New German Critique

Papers
(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-07-01 to 2025-07-01.)
ArticleCitations
The Inversions of Walter Benjamin’s Anarchism3
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance3
New Perspectives in German Studies: A View from the Margins2
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions2
Medea’s Violence: Apathy as a Politics of Withdrawal2
More Than an Old Love Affair: Media Art and Walter Benjamin2
Peter Weiss and Others2
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin1
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance1
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 19491
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance1
On Similarity in Contemporary German Jewish Literature1
Social Suffering and the Autonomy of Art1
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates1
Adorno’sAesthetic Theoryat Fifty: Introductory Remarks1
Hope in a Warming World: Rereading Adorno on Progress1
Adorno and the Role of Sublimation in Artistic Creativity and Cultural Redemption1
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi1
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship1
Weber’s “Strange Intoxication”1
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture1
The Call: Leo Strauss on Heidegger, Secularization, and Revelation1
Choose Your Own Adventure1
Decoding Aesop: Blumenberg’s Fabulistic Turn1
Singularly German in the Pluriverse1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature1
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness1
In Memoriam1
Revolt against Time: Jean Améry on the Constitution of the Self1
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin1
A Sympathy with Death: Weimar Politics from Heidegger to Mann1
Where Next for New German Critique?1
Introduction: Peter Weiss and The Aesthetics of Resistance0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism0
German Media Studies: A Critical Update0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin0
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory0
Coming to Terms with the Future0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 30
A Well-Tempered Modernist0
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”0
The Call to Political Geography0
In Memory of Ernst Cassirer: Speech Delivered in Acceptance of the Kuno Fischer Prize of the University of Heidelberg, 19740
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television0
Teddie’sLandschaft0
Odysseus and Adorno: A Note on Cunning and Dialectics0
Joachim Bruhn’s Left-Wing Critique of Anti-Zionism and the Capitalist State in the 1990s: An Intellectual History of the Antideutsche0
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–19530
On Anson Rabinbach’s Staging the Third Reich0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance0
Kant and Adorno on Mind and World: From Wild Beauties to Spiral Jetty0
Katja Petrowskaja’s Translational Poetics of Memory0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career0
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History0
Unhappy End: Understanding Silence in Andreas Dresen’s Stilles Land0
Engels after Frankfurt: Nature and Enlightenment in Critical Theory0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust0
Secular Reason? A Minor Query about a Major Work0
Erich Auerbach’s Figural Interpretation and the Uncanny Jew0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis0
Deutsche Rindergrammatik; or, The Once and Future Aurochs0
Affordances of a New Language: Abbas Khider’s Claim to Community inGerman for Everyone0
“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’sThe Notebooks of Malte Laurids Brigge0
Introduction: Aesthetic and Social Form after Lukács0
Decolonizing Reading Publics, Decompartmentalizing German Studies0
Hans Blumenberg and Leonardo0
“The Primacy of the Object”: Adorno’s Aesthetic Theory and the Return of Form0
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement0
Enzensberger’s Illusions0
Undisciplined Knowledge: Intersectional Black European Studies0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology0
Occupation as Critique: Left-Wing Student Organizing in Frankfurt and San Diego, 19690
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism0
Benjamin and the Archive Today0
On the “Spiritual” in Aesthetic Experience; or, The “Nonfactual in Facticity”0
Introduction: Hans Blumenberg at 1010
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”0
Habermas’s Emancipation as Lifeworldization0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims0
Natural History and Aesthetic Truth inAesthetic Theory0
Unburdening from the Absolute: In Memory of Hans Blumenberg0
Intellectuals, Philosophy, and Politics in Dark Times: Interview of Ágnes Heller by Waldemar Bulira0
Queer Spectrality and the Hope of Heterolingual Address0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel0
Postmetaphysical Conundrums: The Problematic Return to Metaphysics in Horkheimer’s Critique of Instrumental Reason0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema0
Preface to a Philosophy by Which No One Can Live0
Introduction0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance0
Days of the Cavemen? Adorno, Spengler, and the Anatomy of Caesarism0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg0
Adorno’s Magic Lantern: On Film, Semblance, and Aesthetic Heteronomy0
Adorno’s Cosmopolitan Solidarity0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings0
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language0
Ernst Jünger, Theodor Adorno, and the Idea of Natural History0
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory0
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig0
Confounded Dwelling: Architectures of Association in W. G. Sebald’sAusterlitz0
Jewish Revenge on the German Screen0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 20200
Love, Actually? Theodor Adorno, Erich Fromm, and the Possibility of Love in Capitalist Modernity0
Longing for the Sonderweg0
The Child in the Dark: On Child Abuse in Robert Walser0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking0
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence0
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