OOIR: Observatory of International Research

Papers

(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2021-09-01 to 2025-09-01.)

Article	Citations
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance	4
The Inversions of Walter Benjamin’s Anarchism	3
In Memoriam	2
“After Frankfurt”: Sedimentations, Colonialism, and Critical Theory	2
More Than an Old Love Affair: Media Art and Walter Benjamin	2
New Perspectives in German Studies: A View from the Margins	2
The Boulevard of Sunset: Adorno’s Lyric Subject	2
Hope in a Warming World: Rereading Adorno on Progress	1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance	1
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi	1
Awakening: A Politico-Existential Understanding of Messianism; On Walter Benjamin’s Project for a New Humankind	1
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain	1
On Similarity in Contemporary German Jewish Literature	1
In Memoriam	1
The Pleasure and Pain of Passing as (Dis)abled: Rudi Dutschke’s Exile in the United Kingdom (1968–1971) and the Ableism of the West German Student Movement	1
Decoding Aesop: Blumenberg’s Fabulistic Turn	1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”	1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature	1
Medea’s Violence: Apathy as a Politics of Withdrawal	1
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions	1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance	1
Introduction: Critical Theory after Frankfurt	1
Choose Your Own Adventure	1
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship	1
Where Next for New German Critique?	1

Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On	1
Singularly German in the Pluriverse	1
Peter Weiss and Others	1
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949	1
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin	1
A Sympathy with Death: Weimar Politics from Heidegger to Mann	1
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates	1
“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness	1
Katja Petrowskaja’s Translational Poetics of Memory	0
Intellectuals, Philosophy, and Politics in Dark Times: Interview of Ágnes Heller by Waldemar Bulira	0
The Natural History of Disidentification: Critical Queerness after Adorno	0
Odysseus and Adorno: A Note on Cunning and Dialectics	0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel	0
The Call to Political Geography	0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust	0
Desiring Politics: Herbert Marcuse, Raya Dunayevskaya, and the Political Economy of Exhaustion	0
Habermas’s Emancipation as Lifeworldization	0
Introduction	0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking	0
“The Time of That Other Interpretation”: Gesture, Symptom, and Rilke’sThe Notebooks of Malte Laurids Brigge	0
Introduction: Peter Weiss and The Aesthetics of Resistance	0
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–1953	0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance	0
Postmetaphysical Conundrums: The Problematic Return to Metaphysics in Horkheimer’s Critique of Instrumental Reason	0
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory	0
Longing for the Sonderweg	0
Preface to a Philosophy by Which No One Can Live	0
The Call: Leo Strauss on Heidegger, Secularization, and Revelation	0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti	0
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”	0
Benjamin and the Archive Today	0
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism	0
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”	0
Occupation as Critique: Left-Wing Student Organizing in Frankfurt and San Diego, 1969	0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg	0
Joachim Bruhn’s Left-Wing Critique of Anti-Zionism and the Capitalist State in the 1990s: An Intellectual History of the Antideutsche	0
Undisciplined Knowledge: Intersectional Black European Studies	0
Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence	0
What Does Critical Theory Have to Do with Self-Emancipation?	0
Ernst Jünger, Theodor Adorno, and the Idea of Natural History	0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built	0
Against False Universals and Identitarian Thought	0
In Memory of Ernst Cassirer: Speech Delivered in Acceptance of the Kuno Fischer Prize of the University of Heidelberg, 1974	0
German Media Studies: A Critical Update	0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting	0
Love, Actually? Theodor Adorno, Erich Fromm, and the Possibility of Love in Capitalist Modernity	0
Jewish Revenge on the German Screen	0
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig	0
Erich Auerbach’s Figural Interpretation and the Uncanny Jew	0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims	0

Introduction: Aesthetic and Social Form after Lukács	0
Queer Spectrality and the Hope of Heterolingual Address	0
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin	0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema	0
Coming to Terms with the Future	0
Weber’s “Strange Intoxication”	0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology	0
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement	0
Engels after Frankfurt: Nature and Enlightenment in Critical Theory	0
Deutsche Rindergrammatik; or, The Once and Future Aurochs	0
Laudation for Seyla Benhabib: Introduction to the Adorno Prize Lecture—Frankfurt, September 11, 2024	0
A Well-Tempered Modernist	0
Adorno’s Cosmopolitan Solidarity	0
The Child in the Dark: On Child Abuse in Robert Walser	0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings	0
Secular Reason? A Minor Query about a Major Work	0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century	0
Unburdening from the Absolute: In Memory of Hans Blumenberg	0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis	0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career	0
Confounded Dwelling: Architectures of Association in W. G. Sebald’sAusterlitz	0
Unhappy End: Understanding Silence in Andreas Dresen’s Stilles Land	0
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History	0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin	0
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory	0
Hans Blumenberg and Leonardo	0
Revolt against Time: Jean Améry on the Constitution of the Self	0
Decolonizing Reading Publics, Decompartmentalizing German Studies	0
Affordances of a New Language: Abbas Khider’s Claim to Community inGerman for Everyone	0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism	0
Trendy Monsters: The Nazis, the Perpetrator Turn, and Popular Culture	0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 3	0
Introduction: Hans Blumenberg at 101	0
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language	0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television	0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance	0
Adorno on Actually Existing Socialism	0
Enzensberger’s Illusions	0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020	0