OOIR: Observatory of International Research

Papers

(The TQCC of Textile History is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
‘A Bearinge Clothe for the Christeninge’: Part 3: Extrapolating Learning for Estimating Stitching Labour Time and Metal Thread Costs	1
Dressing Up: The Women Who Influenced French Fashion	1
Early Twentieth-Century Nottingham Lace Curtains: An Ideal Window Furnishing	1
‘A Bearinge Clothe for the Christeninge’ — Part I: Contexts, Materiality and Values	1
‘Crown to Couture’	1
Georgian Embroidery Patterns in the Lady’s Magazine (1770–1819)	1
Fibershed: Growing a Movement of Farmers, Fashion Activists, and Makers for a New Textile Economy	0
Sensing the Fit: Reflections on Wearing a Reconstructed Tailor-Made Seventeenth-Century Doublet	0
Gendered Capitalism: Sewing Machines and Multinational Business in Spain and Mexico, 1850–1940	0
Redrafting Domestic Life: Women Textile Designers and New Professional Enterprises in Early 1970s Britain	0
Fashioning Masculinities: The Art of Menswear	0
Engineering Brussels Tapestry: Development, Uses and Effects of the Privilege System, 1600–1700	0
‘Be sure to incorporate a little history’: Nostalgia and Stories of Place in Cape Breton Overshot Weaving	0
Weaving Histories: The Transformation of the Handloom Industry in South India, 1800-1960 / Weaving Hierarchies: Handloom Weavers in Early Twentieth Century United Provinces	0
An Altar Cloth in the Colonies: Creative Embroidery by Anglican Women of the Late Nineteenth Century on the Tablelands of New South Wales	0
Norwich Textiles: A Global Story 1750–1840	0
A Set of Liturgical Vestments and Textiles Made for the Requiem Mass in the Early Eighteenth Century	0
English Furniture 1680-1760; English Needlework 1600–1740. The Percival D. Griffiths Collection (Volumes I and II)	0
Ingenious Trade: Women and Work in Seventeenth-Century London	0
‘Tesori di Seta. Capolavori Tessili dalla Donazione Falletti’ (Silk Treasures. Textile Masterpieces from the Falletti Donation).	0
Knitting History Through Reconstruction: The Making and Meaning of Early Modern Stockings	0
‘150 Years of the Royal School of Needlework: Crown to Catwalk’. Fashion and Textile Museum, London, UK, 1 April 2022–4 September 2022	0
The Material Culture of Basketry: Practice, Skill and Embodied Knowledge	0
Sea Change: Ottoman Textiles between the Mediterranean and the Indian Ocean	0
Editorial Note	0

Tailoring in 3D: A Digital Reconstruction of a Seventeenth-Century Doublet	0
Estimating the Number of Cotton Handloom Weavers in England, c. 1780–1813: Women and Children Hiding in Plain Sight	0
‘The Cloth that Changed the World: India’s Painted and Printed Cottons’. Royal Ontario Museum, Toronto, Canada, 12 September 2020–2 January 2022 / Cloth that Changed the World: The Art and Fashion of	0
Aboriginal Screen-Printed Textiles from Australia’s Top End	0
Sartorial Japonisme and the Experience of Kimonos in Britain, 1865-1914	0
Editorial Note	0
Fashioning Spain: From Mantillas to Rosalía	0
‘A Bearinge Clothe for the Christeninge’: Part 2: Materials and Making of a Bearing Cloth in the Metropolitan Museum (2016.526)	0
Remaking Dress History: Applying Reconstruction Methods to Early Modern Textiles and Clothing	0
Walls of Cloth: Tentergrounds and Cloth Production in Bruges, c. 1200–1600	0
The Modern Venus: Dress, Underwear and Accessories in the Late 18 ^th -Century Atlantic World	0
Stitching the Past: A Reconstruction of Four Italian Bobbin Lace Edgings, 1550–1650	0
Reconstructing Fashion: The Mock-Velvet Doublet of a Seventeenth-Century Florentine Waterseller	0
Sweet & Clean? Bodies & Clothes in Early Modern England.	0
Women’s Ready-to-Wear Multiple Retailers 1860–1914: H. J. Nicoll and Alfred Stedall	0
Woven Tapestry: Guidelines for Conservation	0
Textiles in Burman Culture	0
The Art of Tapestry	0
Selbu Mittens: Discover the Rich History of a Norwegian Knitting Tradition with Over 500 Charts and 35 Classic Patterns; Selbu Patterns: Discover the Rich History of a Norwegian Knitting Tradition wit	0
‘Batiks of Indonesia: Java and Beyond’	0
Clothing Goes to War: Creativity Inspired by Scarcity in World War II	0
‘Bags: Inside Out’. Victoria and Albert Museum, London, UK, 13 October 2021–6 January 2022	0
‘Fashioning Masculinities: The Art of Menswear’. Victoria and Albert Museum, London, UK, 19 March 2022–6 November 2022	0
The Production and Trade of Hand-Knitted Wool Stockings in Elizabethan and Early Jacobean England ( c. 1580– c. 1617)	0
Weavings of Nomads in Iran: Warp-faced Bands and Related Textiles	0
Pasold Research Fund/Taylor & Francis Textile History Open Access First Publication Award	0
Editorial Note	0
Textile Housekeeping, Circulation and Reuse: The Swedish Royal Wardrobe as a Material Resource, c . 1540–1560	0
Velvets of the Fifteenth Century	0
Gewebtes Gold: Eine Kleine Geschichte der Metallfadenweberei von der Antike bis um 1800	0
A Dark, A Light, A Bright: The Designs of Dorothy Liebes	0
Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World	0
Tudor Textiles	0
A Knitted Masterpiece	0
Editorial Note	0
Fashion City: How Jewish Londoners Shaped Global Style	0
Queering the Subversive Stitch: Men and the Culture of Needlework	0
‘Magdalena Abakanowicz: Every Tangle of Thread and Rope’	0