Studies in Conservation

Papers
(The median citation count of Studies in Conservation is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Finding a Temporary Adhesive for Securing Objects for Display in Earthquake-Prone Regions10
Leeb Hardness Approach in the Determination of Strength after Accelerated Weathering Tests10
A Digital Study of the Morphological and Stability Issues of a Delicate Wax-based Artwork7
Before the Fire: Experiments on Fire-protecting Cover Materials7
The Nucleus of Color: Analysis of Hélio Oiticica’s Studio Materials5
Trialling an Accessible Non-Contact Photogrammetric Monitoring Technique to Detect 3D Change on Wall Paintings5
A Cultural Threat: Gastrallus pubens Fairmaire (Coleoptera, Ptinidae) and Biodeterioration of Rare Books in Italy5
Better Use of Showcases for Preservation and Sustainability5
A Complete Methodology for Structural Finite Element Analysis of Terracotta Sculptures Based on a 3D Scanned Model: A Case Study on the Terracotta Warriors (China)5
An Example of Integrated Geological Survey of Geomaterials and their Weathering Forms: the Reggia di Caserta Main Façade5
A Critical Assessment of A-D Strips® Used in Degradation Studies of Artworks Made from Cellulose Acetate5
Manufacturing Variations in ISO Blue Wool Fading Standards under Microfading Exposure Conditions5
Looking Back to Move Forward: Continuing Community-centric Practices for Conservation and Collection Care of Pacific Collections in an Australian Museum4
The Making of Mike Kelley’s The Wages of Sin’s Exhibition Copy: Replication as a Means of Preservation4
Conservators Delivering Change4
Collaborating with a Source Community to Conserve two Sámi Coffee Bags by Combining Established Conservation Treatments and Traditional Preservation Methods4
Double Trouble: Replicas in Contemporary Art and Their Impact in Conservation Decision-making4
Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction3
Pleasing the Wrathful Deities: Ethical Approaches to the Care of Tibetan Skull Drums3
It’s Not Easy Being Green – The Challenge of Having Poisonous Arsenic Containing Books in a National Library Collection3
Disruptive Conservation: Challenging Conservation Orthodoxy3
Saving the Seat of Democracy: The Restoration of the Palace of Westminster3
The Positive Role of Trees in Protecting Outdoor Painted and Engraved Rock Sites3
The GREENART Project: Environmentally Friendly and Low Impact Materials for the Conservation of Cultural Heritage3
Environmental Conditions for Danish Storage Buildings: A Summary of 20 Years of Air Quality Surveys3
Color Under Siege: Material Analysis and Housing of Late Nineteenth-Century Posters from the Siege and Commune of Paris3
Revolutionary Conservation and the Evolution of Conservatism: I. E. Grabar and the Design of Socialist Monument Protection Policy in the Russian Soviet Socialist Republic3
Dissociation and Loss: a Challenge for Sustainable and Inclusive Conservation3
Greenwashing Revelations through Revision: Re-evaluating Sustainability Claims for Bioplastics3
Synchrotron X-ray Fluorescence Microscopy for Characterising Pigments in Seventeenth-century Persian Illuminated Manuscripts3
Interrogating Pollutants in Collecting Institutions During the Implementation of HVAC Energy-Saving Strategies: Lessons Learned and Practical Implications for Optimizing Sustainable Environmental Cont2
Material Characterisation of William Burges’ Great Bookcase within the Disruption of a Global Pandemic2
A Study of Protective Coatings for Archaeological Silver2
Polymer Matrix and Stone Powder Based Composite Mortar for the Restoration of Sille Stone Structures2
Mosaic Materials in an Art Deco Steel-framed Building2
Conserving Context and Community: Reconnecting an Illegally Excavated, Precolonial Dugout Canoe to its Community2
A Multidisciplinary Approach to the Conservation of Salūt, Sultanate of Oman2
Reducing Energy Use Through Behavioural Change: Carbon Literacy Training for Archives in the UK2
Connecting Stories: Investigations of a Seventeenth-century Mercator Hand-painted Map2
How Different Analytical and Stylistics Investigations Can Help in Describing Artefacts Made of Non-coeval Parts: The Imago Pietatis in Breno2
A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents2
Biocides for the Control of Mosses on Stone Cultural Relics2
In Search of Durability, Part 1: Understanding Historic Approaches to Quantify Lightfastness Using Ostwald’s Colour System2
Mould Matters: Implementing a New Workflow for Managing Mould-affected Archival Documents and its Impact on Resources and Wellbeing2
In the Heat of the Moment: Testing Fire-Protective Covers for Mitigating Damage to Large Historic Inventories2
Conservation of Dong Minority Wooden Structures: In Situ Material Investigation of the Yashang Drum Tower in Hunan, China2
Culture, Education and Conflict: The Relevance of Critical Conservation Pedagogies for Post-conflict Afghanistan2
Collaborating for Sustainable Access to Digital Art: A Project Overview2
The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island2
Sustainable Conservation Solutions in a Hostile Environment: The Historic Huts of Antarctica2
Fire Risk Assessment in Museums on the HERIe Web-based Decision-supporting Platform2
Exploring Benzyl Alcohol Derivatives and Related Compounds in the Cleaning of Oil Paintings2
Causes of Silver Mirroring and Yellowing on a Nineteenth-century Photographic Gelatin Glass Plate Negative2
Protecting Three-Dimensional Museum Collections During Transport: Engineering and Evaluation of Transport Crates Featuring Wire-Rope Isolators for Improved Vibration Mitigation2
Selective Electrochemical Treatment of Naturally Aged Silver Alloy Artefacts2
Collaborative Development of Polymer-Based Collection Survey Methodology and Relational Data Model2
A Case of Identity: A Technical Study of Victorian Wallpapers2
Giuseppe Torres’s ‘Byzantine House' in Venice: Building Materials and Deterioration Products of an Early 1900s Home in the Lagoon Environment2
Knowledge-building in Open-air Rock Art Conservation: Sharing the History and Experiences with Levantine Rock Art2
Construction Wisdom: Preserving Venice with Both Tradition and Innovation2
Phosphorus, Tungsten, and Molybdenum – from Brilliant to Fanal®: Unusual Precipitation Methods of Triphenylmethane Dyes in the Early Twentieth Century2
Risk Assessment and Monitoring of Termites in the Forbidden City under Global Warming2
UK Museums and Heritage Sustainable Packing Group: Exploring Sustainable Strategies for Soft Wrapping Paintings2
Distribution of In-plane Physical Properties of Handmade Xuan Paper: Revealing the Effects of the Sheet Forming Process and the Folded State on Handmade Xuan Paper2
Trade in Artists’ Materials in Eighteenth- and Nineteenth-Century Canton2
Toxicity in 3D: XRF Analysis for the Presence of Heavy Metals in a Historical Stereograph Collection at Queen’s University Library, Canada2
Research on the Corrosion Mechanism of Ancient Celadons from the Dalian Island No. 1 Shipwreck2
The Quest for Improved Collection Care: Opportunities for Participatory Processes Involving Distant Source Communities2
Investigating Stitched Support Techniques for Tapestry Using Digital Image Correlation1
Collaboration as a Solution to the Challenge of Re-instating the Statue of Scott After the Canterbury Earthquake, New Zealand1
Towards a National Heritage Climate Change Risk Assessment1
Restoration of Doleshwar Mosque: Reviving Craft and Engaging Craftsmen of Lime- surkhi1
Hazardous Hues: Identification of Arsenic Present in a Range of Colours Found on Historic Archival Material in the Collection of Parks Canada1
Toxic Tales: Arsenic’s Legacy in Nineteenth-century Green Book Bindings at Northwestern University Libraries1
Guidelines for Conservation and Restoration of Historic Polychrome Plasterwork: the Church of St María la Blanca in Seville, Spain1
The Application of Remote Sensing in the Conservation of the Archaeological Site of Pachacamac (Second–Sixteenth Century, Peru)1
International Cooperation between Korea and Cambodia to Conserve and Manage Angkor Stone Heritage using Non-destructive Technology1
Hygrothermal Performance of Enclosures in a Storage Room and Energy Efficiency in Environmental Control1
Preserving the Ancient Human Trackways Site in the Willandra Lakes World Heritage Area1
The Battle against Pests in a Victorian Home: A Case Study of the Effect of Diatomaceous Earth1
Fotográfica en Red: A Working Group for Latin American Photographic Heritage1
Understanding the Manufacture of Hetian Administration Banknotes from Xinjiang Using Low- and High-resolution Analytical Methods1
From Lima to Canton and Beyond: Mobile and Digital Research Infrastructure for Closing the Gap Between Resource-rich and Resource-poor Organisations1
Learning from the Past: Rediscovering Traditional Medieval Wood Tar Adhesives for Sustainable Stone Conservation and Built Heritage1
Applied Conservation Practice Within a Living Heritage Site1
Three is the Magic Number: Techniques and Materials of the Prestigious Anne de Montmorency Bronze Virtues1
Analysis of the Impact Factor and JCR Rankings in Conservation Science Journals: Why JCR Should Have a Heritage Category1
Looking After the Rock Art of Kakadu National Park, Australia1
Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China1
What Escapes the Eye: Exploring the Toxicity of a Red Velvet Spanish Carta Ejecutoria (1792)1
‘A Lost Chapter of Ancient Art’: Archaeometric Examinations of Panel Paintings from Roman Egypt1
Occupational Exposure Risk Assessment of Library Collections Work Tasks and Storage Areas1
Sustainable Cultural Preservation in Central Asia – Involving Local Communities as Caretakers of Archaeological Sites1
Some Considerations on Recent Approaches to Cleaning, Conservation, and Display of Ancient Marble Sculptures from Historical Collections1
Lights, Camera, Conservation! Managing the Risks When Filming in Historic Locations: Adapting to Growth, a Pandemic and the Need for Sustainability1
Green Alternatives for Archaeological Iron Stabilization1
Editorial Introduction to the ‘Bibliotoxicology’ Special Issue of Studies in Conservation1
Nothing Lasts Forever? Considering Lifespans in a Contemporary Collection1
Calculating the Carbon Footprint of Interventive and Preventive Conservation at English Heritage, UK1
Stories of the Life of Saint George : Materials and Techniques from a Barbelli Mural Painting1
Amplifying Indigenous Australian Voices in the Conservation and Management of Rock Art1
Improving Sustainability for the Conservation of the Eravimangalam Subramanyaswamy Temple: Virtual Reconstruction and Greener Formulations as a Means of Involving the Community1
Materials Analysis of Two Nineteenth-century Brazilian Polychrome Sculptures to Reveal Their History and Significance1
Load Bearing Capacity and Failure Analysis of Fibrous Plaster Wads1
Polycotton Canvases, Characterisation, and Mechanical Behaviour Before and After Artificial Ageing1
Revealing the Fugitive Palette of the Early American South: A SERS Study of Eighteenth-century Oil Paintings1
A Simple Method for Optimal DNA Extraction from Different Filamentous Fungi Species Growing on Earthen Walls of ‘Vale Histórico Paulista’, São Paulo, Brazil1
Are Nature-based Solutions for Built Heritage Conservation Resilient to Climate Change? The Response of Grass-based Soft Caps in Britain and Ireland to Future Climate Scenarios1
A Technical Examination of the Great Bronzes of the Museo Nazionale Romano1
Strengthening Training in the Conservation of Cultural Heritage Through Academic Collaboration1
Climate Change, Climate Action and Cultural Heritage Collections in Australia1
Defining Sustainable Priorities and Actions for Storage of a Public Archive: A UK Case Study1
Making It Last: Training Conservators in Sustainable Solutions for Treating Outdoor Painted Sculpture1
Lichens and Fungi on Sandstone Tombs at the Historical Jewish Cemetery in Wrocław (Poland)1
Conservation of Watts Towers: A Case Study1
The Balpis Expansion of the Technical Part of the Hermeneia Painting Manual by Dionysius of Fourna1
The Continuing Development of Display Recommendations at the National Galleries of Scotland: Exploring a Value-based Decision Strategy for Light Risk Mitigation1
A History of the Department of Conservation and Technology at the Courtauld Institute of Art1
Application of Digital Technology to Chinese Traditional Furniture: A Review1
Manufacturing Techniques of the Mortar Excavated from the Tieguai Tomb of the Northern Song Dynasty in Nanling, Southern China0
Traditional and Conservation Interpretations of Pre- and Post-Collection Working Methods for Alaskan Yup’ik Masks0
The Portrait of Elisabeth Braderic by Pieter Cristus: A Holistic Multidisciplinary Study0
Improved Utilization of Radiographs of Ancient Metal Objects under Heterogeneous Image Blurring0
Determination of Peach Gum in Ancient Chinese Paintings by Biotin–Streptavidin-Enzyme-Linked Immunosorbent Assay0
A Comparative Study of Invasive and Micro-Invasive Analytical Methods for the Detection and Identification of Historically Applied Pesticides to Archival Records0
Data Collection for Cultural Heritage Risk Management: the Damage Map through Heritage Building Information Modeling (HBIM) Project Applied to the Façade of St Francis o0
Linking Teaching and Research in Conservation of the Built Environment: Case Studies from Courses of the University of Cyprus Graduate Programme on Conservation0
Technical Study of Ethiopian Copper Alloy Processional Crosses Using Non-Destructive Analysis0
The Conservation of Cloud Pattern-painted Boots (1800–1600 BP) Excavated in Yingpan, Xinjiang0
Exhibiting Loss: A Preliminary Study of the Presentation of Byzantine Icons in Greek Museums0
The Effect of a Plasma Treatment on the Aging Behavior of Selected Artist Colorants0
Resistance of Beeswax to Organic Solvents from a Conservator’s Perspective0
Treating Smalt: A Preliminary SEM-EDX Study of the Effects of Aqueous-based Alkaline Conservation Treatments on Smalt in Wall Paintings0
Sustainable Preservation of Photographs in a Hot and Humid Climate: Dry Cabinets and Metal–Organic Framework Paper Composites0
Analyzing the Color on Ivory: Scientific Research on a Chinese Panel of the Eighteenth Century0
Evaluating the Workability of Highly Viscous Polymeric Dispersions (HVPDs) of xPVAc-Borax for Cleaning Gilded Wooden Surfaces0
Italian Influence in a Portuguese Mannerist Painting (Part II): A Matter of Image or a Matter of Technique?0
Correction0
Emergency Response Plan Workshops: The Value of an Interdisciplinary Collaborative Approach. An Innovative Methodology at the Service of the Collective0
Comprehensive Research on the Layered Corrosion of Archaeological Copper Wares: A Case Study from Qinghai, China0
Chromatic Restoration of a Beech Marten Taxidermy Specimen to Resemble its Original Population: Analysing Painting Products and Colour Parameters0
Study on the Feasibility of the TG Method for Maximum Water Content Measurement of Waterlogged Archaeological Wood0
The Collingwood Conservators’ Collective: Adaptive Practice and Entrepreneurship for a New Generation of Conservators in Australia0
More Reliable Dating of Japanese Silk Mounting Textiles for Conservation Decisions: Effects of Silk Processing on Silk Surface Morphology and Aspartic Acid Racemization0
Revealing the Dye Components in 1250-Year-Old Japanese Textiles Via High-Performance Liquid Chromatography0
Research and Development of a Photogrammetric Condition Monitoring Workflow to Improve Change Detection in Wall Paintings0
The Evolution of Authenticity and the Integration of Philosophical Tools for its Determination0
Correction0
Colourless Powdered Glass as a Drier for Red Lakes: On the Influence of Composition and Particle Size0
Conservators, Creativity, and Control0
Magnets in Conservation of Easel Paintings: Mechanical Forces between Magnets and a Thin Paint Layer0
Sustainable and Collaborative Solutions for the Long-term Care of Heritage Earthen Sites in Seismic Areas in Peru0
Characteristics of Sizing Materials Used in Persian Medieval Manuscripts: Physical, Optical, Spectral Imaging, and Fungicidal Properties0
Sustainable and Beneficial: Pollutant Absorption and Relative Humidity Control in Display Cases by Saturated Salt Solutions0
A Multi-Analytical Study on Characteristics and Formation Mechanisms of Corrosion on Bronze Sheets from the Chu Culture Tombs in Dangyang, China0
Adhesion Systems in New Supports for Mural Paintings: Reversibility Tests0
Development of Starch Nanoparticles as a Green Consolidant for Paper-based Objects: Synthesis and Design0
Reverse-Engineering History: Re-presenting the Chichester Tablet Using Laser Scanning and 3D Printing0
Evaluation of Degradation of Japanese Hanging Scrolls Using Relative Peak Area of Volatile Organic Compounds0
An Assessment of Integrated Pest Management Awareness in Heritage Institutions0
Stabilization of Iron Gall Ink Damaged Paper with Nanosized Magnesium Hydroxide and Antioxidants0
Assessment of Traffic - Induced Ground Vibrations and Effects on Masonry Monuments in Ayutthaya Historical Park, Thailand0
‘Dash on the Poison': Analysis of an 1837 Bound Herbarium Laced with Colorless Arsenic Trioxide0
State of the Art in Seismic Vulnerability and Protection Strategies for Museum Artifacts: Innovations and Insights0
DluwangManuscripts from Royal Surakarta, Indonesia: Deterioration Phenomena and Care Practices0
Pigments and Binders Used in Bark Paintings by Aboriginal Artists from Across the Northern Territory and the Kimberly Region in Western Australia0
Time as a Key Factor in the Preservation of Built Heritage0
Imaging Analysis of Scratch Reduction in Poly (Methyl Methacrylate) (PMMA) Plastic with NOVUS Polishing Products0
Investigating Nineteenth Century Gel Mediums: From Historical Recipes to Model Systems0
Technical Study and Re-treatment of a Renaissance Statue of Mars Forming Part of the Decoration of the Bučovice Château in Southern Moravia0
Conserving Animation Cels: Reattaching Loose Paint Without Adhesive0
The Use of Smalt in the Japanese Folk Paintings, Doro-e and Megane-e (Vue d'Optique)0
Introducing a Risk-, Value- and Collection Lifetime-Based Lighting Policy at the Victoria and Albert Museum in London0
Uplifting Community and Incorporating Reuse in Conservation Planning for the Noah Purifoy Outdoor Desert Art Museum of Assemblage Sculpture0
Gino Severini in Switzerland: A Technical Study of the Wall Paintings of Saint Nicolas de Myre in Semsales0
Fostering Inclusive Management and Community Participation: Lessons from the Field0
Investigations of Painting Techniques: Edirne Süleyman Pasha Mosque Wall Paintings0
Plastics in Australian Archives: An Industry Survey Regarding Prevalence, Condition, and Preservation Strategies0
Degradation of Fourteenth-century Mordant Gilding Layers: Synchrotron-based Microfocus XRF, XRD, and XANES Analyses of Two Paintings by Pietro Lorenzetti0
Microscale Physical and Mechanical Analyses of Distemper Paint: A Case Study of Eidsborg Stave Church, Norway0
Study of Tung Oil Content in Ancient Lacquer by Noninvasive Quantitative Methods: Near Infrared and Chemometrics0
Petrographic Analysis of Ancient High-Temperature Ceramic Glazes and Inorganic Restoration Materials0
Hyperspectral Imaging Analyses of Cleaning Tests on Edvard Munch's Monumental Aula Paintings0
Conservation and the Ethics of Unintentional Forgery0
The Technical Development of Oil Painted Photographs on Canvas in the United Kingdom Between 1850 and 1890, with a Case Study of Paintings by Georg Koberwein from the Royal Collection0
Study of Biodeterioration Potential of Microorganisms Isolated in the Paintings Storeroom of Mouze Makhsus Museum, Golestan Palace, Tehran0
Can Artificial Intelligence Reconstruct Ancient Mosaics?0
Cupid, Canvas, Circle, Plane: Conservation and Conceptual Fine Art Practice0
Sasanian Niello Inlay: Microanalytical Investigation of a Silver Oval Bowl with Tigers and Grapevines0
The Potential of Clay Poultices as Sorbents for Medieval Plaster: A Comparative Study Using the Pressure Plate Method and Dye0
The Permeability of PET by Formic and Acetic Acid Vapors0
Salvaging Art Collections in the Face of Natural Disasters: Challenges and Outcomes0
Approaches to the Conservation of Two American Indian Warbonnet Headdresses in the USA and Italy0
Rising Damp: The Rising of Moist Earth-Air in the Mogao Grottoes, China0
Korean Lacquerware from the Late Joseon Dynasty: Conservation and Analysis of Four Objects at the Asian Art Museum of San Francisco0
Standardizing Collections Record Data for Increased Understanding of Glass Collections Across the Smithsonian Institution0
Laboratory Modelling of Fire Effects on Monuments Built with Pyroclastic Rocks: Niğde Region, Turkey0
Building on Successful Mechanical and Passive Environmental Controls for Preventive Conservation Through Data Analysis at National Museum Cardiff, Wales0
Evaluation of the Polyethylene Glycol Impregnation and Vacuum Freeze-Drying Method for Waterlogged Archaeological Wood: Conservation of the Yenikapı 1 Shipwreck0
Metallurgical Analysis and Conservation of Turbine Blades from Recovered Apollo F-1 Engines0
The Icon Last Supper of the Iconostasis of the Russian Memorial Church in Leipzig: Technological Investigation as Basis for the Modelling and the Numerical Simulation of Historical Works of Art0
A Multi-Method Investigation of Ferruginous Concretions on Ceramics from Nan’ao No. I Shipwreck0
Conservation as a Tool for Cultural Rights in the Democratic Republic of the Congo: The We have gaps Project0
Defining Damage and Susceptibility, with Implications for Mineral Specimens and Objects: Introducing the Mineral Susceptibility Database0
Conservation as Cultural Practice: The Portrait Collection of Indigenous Delegates by Henry Inman0
From Paper Fibers to Practical Conservation Experiences: The International Paper Conservation Seminars in Latin America0
The Effects of Natural Dye and Iron Gall Ink on Degradation Kinetics of Cellulose by Accelerated Ageing0
Orpiment on Seventeenth-Century Blue-Coloured Textblock Edges0
Reconsidering Museums’ Climate and Seasonal Adjustment for Vulnerable Artifacts0
Leadership: the Act of Making Way for Others0
Changes in the Degree of Degradation with Position of Painting Papers in Japanese Hanging Scrolls by Accelerated Ageing Using Open and Sealed Tube Methods0
Handling ‘Poison Books’: Dry Versus Wet Scenarios0
Linked Conservation Data: Driving Change in Documentation Practice0
Updating Environmental Guidance: the British Museum Approach0
Conservation in the Performative Turn0
Detecting Ethnocentricity in Conservation Practice: Javanese Wayang Kulit Collections in Museum Storage0
Preliminary Research into Education for Sustainability in Cultural Heritage Conservation0
Polyvinylamine Gel as a Cleaning Agent for Removing Mineral Crusts from Archaeologically Important Stone Artifacts0
Conservation of the Shaft #1 Headgear at the Tsumeb Mine, Namibia: Corrosion Protection0
Atmospheric Corrosion of Iron Artifacts in Museum Environments: Determination of Anions in Extraction Solutions Using Ion Chromatography0
Species Identification of Common Native Arctic Mammals in Inuit Fur Clothing Based on Hair Microscopy0
Developing an Adaptive Climate Control Strategy and Programme Monitoring Micro-change in Wooden Heritage Objects0
The Behavior of Different Varnishes Applied to Graphic Artworks: Comparison Using a Methodological Protocol0
Collecting and Producing New Documentation to Support Curatorial and Conservation Decisions in Helena Almeida’s Mixed-media Photography0
Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments0
Acoustic Emission Monitoring as a Non-invasive Tool to Assist the Conservator in the Reactivation and Maintenance of Historical Vehicle Engines0
An Exploration of a 2500-Year-Old Monument: A Reappraisal of the Achaemenian Decorative Flooring Plasters in Persepolis World Heritage Site (ca. 550–330 BCE)0
Respect in Conservation Ethics: A Philosophical Inquiry0
In it for the Long Haul: Collaboration and Adaptation in Conserving a Set of Sixteenth-century Tapestries over 25 Years0
Planning for Artefact Installation and the Challenges of Implementation: Behind the Scenes in the King Tutankhamun Gallery at the Grand Egyptian Museum0
Lost and Found: Documentary Evidence and Scientific Examination of a Mid-Eighteenth Century Japanese Urushi Box0
The Impact of Accelerated Light Ageing on MS3 for Use as a Picture Varnish0
A Reply to ‘A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents’0
A Long View of Change in Caring for Historic House Interiors: from Housekeeping to Preventive Conservation, Collections Care and Beyond0
Production of Hand-painted Magic Lantern Glass Slides: A Literature Review0
Dutch Boy Strikes Again!: Lead-Based Watercolors in Paint Books for Children0
APOYOnline: A Sustainable Approach to Heritage Preservation Across the Americas0
Scanning X-ray Fluorescence for the Re-examination of the Composition Underneath Paul Gauguin’s Nevermore in the Courtauld Gallery0
Becoming Difference: On the Ethics of Conserving the In-Between0
Characterization of the Alteration of Debitus Grisailles0
Phenotypic Trait of Painting Cracks0
Decolonising Museum Conservation Practice: A View from the UK0
Implementing an Adaptive Climate Control Strategy: Collection Monitoring and Sustainability Outcomes0
Conservation and Technical Evaluation of an Early Medieval Papyrus Codex0
Preventive Conservation, Treatment, and Technical Study of Plasticized Poly(vinyl chloride) Multiples by Joseph Beuys0
Conserving Transparent Plastics: Bringing Research into Practice Through the Treatment of the Poly(Methyl Methacrylate) Sculpture Giraffa Artificiale0
Hearts and Homes: The Potential of Conservation Laser Cleaning for Post-disaster Wellbeing and Waste Reduction0
Comparison of Color Changes in Paints Based on Ultramarine and Zinc White Resulting from Storage and Thermally Induced Aging0
The Madonna with the Wash-Basin by Giulio Romano: A Multidisciplinary Study of the Painting’s History0
An Investigation of Discoloured Oil-bound Copper Green Glazes in a Seventeenth-century Harpsichord Lid, With Reference to Reconstructions0
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