OOIR: Observatory of International Research

Papers

(The median citation count of New German Critique is 0. The table below lists those papers that are above that threshold based on CrossRef citation counts [max. 250 papers]. The publications cover those that have been published in the past four years, i.e., from 2022-01-01 to 2026-01-01.)

Article	Citations
Looking Away: On Théodore Géricault’s The Raft of the Medusa and the Narration of Political Pedagogy in The Aesthetics of Resistance	4
The Inversions of Walter Benjamin’s Anarchism	3
“After Frankfurt”: Sedimentations, Colonialism, and Critical Theory	2
The Boulevard of Sunset: Adorno’s Lyric Subject	2
From Censors to Sex Cinemas: Exploiting Rainer Werner Fassbinder’s Wildwechsel	2
New Perspectives in German Studies: A View from the Margins	2
Peter Weiss and Others	1
Marxist and Formless: Uncanny Materialism in Peter Weiss’s The Aesthetics of Resistance	1
Decoding Aesop: Blumenberg’s Fabulistic Turn	1
The Body Encyclopedic: Embodiment in Thomas Mann’s The Magic Mountain	1
“Life of the Community”: Gustav Landauer Reads Friedrich Hölderlin	1
In Memoriam	1
More Than an Old Love Affair: Media Art and Walter Benjamin	1
Singularly German in the Pluriverse	1
“The 62 Members of the Mickey Mouse Club”: Yearbook Impressions	1
Medea’s Violence: Apathy as a Politics of Withdrawal	1
Johannes Schaaf’s Tätowierung (Tattoo, 1967), West German Cinema around 1968, and the Joys of Violence; or, The Forgotten Case of the “Aesthetic Left”	1
Introduction: Critical Theory after Frankfurt	1
No More Than Seeing: Hans Blumenberg’s Poetics of Spectatorship	1
Hope in a Warming World: Rereading Adorno on Progress	1
Death Writes: Franz Kafka, Tubercular Soundscapes, and the Place of Literature	1
The Ethos of Distance in Emotional Culture Critiques: Helmuth Plessner, Richard Sennett, Frank Furedi	1
In Memoriam	1
Totality Reconsidered: Lukács’sHistory and Class Consciousnessa Century On	1
Awakening: A Politico-Existential Understanding of Messianism; On Walter Benjamin’s Project for a New Humankind	1

“The Most Profound Confirmation of the Existence of a Dissonance”: Émile Boutroux, Georg Simmel, and Lukács’s Theory of the Novel, with an Outlook to History and Class Consciousness	1
We Can Come Very Close to Them: Solidarity and the Struggle for Liberation inThe Aesthetics of Resistance	1
Adorno’s “Urbanism and Societal Order” and the State of Rebuilding West Germany, 1949	1
Unburdening from the Absolute: In Memory of Hans Blumenberg	0
Erich Auerbach’s Figural Interpretation and the Uncanny Jew	0
Hans Blumenberg and Leonardo	0
Criteria of Tragic Form: Toward a Reconstruction of Lukács’s Earliest Critical Theory	0
Cynical Securities in Fassbinder’s Third Generation	0
Pictorial Realism in Peter Weiss’sThe Aesthetics of Resistance	0
Where Next for New German Critique?	0
Preface to a Philosophy by Which No One Can Live	0
Alfred Andersch, the Cinéma des Auteurs, and the Poetics of Screenwriting	0
Introduction to “Peter Weiss and Hans Magnus Enzensberger: A Controversy”	0
The Concert Hall as Agonistic Public Space: The Gewandhaus in Leipzig	0
Lukács’s Theory of Metabolism as a Foundation of Ecosocialist Realism	0
Benjamin and the Archive Today	0
Fassbinder’s Jews: Screening Jewish/German History in Berlin Alexanderplatz	0
Undisciplined Knowledge: Intersectional Black European Studies	0
Unfolding Political Emergence: The Knowledge of Visual Artworks in Peter Weiss’sThe Aesthetics of Resistance	0
Occupation as Critique: Left-Wing Student Organizing in Frankfurt and San Diego, 1969	0
Intellectuals, Philosophy, and Politics in Dark Times: Interview of Ágnes Heller by Waldemar Bulira	0
Joachim Bruhn’s Left-Wing Critique of Anti-Zionism and the Capitalist State in the 1990s: An Intellectual History of the Antideutsche	0
Katja Petrowskaja’s Translational Poetics of Memory	0
The Sociability of Narrative: Freedom, Vulnerability, and Mediation in the Intercultural Novel	0
What Does Critical Theory Have to Do with Self-Emancipation?	0
Odysseus and Adorno: A Note on Cunning and Dialectics	0
The Call to Political Geography	0
In Memory of Ernst Cassirer: Speech Delivered in Acceptance of the Kuno Fischer Prize of the University of Heidelberg, 1974	0
Desiring Politics: Herbert Marcuse, Raya Dunayevskaya, and the Political Economy of Exhaustion	0
Love, Actually? Theodor Adorno, Erich Fromm, and the Possibility of Love in Capitalist Modernity	0
German Media Studies: A Critical Update	0
Jewish Revenge on the German Screen	0
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema	0
Art in the First Screen Age: László Moholy-Nagy and the Affordances of Surfaces, Canvases, and Scrims	0
Weber’s “Strange Intoxication”	0
Introduction: Aesthetic and Social Form after Lukács	0
The Nature of Critique: Revisiting Adorno’s “Natural History” amid the Postcritique Debates	0
Revolt against Time: Jean Améry on the Constitution of the Self	0
Introduction	0
Choose Your Own Adventure	0
Coming to Terms with the Future	0
Stahlmann’s “Asian Eyes”: Jewish Identity in Peter Weiss’s The Aesthetics of Resistance, Volume 3	0
Franz Rosenzweig, Richard Wagner, and the Sacred Theater of the Day of Atonement	0
Nazism as Inhumanity: Carl Schmitt and Hannah Arendt on Race and Language	0
Deutsche Rindergrammatik; or, The Once and Future Aurochs	0
Engels after Frankfurt: Nature and Enlightenment in Critical Theory	0
Decolonizing Reading Publics, Decompartmentalizing German Studies	0
Adorno’s Cosmopolitan Solidarity	0
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”	0
The Fear of Fear of Fear	0

Intermittent Legitimacy: Hans Blumenberg and Artificial Intelligence	0
Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career	0
Polytheism as Political Form: Schmitt, Cassirer, Blumenberg	0
The Natural History of Disidentification: Critical Queerness after Adorno	0
Queer Spectrality and the Hope of Heterolingual Address	0
A More Immanent Critique; or, Inside the House That Alexander Mitscherlich Built	0
The Institutionalization of Memory Politics in a Hybrid Political Regime: The Figure, Legacy, and Appropriation of György Lukács in Hungary between 2010 and 2020	0
“My Program Is Still Broader Than the Sea”: Gershom Scholem’s Letters to Abraham Joshua Heschel, 1940–1953	0
The Crucible of the Transnational and National: The New Wave Anti-Fascist Production Trend and Fassbinder’s Despair	0
Guy Maddin’sCarefuland the Mountain Film: A Transnational Approach to German Film History	0
Enzensberger’s Illusions	0
The Vanishing Reality of the State: On Hans Blumenberg’s Political Theory	0
On Similarity in Contemporary German Jewish Literature	0
Between Formalism and Theatricality: Rereading Fassbinder’s Katzelmacher	0
Introduction	0
Introduction: Peter Weiss and The Aesthetics of Resistance	0
Adorno on Actually Existing Socialism	0
A Sympathy with Death: Weimar Politics from Heidegger to Mann	0
Presence as Absence: The Homely and the Unhomely in Jewish Photography under Nazism	0
Longing for the Sonderweg	0
Outline of the Psychophysical Educational Problem in the Work of Walter Benjamin	0
Introduction: Hans Blumenberg at 101	0
Fassbinder’s Unrequited Love: In a Year with 13 Moons	0
Mabuse Returns: Fritz Lang, 1950s Berlin, and the Afterlife of Nazi Television	0
Working on the Myth of the Anthropocene: Blumenberg and the Need for Philosophical Anthropology	0
Diva Time, Diva Space: Fassbinder and Veronika Voss	0
Fassbinder’s Fascist Drag	0
The Permanent Exhibition in the Documentation Center of Austrian Resistance and Its Role in Austria’s Dealing with the Nazi Past and the Holocaust	0
Unhappy End: Understanding Silence in Andreas Dresen’s Stilles Land	0
Laudation for Seyla Benhabib: Introduction to the Adorno Prize Lecture—Frankfurt, September 11, 2024	0
A Well-Tempered Modernist	0
Secular Reason? A Minor Query about a Major Work	0
The Child in the Dark: On Child Abuse in Robert Walser	0
Another Language: The Relationship between War and Politics in Ernst Jünger’s Early Political Writings	0
Renewing Resistance at Sea and on Isles: Peter Weiss’s The Aesthetics of Resistance, Volume 2, for the Twenty-First Century	0
Ernst Jünger, Theodor Adorno, and the Idea of Natural History	0
Reconsidering Photographic Temporality through Piotr Uklański’s Nazis	0
Against False Universals and Identitarian Thought	0
Habermas’s Emancipation as Lifeworldization	0
Epic Solutions of the “Goethe Problem” in Lukács and Moretti	0
For Future Reference: A Twenty-First-Century Reading of Peter Weiss’s Poetics of Parataxis and Scenes of Walking	0
Continuity as Catastrophe: Origins of a Thesis in Walter Benjamin	0