Style

Papers
(The TQCC of Style is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2020-05-01 to 2024-05-01.)
ArticleCitations
“Covert Progression” and Dual Narrative Dynamics5
Uncertain Ontologies in Twenty-First-Century Storyworlds3
One Focalization, Dual Progression, and Twofold Irony2
Interpreting Fictionality and Ontological Blurrings in and between Lance Olsen's <em>Theories of Forgetting</em> and <em>there's no place like time</em>2
Laissez-Faire Storytelling: Fictionality, Post-Factuality, and the Filmic Voice in Joshua Oppenheimer’s Documentary The Act of Killing (2012)1
“How was I supposed to know what he was up to?”: On Cee's Mind-Reading Education in Toni Morrison's <em>Home</em>1
Dan Shen's Rhetorical Narratology and Umberto Eco's Semiotic Theory of Interpretation1
Poetical Siblings: Thomson’s Vignette of Celadon and Amelia Transformed1
Markers of Ælfric's Style1
Jackass, Ritual Clowning, and the Comic Themes of Universal Occurrence1
The Dark Inside the Prologue: Enactive Cognition and Eerie Ontology in Catherynne M. Valente's <em>Radiance</em>1
Covert Progression as Causal Complexity1
Fruitless Search for Coherence: A Transcultural Perspective on Netflix’s Adaptation of Empresses in the Palace1
Debating and Extending “Covert Progression” and Dual Dynamics: Rejoinders to Scholars1
Doing Hard Time: Narrative Order in Detective Fiction1
Stories and Emails and Response-Times: Poetics of Textual Gift-Exchange in Sally Rooney's <em>Normal People</em>1
Modeling Literary Criticism: How to Do It and How to Teach It to Humans and Machines1
The Rhetoric of Solecisms0
Chinese Narrotologies0
Excavating Stephen King: A Darwinist Hermeneutic Study of the Fiction0
Victorian Women Writers and the Other Germany: Cross-Cultural Freedoms and Female Opportunity0
Probing Covert Progressions0
Philip Roth, Mikhail Bakhtin, and the Dialogic Didactic0
A Graveyard Smash: Analyzing Embodied Memories in Lincoln in the Bardo0
Toward Embodied Defamiliarization: Immersion, Predictive Processing, and Anna Kavan’s Ice0
Review0
The Undernarrated and the Overnarrated0
Spatial Literary Studies: Interdisciplinary Approaches to Space, Geography, and the Imagination0
The Fascination of Imitation: What Social Neuroscience Reveals about Do Androids Dream of Electric Sheep?0
Review0
The Contextual Model for Poem Translations and Criticisms: An Enlightenment from Wang Guowei’s Realm of Poetic World0
Front Matter0
Poetic Style and Innovation in Old English, Old Norse, and Old Saxon0
Language, Social Media and Ideologies: Translingual Englishes, Facebook and Authenticities0
Dis/Appearance for Appeal: On Marianne Moore’s “Performing” Archive0
Review0
Metagenre in Paradise Lost and Paradise Regained: Its Relevance to Milton’s Presentation of the Son’s Self-Sacrificial Epic Heroism0
The Carceral Imaginary0
Happenings and Story: A Response to Dan Shen's “Covert Progression”0
Dan Shen's “Dual Dynamics” and Dual Audience of Literary Fairy Tales0
Stage Directions and the Insistent Narrator in Brian Friel0
Structuralist Pedagogy, Style, and Composition Studies: Past Paradigms’ Unfinished Possibilities0
Review0
Rewriting the Quixotic Novel in Charlotte Lennox’sThe Female Quixote0
Review0
Emily Dickinson’s Poetic Art: A Cognitive Reading0
“the terror of sheer bigness”: Microplotting Immensity in Frank Norris's <em>The Octopus</em>0
Arts of Healing: Cultural Narratives of Trauma0
Editors' Note0
Review0
Establishing Time Criticism0
Experiencing Poetry. A Guidebook to Psychopoetics0
From Theory to Data and Back Again: Authors’ Intentions, Characters’ Agency, and the Phenomenology of Writing Narrative0
Ontological Instability and the Place of the Subject in Contemporary Fiction0
Review0
Retelling Cinderella: Cultural and Creative Transformations0
New Directions in Cognitive Grammar and Style0
Narrative Dynamics and Narrative Theory0
The Renaissance Revisited0
Human Evolution and Fantastic Victorian Fiction0
Yu Yan or Fable: The Earliest Introductions to The Canterbury Tales in China0
The Victorian Cult of Shakespeare: Bardology in the Nineteenth Century0
Fictional Worlds Theory Problematized: Global Logical Impossibilities in Vladimir Nabokov’s Novels0
Ford Madox Ford0
Poetry Lies: Poststructuralism and Robert Lowell’s Idea of Literary Representation0
Extending Shen's “Covert Progression and Dual Dynamics” to Drama Analysis0
Trauma, Mind Style, and Unreliable Narration in Toni Morrison’sHome0
Milton in China0
Contemporary Fiction and Climate Uncertainty: Narrating Unstable Futures0
And What If Overt Plot and Covert Progression <em>Are</em> Connected?0
Virginia Woolf’s Mythical Method0
Metalepsis and Stevens’ Abstraction0
Stylistic Approaches to Pop Culture0
Between Science and Society: Charting the Space of Science Fiction0
Review0
Response to Dan Shen0
The Art and Thought of the Beowulf Poet0
Poet as Literary Cartographer: Literary Cartography in Elizabeth Bishop’s “The Map”0
Phraseology and Style in Subgenres of the Novel: A Synthesis of Corpus and Literary Perspectives0
Angus Fletcher. <em>Wonderworks. The 25 Most Powerful Inventions in the History of Literature</em>0
Front Matter0
Review0
Thoughts on “Dual Narrative Dynamics”0
Ontological Instability and Nonhuman Presence in Twenty-First-Century New York Fiction0
A Forgotten Anthology: Jacqueline Trotter's <em>Valour and Vision: Poems of the War 1914–1918</em>0
Reviewers for <em>Style</em>, Spring 2020 to Spring 20210
Theorizing Dual Progression: Some Questions for Dan Shen0
Response to Gerald Prince0
Narrative Theory and Neuroscience: Why Human Nature Matters0
Character: Three Inquiries in Literary Studies0
Othered Temporalities and Possibilities: The Question of Narrative Synthesis in Paul Ricoeur’s Hermeneutics and Anthony Doerr’sAbout Grace0
Afterword: Earnest Ontology in the Year of the Flood0
Categorization and Inference, or How do Museums Sort Their Stuff?0
Reading Dual Progression: A View from <em>The Hilltop</em>0
A Life with Poetry: The Development of Poetic Literacy0
On the Verge of Verse: Charles Reznikoff’s Lineations in Holocaust0
Diaphanous Bodies: Ability, Disability, and Modernist Irish Literature0
A New Paradigm of Home-Mapping for Literary Cartography0
Some Versions of Pastoral and Related Writings0
The Case of Literary Journalism: Rethinking Fictionality, Narrativity, and Imagination0
Review0
The Essay at the Limits: Poetics, Politics and Form0
Surprised by Sound: Rhyme’s Inner Workings0
W. B. Yeats: An Unpublished Letter0
Essays in Narrative and Fictionality: Reassessing Nine Central Concepts0
The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China0
The Pragmatics of Fiction: Literature, Stage and Screen Discourse0
Stylistics, Narratology, and Point of View: Partiality, Complementarity, and a New Definition0
British Formalist Aesthetics and Its Literary Writing Practice0
Representational Intelligibility and the Confines of Framing the Self: Carmen Maria Machado’sIn the Dream House0
Conrad’s Son0
Creepiness and the Uncanny0
Criticism and Evaluation of Nie Zhenzhao's <em>Studies of Ethical Literary Criticism</em>0
“Popping into Your Mind’s Eye”: Covert Multimodality in David Foster Wallace’s “The Soul Is Not a Smithy”0
Style and Reader Response. Minds, Media, Method0
99 Ways to Retell a Story: The Styles and Functions of Narrator Reconstrual0
Dan Shen's Theory of Dual Narrative Dynamics Linked to Ian McEwan's <em>Atonement</em>0
Review0
Philip Roth0
Thirty-Six Unpublished Letters from William Henry Davies to Edward Thomas0
“Radical” Jonathan Bate: A Search for the Roots0
Review0
Narrative Retellings: Stylistic Approaches0
Review0
Binary Systems, Deeper Meanings, and “Correct” Pictures of Narratives: A Few Comments on Dan Shen's Analyses of Covert Progressions0
Comparative/Historical Poetics in an Age of Cultural Studies0
Listen to What the Body Says: Reading Unnatural Narratives in Light of Readers’ Affective Responses0
A Note on Medium and Language in Narrative0
Front Matter0
Dual Narrative Dynamics and the Critique of Privilege0
Review0
A Tale of Two Theories0
The Evasion of Literary History0
Mediating a Western Classic in China: Woodcuts, Iconic Narrative, and the 1903 Chinese Translation of J. D. Wyss’s The Swiss Family Robinson0
“It all feels too real”: Digital Storyworlds and “Ontological Resonance”0
Making Poetry from Prose: Robert Herrick’s Exercises in Paraphrase0
Warped Writing: The Ontography of Contemporary Fiction0
“Life in death”: Decolonizing Trauma in Sinan Antoon’s The Corpse Washer0
Front Matter0
Extended Remembering: Georges Perec and Writing as Thinking0
The Art of Being Philip Roth0
Aubrey de Vere’s Political Passions in His Sonnet on Milton Annotated by Landor0
Joyce and Lawrence: Virtuous Immoralists0
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