Style

Papers
(The TQCC of Style is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-04-01 to 2025-04-01.)
ArticleCitations
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives2
Dis/Appearance for Appeal: On Marianne Moore’s “Performing” Archive2
Navigating Women’s Friendships in American Literature and Culture1
The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China1
Between Science and Society: Charting the Space of Science Fiction1
Three Conceptions of Culture1
Falling Movements in Free Verse: Turning Back in Poems by William Carlos Williams and Sylvia Plath1
One Focalization, Dual Progression, and Twofold Irony1
Extended Remembering: Georges Perec and Writing as Thinking1
British Formalist Aesthetics and Its Literary Writing Practice1
Toward Embodied Defamiliarization: Immersion, Predictive Processing, and Anna Kavan’s Ice0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon0
A Graveyard Smash: Analyzing Embodied Memories in Lincoln in the Bardo0
Literary Universals and Their Implications for Literary Theory0
Spatial Literary Studies: Interdisciplinary Approaches to Space, Geography, and the Imagination0
Fictional Worlds Theory Problematized: Global Logical Impossibilities in Vladimir Nabokov’s Novels0
1948: A Critical and Creative Prequel to George Orwell’s 19840
Conversations avec / with Dean Tavoularis0
Making Poetry from Prose: Robert Herrick’s Exercises in Paraphrase0
Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson0
Essays in Narrative and Fictionality: Reassessing Nine Central Concepts0
Dual Narrative Dynamics0
The Essay at the Limits: Poetics, Politics and Form0
Eighteenth-Century Illustration and Literary Material Culture: Richardson, Thomson, Defoe0
Response to Patrick Colm Hogan’s Article on Literary Universals and Culture0
Some Versions of Pastoral and Related Writings0
Melville, Beauty, and American Literary Studies: An Aesthetics in All Things0
The Polysemic Comedy of Too Busy to Work0
New Directions in Cognitive Grammar and Style0
Narrative Theory and Neuroscience: Why Human Nature Matters0
The Evasion of Literary History0
W. B. Yeats: An Unpublished Letter0
Aubrey de Vere’s Political Passions in His Sonnet on Milton Annotated by Landor0
Emily Dickinson’s Poetic Art: A Cognitive Reading0
Widespread Stories, Moral Shows0
Yu Yan or Fable: The Earliest Introductions to The Canterbury Tales in China0
Old Wine in a New Bottle? Literary Universal, Poetics, and Hermeneutics0
On the Verge of Verse: Charles Reznikoff’s Lineations in Holocaust0
Character: Three Inquiries in Literary Studies0
Truths Universally Acknowledged: Memorable Opening Sentences in the Novel0
Thirty-Six Unpublished Letters from William Henry Davies to Edward Thomas0
Philip Roth0
Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities0
The Pragmatics of Fiction: Literature, Stage and Screen Discourse0
Stylistic Approaches to Pop Culture0
Representational Intelligibility and the Confines of Framing the Self: Carmen Maria Machado’sIn the Dream House0
Literary Universals and Eco-Cosmopolitan Ethics0
From Theory to Data and Back Again: Authors’ Intentions, Characters’ Agency, and the Phenomenology of Writing Narrative0
99 Ways to Retell a Story: The Styles and Functions of Narrator Reconstrual0
Style and Reader Response. Minds, Media, Method0
The Art and Thought of the Beowulf Poet0
Ford Madox Ford0
Shakespearean Genre: A Practice of Historical Poetics0
Conrad’s Son0
Chinese Narrotologies0
Nonnegligible Literary/Cultural Differences Beside Literary/Cultural Universals0
The Face of the Future: An Affective Mental Time Traveler in Saul Bellow’s “A Father-to-Be”0
A New Paradigm of Home-Mapping for Literary Cartography0
The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century0
The Contextual Model for Poem Translations and Criticisms: An Enlightenment from Wang Guowei’s Realm of Poetic World0
Structuralist Pedagogy, Style, and Composition Studies: Past Paradigms’ Unfinished Possibilities0
The Renaissance Revisited0
Response to Hogan0
Laissez-Faire Storytelling: Fictionality, Post-Factuality, and the Filmic Voice in Joshua Oppenheimer’s Documentary The Act of Killing (2012)0
Retelling Cinderella: Cultural and Creative Transformations0
The Undernarrated and the Overnarrated0
Listen to What the Body Says: Reading Unnatural Narratives in Light of Readers’ Affective Responses0
Fruitless Search for Coherence: A Transcultural Perspective on Netflix’s Adaptation of Empresses in the Palace0
“What came is gone forever every time”: Embedded Pentameter and Loss in Allen Ginsberg’s “Kaddish”0
Creepiness and the Uncanny0
Experiencing Poetry. A Guidebook to Psychopoetics0
The Case of Literary Journalism: Rethinking Fictionality, Narrativity, and Imagination0
Response to Hogan0
Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction0
“Popping into Your Mind’s Eye”: Covert Multimodality in David Foster Wallace’s “The Soul Is Not a Smithy”0
Poetry Lies: Poststructuralism and Robert Lowell’s Idea of Literary Representation0
Linked Words, Linked Worlds: Metaphor(ic) Transformation as Intertextual Narrative Strategy in Rewrites of Shakespeare’s Plays0
Arts of Healing: Cultural Narratives of Trauma0
Beowulf: Translation and Commentary0
The Problems of “Culture,” and the Future of Universals: A Rejoinder0
REtrying: The Genre of Romance from the Round Table to Around the Pool0
Comparative/Historical Poetics in an Age of Cultural Studies0
Philip Roth, Mikhail Bakhtin, and the Dialogic Didactic0
Rewriting the Quixotic Novel in Charlotte Lennox’sThe Female Quixote0
Stylistics, Narratology, and Point of View: Partiality, Complementarity, and a New Definition0
A Review of Intimate Eating: Racialized Spaces and Radical Futures0
Contemporary Narrative and the Spectrum of Materiality0
Metalepsis and Stevens’ Abstraction0
Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed0
What Literary Universals Are and What Culture Is Not: The Example of Descriptive Ethics0
Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity0
Milton in China0
A Life with Poetry: The Development of Poetic Literacy0
Fail Better, Fail Worse0
Othered Temporalities and Possibilities: The Question of Narrative Synthesis in Paul Ricoeur’s Hermeneutics and Anthony Doerr’sAbout Grace0
The Rhetoric of Solecisms0
Simulation, the Paradox of Fiction, and Rhetorical Reading: Saying “Yes, and” to Patrick Hogan0
EDITORS’ NOTE0
The Art of Being Philip Roth0
Extending the Frontiers of Story Universals: The Spiritual Dimension0
“Life in death”: Decolonizing Trauma in Sinan Antoon’s The Corpse Washer0
Surprised by Sound: Rhyme’s Inner Workings0
Plotting Against Plausibility: Toward a Poetics of the Improbable0
Establishing Time Criticism0
Stage Directions and the Insistent Narrator in Brian Friel0
Human Evolution and Fantastic Victorian Fiction0
A Tale of Two Theories0
Poet as Literary Cartographer: Literary Cartography in Elizabeth Bishop’s “The Map”0
Narrative Retellings: Stylistic Approaches0
Diaphanous Bodies: Ability, Disability, and Modernist Irish Literature0
What’s in a Name: Can “Universality” Be Resuscitated?0
Partial Universals in Literature0
Jackass, Ritual Clowning, and the Comic Themes of Universal Occurrence0
Why Cognitive Literary Studies Cannot Do Without Culture0
Metagenre in Paradise Lost and Paradise Regained: Its Relevance to Milton’s Presentation of the Son’s Self-Sacrificial Epic Heroism0
Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures0
Virginia Woolf’s Mythical Method0
Diegetic Narrators and Narrations in Proust’s Recherche0
The Fascination of Imitation: What Social Neuroscience Reveals about Do Androids Dream of Electric Sheep?0
Trauma, Mind Style, and Unreliable Narration in Toni Morrison’sHome0
A Response to Hogan’s “What Literary Universals Are and What Culture Is Not: The Example of Descriptive Ethics”0
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