Studies in Conservation

Papers
(The TQCC of Studies in Conservation is 2. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-04-01 to 2024-04-01.)
ArticleCitations
Materials and Techniques for the Coating of Nineteenth-century Plaster Casts: A Review of Historical Sources12
Application of Nanolimes for the Consolidation of Limestone from the Medieval Bishop's Palace, Lincoln, UK11
Transportation of Wood Boring Beetles in Wooden Transport Boxes, Wooden Pallets, and Newly Bought Wood in Museums10
Raman Spectroscopic Investigation of Iron-Tannin Precipitates in Waterlogged Archaeological Oak9
Disentangling the Deformation Process of Earthen Sites and Understanding the Role of Na2SO4 and Precipitation: A Case Study on the Great Wall Relics of the Ming Dynasty in Yulin,9
Characterisation of Archaeological High-tin Bronze Corrosion Structures8
Architectural Terracruda Sculptures of the Silk Roads: New Conservation Insights Through a Diagnostic Approach Based on Non-Destructive X-ray Micro-Computed Tomography8
Removal of Organic Acids from Indoor Air in Museum Storage Rooms by Active and Passive Sorption Techniques7
Identification of Indigo Dye (Indigofera tinctoria) and Its Degradation Products by Separation and Spectroscopic Techniques on Historic Documents and Textile Fibers7
New Methods of Applying Rigid Agar Gels: From Tiny to Large-scale Surface Areas7
The Dynamics of Collaboration in Heritage Science7
Material Selection for the Hydrophobic Cushion Layer Applied to Earthen Sites in Northwest China7
Investigation of Weeping Glass Deterioration Under Controlled Relative Humidity Conditions6
The Effects of Micro-organisms in Simulated Soil Burial on Cellulosic and Proteinaceous Textiles and the Morphology of the Fibres6
Spectrophotometric Determination of PEG in Waterlogged Archaeological Wood and Impregnation Solutions6
A Colourful Past: A Re-examination of a Swedish Rococo Set of Furniture with a Focus on theUrushiComponents6
Mapping Henry: Dendrochronological Analysis of a Sixteenth-Century Panel Painting Based Upon Synchrotron-Sourced X-ray Fluorescence Mapping6
Removing Ingrained Soiling from Medieval Lime-based Wall Paintings Using Nanorestore Gel® Peggy 6 in Combination with Aqueous Cleaning Liquids6
Unveil the Gold – Revealing Metal Threads and Decorative Materials of Early Twentieth Century Traditional Chinese Children's Hats5
Crystalline Deposits in New Display Cases at the Rijksmuseum: Characterisation and Origin5
Guidelines for Conservation and Restoration of Historic Polychrome Plasterwork: the Church of St María la Blanca in Seville, Spain5
Microscale Physical and Mechanical Analyses of Distemper Paint: A Case Study of Eidsborg Stave Church, Norway5
Innovative Water-Reduced Injection Grouts for the Stabilisation of Wall Paintings in the Hadi Rani Mahal, Nagaur, India: Design, Testing and Implementation5
Disruptive Conservation: Challenging Conservation Orthodoxy5
Moisture Interactions Between Mosses and Their Underlying Stone Substrates5
Assessment of the Panel Support of a Seventeenth-Century Dutch Painting by Clinical Multislice Computed Tomography5
The Effects of Natural Dye and Iron Gall Ink on Degradation Kinetics of Cellulose by Accelerated Ageing4
Begin with Benefits: Reducing Bias in Conservation Decision-Making4
Changeability, Variability, and Malleability: Sharing Perspectives on the Role of Change in Time-based Art and Utilitarian Machinery Conservation4
Assessing the Long-term Success of Reigate Stone Conservation at Hampton Court Palace and the Tower of London4
Investigations into the Application of Terahertz Radiation as a Control Possibility for Paint Layer Consolidations4
Treating Smalt: A Preliminary SEM-EDX Study of the Effects of Aqueous-based Alkaline Conservation Treatments on Smalt in Wall Paintings4
Rita Letendre’s Oil Paintings from the 1960s: The Effect of Artist’s Materials on Degradation Phenomena4
Hyperspectral Imaging Analyses of Cleaning Tests on Edvard Munch's Monumental Aula Paintings4
Scagliola Interiors in Vienna 1800–1900: Material, Development and Conservation4
Challenges of Conserving Wall Paintings: A 30-Year Perspective4
A Comparison of Preservation Management Strategies for Paper Collections4
Effect of Lining Papers on the Permanence of Painting Papers in Japanese Scroll Paintings During Moist Heat Ageing4
Understanding the Role of Friction and Adhesion in the Display of Tapestries on Slanted Supports4
Analysis of Construction Materials of Xiongnu Tongwan City, Built 1600 Years Ago4
A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents4
Indigenous Stewardship of Decolonised Rock Art Conservation Processes in Australia4
Non-Invasive and Spectroscopic Techniques for the Study of Alonso Cano's Visitation from the Golden Age of Spain3
Effect of the Acid Degradation of the Shinan Shipwreck on Indoor Air Quality in the Korean National Maritime Museum3
A Methodology for Modelling Preservation, Access and Sustainability3
Climatic Protection of Historical Vaults with Lime–perlite Mortar3
Cleaning of Oil-on-Stone Wall Paintings: Lessons Learned From Easel Painting Conservation3
Risk Assessment and Monitoring of Termites in the Forbidden City under Global Warming3
The Making of Mike Kelley’s The Wages of Sin’s Exhibition Copy: Replication as a Means of Preservation3
Petrographic Analysis of Ancient High-Temperature Ceramic Glazes and Inorganic Restoration Materials3
Calcium Phytate as a Pretreatment for Iron-contaminated Papers Prior to Hydrogen Peroxide Bleaching3
Improved Daylight Management of Historic Showrooms: A Methodology Based on Detailed Recording and Analysis3
Korean Lacquerware from the Late Joseon Dynasty: Conservation and Analysis of Four Objects at the Asian Art Museum of San Francisco3
Multi-analytical Study on the Tara Thangka at Daxingshan Temple in Xi'an, Shaanxi, China3
Vibration Monitoring of Daniel Maclise’s Wall Painting Trafalgar3
Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction3
Changes in the Degree of Degradation with Position of Painting Papers in Japanese Hanging Scrolls by Accelerated Ageing Using Open and Sealed Tube Methods3
The Impact of Magnets on Certain Pigments and Paints Used in the Conservation of Paintings and Works of Art3
Can Artificial Intelligence Reconstruct Ancient Mosaics?3
Analysis of Chromate-based Primers for Protection of Aluminium Alloys on Historical Aircraft3
The Icon Last Supper of the Iconostasis of the Russian Memorial Church in Leipzig: Technological Investigation as Basis for the Modelling and the Numerical Simulation of Historical Works of Art3
Insights into the Blanching of Water-Damaged Varnish by Means of Spectral-Domain Optical Coherence Tomography3
Collaborative Development of Polymer-Based Collection Survey Methodology and Relational Data Model3
Provenance Determination and Condition Assessment of Archaeological Marble Statues from Gerasa Using Non-Destructive Ultrasonic Technique2
The Contribution of Microchemical Analyses and Diagnostic Imaging to the Conservation and Identification of the Degraded Surfaces of Hellenistic-Roman Wall Paintings from Solunto (Sicily)2
3D Documentation and Analysis of Porosity in Deteriorated Historic Brick2
Integrated Strategy to Assess Conservation Treatments on Sandstone2
Leadership: the Act of Making Way for Others2
Characterization of the Alteration of Debitus Grisailles2
An Exploration of a 2500-Year-Old Monument: A Reappraisal of the Achaemenian Decorative Flooring Plasters in Persepolis World Heritage Site (ca. 550–330 BCE)2
Authenticity and Originality, Objectivity and Subjectivity in Conservation Decision-making – or is it Just a Matter of Taste?2
A Non-invasive Investigation of Egyptian Faience Using Long Wavelength Optical Coherence Tomography (OCT) at 2 μm2
Italian Influence in a Portuguese Mannerist Painting (Part I): A New Palette with Original Orange and Green Pigments2
Becoming Difference: On the Ethics of Conserving the In-Between2
Naphthalene Syndrome and Vinegar Syndrome Affected Films: An International Survey of Audiovisual Conservation Practitioners2
A Technical Examination of the Great Bronzes of the Museo Nazionale Romano2
Deterioration Caused by A New Support Layer Bonded with Epoxy Adhesive to the Mural Paintings at Fengguo Temple in Yixian, Liaoning, China2
Better Use of Showcases for Preservation and Sustainability2
On-site Surface Cleaning of Japanese Architecture Using Gels Incorporating Organic Solvents2
Paraloid® B-72/B-48N 1:1 as an Adhesive for Use in Hot Climates: Literature Review, Laboratory Testing, and Observational Field Study2
Preventive Conservation, Treatment, and Technical Study of Plasticized Poly(vinyl chloride) Multiples by Joseph Beuys2
Conservation Challenges for Thangkas in the Buddha Room of the Hall of Mental Cultivation (Yangxin dian), Palace Museum, Beijing2
Material Characterisation for Preserving Cultural Heritage: Evidence of the 1595 Fire at Pisa Cathedral2
Non-invasive Survey of Rubens’ Ceiling Paintings at the Banqueting House Whitehall, London, by Means of Optical Coherence Tomography2
Respect in Conservation Ethics: A Philosophical Inquiry2
An Electrochemical Simulation and Treatment Study for the Carbonate and Chloride Based Corrosion of Heritage Silver–Copper Alloys2
A Significant Japanese Coffer: A Multi-disciplinary Approach to Examining Late Sixteenth- — Early Seventeenth-Century ExportUrushiWare2
Use of Analytical Methods in Revealing the Techniques of Ottoman Calligraphers: An Illuminated Manuscript from the Eighteenth Century2
Trialling an Accessible Non-Contact Photogrammetric Monitoring Technique to Detect 3D Change on Wall Paintings2
A Critical Assessment of A-D Strips® Used in Degradation Studies of Artworks Made from Cellulose Acetate2
Comparison of Degradation Behaviour of the Painting Paper in Japanese Scrolls for Moist Heat and Sealed Tube Ageing Methods2
A White Gem from Kyoto2
Salt Accumulation in Heritage Sandstones Under Continuous Wick Effect Conditions2
Combination of a Solvent-dispensing and Micro-aspiration Device for Removal of Varnishes on Painted Surfaces2
Italian Influence in a Portuguese Mannerist Painting (Part II): A Matter of Image or a Matter of Technique?2
Desiccated Microclimates for Heritage Metals: Creation and Management2
Study of Biodeterioration Potential of Microorganisms Isolated in the Paintings Storeroom of Mouze Makhsus Museum, Golestan Palace, Tehran2
The Nimrud Rescue Project2
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