” andÜbermenschen: The Aporia of Competing Intertextual Motifs in Elfriede Jelinek’sRechnitz (Der Würgeengel)	0
The Language of Dance, the Dancer’s Eye, and Aesthetic Experience in Mary Wigman’s Hexentanz II	0
Jennifer M. Kapczynski and Caroline A. Kita, editors. The Arts of Democratization: Styling Political Sensibilities in Postwar West Germany	0
Azadeh Sharifi and Lisa Skwirblies, editors. Theaterwissenschaft postkolonial/dekolonial: Eine kritische Bestandsaufnahme	0
Erkenntnis und Erleuchtung: Die Metaphern „Spiegel“ und „Licht“ bei David von Augsburg im Blickfeld von historischer Semantik und analogischer Bedeutungsbildung	0
Simone Pfleger and Carrie Smith, editors. Transverse Disciplines: Queer-Feminist, Anti-Racist, and Decolonial Approaches to the University	0
Katrin Trüstedt. Stellvertretung: Zur Szene der Person	0
Gastarbeiterulcusand Realism in Güney Dal: A Gastrointestinal Account of “Gastarbeiterliteratur”	0
Tuska Benes. The Rebirth of Revelation: German Theology in an Age of Reason and History, 1750–1850.	0
Green Dada: Avant-Garde Aesthetics and Ecocritical Theory	0
Michael Gamper and Peter Schnyder, editors. Dramatische Eigenzeiten des Politischen im 18. und 19. Jahrhundert	0
Multidirectionality and Collaborative Practice: Reggae and Dancehall Music between Germany and Jamaica	0
Hester Baer. German Cinema in the Age of Neoliberalism	0
Teaching for a Green Mindset in the Era of Climate Change	0
Book Reviews	0
Maria Stehle and Beverly Weber. Precarious Intimacies: The Politics of Touch in Contemporary Western European Cinema	0
“Sinister Listening” and “Sincere Listening”: A Discussion of Olivia Landry’s A Decolonizing Ear	0
Auf den Spuren ihrer Geschichte: Black German Detectives and the Cases of Anäis Schmitz and Fatou Fall	0
Queering the Screen: Spectral Figures and German-Taiwanese Encounters in Monika Treut’sGhosted	0
Editorial	0
When We Become Many: Diversity and Collective Responsibility in Christoph Schlingensief’s Chance 2000	0
Giorgio Agamben. Hölderlin’s Madness: Chronicle of a Dwelling Life, 1806–1843 (The Italian List)	0
Queering the Benjamenta Institute: Laughter in Robert Walser’s Jakob von Gunten	0
The Role of Empathy in Literary Reading: From Einfühlung to the Neuroscience of Embodied Cognition, with the Example of Kafka’s The Metamorphosis	0
Stefani Engelstein. Sibling Action: The Genealogical Structure of Modernity	0
Kata Gellen. Kafka and Noise: The Discovery of Cinematic Sound in Literary Modernism	0
Elisabeth Krimmer and Patricia Anne Simpson, editors. German #MeToo: Rape Cultures and Resistance, 1770–2020	0
Katrin Sieg. Decolonizing German and European History at the Museum	0
The (In)conspicuous Body: Perceiving and Visually Representing Physical Sensations: A Visual Essay	0
Todd Kontje. Georg Forster: German Cosmopolitan.	0
Nina Schmidt. The Wounded Self: Writing Illness in Twenty-First-Century German Literature	0
Education (Documentaries) and Utopian Thinking	0
Klaus Kastberger, Stefan Maurer, Christian Neuhuber, editors. Schauplatz Archiv: Objekt—Narrativ—Performanz	0
Erica Wickerson. The Architecture of Narrative Time: Thomas Mann and the Problems of Modern Narrative	0
Berlin/Istanbul Again: Theatre, Memory, and the New Wave of Migration	0
Joanna Raisbeck. Karoline von Günderrode: Philosophical Romantic	0
Reforged or Deformed? Forced Labour, Human Instruments, and the Critique of the Gulag System in Herta Müller’s Atemschaukel	0
Jennifer L. Allen. Sustainable Utopias: The Art and Politics of Hope in Germany	0
To the Rescue: First Responders and Medical(ized) Bodies inFin-de-SiècleVienna	0
Jeff Hayton. Culture from the Slums: Punk Rock in East and West Germany	0
Carrie Collenberg-González and Martin P. Sheehan, editors. Moving Frames: Photographs in German Cinema.	0
Introduction to Special Issue on German Theatre: Diversity, Contestation, Inclusion	0
From Marginalia to the Museum: The Transfiguration of the Doodle by Gottfried Keller, Hans Prinzhorn, and Jean Dubuffet	0
Katie Sutton. Sex between Body and Mind: Psychoanalysis and Sexology in the German-Speaking World, 1890s–1930s	0
Homophobia and Antisemitism in Otto Julius Bierbaum’s Prinz Kuckuck (1907/08)	0
German Studies in the Era of Climate Change	0
Visualizing Disease and ‘Depravity’ in the Weimar Republic: The Film Roles and Dance Performances of Anita Berber and Otto Dix’s Bildnis der Tänzerin Anita Berber	0
Claudia Breger. Making Worlds: Affect and Collectivity in Contemporary European Cinema	0
Towards Prosperity and Peace: The Beginnings of the European Project in the West German Governmental PR Film Der erste Schritt	0
Haiko Wandhoff. Vom Finden der Liebe in der Literatur: Die erzählte Poetik des höfischen Romans	0
German Health Narratives between Life Reform and Medical Enlightenment, 1890–1930	0
Globalized Theatre | Tokenized Performance: Milo Rau’s German Intercultural Theatre in Belgium	0
The Education of Desire: Unsettling Sexuality, Gender, and Racial Politics in Contemporary Medical Romance	0
„Die Wirklichkeit ist die Unwahrscheinlichkeit, die eingetreten ist“: Wahrscheinlichkeit, Wirklichkeit und Wahrheit im Werk Friedrich Dürrenmatts	0
„Zwischen den Welten“. Zum Konzept des Liminalen im Theater polnischer Migrant*innen in Deutschland	0
Unsettling German Memory Culture: The Role of Archives in Natascha Wodin’s Sie kam aus Mariupol	0
Zeitwahrnehmung und -darstellung in Ludwig Tiecks Die Elfen und den Kindermärchen E.T.A. Hoffmanns	0
Andrea Rottmann. Queer Lives across the Wall: Desire and Danger in Divided Berlin, 1945–1970	0
Introduction: Medicine’s Two Bodies	0
Leben erzählen: Stefan Zweigs biographisches Erzählen und sein Leben als Gegenstand biographischer Repräsentation	0
Ivan Turgenev als Netzwerker: Digitale Kuratierung seiner europäischen, insbesondere deutschen literarischen Kontakte (am Beispiel seines Briefwechsels vom Juni 1868 bis Mai 1869)	0
Elizabeth Losh and Jacqueline Wernimont, editors. Bodies of Information: Intersectional Feminism and Digital Humanities	0
Worldliness, Jewish Purpose, and the Non-Jewish Jewish Narrator in Olga Grjasnowa’sDer verlorene Sohn(2020)	0
The Sound of Life in Marcel Beyer’s Flughunde (The Karnau Tapes)	0
Roma Armee’s Call to Arms: Fostering Non-Territorial Community through Theatre	0
Towards an Eco-Pedagogy in German Studies	0
Sean Eedy. Four-Color Communism: Comic Books and Contested Power in the German Democratic Republic	0
Intertextualities in Elfriede Jelinek’s Rein Gold: Ein Bühnenessay	0
Cyd Sturgess. Different from the Others: German and Dutch Discourses of Queer Femininity and Female Desire, 1918–1940	0
“Fruchtcocktails” and “Explosionen”: Navigating War and Destruction in Olga Grjasnowa’s Gott ist nicht schüchtern (2017)	0
Time Kept and Lost: On the Complexity of the Thematization of Old Age in Wolfgang Hildesheimer’sMonolog	0
DDGC and Digital Misfit Archives	0
Eva Kernbauer. Art, History, and Anachronic Interventions since 1990	0
Jakob Norberg. The Brothers Grimm and the Making of German Nationalism	0
From Photobook to Digital Book: Curating Weimar Germany’s New Visual Literacy Online	0
Katrin Sieg. Decolonizing German and European History at the Museum	0

In Memoriam	0
Peter M. Boenisch, editor. The Schaubühne Berlin under Thomas Ostermeier: Reinventing Realism	0
Bettina Brandt and Yasemin Yildiz, editors. Tales That Touch: Migration, Translation, and Temporality in Twentieth- and Twenty-First-Century German Literature and Culture	0
Geschichte ist machbar: “Making” the History of 1968 and Its Terrorist Aftermath in Uwe Timm’s Rot and Bernhard Schlink’s Das Wochenende	0
Randall Halle. Visual Alterity: Seeing Difference in Cinema	0
Barbara Beßlich. Das Junge Wien im Alter: Spätwerke neben der Moderne	0
Karin Kukkonen. 4E Cognition and Eighteenth-Century Fiction: How the Novel Found Its Feet	0
Holding of the Nothing: Nihilation in Paul Celan’s Sprachgitter and Die Niemandsrose	0