OOIR: Observatory of International Research

Papers

(The median citation count of Twentieth Century Literature is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-06-01 to 2025-06-01.)

Article	Citations
What Bertha Knows: Proprietary Narration in Katherine Mansfield’s “Bliss”	2
The New Physiognomy: Face, Form, and Modern Expression by Rochelle Rives	1
Reading the Archival Remains of Arturo Islas’s La Mollie and the King of Tears	1
Midcentury Suspension: Literature and Feeling in the Wake of World War IIby Claire Seiler	1
Slum Simulacra: Jack Kerouac, Oscar Lewis, and Cultures of Poverty	1
The Value of Poetry, by Eric Falci	1
Literary Bioethics: Animality, Disability, and the Human by Maren Tova Linett	1
May Howard Jackson and the Development of Jean Toomer’s Multiracial Modernism	1
Fascist Racism and Modernist Animals: Toward a Posthuman Sovereignty	1
Journeys of Transformation: Searching for No-Self in Western Buddhist Travel Narratives, by John D. Barbour	1
The Child Sex Scandal and Modern Irish Literature: Writing the Unspeakable, by Joseph Valente and Margot Gayle Backus	1
Empire and the Rhetoric of Total War in Zadie Smith’s White Teeth	0
Nella Larsen’sQuicksand, Recalcitrant Subjects, and Wrong Feeling	0
Against Marginalization: Convergences in Black and Latinx Literatures by Jose O. Fernandez	0
The Selected Letters of John Berryman ed. by Philip Coleman and Calista McRae	0
Free Indirect: The Novel in a Postfictional Age by Timothy Bewes	0
The Modern Plantation Empire and Eric Walrond’s Tropic Death	0
The Novel and the New Ethics by Dorothy J. Hale	0
The Class Dynamics of Antiracism inGo Set a Watchman	0
Woolf’s Night and Day and the Free-Union Novel	0
Hegel afterUlysses? The (Dis)Appearance of Politics in “Cyclops”	0
Inventing Tomorrow: H.G. Wells and the Twentieth Century by Sarah Cole	0
“A Dirty Word These Days”: Anglo-Saxonism, Race, and Kinship inGo Set a Watchman	0
Dadaism and Classicism inThe Waste Land	0
The “Nature” of American Literature: Race, Place, and Textuality in John Crowe Ransom and Elizabeth Madox Roberts	0

Ordinary Culture in “The Dead”	0
Racialized Flânerie, Commodity Fetish, and Empire’s Cosmopolitan Glamour in Lao She and Jean Rhys	0
A Whole World: Letters from James Merrill ed. by Langdon Hammer and Stephen Yenser	0
Trans Bodies and Embodiments in Shani Mootoo’sCereus Blooms at Night	0
Plague’s Preconditions and Literary Consequences	0
The Defense of Judgment by Michael Clune	0
A Poetics of Embeddedness: J. M. Coetzee’s Dissertation on Beckett	0
Woman Is a Cause: Kanafani’s Returning to Haifa as Critique of Patriarchal Nationalism	0
Mediation, Stream of Consciousness, and the Faulknerian Voice: As I Lay Dying to The Town	0
Art, Graffiti, and the Deskilled Work of the Novelist: The Forgotten 1970s in Don DeLillo’s Underworld	0
James Weldon Johnson’s Feminization of Biraciality	0
Unbinding the Subject: James Baldwin on the Evil That Is in the World	0
James Joyce and the Internal World of the Replacement Child by Mary Adams	0
Elusive Kinship: Disability and Human Rights in Postcolonial Literature, by Christopher Krentz	0
Materialities of Abstraction	0
Care and Afterward: On Heidegger, Kafka, and Blanchot	0
Ammons’s Sublimes	0
Hurston’s Art of Controversy in Dust Tracks on a Road	0
British Authorship and Americanization in the Age of Silent Cinema	0
Elegy, Form, and the Inorganic: Geoffrey Hill, Paul Celan, Ice	0
On the Andrew J. Kappel Prize Essay	0
The Homoerotics of “Negrotarian” Patronage in Langston Hughes’s “The Blues I’m Playing”	0
Gertrude Stein’s Baroque Beats: Measuring Counterpoint and the Science of Rhythm	0
(Re)Embodying the Disembodied Voice of Lyric: The Radio Poems of Derek Walcott and Sylvia Plath	0
Lydia Davis’s Grammatical Examples	0
“Words Cluster like Chromosomes”: Marianne Moore and Poetic-Genetic Origination	0
Toxic Waste and Unpaid Labor	0
Life During Wartime: Domestic Surrealism in Jonathan Lethem’s Chronic City	0
Standard Forms: Modernism, Market Research, and “Howl”	0
Representing the Poor: Interwar Documentary Film, Mass Observation, and Victor Gollancz Ltd.	0
Art Spiegelman’s Bounding Boxes: Mishkan, Midrash, Maus	0
The Translational Horizons of Iranian Modernism: Ahmad Shamlu’s Canon of the Global South	0
Plath Translates Rilke	0
Elizabeth Bishop and the New Deal: Queer Poetics and the Welfare State in Key West	0
American Tramps: Transient Gesture and Lyric Form in Hart Crane	0
Robert Lowell in Context edited by Thomas Austenfeld and Grzegorz Kość	0
The Green Depression: American Ecoliterature in the 1930s and 1940s by Matthew M. Lambert	0
Whiteness and the Affective Economy of Happy Antiracism inNative SonandMeridian	0
Citizenship in the Racial Break: Japanese Incarceration and Racial Subjectivity in Miné Okubo’sCitizen 13660	0
Nietzsche and Irish Modernism by Patrick Bixby	0
Flat Stevie Smith	0
Ireland, Literature, and the Coast: Seatangled by Nicholas Allen	0
Modernism and the Meaning of Corporate Persons by Lisa Siraganian	0
Novel Sensations: Modernist Fiction and the Problem of Qualia, by Jon Day, Stories and the Brain: The Neuroscience of Narrative, by Paul B. Armstrong	0
SettingThe Waste Landin Order	0
After Revolutionary Alliance: Jazz and Langston Hughes’s Midcentury Internationalism	0
Zora Neale Hurston, Participatory Listenership, and Boasian Anthropology	0
Times of the Timeless: May Sinclair, British Idealism, and the Stream of Consciousness	0
Modernist Life Histories: Biological Theory and the Experimental Bildungsromanby Daniel Aureliano Newman	0
Abandoned Being: The Aesthetic of Inhabiting in Meridel Le Sueur’sThe Girl	0

Marianne Moore’s Public Solitude	0
On the Andrew J. Kappel Prize Essay	0
Korean Modernism’s Transnational Epiphanies	0
Morbid Vitalism	0
Fictions of Time and Space	0
Metaphysical Horror in Samuel Beckett	0
Communal Imagination and the Problem of Allegory in Tomás Rivera’s . . . y no se lo tragó la tierra	0
“Electrical Nutrition and Glandular Control”: Eugenics, Progressive Science, and George Schuyler’sBlack No More	0
Perverse Attention(s): Djuna Barnes, John Rechy, and the Queer Modernist Aesthetics of Entrancement	0
Decadent Dinosaurs: Directed Evolution in British and North American Literature, 1890s–1970s	0
The Modernist Exoskeleton: Insects, War, Literary Form, by Rachel Murray	0
Pair and Panorama: Henry Green’s Cinematic Modernism	0
Craft Class: The Writing Workshop in American Culture by Christopher Kempf, and The Academic Avant-Garde: Poetry and the American University by Kimberly Quiogue Andrews	0
Stupidity, Intellect, and Hierarchy in Lawrence and Huxley	0