Zeitschrift fuer Anglistik und Amerikanistik

Papers
(The TQCC of Zeitschrift fuer Anglistik und Amerikanistik is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-11-01 to 2025-11-01.)
ArticleCitations
Marlon Lieber: Reading Race Relationally: Embodied Dispositions and Social Structures in Colson Whitehead’s Novels5
Wotan’s Biopunk: The Grim(m) German God and His English Bloodsport in Sarban’s The Sound of His Horn4
Modern Novel Writing in the Eighteenth Century: ‘Classic’ and Later Perspectives3
Searching for the Broad Present: The Chronotope in Teju Cole’s Open City3
Editorial3
Open Borders – Open Wounds: The Ambivalence of Pain and Narration in Salvador Plascencia’s The People of Paper2
Frontmatter2
Ina Bergmann: The Nineteenth Century Revis(it)ed: The New Historical Fiction2
Books Received1
Editorial1
Therapy-as-Theatre: Porosity and Circulations of Feeling in Branden Jacobs-Jenkins’s An Octoroon (2014) and Duncan Macmillan’s Every Brilliant Thing (2013)1
Unravelling Possible Worlds in Atwood’s The Handmaid’s Tale: Examining Rhetorical Devices1
Frontmatter1
‘Perced to the Roote’: Refugee Tales and the Poetics of In/Visibility1
Theatre and Communal Movement as Forms of Trauma Therapy in Gregory Burke’s Black Watch (2007)1
Editorial1
Frontmatter1
A Persistent Borderland: Glasgow, the Anglo-Scottish Border, and the Making of (North) British Identity, 1700–17301
Transcendental Homelessness, Planetary Homes (In a Time of War): Perspectives From North and South1
Ocean and Tides in John Steinbeck’s The Log from the Sea of Cortez1
Heike Steinhoff: Epidemics and Othering: The Biopolitics of COVID-19 in Historical and Cultural Perspectives0
Crossing the Walls: Reading Doris Lessing’s The Memoirs of a Survivor as a Hopeful Dystopia0
Frontmatter0
Horror and the Holocaust: ‘Prestige Horror’ and Frank Pierson’sConspiracy(2001)0
María J. Lopez and Pilar Villar-Argáiz: Secrecy and Community in 21st-Century Fiction0
Editorial0
Editorial0
How Collostructional Analysis Contributes to the Description of Argument Structure Constructions with Slots for that- and Infinitive Clauses0
“Tired Hedonists” in Los Angeles: F. Scott Fitzgerald’s Last Tycoon0
Wiegandt, Kai. J. M: Coetzee’s Revisions of the Human. Posthumanism and Narrative Form0
Editorial0
Authorial Lives and Deaths: Revisiting Perumal Murugan’s Literary Death and Afterlives0
Sara Ahmed: The Feminist Killjoy Handbook0
‘Wonder’ Nouns and the Development of a Mirative Constructional Network: An Exercise in Semiotic Diachronic Construction Grammar0
Introduction to the Special Issue0
Mary Ashraf and the “Research Group on Working Class Literature”: The Programmatic Pursuit of a New Research Field in the GDR Anglistik0
Frontmatter0
Willie van Peer and Anna Chesnokova: Experiencing Poetry: A Guidebook to Psychopoetics0
Sherronda J. Brown: Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture0
Editorial Note0
Irmtraud Huber: Time and Timelessness in Victorian Poetry0
Home Is where the Bees Are! Beekeeping as Homing in Christy Lefteri’s The Beekeeper of Aleppo and Tamara Kotevska and Ljubomir Stefanov’s Honeyland0
Half-Witted or Hard-Working-Fun-Loving Women? – A Corpus-Assisted Study of Gendered Collocation in the New Zealand Alpine Club Journal Corpus0
Editorial0
Measured Life: Making Live, the “Modern System of Science,” and the Animated Bodies of Frankenstein0
Mita Banerjee: Centenarians’ Autobiographies: Age, Life Writing and the Enigma of Extreme Longevity0
“Good Things Don’t Last Forever”: A Dalliance with Disco?0
Haunted by Homes: A Short Introduction0
British Borders and/in East Africa: World War II and Multidirectional Memory in Nadifa Mohamed’s Black Mamba Boy0
Kylie Crane: Concrete and Plastic: Thinking Through Materiality0
Editorial0
John B. Thompson: Book Wars: The Digital Revolution in Publishing0
Editorial0
Psychoanalytic Psychotherapy and the Aesthetics of Serial Narration in The Sopranos (1999–2007)0
Daniela Keller and Ina Habermann: Brexit and beyond: Nation and identity0
Afterword: Running with the Metaphor of Social Invisibility0
Bracketing Ephemera: Robert Paltock’s The Life and Adventures of Peter Wilkins and Eighteenth-Century Book Culture0
Ulla Haselstein: Gertrude Steins literarische Porträts0
Frontmatter0
The Curious Case of Ditransitive Pity, or the Productivity of an Unproductive Pattern0
György Lukács and the Eighteenth-Century Novel0
Water and Romanticism: A Conversation with Steve Mentz0
Homes: A Quartet0
Stefanie Schäfer: Yankee Yarns: Storytelling and the Invention of the National Body in Nineteenth-Century American Culture0
The Poetics of (Un)Mournability: Emma Donoghue’s Hood (1995) as an Elegy in Invisible Ink0
Novel Didactics? Defoe’s Legacy in the Contemporary Children’s Robinsonade0
Hashtags and Environmental Literacy in the EFL Classroom0
“Organised Clairvoyance”: Supranational Surveillance and Controlled Borderlessness in H. G. Wells’sA Modern Utopia0
Heterotopic Spaces as Pathways to Discovering Transcultural Self in Brian Castro’s Shanghai Dancing and Birds of Passage0
Julia Leyda: Anthroposcreens: Mediating the Climate Unconscious0
Books Received0
Editorial0
Sounds Like America: The Elemental Politics of Walt Whitman and John Luther Adams0
Robinson Crusoe – But on Mars: Investigating Intertextuality in Andy Weir’sThe Martian(2014)0
Decadence Today: Volutes, Unfurling Flowers, and Decolonial Excesses in Shola von Reinhold’s LOTE and Thuy On’s Decadence0
(Dis)Enchanting the City: Charles de Lint’s Urban Fantasy Fiction0
Introduction – Writing Water in Classical American Literature0
Revisiting the Decadence of Edward Gibbon’s The History of the Decline and Fall of the Roman Empire (1776–1787)0
Ewa Kębłowska-Ławniczak, Dominika Ferens, Katarzyna Nowak-McNeice, and Marcin Tereszewski: Literary and Cultural Representations of the Hinterlands. Literary Criticism and Cultural Theory0
Books Received0
Barbara Buchenau, Jens Martin Gurr, and Maria Sulimma: City Scripts: Narratives of Postindustrial Urban Futures0
The Danger of Counter-Transference and Need for Patient Voice in A. M. Homes’s In a Country of Mothers (1993) and Lidia Yuknavitch’s Dora: A Headcase (2012): “Story It”0
Books Received0
Wetland Traces and Troubled Places in Selected Crime Novels by Attica Locke0
Regina Schober: Spider Web, Labyrinth, Tightrope Walk: Networks in US American Literature and Culture0
Frontmatter0
Blue American Forms: Submersion and Buoyancy in Melville and Pynchon0
Editorial0
Stefanie Mueller: The Corporation in the Nineteenth-Century American Imagination0
The Slimic Imagination and Elemental Eco-Horror0
Authors of Slender Means? Female Authorship in Mid-Twentieth-Century British Fiction0
Alongside – The Novel: New Approaches to Eighteenth-Century Fiction0
Books Received0
Frontmatter0
What Depression Feels Like: A Collostructional Analysis of Patient and Caregiver Perspectives0
Haunting Homes and Emerging Dilemmas of Being in the World: A Commentary0
Contemporary Literature and Social Invisibility: Introduction0
Representations of Pro-Choice Protesters in US News Media0
The Aesthetics and Politics of Psychotherapy: Literary, Cultural, and Media Perspectives on ‘Healing the Soul’0
Towards a Poetics of Trauma and Healing: Hanya Yanagihara’s A Little Life (2015) and Helen Macdonald’s H Is for Hawk (2014)0
Frontmatter0
Ingo Berensmeyer: Author Fictions. Narrative Representations of Literary Authorship since 18000
“All Things Go to Decay”: Decadence in the Early Journals of Ralph Waldo Emerson0
Editorial0
Filmic Gold: The Elemental Aesthetics of the Klondike Gold Rush in Bill Morrison’s Dawson City: Frozen Time (2016)0
Yasna Bozhkova: Between Worlds: Mina Loy’s Aesthetic Itineraries0
Frontmatter0
Modes of Social Closure in Morten Tyldum’s Film The Imitation Game0
Frontmatter0
Arvind Thomas: Piers Plowman and the Reinvention of Church Law in the Late Middle Ages0
“To this Silent Paper I May Confess it”: Diary Writing and Trauma in The Tenant of Wildfell Hall0
Books Received0
Revisiting Gradience in Diachronic Construction Grammar: PPs and the Complement-Adjunct Distinction in the History of English0
Gabriele Müller-Klemke: Amerikanische Dramatiker vor 1850. Ein bio-bibliographisches Lexikon0
Alexandra Hartmann: The Black Humanist Tradition in Anti-Racist Literature: A Fragile Hope0
Decadence and Euphuism: Walter Pater, John Lyly, and ‘New English’ Style0
Collostructional Analysis Meets Construction Semantics: Revisiting the English Way-Construction and Its German Equivalents0
Becoming (In)Visible: Self-Assertion and Disappearance of the Self in Contemporary Surveillance Narratives0
Frontmatter0
London and Cloisterham as an Imperial ‘Heart of Darkness’ in Dickens’s The Mystery of Edwin Drood0
Of Whales and Mushrooms: Anna Tsing’s and John Ironmonger’s Polyphonic Storytelling0
Marzia Milazzo: Colorblind Tools: Global Technologies of Racial Power.0
Constructional Transfer in L2 Learning: The Role of Entrenchment0
F. Hollis Griffin: Television Studies in Queer Times0
Surfacing Ecological Disaster:Poets for Living Watersand the Deepwater Horizon Oil Spill0
Thresholds of In/Visibility and the Scopic Power of Literature0
Frontmatter0
Hawaiki According to Tupaia: Glimpses of Knowing Home in Precolonial Remote Oceania0
Saul Noam Zaritt: Jewish American Writing and World Literature: Maybe to Millions, Maybe to Nobody0
ZAA at 700
Desiring Walls: Fantasies of Containment and Reimagined British Pasts0
“England Prevails?” Contemporary UK Politics and Alan Moore’s Border-Challenging Comics0
Resisting (through) the Elements of Race: A Fugitive Humanist Reading of Colson Whitehead’sThe Underground Railroad0
The Aesthetics and Politics of Elemental Agency0
Sukla Chatterjee, Joanna Chojnicka, Anna-Katharina Hornidge, and Kerstin Knopf: Postcolonial Oceans: Contradictions, Heterogeneities, Knowledges, Materialities0
Gender-Marking -ess: The Suffix that Failed0
Experience(s) of Decorporation: The Invisibilisation of Care in John Lanchester’s Capital (2012)0
Fluvial Excursions: Water as Epistemic and Aesthetic Reservoir in Henry David Thoreau’s A Week on the Concord and Merrimack Rivers0
From Charlotte Smith to Jane Austen: The Evolution of the English Novel0
Diachronic Construction Grammar – Introductory Remarks to This Special Issue0
The Role of Gender in the Realisation of Apologies in Local Council Meetings: A Variational Pragmatic Approach in British and New Zealand English0
Decadent Artwork in the Sixties Counterculture Magazines International Times and Oz0
Sōþes ne wanda. The Avoidance is Separation Metaphor in West-Germanic Argument Structure0
Homes Unbound: Flight, Displacement, and Homing Desire in Exile Persian Poetry0
Frontmatter0
Franziska Quabeck: Not I – Kazuo Ishiguro and the Politics of Misrecognition0
Spreading the Work: Introducing Eighteenth-Century ‘Derivatives’ in the Classroom0
The Unredeemable Sin: Inheritance, Gothicism, and the Possibility of Salvation in The House of the Seven Gables0
Introduction0
‘Nostalgia is the English Disease’ – Or is it? Jonathan Coe’s Middle England (2018)0
White Whales, White Pools: An Aquatic Crossmapping of Herman Melville’s Moby-Dick and Emma Cline’s The Guest0
Positionality in a Contemptuous Time: Ethical Considerations and Discussions on Researching Language, Gender, and Sexuality0
Inspector Gowda’s Divided City: Space, Inequality, and Crime in Anita Nair’s Bangalore Novels0
On Multiple Paths and Change in the Language Network0
Frontmatter0
“Tall, Dark and Tasty”: Masculinity in Food and Beverage Advertising0
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